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Journal articles on the topic 'Japanese Pottery'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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1

Tsoumas, Johannis. "Traditional Japanese pottery and its influence on the American mid 20th century ceramic art." Matèria. Revista internacional d'Art, no. 18-19 (September 16, 2021): 139–53. http://dx.doi.org/10.1344/materia2021.18-19.6.

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The Japanese ceramic tradition that was to emerge along with other forms of traditional crafts through the Mingei Movement during the interwar period, as a form of reaction to the barbaric and expansive industrialization that swept Japan from the late nineteenth century, brought to light the traditional, moral, philosophical, functional, technical and aesthetic values that had begun to eliminate. Great Japanese artists, art critics and ceramists, such as Soetsu Yanagi and Shōji Hamada, as well as the emblematic personality of the English potter Bernard Leach, after caring for the revival of Ja

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2

ÖNEY, Dicle. "IMJIN SAVAŞI SONRASI KORELİ ÇÖMLEKÇİLERİN JAPON SERAMİK KÜLTÜRÜNE ETKİLERİ." SOCIAL SCIENCE DEVELOPMENT JOURNAL 7, no. 33 (2022): 43–56. http://dx.doi.org/10.31567/ssd.734.

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The Imjin War was fought between Japan and Korea between 1592 and 1598. The process that started with Japan's invasion of Korea resulted in the capture of skilled Korean craftsmen and about 800 Korean potters, among them, after the war. Captive Korean potters were settled in areas of western and southern Japan ruled by the Lords of the time. Korean potters, who have a deep-rooted ceramic tradition, developed ceramic production techniques in the Japanese regions where they were placed and became the creators of products such as Satsuma-yaki, Hagi and Karatsu ceramics, and Arita porcelain, which

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VINCENT, STEPHANIE. "“A Bull in Our China Shop:” Japanese Imports and the American Pottery Industry." Enterprise & Society 19, no. 2 (2018): 430–68. http://dx.doi.org/10.1017/eso.2017.66.

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From its beginning, the American pottery industry had to contend with the presence of imports. At first, manufacturers coped by promoting their own products and striving to improve design and quality. However, when Japan began importing china in greater quantities, American potters faced a challenge unlike any before. Initial attempts to attack imports outright through boycotts met with limited success through World War II. Following the peace, Cold War economic policy designed to reintroduce Japan to the global market led to another round of increasing importation. U.S. potters decried the po

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4

Zhushchikhovskaya, Irina. "Jomon pottery: cord-imitating decoration." Documenta Praehistorica 34 (December 31, 2007): 21–29. http://dx.doi.org/10.4312/dp.34.3.

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The paper discusses the decoration of pottery of the Neolithic Jomon culture (Japanese Archipelago, 13600–900 BC). The comb-impressed pattern produced by various kinds of cord or rope stamps is considered as the ‘calling card’ of Jomon pottery from the earliest cultural periods to the latest. Another kind of decoration recognized recently uses the cord not as a patterning tool, but as an essential motif of decorative composition. High relief elements imitate cordage forms and structures – knots, loops, hanging cord, net, etc. This kind of decoration corresponds to the pottery of Mid-dle Jomon

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Kuzmin, Yaroslav V., and Charles T. Keally. "Radiocarbon Chronology of the Earliest Neolithic Sites in East Asia." Radiocarbon 43, no. 2B (2001): 1121–28. http://dx.doi.org/10.1017/s0033822200041771.

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The radiocarbon age of the earliest pottery from Russian Far East—Gromatukha and Osipovka cultures—is between around 13,300 BP and around 10,400 BP. This shows that the Amur River basin was one of the centers of origin of pottery in East Asia, at the end of the Pleistocene. Today, there are three areas within East Asia with pottery-associated 14C dates between around 14,000 BP and 13,000 BP—southern China, the Japanese Isles, and Russian Far East.

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Sugiyama, Toyohiko, Hiroshi Kakiuchida, and Masayoshi Ohashi. "Visible and Infra-Red Reflectance of Several Typical Japanese Glazes for Roof Tiles and Wall Tiles." Advances in Science and Technology 68 (October 2010): 96–101. http://dx.doi.org/10.4028/www.scientific.net/ast.68.96.

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. Tile coating with a higher reflectance of sun light are effective in mitigating heat-island phenomenon. Covering the surface of the ground or the exterior of buildings with such high reflectance coatings has attracted attention because of its high cost effectiveness. Recently, companies producing Japanese roofing tiles or wall tiles have been trying to develop high reflectance glaze for their products. However, while we have enormous amounts of data on visible reflectance measured through the study of glaze coloration, there are comparatively less data pertaining to infrared reflectance on p

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Garcia, Gloria. "Internationalization of Culture through Traditional Arts: A Case of Japanese SMEs." Copenhagen Journal of Asian Studies 30, no. 1 (2013): 80–95. http://dx.doi.org/10.22439/cjas.v30i1.4166.

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There are two important subjects concerning internationalization strategies that are of interest to academia, the business community and society in general. The first one is internationalization of small and medium-sized enterprises (SMEs); the other one is internationalization of local cultures. This article provides insights into the specific internationalization strategies used by Japanese SMEs to export traditional arts to foreign markets, focusing on Japanese pottery for the tea ceremony. SMEs encounter difficulties concerning limited resources in their internationalization process, but w

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Kuzmin, Yaroslav V. "The Origin of Pottery in East Asia and Its Relationship to Environmental Changes in the Late Glacial." Radiocarbon 52, no. 2 (2010): 415–20. http://dx.doi.org/10.1017/s003382220004546x.

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The chronometry of the origin of pottery in East Asia can give some insights to the question: did environmental changes trigger and/or accelerate innovations such as pottery-making, maritime adaptation, and agriculture? Recent results show that pottery emerged in 3 regions of East Asia: south China (up to ∼14,800 BP), the Japanese Islands (about 13,800–13,500 BP), and the Russian Far East (∼13,300 BP). The earliest pottery in the Old World preceded the Bølling-Allerød warm period (about 13,000–11,500 BP). Thus, the relationship between climate and pottery origin was not “linear.” It seems that

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Lucquin, Alexandre, Kevin Gibbs, Junzo Uchiyama, et al. "Ancient lipids document continuity in the use of early hunter–gatherer pottery through 9,000 years of Japanese prehistory." Proceedings of the National Academy of Sciences 113, no. 15 (2016): 3991–96. http://dx.doi.org/10.1073/pnas.1522908113.

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The earliest pots in the world are from East Asia and date to the Late Pleistocene. However, ceramic vessels were only produced in large numbers during the warmer and more stable climatic conditions of the Holocene. It has long been assumed that the expansion of pottery was linked with increased sedentism and exploitation of new resources that became available with the ameliorated climate, but this hypothesis has never been tested. Through chemical analysis of their contents, we herein investigate the use of pottery across an exceptionally long 9,000-y sequence from the Jōmon site of Torihama

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Tanabe, Koichi, Honoka Hayashi, Natsuki Murakami, Yoko Yoshiyama, Jun Shima, and Shinya Shoda. "Glazing Affects the Fermentation Process of Sake Brewed in Pottery." Foods 13, no. 1 (2023): 121. http://dx.doi.org/10.3390/foods13010121.

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Sake (Japanese rice wine) was fermented in pottery for more than a millennium before wooden barrels were adopted to obtain a greater brewing capacity. Although a recently conducted analysis of sake brewed in pottery indicated that sake brewed in unglazed pottery contains more ethanol than that brewed in glazed pottery, little is known about the characteristics of sake brewed in pottery. In this study, we used two types of ceramic containers of identical size, one glazed and one unglazed, for small-scale sake brewing to evaluate the effects of glazing on fermentation properties. The following p

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Rowley, C. "The British Pottery Industry: A Comment on a Case of Industrial Restructuring, Labour, and Locality." Environment and Planning A: Economy and Space 24, no. 11 (1992): 1645–50. http://dx.doi.org/10.1068/a241645.

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In a paper in an earlier volume of Environment and Planning A Imrie argues that in the 1980s the British pottery industry was restructuring in various ways, not least towards some form of Fordism, post-Fordism, Japanese-style production, and internationalisation. In this paper it is argued that, first, developments are not new to the industry; second, the empirical basis of Imrie's argument is limited; third, some trends have actually been in contradictory directions. In sum, rather than an example of simple change, the pottery industry represents both continuity and change in many respects.

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Lucquin, Alexandre, Harry K. Robson, Yvette Eley, et al. "The impact of environmental change on the use of early pottery by East Asian hunter-gatherers." Proceedings of the National Academy of Sciences 115, no. 31 (2018): 7931–36. http://dx.doi.org/10.1073/pnas.1803782115.

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The invention of pottery was a fundamental technological advancement with far-reaching economic and cultural consequences. Pottery containers first emerged in East Asia during the Late Pleistocene in a wide range of environmental settings, but became particularly prominent and much more widely dispersed after climatic warming at the start of the Holocene. Some archaeologists argue that this increasing usage was driven by environmental factors, as warmer climates would have generated a wider range of terrestrial plant and animal resources that required processing in pottery. However, this hypot

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Tabarev, Andrey V., Yoshitaka Kanomata, Jorge G. Marcos, Alexander N. Popov, and Boris V. Lazin. "Insights into the Earliest Formative Period of Coastal Ecuador: New Evidence and Radiocarbon Dates from the Real Alto Site." Radiocarbon 58, no. 2 (2016): 323–30. http://dx.doi.org/10.1017/rdc.2015.23.

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AbstractOne of the most intriguing questions of South American archaeology is the time, place, and origin of the earliest pottery. Since the late 1950s, the earliest pottery has been attributed to the materials of the Early Formative Valdivia culture (5600–3500 BP), coastal Ecuador. Excavations at the Real Alto site conducted in the 1970s and 1980s allowed the rejection of the spectacular “Jomon–Valdivia” hypothesis and established a local origin of the phenomenon. Recent radiocarbon dates from a joint Russian–Japanese–Ecuadorian project at Real Alto open a new page in our knowledge of the tra

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Keally, Charles T., Yasuhiro Taniguchi, Yaroslav V. Kuzmin, and Igor Y. Shewkomud. "Chronology of the Beginning of Pottery Manufacture in East Asia." Radiocarbon 46, no. 1 (2004): 345–51. http://dx.doi.org/10.1017/s0033822200039643.

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This paper presents an updated radiocarbon chronology of the earliest pottery sites in the Old World. Ceramic production originated in the Late Glacial period in several regions of East Asia—the Japanese Islands, the Russian Far East, and southern China—at approximately the same time, about 13,700–13,300 BP (about 17,200–14,900 cal BP).

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Kaneda, Akihiro, Tomomi Nakagawa, Kohei Tamura, Koji Noshita, and Hisashi Nakao. "A proposal of a new automated method for SfM/MVS 3D reconstruction through comparisons of 3D data by SfM/MVS and handheld laser scanners." PLOS ONE 17, no. 7 (2022): e0270660. http://dx.doi.org/10.1371/journal.pone.0270660.

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SfM/MVS photogrammetry has received increasing attention due to its convenience, broadening the range of its applications into archaeology and anthropology. Because the accuracy of SfM/MVS depends on photography, one important issue is that incorrect or low-density point clouds are found in 3D models due to poor overlapping between images. A systematic way of taking photographs solve these problems, though it has not been well established and the accuracy has not been examined either, with some exceptions. The present study aims to (i) develop an efficient method for recording pottery using an

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Pozdnyakova, D. Y. "Attribution of several Japanese porcelain and ceramic vessels: «controlled pottery» of the second world war. Gifu pottery markings." Декоративное искусство и предметно-пространственная среда. Вестник МГХПА, no. 1-2 (2023): 220–32. http://dx.doi.org/10.37485/1997-4663_2022_1_2_220_232.

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Paredes, Alyssa. "The problem of mechanization: Craft, machines, and ‘centering’ in a Japanese Mingei pottery village." Journal of Material Culture 23, no. 2 (2017): 133–50. http://dx.doi.org/10.1177/1359183517725366.

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This article provides a conceptual basis for ‘centering’ the relationship between artisanship and mechanization as one would in pottery making. Critical theory dichotomizes handwork from machine-work, emphasizing the division between non-alienated and alienated labor, authenticity and inauthenticity, and experiential resonance and capitalist fetishism. The author demonstrates the theoretical shortcomings and social repercussions of these dualisms through a study of Onta, a Japanese pottery village associated with the mingei folkcraft movement. Tied to ideals of cultural authenticity predicated

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18

Ma, Scott. "The Politics of Curating Japonisme." Journal of Japonisme 8, no. 1 (2023): 31–66. http://dx.doi.org/10.1163/24054992-08010001.

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Abstract This article studies the Paris exposition Japonismes 2018, organized by the Japanese government to introduce the European public to the profundity of Japanese culture. It examines the organizational deliberations leading up to the exposition; the curation of individual exhibits held within its ambit; and the cultural politics of ‘Japan expositions’ that began with Japonismes and continue to this day. It argues that the organizers and exhibits in Japonismes make political use of the trope of a timeless, mystical, and animistic Japanese sense of beauty that supposedly unites prehistoric

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Nakamura, Toshio, Yasuhiro Taniguchi, Sei'ichiro Tsuji, and Hirotaka Oda. "Radiocarbon Dating of Charred Residues on the Earliest Pottery in Japan." Radiocarbon 43, no. 2B (2001): 1129–38. http://dx.doi.org/10.1017/s0033822200041783.

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Recently, primitive-type pottery was discovered in the Russian Far East, China, and Japan. Radiocarbon ages of far earlier than 10,000 BP have been obtained, relating directly or indirectly to the pottery. As an example of these very old 14C ages for incipient pottery, we report here 14C ages of charred adhesions on five potsherds and three charred wood fragments that were collected with the archeological artifacts (stone tools from the Chojakubo Culture) in the loam layers at the Odai Yamamoto I site (41°03′44′′N, 140°33′20′′E) in Aomori prefecture, at the northern end of the Japanese main is

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20

Morisaki, Kazuki, and Daigo Natsuki. "Human behavioral change and the distributional dynamics of early Japanese pottery." Quaternary International 441 (June 2017): 91–101. http://dx.doi.org/10.1016/j.quaint.2016.09.040.

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Kudo, Yuichiro. "Emergence of Pottery in the Japanese Archipelago and its Environmental Context." Quaternary International 279-280 (November 2012): 258. http://dx.doi.org/10.1016/j.quaint.2012.08.629.

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22

Ransome, Alison. "Ian Calder McKay was Here: A Legacy of Beauty in Pottery." Queensland Review 16, no. 1 (2009): 79–94. http://dx.doi.org/10.1017/s1321816600004979.

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Yet in time to come the individual will fade into oblivion, and the work will stand or fall by its abstract power or its lack of it.— Ian McKayIn 1983, more or less mid-career as it turned out to be in the light of his early death, Ian McKay summarised his intentions as a potter:I try to make simple pots that people will enjoy using. The traditions I draw on for inspiration are mainly Japanese and what could loosely be called ‘the Cardew’ tradition. In practice for me this amounts to forms that are a clear statement of the pot's function, and very simple glaze recipes using the maximum of hand

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23

Shibayama, Yoshihiko, Hiroaki Kanouchi, Akira Fujii, and Masanobu Nagano. "A review of Kurozu, amber rice vinegar made in pottery jars." Functional Foods in Health and Disease 10, no. 6 (2020): 254. http://dx.doi.org/10.31989/ffhd.v10i6.713.

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Brewed rice vinegar, Kurozu, is a traditional Japanese vinegar with a dark amber color. Kurozu is produced in a regional area of Japan using traditional techniques and made inside handcrafted pottery jars. Kurozu is used as both a seasoning and a healthcare supplement. In vitro and in vivo investigations of ingredients in Kurozu have been carried out. Studies of the functional aspects of Kurozu began in the 1980s, and the health promoting and disease preventing effects of Kurozu have since been elucidated. It was reported that Kurozu improved the symptoms of hypertension, allergies, hyperchole

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Ha, Myoung Goo, and Seung Woog Kim. "A Study on the Potential of Contemporary Ceramic Formation Expression Hidden in 『Yugongtogi』 (Jar with a hole) of Ancient Mahan -Focusing on the Morphological Conceptual Comparison with Yagi kazuo's representative work 『Mr. Zamsa's Walk』-." Institute of Art & Design Research 25, no. 1 (2022): 25–34. http://dx.doi.org/10.59386/jadr.2022.25.1.25.

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This study focuses on ‘Yugongtogi’(Jar with a hole) from Mahan from the Mahan cultural area located in the Yeongsan River throughout 3RD to 5TH century, and analyzes its significance, morphological and conceptual characteristics simultaneously. Based on the results of the analysis, this will examine the works of Kazuo Yagi who organized a Japanese radical pottery group named, ‘Sodeisha’and established a new field of modern ceramics by his non-functional pottery works; It is to verify whether the formative features of ancient earthenware can be applied to the modern ceramics by observing throug

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Pearson, Richard. "Chiefly exchange between Kyushu and Okinawa, Japan, in the Yayoi period." Antiquity 64, no. 245 (1990): 912–22. http://dx.doi.org/10.1017/s0003598x00079023.

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Introduction During the Yayoi Period of Japan (approximately 300 BC to 300 AD) tropical shell bracelets appear in elite burials in Kyushu (FIGURE 1) .In this paper I discuss recent investigations which indicate that these shells were produced in Okinawa, some 500 km. to the southwest of Kyushu, and were exchanged for Yayoi pottery vessels and possibly other artefacts. The context of this exchange system and the implications for Japanese prehistory are also considered.

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WINTHER-TAMAKI, B. "Yagi Kazuo: The Admission of the Nonfunctional Object into the Japanese Pottery World." Journal of Design History 12, no. 2 (1999): 123–41. http://dx.doi.org/10.1093/jdh/12.2.123.

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Zhushchikhovskaya, Irina S., and Lyudmila N. Mylnikova. "The Oldest Ceramics of East Asia: Current Research Questions (Materials for the Educational Course “Ceramics as an Archaeological Source”)." Archaeology and Ethnography 19, no. 7 (2020): 10–33. http://dx.doi.org/10.25205/1818-7919-2020-19-7-10-33.

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Purpose. The article presents a historiographical review of the problems of research of ancient ceramics from archaeological sites of East Asia in the chronological interval from 20,000–18,000 to 9,000 years ago. Results. The subject of discussion is the periodization of monuments with early ceramics, the problems of socio-economic conditions of the emergence of pottery technology, its functional role in ancient societies, reconstruction of technological skills and technical levels of pottery, morphology and decor. There are a lot of controversial issues and “blind spots” in this direction. Ho

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Horiuchi, Akiko, Yoshiki Miyata, Nobuhiko Kamijo, Lucy Cramp, and Richard P. Evershed. "A Dietary Study of the Kamegaoka Culture Population during the Final Jomon Period, Japan, Using Stable Isotope and Lipid Analyses of Ceramic Residues." Radiocarbon 57, no. 4 (2015): 721–36. http://dx.doi.org/10.2458/azu_rc.57.18455.

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The Jomon culture is an ancient Japanese society that existed during approximately 14,000 to 400 BC and which is characterized by Jomon (cord pattern) pottery. To investigate the paleodiet of the people of northeastern Tohoku in Japan during the Final Jomon period (about 1000–400 BC), we studied three sites in Aomori Prefecture, the center of the Kamegaoka culture. The Fubinashi site is on the coast and was supported by a rich fishing culture. Imazu was a coastal salt-making site. Sugisawa is a mountainous inland site on the banks of a river. We determined the 14C ages of the interior and exte

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Van Luong, HY, and Diệp Đinh Hoa. "Culture and Capitalism in the Pottery Enterprises of Biên Hòa, South Vietnam (1878–1975)." Journal of Southeast Asian Studies 22, no. 1 (1991): 16–32. http://dx.doi.org/10.1017/s0022463400005440.

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In the past two decades, social scientists have paid considerably greater attention to the possible role of native sociocultural frameworks in structuring the organization of economic enterprises. The primary research focusing on the Japanese and Chinese cases relates to the emergence of many highly competitive industries in capitalist East Asia in which relations of production do not necessarily resemble American or Western industrial relations. The following historical analysis of production relations in the pottery industry of Tân Vạn, a major centre of Southern Vietnamese ceramic productio

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Kaner, Simon, and Takeshi Ishikawa. "Reassessing the concept of the ‘Neolithic’ in the Jomon of Western Japan." Documenta Praehistorica 34 (December 31, 2007): 1–7. http://dx.doi.org/10.4312/dp.34.1.

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The concept of the Mesolithic/Neolithic transition is difficult to apply in the Japanese archipelago. The earliest pottery usage occurs in late Palaeolithic contexts. Holocene foragers lived in stable, permanent village settlements and constructed large scale monuments, and the first real ‘agriculture’ arrived as part of a cultural package which also included metallurgy. This paper will examine the use of the term ‘Neolithic’ in the history of Japanese archaeology, with particular emphasis on what happened in the western part of the archipelago in the latter part of the Jomon period (c. 5000 B

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Shin, Na Kyung. "The Effect of Joseon Pottery and Aesthetic Significance on Traditional Japanese Ceramics -Focusing on the life and work of the Chosun Potters Chief-." KOREA SOCIETY FOR SCIENCE OF EASTERN ART 53 (November 30, 2021): 75–99. http://dx.doi.org/10.19078/ea.2021.53.4.

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Ono, Akira, Hiroyuki Sato, Takashi Tsutsumi, and Yuichiro Kudo. "Radiocaron Dates and Archaeology of the Late Pleistocene in the Japanese Islands." Radiocarbon 44, no. 2 (2002): 477–94. http://dx.doi.org/10.1017/s0033822200031854.

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We discuss the radiocarbon chronology of Late Pleistocene archaeology in the Japanese islands. In sum, 429 samples from more than 100 archaeological sites were compiled and then divided into three periods and four stages. The Early Upper Paleolithic, characterized by Trapezoid industries, lasted during approximately 34-26 ka. The Late Upper Paleolithic period includes both the backed-blade stage and point-tool stage, the latter appearing chronologically later than the former. This stage covers ~25–15 ka. The Final Upper Paleolithic and Incipient Jomon are distinguished by the appearance of mic

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Gladyshev, Sergey, Andrei Tabarev, and Takashi Tsutsumi. "The World of Incipient Jomon, Japanese Archipelago: Nature, Technologies, Society, and Continental Neighbors." Stratum plus. Archaeology and Cultural Anthropology, no. 1 (February 26, 2021): 337–58. http://dx.doi.org/10.55086/sp211337358.

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Incipient Jomon — 14 000—10 000 BP (16 000—11 500 cal. BP) — the first period of the Neolithic on the Japanese Archipelago the content of which includes the significant changes in lithic industry, the origin of pottery-making, the transformation of economic and settlement patterns against the background of climatic and landscape fluctuations in the Final Pleistocene and the Pleistocene-Holocene boundary. The abundance of archaeological materials and an extensive database allow us to evaluate different variants of the internal division of Incipient Jomon, to examine the common and local manifes

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Horiuchi, Akiko, Nobuo Ochiai, Hitomi Kurozumi, and Yoshiki Miyata. "Detection of chloride from pottery as a marker for salt: A new analytical method validated using simulated salt-making pottery and applied to Japanese ceramics." Journal of Archaeological Science 38, no. 11 (2011): 2949–56. http://dx.doi.org/10.1016/j.jas.2011.06.003.

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Girchenko, E. А. "Technological Features of Early Ceramics of the Northeastern China." Problems of Archaeology, Ethnography, Anthropology of Siberia and Neighboring Territories 27 (2021): 91–98. http://dx.doi.org/10.17746/2658-6193.2021.27.0091-0098.

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This article investigates the materials from recent excavations of the Neolithic sites in the Northeastern China, where the pottery dated back to more than 10,000 years BP was discovered. The author considered two early Neolithic sites in the Nenjiang River basin in the territory of modern Jilin province, Houtaomuga (its earliest layer), Shuangta, as well as the later one, Changtuozi-3. The comparison with the traditions of the archaeological cultures of the adjacent territories of the Russian Far East could make it possible to clarify the distribution of ancient pottery in the region. The mos

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Jung, Jaehyun, and Seulji Jang. "A Study on the Change and Structure of Mahan interaction Network in Northern Kyush: Focusing on the Mahan pottery From the late Yayoi period to the early Kofun period." Hoseo Archaeological Society 58 (June 30, 2024): 129–72. http://dx.doi.org/10.34268/hskk.2024.58.129.

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Records implying the interaction between the Korean Peninsula and the Japanese archipelago are found in works such as the 『漢書地理志』 and the 『魏志倭人伝』. In addition, considering that the Nakrang (樂浪)·Daebang (帶方) route was inevitably through the Mahan region, it can be seen that Mahan was also located within the Korea-Japan interaction network. This is evidenced by the large number of Mahan pottery found in northern Kyushu, where various Korean Peninsula-type pottery are concentrated. This article attempts to estimate the location and operational strategy of the Mahan interaction network from a comp

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TABAREV, ANDREY V., and DARYA A. IVANOVA. "Burials, pottery, and shell-mounds: from the history of the Jōmon epoch sites studies, Japanese archipelago." Гуманитарные исследования в Восточной Сибири и на Дальнем Востоке, no. 2 (2018): 36–42. http://dx.doi.org/10.24866/1997-2857/2018-2/36-42.

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Polanski, Zhanna. "THE TRADITIONS OF JAPANESE CERAMICS." Scientific and analytical journal Burganov House. The space of culture 16, no. 4 (2020): 113–32. http://dx.doi.org/10.36340/2071-6818-2020-16-4-133-145.

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The article focuses on an important topic - the traditions of Japanese ceramics. Its relevance lies in the importance of solving the problem of identifying artworks: whether they are fake or original. Incorrect attribution of an item can lead to severe legal and material consequences and significantly affect the reputation. Differences between the terms “a copy” and “a forgery” with the assessment of positive and negative aspects of falsification are revealed. Highly qualified specialists with certificates and diplomas are required to identify and attribute art. The article shows the main requ

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Miyata, Yoshiki, Akiko Horiuchi, Megumi Kondo, et al. "Marine Reservoir Effects Deduced from 14C Dates on Pottery Residues, Bones, and Molluskan Shells from the Hamanaka 2 Archaeological Site, Rebun Island, Hokkaido, Japan." Radiocarbon 58, no. 4 (2016): 755–70. http://dx.doi.org/10.1017/rdc.2016.93.

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AbstractThis article investigates the marine reservoir effects from apparent age differences among molluskan shells, birds, and sea mammals from the Hamanaka 2 archaeological site, Rebun Island, Japan, which was occupied during the latter half of the Late Jomon period (1300−1200 cal BC). The radiocarbon ages were younger in the order of charred wood<marine molluskan shells<Alcidae<Japanese sea lion≤charred materials on potsherds. According to data from molluskan shells from the site, the local marine reservoir correction (ΔR) for the Soya Warm Current, which flows near Rebun Island, w

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Jones, Meghen. "Hamada Shōji, Kitaōji Rosanjin, and the Reception of Japanese Pottery in the Early Cold War United States." Design and Culture 9, no. 2 (2017): 187–205. http://dx.doi.org/10.1080/17547075.2017.1329263.

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Omoto, Kunio, Kenji Takeishi, Shigeru Nishida, and Junichi Fukui. "Calibrated 14C Ages of Jomon Sites, NE Japan, and their Significance." Radiocarbon 52, no. 2 (2010): 534–48. http://dx.doi.org/10.1017/s0033822200045574.

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The traditional archaeological chronology in the Japanese Islands during the Jomon period was essentially based on the relative age given to cord-impressed patterns marked on pottery, as well as the shape of the pottery and the thickness of the cultural layers that were excavated. We aimed to correlate the classical archaeological chronology with calibrated radiocarbon dates, to posit a new chronology for the Jomon period in northeastern Japan. We calibrated 80 accelerator mass spectrometry (AMS) 14C dates from NE Japan and reconstructed a chronological timetable for Hokkaido and the Tohoku Di

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Tabarev, A. V. "Lithic Caches in the Paleolithic – Neolithic in the Far East: Terminological and Functional Aspects of Discussion." Problems of Archaeology, Ethnography, Anthropology of Siberia and Neighboring Territories 27 (2021): 254–58. http://dx.doi.org/10.17746/2658-6193.2021.27.0254-0258.

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This article addresses the caches of stone artifacts of the Final Paleolithic - Neolithic/Jomon (35,000-2500 cal. BP), which have been found in the Russian part of the Far East and the Japanese Archipelago, focusing on terminology and functional purpose of the artifacts. There are less than dozen of such complexes in the Russian part (Novopetrovka culture on the Middle Amur, Osipovka culture on the Lower Amur, Ustinovska complexes in Primorie, and Ushki sites in Kamchatka), whereas there are over four hundred sites of the Final Paleolithic - Jomon on the Japanese Archipelago. Although caches s

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Fujio, Shin’ichiro. "Early Grain Cultivation and Starting Processes in the Japanese Archipelago." Quaternary 4, no. 1 (2021): 3. http://dx.doi.org/10.3390/quat4010003.

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This paper presents a specific examination of the introduction of grain cultivation and the processes of development in the Japanese Archipelago. In fact, no definitive archaeological evidence has been found that Jomon hunter–gatherers cultivated grain in the Japanese Archipelago; the earliest potential evidence of grain is a stamp mark of rice on the surface of a final late-Jomon, in about 11th century BC, pottery found at the Itaya 3 site in Shimane Prefecture. Current evidence indicates that the first grain cultivation was started by Jomon people who adopted irrigated wet rice cultivation t

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Kim, Jin-Mi, and Byong Keon Choi. ""A Study on the Influence of the Characteristics of pottery Experience on Experience and Intention of Occupational Activities - Japanese case"." Journal of Basic Design & Art 20, no. 4 (2019): 81–91. http://dx.doi.org/10.47294/ksbda.20.4.6.

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Gusmano, Beatrice. "The Kintsugi Art of Care: Unraveling Consent in Ethical Non-Monogamies." Sociological Research Online 24, no. 4 (2018): 661–79. http://dx.doi.org/10.1177/1360780418816103.

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Making a contribution to the sociology of intimacy, this article aims to present how lesbian, gay, bisexual, transsexual, and queer people live their ethical non-monogamous relationships in Italy. Giving great space to the concept of consent through the literature on the ethics of care, I will refer to different conceptualizations of critical consent given by feminist and BDSM communities, spaces in which ethics is based on unveiling power structures through the focus on consent. In fact, the centrality of the collective dimension in embracing ethical non-monogamies appears fundamental, challe

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Ivanova, D. A. "Archaeological Collections from the Jōmon Period in the Peter the Great Museum of Anthropology and Ethnography (Kunstkamera)." Archaeology, Ethnology & Anthropology of Eurasia 52, no. 2 (2024): 29–36. http://dx.doi.org/10.17746/1563-0110.2024.52.2.029-036.

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This article presents an analysis and additional description of archaeological items of the Jōmon period from A.V. Grigoriev’s collection (No. 1294) at the Department of Archaeology of the Peter the Great Museum of Anthropology and Ethnography (Kunstkamera) RAS in St. Petersburg. The study focuses on the description of decorative motifs and the stylistic attribution of selected samples of pottery. The analysis is based on the published data about the Ōmori shell mound (Tokyo, Honshu Island), visited by Grigoriev in 1878 as a part of the expedition from the Imperial Russian Geographical Society

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Taoka, Yousuke, Kentaro Sakai, Hiroyuki Kinoshita, et al. "Evaluation of Rate of Adhesion of Lactobacillus namurensis Strain GYP-74 to Porous Fine Ceramics." Processes 9, no. 4 (2021): 658. http://dx.doi.org/10.3390/pr9040658.

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This study aimed to evaluate the ratio of adherence of lactic acid bacteria (LAB) to porous fine ceramics in order to develop a novel LAB-rich pickle container for the production of functional fermented vegetables. Some LAB were isolated from the salted rice bran used for pickling (Nukadoko in Japanese). These isolates were classified in Lactobacillus namurensis by phylogenetic analysis. Some pottery-shard (PS) samples were prepared by varying the mixing rate of polyacetal (POM) resin to clay (0–30% (v/v)) and the burning temperature (1000 °C or 1100 °C). A test of the adherence of strain GYP-

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Tabarev, Andrey V., Irina S. Zhushchikhovskaya, and Darya A. Ivanova. "On the Term ‘Jōmon’ and the Contribution of Russian Scholars to Jōmon Studies." Documenta Praehistorica 47 (December 3, 2020): 560–71. http://dx.doi.org/10.4312/dp.47.32.

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The article is devoted to the introduction of the term ‘Jōmon’ into Russian archaeological literature, its understanding, and the contribution of Russian scholars to Jōmon studies starting from the late 20th century. The recognition of the term and its use had some peculiarities which were caused not only by the language barrier and political events in the far eastern region, but mostly by the specifics of the archaeological investigations in the Russian Far East and the priority of research focused first on the Ainu origin, and then on the Palaeolithic rather on the nature of the Neolithic. T

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Dobkin, Patricia Lynn. "Kintsugi mind: clinicians can emerge from the pandemic whole." International Journal of Whole Person Care 9, no. 1 (2022): 18–19. http://dx.doi.org/10.26443/ijwpc.v9i1.324.

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The Japanese practice an ancient art called Kintsugi. A craftsperson repairs broken pottery with gold or silver rendering it more beautiful than in its original state. Can clinicians engage in “Kintsugi Mind” and thereby emerge from this pandemic integrated and whole? Yuan et al. (2021) conducted a meta-analysis including 88 studies of post-traumatic stress disorder (PTSD) following earlier pandemics and COVID-19. Health care professionals had the highest prevalence (26.9%) compared to infected cases and the public. Another type of trauma is called secondary or vicarious; it occurs when

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Aoyama, Hiroaki, Kaishi Yamagiwa, Shingo Fujimoto, Jin Izumi, Senri Ganeko, and Shingo Kameshima. "Non-destructive elemental analysis of prehistoric potsherds in the southern Ryukyu Islands, Japan: Consideration of the pottery surface processing technique in the boundary region between the Japanese Jōmon and Neolithic Taiwan." Journal of Archaeological Science: Reports 33 (October 2020): 102512. http://dx.doi.org/10.1016/j.jasrep.2020.102512.

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