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Journal articles on the topic 'Japanese Propaganda'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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1

Candelaria, John Lee. "“Dainty hands do useful work”: Depicting Filipino women in Japanese wartime propaganda." Plaridel 18, no. 1 (2021): 111–45. http://dx.doi.org/10.52518/2021.18.1-06cndlra.

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This article analyzes the visual depiction of women in the Tribune, the main propaganda newspaper of Japan in the Philippines during the Pacific War. Japanese wartime propaganda painted an image of a productive and cooperative Filipina, respectable and modest like her Japanese counterpart. The analysis reveals three motivations for depicting women in said light: to show a semblance of normalcy despite the turbulent war, to entice women to serve Japan’s aims, and to disprove the Japanese women’s image as subservient wives or entertainers while asserting the connection between the two countries.

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Budi Agustono, Nurhabsyah, Lila Pelita Hati, Junaidi, and Kiki Maulana Affandie. "Kita Sumatora Sinbun newspaper as Japanese propaganda media in East Sumatera, Indonesia, 1943-1945." Talenta Conference Series: Local Wisdom, Social, and Arts (LWSA) 3, no. 4 (2020): 11–15. http://dx.doi.org/10.32734/lwsa.v3i4.1122.

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Japan's ambition to be an Asian giant has been shown since 1937 in the Asia-Pacific War or in Japan it is called the Great East Asian War. In an effort to win the sympathy of the Asian people, Japan carried out various propaganda campaigns. In Indonesia, the propaganda was launched by the Japanese military government was very intensive by stating that they were brothers in arms to drive out Western imperialism, and promised independence for Indonesia. To launch its propaganda, Japan facilitated and supervised what was published in Indonesian newspapers every shu. In East Sumatera, the Japanese

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3

Tyas, Agnes Siwi Purwaning. "Kokutai Spirit and The Concept of National Identity in Japanese National Policy Film." Retorik: Jurnal Ilmu Humaniora 10, no. 1 (2022): 34–55. http://dx.doi.org/10.24071/ret.v10i1.4808.

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The Greater East Asia Co-Prosperity Sphere was Japan’s imperialist attempt to control the economies of East Asia and Southeast Asia in the first half of the twentieth century. The constituents of the Sphere included Japan, Korea, China, Manchuria, and some territories in Southeast Asia. To increase agricultural production and strengthen its military force, Japan recruited people from its colonies. As the leader of the Sphere, Japan wished to establish its own identity as distinct from—and superior to—that of the West. Propaganda campaigns and media were carefully prepared to manipulate the tho

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Sholekah, Imroatul, and Nurhadi Sasmita. "Djawa Baroe sebagai Media Propaganda Jepang di Jawa (1943-1945)." Historia 4, no. 1 (2021): 25. http://dx.doi.org/10.19184/jhist.v4i1.28442.

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This study discusses Djawa Baroe as a Japanese Propaganda Media in Java in 1943-1945. Djawa Baroewas a pictorial magazine published during the Japanese Occupation Government in Java as a medium for transferring information to the Dutch East Indies population containing propaganda news. The problems studied in this study are the press policy of the Japanese Occupation Government in Java, the form of Japanese Occupation Government propaganda in the fields of education, literature and art, socio-culture, and military as appearing in Djawa Baroe, as well as examining the impact of Japanese Occupat

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Zhou, Min, and Hanning Wang. "Anti-Japanese Sentiment among Chinese University Students: The Influence of Contemporary Nationalist Propaganda." Journal of Current Chinese Affairs 46, no. 1 (2017): 167–85. http://dx.doi.org/10.1177/186810261704600107.

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This study looks at the sources of anti-Japanese sentiment in today's China. Using original survey data collected in June 2014 from 1,458 students at three elite universities in Beijing, we quantitatively investigate which factors are associated with stronger anti-Japanese sentiment among elite university students. In particular, we examine the link between the Chinese Communist Party (CCP)'s nationalist propaganda (especially patriotic education) and university students’ anti-Japanese sentiment. We find that nationalist propaganda does indeed have a significant effect on negative sentiment to

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Hashina Rosalini, Raisa, and Desi Dwi Prianti. "Propaganda Jepang melalui Majalah Djawa Baroe pada Masa Kependudukannya di Indonesia." Jurnal Komunikasi 16, no. 2 (2022): 223–38. http://dx.doi.org/10.20885/komunikasi.vol16.iss2.art8.

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War and propaganda become two inseparable aspects. When its occupation in Indonesia, Japan used various tool to influence and attract Indonesian’s attention. Mass media became the most accessible tool used by Japan to give the doctrines and propaganda, especially Djawa Baroe magazines. This paper aims to analyze how the Japanese use the media, especially Djawa Baroe magazine, produced in 1943 in Indonesia as a propaganda tool in doctrine and mobilize its dominated society through the discourse analysis approach. The research was conducted through three stages of analysis, in which the results

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Rosalini, Raisa Hashina. "“We have same background” as Japan’s propaganda to Indonesia." Advances in Social Sciences Research Journal 9, no. 4 (2022): 349–54. http://dx.doi.org/10.14738/assrj.94.12058.

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This paper analyzes how propaganda works during the war, focusing on Japanese propaganda during its occupation in Indonesia between 1943-1945 through the magazine. Using the text analysis approach, this paper tent to analyze how Djawa Baroe magazine, which consists of 250 articles, works as a propaganda tool in doctrine and mobilizes its dominated society. The research was conducted through three stages of analysis and later analyzed through critical discourse analysis. It can be seen that Japan uses Djawa Baroe magazine as a propaganda tool by showing a variety of persuasion, doctrine, proxim

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Irianti, Mufidha Brilian. "Menabur Kebiasaan: Propaganda Gerakan Menabung Jepang (1941-1945)." Lembaran Sejarah 11, no. 1 (2017): 71. http://dx.doi.org/10.22146/lembaran-sejarah.23784.

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Japan colonialism during World War II brought signifcant impact for Indonesia. Aside from political and social impacts, it has affected daily life. Japanese occupation was meant to recruit human resources from the region on behalf of the Pacifc War. Japan made efforts to capture the attention and cooperation of locals. Japanese propaganda used a variety of media to send the messages. One such propaganda consisted to persuade people to save in formal institutions. In order to reach people of all backgrounds, military government used a variety of mass media such as newspapers, magazines, movies,

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Nitayadnya, I. Wayan. "Muatan Politik Propaganda Kolonial Jepang dalam Cerpen dan Drama Karya Idrus." ATAVISME 16, no. 2 (2013): 215–27. http://dx.doi.org/10.24257/atavisme.v16i2.95.215-227.

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Penelitian ini bertujuan mengungkap bentuk propaganda yang dilakukan oleh pihak kolonial Jepang dalam cerpen “Ave Maria” dan drama empat babak “Kejahatan Membalas Dendam” karya Idrus. Teori yang digunakan untuk mengungkap hal tersebut adalah teori hegemoni Gramsci. Metode yang digunakan dalam penelitian ini adalah metode studi kepustakaan, deskriptif analitik, dan penyajian secara naratif. Hasil analisis menunjukkan bahwa karya Idrus yang ditulis pada masa pendudukan Jepang di Indonesia sarat dengan muatan politis, yaitu politik propaganda yang diterapkan oleh pemerintah Jepang untuk menggelor

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Kurasawa, Aiko. "Japanese Film Propaganda in Java 1942-1945." Southeast Asia: History and Culture, no. 18 (1989): 41–69. http://dx.doi.org/10.5512/sea.1989.41.

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Choe, Jae-Seong. "Propaganda of Sanitation by Japanese Police Organizations." Association Of Korean-Japanese National Studies 40 (June 30, 2021): 5–53. http://dx.doi.org/10.35647/kjna.2021.40.5.

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Dobson, Hugo. "Japanese postage stamps: propaganda and decision making." Japan Forum 14, no. 1 (2002): 21–39. http://dx.doi.org/10.1080/09555800120109014.

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Brcak, Nancy, and John R. Pavia. "Racism in Japanese and U.S. Wartime Propaganda." Historian 56, no. 4 (1994): 671–84. http://dx.doi.org/10.1111/j.1540-6563.1994.tb00926.x.

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Baumler, Alan. "Keep Calm and Carry On: Airmindedness and Mass Mobilization during the War of Resistance." Journal of Chinese Military History 5, no. 1 (2016): 1–36. http://dx.doi.org/10.1163/22127453-12341293.

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Japanese air raids and the Chinese response to them have been studied primarily in the context of Chongqing, the wartime capital, but air defense was a nationwide project, which is best understood in relation to interwar ideas about airmindedness. The combination of pre-war attempts to spread foreign ideas about air defense with the experience of Japanese attacks had a great impact on mass mobilization. The Nationalist government used successful air defense in domestic propaganda as an example of the success of the Chinese war effort and in international propaganda as proof of both the sufferi

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Xueshan, WU. "Chains and Arteries: Railways as Visual Propaganda during the Second Sino-Japanese War." China and Asia 2, no. 1 (2020): 57–96. http://dx.doi.org/10.1163/2589465x-00201003.

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From the time of their invasion in 1931, the Japanese commenced railway construction in China on a large scale, not only to transport troops and supplies, but, just as importantly, to verify Japan’s achievements in “constructing” a new East Asia. To this end, Japanese and Manchurian propaganda images were replete with high-speed trains, as epitomes of the technological progress of the times. Conversely, a primary military goal of the Chinese government was the destruction of these very railroads. Thus, a variety of photographs and woodcut prints of the period depict scenes of Chinese combatant

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Sheppard, W. Anthony. "An Exotic Enemy: Anti-Japanese Musical Propaganda in World War II Hollywood." Journal of the American Musicological Society 54, no. 2 (2001): 303–57. http://dx.doi.org/10.1525/jams.2001.54.2.303.

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Abstract The cinema was the most effective medium for anti-Japanese propaganda in the United States during World War II and was the site of music's most important wartime role. From shortly after Pearl Harbor to the end of the U.S. occupation of Japan in 1952, Hollywood produced a large number of films offering negative depictions of the Japanese. Music assumed multiple roles in these anti-Japanese feature films and U.S. government documentaries. Never had Orientalist and racial politics been more clearly evident in music heard by so many as in these productions. These films marshaled preexist

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Panzer, Sarah. "Death-Defying: Voluntary Death as Honorable Ideal in the German-Japanese Alliance." Central European History 55, no. 2 (2022): 205–22. http://dx.doi.org/10.1017/s0008938921000959.

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In August 1942, an internal Sicherheitsdienst (SD) memorandum raised concerns surrounding the media currently circulating in Germany about its Asian ally: “The previous view, that the German soldier is the best in the world, has become somewhat confused by descriptions of the Japanese swimmers who removed mines laid outside Hong Kong, or of the death-defying Japanese pilots who swooped down upon enemy ships with their bombs. This has resulted in something a bit like an inferiority complex. The Japanese look like a kind of ‘Super-Teuton’ [Germane im Quadrat].” In its anxiety that the German pub

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18

Bahtiar, Ahmad, Gunta Wirawan, Hilmiyatun Hilmiyatun, and Kundaru Saddhono. "Women in Novels Regarding Japanese Occupation: A Study of the Sociology of Literature." Poetika 11, no. 1 (2023): 30. http://dx.doi.org/10.22146/poetika.v11i1.68085.

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The Japanese occupation government in the Indonesia carried out propaganda using various media, including literature. The propaganda often depicts the condition of women at that time. This study examines the picture of women in the Japanese occupation that has been reflected in four novels published in two eras: during and after the Japanese occupation. Novels published during the Japanese occupation were Palawidja by Karim Halim and Cinta Tanah Air by Nur Sutan Iskandar. Meanwhile, the novels published after the Japanese occupation were Dan Perang pun Usai by Ismail Marahimin and Kembang Jepu

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Lee, Kyungboon. "Japanese Musicians Between Music and Politics During WWII: Japanese Propaganda in the Third Reich." Itinerario 38, no. 2 (2014): 121–38. http://dx.doi.org/10.1017/s0165115314000382.

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Even before signing the pact between Japan and Germany, Japanese musicians performed in the concert halls of the Third Reich. In particular, there was an active demand due to propagandistic performances such as German–Japanese concerts or concerts for German soldiers on the Eastern front or occupied territories. This study describes the activities of two “Japanese” conductors who became members of the Reich Chamber of Culture and performed with the Berliner Philharmonic orchestra: Ahn Ekitai (Iktae) from colonial Korea and Konoye Hidemaro, a high-ranking Japanese peer. Extracted from documents

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20

Strasser, Sabiene. "Home, Militarism and Nostalgia in Japanese Popular Song from 1937 to 1945." Vienna Journal of East Asian Studies 2, no. 1 (2011): 115–47. http://dx.doi.org/10.2478/vjeas-2011-0011.

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Abstract The article focuses on the representation of wartime Japan as a home (and home country) by analysing contemporary popular songs. Within this frame I show examples of how the Japanese state managed to influence the Japanese people through propaganda songs in order to gain the people’s moral support for the war effort. My essay aims further at drawing a picture of Japan’s musical world from the latter half of the 1930s to the end of World War II, as a detailed consideration of popular music and its surroundings always allows us to interpret much more than expected at first view. In addi

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Dewi Prasistiya, Lintang, and Donna Carollina. "Tinjauan Makna Pada Label Korek Api Propaganda Jepang Di Indonesia Tahun 1942-1945." AKSA: JURNAL DESAIN KOMUNIKASI VISUAL 3, no. 1 (2020): 341–55. http://dx.doi.org/10.37505/aksa.v3i1.26.

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Japanese propaganda matchboxes is one of the propaganda media used by Japan in its effort to get the hearts and attention of Indonesian people. This matchbox is producted on 1942-1945 with varied themed on each series, this research will spesifically discuss about series 101. As a propaganda media, this matchbox unconsciously is one of visual communication design product from the illustration, message delivery to the audience through design and its own function as a packaging. Thus, this research was conducted to reveal the meaning behind the design of the Japanese propaganda matchbox series 1

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22

Azuma, Eiichiro. "Toward a Transnational History of Wartime Japanese Americans: Nisei and Imperial Japan's Race Propaganda." Journal of American Ethnic History 42, no. 2 (2023): 5–41. http://dx.doi.org/10.5406/19364695.42.2.01.

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Abstract This essay examines a wartime experience of Japanese Americans (Nisei) in Japan, proposing to view them as US–originated immigrants abroad. Several thousand Nisei resided in their ancestral land at the time of the attack on Pearl Harbor, and many struggled with negative public perceptions associated with their enemy birthland as well as pressures to be assimilated into their racial home. Based on the belief in blood ties, the official demands for these Nisei included not only the prioritizing of racial belonging over birthright citizenship but also their total commitment to Japan's an

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Ahmad, Abu Talib. "Japanese Policy Towards Islam in Malaya During the Occupation: A Reassessment." Journal of Southeast Asian Studies 33, no. 1 (2002): 107–22. http://dx.doi.org/10.1017/s002246340200005x.

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Based on surviving local records, this essay argues that after 1943 Japanese policy towards Islam underwent far-reaching changes when the faith, religious elites and religious edifices were incorporated into the Japanese propaganda machinery for the purpose of winning a war in which neither Islam nor Malay-Muslims had any vested interest.

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Mizuno, Takeya. "Federal Government Uses of the Japanese-Language Press from Pearl Harbor to Mass Incarceration." Journalism & Mass Communication Quarterly 82, no. 1 (2005): 148–66. http://dx.doi.org/10.1177/107769900508200110.

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During World War II, federal officials used the Japanese “enemy language” press to pacify Japanese Americans and facilitate mass incarceration. While making efforts to preserve the press as a symbol of American democracy, the Office of Facts and Figures, and later the Office of War Information, sought to use it as a messenger of governmental news and views, as a morale builder among Japanese Americans, and as a defense against Axis propaganda from abroad.

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Kirsch. "Gendering the Japanese Empire: Ri Kōran as ‘Transnational’ Star?" Arts 8, no. 4 (2019): 153. http://dx.doi.org/10.3390/arts8040153.

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This paper aims to assess how Ri Kōran came to represent the gender dichotomies of the Japanese Empire. Looking at two propaganda films, Suzhou Nights (1941) and Sayon’s Bell (1943), I will work out how the roles she played are indicative of the gender roles in the Japanese Empire, taking into account her transnational star persona.

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ROH, Junia. "Japanese Art Propaganda to the West : Uniqueness and Orientalism." Korean Journal of Japanese Dtudies 20 (February 15, 2019): 100–121. http://dx.doi.org/10.29154/ilbi.2019.20.100.

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Kurasawa, Aiko. "Propaganda Media on Java under the Japanese 1942-1945." Indonesia 44 (October 1987): 59. http://dx.doi.org/10.2307/3351221.

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Bochmann, Minari. "Zur Rezeption deutscher Musik in der japanischen Musikpublizistik während des Pazifischen Krieges - eine Zwischenbilanz." Die Musikforschung 73, no. 1 (2021): 31–46. http://dx.doi.org/10.52412/mf.2020.h1.29.

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This article analyses the reception of German music in the music press of Japan during the Pacific War, against the bakdrop of the German-Japanese policy of alliance and a twofold centralization of the Japanese music press. In the first half of the 1940s the number of journals dealing with European music was reduced and an official cultural association, subordinated to the ministries for culture and propaganda, was founded. A close reading of Japanese music journals from between 1941 and 1944 establishes that German music was re-interpreted several times within a relatively short period of tim

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Kamza, Muhajam, Teuku Kusnafizal, M. Yusrizal, and Ulfa Yanti. "Teungku Abdul Djalil: Political Hack “Hakko Ichiu” and Founder of the Indonesian Opposition to the Japanese Occupation." Jurnal Ilmiah Peuradeun 11, no. 1 (2023): 175. http://dx.doi.org/10.26811/peuradeun.v11i1.776.

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Diplomacy and war brought independence to Indonesia. Many people joined in the battle for independence, even Muslim scholars and students interested in expelling colonialism. Teungku Abdul Djalil, a preacher in Aceh, issued a fatwa commanding the people to “depopulate” the Japanese from the veranda of Mecca. Teungku Abdul Djalil, or more generally known as Teungku Cot Plieng, was the leader of Dayah Cot Plieng in Bayu, North Aceh. Since 1942, this prominent clergyman has rallied 400 students (santri) to openly oppose the Japanese resistance in Aceh. His study attempted to quantify the success

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Budiarto, Gema, Dewi Yuliati, and Dhanang Respati Puguh. "Rising Sun in the Eastern Horizon of Java: The Occupation of Japanese 16th Army in Banyuwangi, East Java 1942-1945." E3S Web of Conferences 317 (2021): 04013. http://dx.doi.org/10.1051/e3sconf/202131704013.

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The Japanese Armed Forces did not take a long time to occupy the southern regions. Invading the southern regions was the Japanese’s ambition to build “The Greater East Asia Co-Prosperity Sphere”. Through Kalijati treaty, the Government of Dutch East Indies declared its unconditional surrender to the Japanese Armed Forces. Banyuwangi is an area located in the most eastern part of Java and considered as a strategic place as a defense fortress for all Java regions from the allied attacks from the south (Australia). The Japanese 16th Army implemented various policies as a part of the Greater East

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Edwards, Louise. "Drawing Sexual Violence in Wartime China: Anti-Japanese Propaganda Cartoons." Journal of Asian Studies 72, no. 3 (2013): 563–86. http://dx.doi.org/10.1017/s0021911813000521.

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During the War of Resistance against Japan (1937–45), China's leading cartoon artists formed patriotic associations aimed at repelling the Japanese military. Their stated propaganda goals were to boost morale among the troops and the civilian population by circulating artwork that would ignite the spirit of resistance among Chinese audiences. In keeping with the genre, racialized and sexualized imagery abounded. The artists created myriad disturbing visions of how militarized violence impacted men's and women's bodies differently. By analyzing the two major professional journals, National Salv

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Che Cob @ Ab Ghafar, Saiful Akram, and Mohammad Rusdi Mohd Nasir. "KARTUN-KARTUN PROPAGANDA PRO-JEPUN SEWAKTU PENDUDUKANNYA DI MALAYA, 1942-1945." International Journal of Creative Future and Heritage (TENIAT) 3, no. 1 (2015): 129–40. http://dx.doi.org/10.47252/teniat.v3i1.259.

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AbstrakPenulisan ini akan membicarakan fungsi kartun sebagai satu medium dalam usaha penyebaranpropaganda sewaktu pendudukan Jepun selama 3 tahun 8 bulan di Malaya. Penyelidikan terhadapkartun-kartun bercorak propaganda yang pro kepada pemerintahan Jepun (Dai Nippon) masih belumdianalisis secara kritis dalam konteks sumbangannya sebagai salah satu kaedah indoktrinasi yangberkesan selain daripada kaedah propaganda melalui tetuang udara (siaran radio), risalah bertulis danfilem-filem propaganda. Kartun-kartun yang tersiar di akhbar-akhbar seperti Malai Sinpo, The Malay Mail,Syonan Times dan Pena

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Setiawan, Aris. "Kidungan Jula-juli in East Java: Media of Criticism and Propaganda (From The Japanese Occupation Era to The Reform Order in Indonesia)." Harmonia: Journal of Arts Research and Education 21, no. 1 (2021): 79–90. http://dx.doi.org/10.15294/harmonia.v21i1.27116.

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This research aims to determine the historical construction of criticism and propaganda formed in Kidungan Jula-juli performance in each era. Kidungan is a song in the Gending Jula-juli in East Java. The musical text presented in the song seems to be open (blak-blakan [openness]), assertive, and emotionally becomes the power of criticism. Historical issues concerning the function of Kidungan Jula-juli are interesting enough to be known, thus encouraging this study to get a basic and detailed understanding of the historical stages of the role of Kidungan Jula-juli from the Japanese era to the r

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Park, Jeong-min. "Fear of War and War Manifestos with Propaganda and Agitation Strategies during the Japanese Invasion of Korea." Daedong Hanmun Association 73 (December 30, 2022): 37–61. http://dx.doi.org/10.21794/ddhm.2022.73.37.

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War, one of the extreme situations in human history, brings ultimate fear to human. And in war manifestos(檄文) which are to be written for the purpose of declaration, oppression, and conciliation during wartime, this “fear” functions as an important factor for logic design. In this regard, this study aims to explore how this inevitable feeling during a war situation is treated in the literary field, particularly focusing on the war manifestos written during the Japanese Invasion of Korea. In Chapter 2, the study examined that the Japanese invasion of Korea aroused certain emotions - a vag

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Bahtiar, Ahmad. "SIKAP PENGARANG DALAM NOVEL PALAWIDJA KARYA KARIM HALIM DAN KEMBANG JEPUN KARYA REMY SILADO: SEBUAH BANDINGAN." Adabiyyāt: Jurnal Bahasa dan Sastra 14, no. 1 (2015): 64. http://dx.doi.org/10.14421/ajbs.2015.14103.

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This research aims at scrutinizing two novels, Palawidja by Karim Halim dan Kembang Jepun by Remy Sylado, by using the theory of literary sosiology to observe the point of views of each authors. Obviosly, they have different pictures on the situation in Indonesia during the Japanese occupation. Remy Sylado, who wrote after the Japanese occupation, gives a more objective picture in his novels than Karim Halim, who live and wrote novels during the Japanese occupation, does. Palawidja is biased due to the fact that Karim Halim worked for Balai Pustaka, a publishing company under the control of th

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Poff, Ryan. "Anti-Japanese Sentiment and Action in Texas during World War II." Home Front Studies 2, no. 1 (2022): 1–21. http://dx.doi.org/10.1353/hfs.2022.a910756.

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Abstract: Relations between Texas's citizens of Japanese and European descent were largely peaceable before World War II (WWII), but the state's historical commitment to segregation and the racial ideology supporting it created a fertile ground for racialized propaganda appeals following Pearl Harbor. In the wake of the attack, the US federal government and the Texas state government cooperated in detaining Texas's Japanese-descended population and in destroying sites of cultural exchange between Japan and the United States. This study broadens the historical understanding of the WWII home fro

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., Sulasman. "PANASNYA MATAHARI TERBIT DERITA RAKYAT SUKABUMI PADA MASA PENDUDUKAN JEPANG 1942-1945." Patanjala : Jurnal Penelitian Sejarah dan Budaya 5, no. 3 (2013): 431. http://dx.doi.org/10.30959/patanjala.v5i3.97.

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AbstrakTulisan ini bertujuan menggambarkan penderitaan rakyat Sukabumi masa Pendudukan Jepang. Untuk merekonstruksi peristiwa itu digunakan metode sejarah yang meliputi heuristik, kritik, interpretasi, dan historiografi. Hasil penelitian menunjukan bahwa pada awal kedatangannya, tentara Jepang disambut dengan antusias oleh masyarakat Sukabumi. Dengan harapan mereka dapat membebaskan belenggu dari penjajahan Belanda. Banyak tokoh di Sukabumi yang membantu proses pengambilalihan kekuasaan dari tangan Belanda ke Pemerintah Pendudukan Jepang. Ternyata harapan itu tidak sesuai dengan kenyataan. Keb

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Bhattacharya, Sanjoy. "British Military Information Management Techniques and the South Asian Soldier: Eastern India during the Second World War." Modern Asian Studies 34, no. 2 (2000): 483–510. http://dx.doi.org/10.1017/s0026749x00003693.

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This article examines the dissemination of military propaganda and the operation of censorship structures within the Indian Army ‘units’—a term used in historically contemporary documentary sources to denote regiments, divisions or battalions—serving in the eastern provinces of the subcontinent during the Second World War. Instead of presenting propaganda as merely being misleading information, this work operates with Philip Taylor's interpretation of it being a combination of ‘facts, fiction, argument or suggestion’, and concentrates instead on unravelling its form and the intent behind its d

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King, Amy, and Sherzod Muminov. "“Japan Still Has Cadres Remaining”." Journal of Cold War Studies 24, no. 3 (2022): 200–230. http://dx.doi.org/10.1162/jcws_a_01093.

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Abstract After Japan surrendered in 1945, more than 6 million Japanese were stranded in various parts of what had been the imperial domain. From 1945 to 1956, thousands of Japanese found themselves in the USSR and mainland China, unable or unwilling to return. Drawing on Soviet, Chinese, Japanese, and Western archives, this article compares Soviet and Communist Chinese policies toward the stranded Japanese. The distinct pathways adopted by the Soviet and Chinese Communist parties during the Chinese Civil War led to significant differences in their approaches to the day-to-day lives of the Japa

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Cathcart, Adam, and Patricia Nash. "“To Serve Revenge for the Dead”: Chinese Communist Responses to Japanese War Crimes in the PRC Foreign Ministry Archive, 1949–1956." China Quarterly 200 (December 2009): 1053–69. http://dx.doi.org/10.1017/s0305741009990622.

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AbstractUsing newly available documents from the PRC Foreign Ministry Archive, this article traces the evolving legacies of the War of Resistance in the first seven years of the People's Republic. Analysis is offered of PRC campaigns against Japanese bacteriological war crimes, criticisms of American dealings with Japanese war criminals, and the 1956 trial of Japanese at Shenyang. Throughout, behind-the-scenes tensions with the Soviet Union and internal bureaucratic struggles over the Japanese legacy regarding these matters are revealed. The article thereby aims to shed light on how the War of

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Anwar, Fithyani. "Japanese Writers and Works on Djawa Baroe: Behind the Selection of the Five Works." Eralingua: Jurnal Pendidikan Bahasa Asing dan Sastra 8, no. 1 (2024): 64. http://dx.doi.org/10.26858/eralingua.v8i1.59331.

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Abstract. Literature became one of the propaganda tools of the Japanese military government during the Japanese occupation of Indonesia (1942-1945). This research focuses the object of study on four short stories and one play written by Japanese writers published in Djawa Baroe magazine (1943-1945), including "Kitjizo Kemedan Perang" by Hino Ashihei, "Ditempat Asoehan Garoeda" by Niwa Fumio, "Batoe" by Kawai Tetsukichi and "Perkawinan 25 Tahoen" by Sasaki Takamaru. The qualitative descriptive method was used to analyze data on each writer's background and the original versions published in Jap

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Chen, Yu-Ning. "Reading Mosurin in Imperial Japan." Textile Museum Journal 50, no. 1 (2023): 90–103. http://dx.doi.org/10.1353/tmj.2023.a932852.

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Abstract: This article analyzes mosurin , a plain-weave wool fabric made in Imperial Japan (1868–1945), from both a historical and a literary standpoint. It offers an analysis of military-related patterns on mosurin fabric, representations of mosurin in print media including Japanese prewar textbooks, and descriptions of both the consumer culture surrounding this fabric and the female factory labor involved in its production in modern Japanese literature. The article argues that mosurin in Imperial Japan was linked with popular consumerism, labor activism, and imperial and wartime propaganda.

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Aurilene, Elena. "“The liberation of Russia will come after the liberation of Asia”. Russian emigrants in Manchuquo in 1941-1945." Problemy dalnego vostoka, no. 5 (2022): 159. http://dx.doi.org/10.31857/s013128120022108-9.

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The article is devoted to the position of the Russian Emigree in Manchuquo in the conditions of the military regime during the Japanese war for “the Great Eastern Asia”. On the base of the unique archives of the Bureau for the Russian Emigrants’ Affairs in the Manchurian Empire and Tokyo Process documents the authors reveal the attempts of the Japanese military mission to use patriotic feelings of the Russian “Whites” to convert them into loyal subjects of the puppet empire and allies in the struggle for the domination in the East Asia, describes the growth of anti-Japanese mood and “defensive

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Wang, Yang. "The Image of “Chinese Girl” in Japanese War Literature: Taking Tatsuzo Ishikawa, Ashihei Hino and Hiroshi Ueda as examples." Lifelong Education 9, no. 5 (2020): 58. http://dx.doi.org/10.18282/le.v9i5.1205.

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Taking the representatives of Japanese war literature during the Anti-Japanese War as examples, and combining gender studies and analysis on post-colonialism and text, this paper interprets the images of “Chinese girl” in Tatsuzo Ishikawa’s Soldiers Alive, Ashihei Hino’s Hana to Heitai and Hiroshi Ueda’s Koujin. The sexual violence suffered by Chinese women revealed in Soldiers Alive has brought trouble to the writer, while Ashihei Hino was warned by the army department about the description of Chinese women in Hana to Heitai, in which the communication and love between the Japanese army and l

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권태억. "Logic of the Japanese Forcible Occupation of Korea and its Propaganda." JOURNAL OF KOREAN INDEPENDENCE MOVEMENT STUDIES ll, no. 37 (2010): 5–36. http://dx.doi.org/10.15799/kimos.2010..37.001.

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Williams, Georgina. "Book Review: Glorify the Empire: Japanese Avant-Garde Propaganda in Manchukuo." Sociological Review 63, no. 1 (2015): 192–96. http://dx.doi.org/10.1111/1467-954x.12232.

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Pratama, Wahyudi, Suprayitno, and Danendro Adi. "Development of Japanese Comic as an Illustration and Cultural Ideology Propaganda." Advanced Science Letters 23, no. 1 (2017): 217–19. http://dx.doi.org/10.1166/asl.2017.7137.

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Hoshino, Yukiyo. "Use of Dance to Spread Propaganda during the Sino-Japanese War." ATHENS JOURNAL OF HISTORY 2, no. 3 (2016): 193.—198. http://dx.doi.org/10.30958/ajhis.2-3-3.

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Callick, Rowan. "REVIEW: Radio Australia speaking to the world." Pacific Journalism Review : Te Koakoa 29, no. 1and2 (2023): 276–79. http://dx.doi.org/10.24135/pjr.v29i1and2.1280.

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Australia Calling: The ABC Radio Australia Story, by Phil Kafcaloudes, ABC Books, 2022. 224 pages. ISBN: 9780646852430. RADIO AUSTRALIA was conceived at the beginning of the Second World War out of Canberra’s desire to counter Japanese propaganda in the Pacific. More than 70 years later its rebirth is being driven by a similarly urgent need to counter propaganda, this time from China. Set up within the towering framework of the ABC, Radio Australia was, and remains, an institution with a lively multilingual culture of its own. Sometimes it has thrived and sometimes, especially in recent

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Dwisusilo, Syahrur Marta, and Lucitra A. Yuniar. "Mobility and Ideological Perspective of Asano Akira in Java During Period of Japan Occupation." MOZAIK HUMANIORA 20, no. 1 (2020): 108. http://dx.doi.org/10.20473/mozaik.v20i1.16831.

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The period of Japanese occupation for 3 years in Indonesia is sort when compared to the Dutch colonial period. However, at that time it was a critical time for the formation of various ideological thoughts. One of the ideologies that emerged in the Japanese colonial era was the ideology of "Greater Asia", which is known as the ideology of unification of Asia. During the Pacific War, Japanese writers who underwent military service in Indonesia published many of his writings for the purposes of Japanese military propaganda, especially those related to prapaganda of Greater Asia ideology. One of

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