Academic literature on the topic 'Japanese Small art works'

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Journal articles on the topic "Japanese Small art works"

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Peremislov, I. A., and L. G. Peremislov. "JAPANESE AESTHETICS IN AMERICAN SILVER MASTERPIECES." Arts education and science 1, no. 2 (2021): 79–88. http://dx.doi.org/10.36871/hon.202102010.

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Japanese culture with its unique monuments of architecture, sculpture, painting, small forms, decorative and applied arts, occupies a special place in the development of world art. Influenced by China, Japanese masters created their own unique style based on the aesthetics of contemplation and spiritual harmony of man and nature. In the context of "Japan's inspiration" the work refers to the influence of the art of the Land of the Rising Sun on American decorative arts and, in particular, on the silver jewelry industry in trends of a new aesthetic direction of the last third of the XIXth centu
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Peremyslov, I. A., and L. G. Peremyslova. "JAPANESE AESTHETICS IN MASTERPIECES OF AMERICAN SILVER." Arts education and science 1, no. 1 (2021): 89–96. http://dx.doi.org/10.36871/hon.202101010.

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Japanese culture with its unique monuments of architecture, sculpture, painting, small forms, decorative and applied arts, occupies a special place in the development of world art. Influenced by China, Japanese masters created their own unique style based on the aesthetics of contemplation and spiritual harmony of man and nature. In the context of "Japan's inspiration" the work refers to the influence of the art of the Land of the Rising Sun on American decorative arts and, in particular, on the silver jewelry industry in trends of a new aesthetic direction of the last third of the XIXth centu
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Ognieva, T. K. "FEATURES OF THE DEVELOPMENT OF CONTEMPORARY CHINESE, KOREAN AND JAPANESE ART AND CINEMA." UKRAINIAN CULTURAL STUDIES, no. 1 (6) (2020): 69–83. http://dx.doi.org/10.17721/ucs.2020.1(6).15.

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The article analyzes the conditions and factors that influenced the formation of contemporary art and cinema in China, South Korea and Japan. We can determine the peculiarities of the development of Chinese contemporary art, such as the desire of the first artists, after the Cultural Revolution, to reflect its flux and effects as much as possible. Further, artistic tendencies become diverse: the commercial component and a certain element of the state of affairs are viewed in the works of art by Chinese authors, but the desire for self-expression in different ways testify to the progressive phe
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Kashikar, Aryan Amit. "Engineering Origami: A Systematic Literature Review in the context of Space Technology, Design, and Applications." International Journal for Research in Applied Science and Engineering Technology 12, no. 9 (2024): 1627–31. http://dx.doi.org/10.22214/ijraset.2024.64419.

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Abstract: Origami is the ancient art of Japanese paper folding. For years it has been used to create stunning works of art. But origami has also been used in more surprising ways, like car airbags, stents, and even space exploration. Origami is a bit more than just a paper crane. Engineers use it for use, solve the interesting problems. Origami teaches how to fold very large thin sheets into very small spaces. And that's exactly what space engineers need. The reason for incorporating origami for space applications is to launch structures in space that are just amazingly big using flashers, sta
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Cynarski, Wojciech J. "Panorámica sobre las artes marciales polacas." Revista de Artes Marciales Asiáticas 3, no. 3 (2012): 8. http://dx.doi.org/10.18002/rama.v3i3.373.

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<p class="MsoNormal" style="text-align: justify; margin: 0cm 0cm 6pt;"><span style="mso-ansi-language: EN-US;" lang="EN-US"><span style="font-size: small;"><span style="font-family: Calibri;">The purpose of this study is to explain the revival of Polish martial arts from the perspectives of cultural sociology, the sciences of physical culture, and the humanistic theory of martial arts. The Polish Martial Arts (<em>Polskie Sztuki Walki</em>) are a subject still requiring serious scientific examination, even in Poland. There are few works concerning the histor
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Nakashima, Masumi, and David A. Ziebart. "Did Japanese-SOX have an impact on earnings management and earnings quality?" Managerial Auditing Journal 30, no. 4/5 (2015): 482–510. http://dx.doi.org/10.1108/maj-06-2013-0890.

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Purpose – The purpose of this paper is to investigate whether Japanese Sarbanes – Oxley Act (J-SOX) impacted earnings management and earnings quality of public firms in Japan. Design/methodology/approach – This archival study compares earnings management and earnings quality of firms that disclose at least one material weakness with a sample matched on size and industry without a material weakness. Findings – The authors investigate whether the differences in regulations, corporate governance and regulatory environment acceptance influence earnings management and earnings management of Japanes
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Ota, Aino, Minako Ito, Showtaro Kakizoe, and Utsugi Jinbo. "Importance of Language Localization: Attempts for Collecting and Publishing Specimen Data in Japan." Biodiversity Information Science and Standards 8 (November 18, 2024): e141888. https://doi.org/10.3897/biss.8.141888.

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Language localization is a process of adapting the needs of a certain linguistic community, including its cultural contexts, to adjust the nuance and wording of the original language. It is not just a translation from English, the de facto language of publication in the scientific community. This is particularly important in a linguistically diverse region such as Asia, including Japan, and thus language localization is crucial for developing an environment that enables the collection and utilization of biodiversity-related data in their first language. The Japan Biodiversity Information Initi
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汪一舟, 汪一舟. "美人移動,江南到江戶:狩野探幽對中國仕女圖的傳移模寫". 中正漢學研究 37, № 37 (2021): 075–114. http://dx.doi.org/10.53106/2306036020210600370003.

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<p>明代中國繪畫傳至日本,成為江戶時代重要的創作素材。江戶早期狩野派畫家狩野探幽經多年蒐集和摹寫,繪製了大量以中國古畫為主的縮小摹本,稱作「探幽縮圖」。用於繪畫素材、鑑定筆記及門派傳承等,影響深遠。中國女性是其中重要題材。基於皆川三知關於「縮圖」中多於107幅「唐美人」圖的統計,本文從中日跨文化角度探討「縮圖」中國仕女圖的摹寫方法、來源和運用,並試論日本江戶時代對中國女性題材繪畫及其作偽的受容。發現「縮圖」多擅仕女畫的明代蘇州「吳門」畫家唐寅、仇英款,也有不長於仕女題材的江南名家如元代趙孟頫、趙雍,指出「蘇州片」為其重要來源。再以耕織圖、西王母圖為案例,探討了跨文化背景下中國女性圖像雜糅及重新詮釋問題。</p> <p> </p><p>"During the Ming dynasty, Chinese paintings were transmitted to Japan and became an essential visual source for Japanese paintings of the Edo period (1615-1867). Kanō Tan’yū (1602-1674), a leading artist of the early Edo
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Tomotaro, Kaneko. "Sound in Japanese Art in the 1970s." Resonance: The Journal of Sound and Culture 5, no. 4 (2024): 334–44. https://doi.org/10.1525/res.2024.5.4.334.

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This essay attempts to provide an overview of sound-related works in Japanese art from the early to mid-1970s. It then examines how these works have changed from works of the previous period, referring to the context of Japanese art as a whole and society at the time.
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NASIR, Suraya Binti Md. "Understanding Manga as a “Style” through Essay Manga’s Multimodal Literacies:And Its Relations to the Discourse on “local art style” in Malaysian Comics." Border Crossings: The Journal of Japanese-Language Literature Studies 13, no. 1 (2021): 61–74. http://dx.doi.org/10.22628/bcjjl.2021.13.1.61.

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The trans-cultural consumption of Japanese Manga in Malaysia has prompted a significant amount of manga-influenced local works. As an outcome, traces of Japanese Manga can be found through its iconic art styles, storytelling and Japanese culture in these works. While fans show the positive response for these manga-influenced local works, the artists’ community shows the opposite response, in particular, related to the representation of the “typical Japanese manga-style”, resulting in the idea that these artists are turning away from the “local art style” which has been pioneered by the predece
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Dissertations / Theses on the topic "Japanese Small art works"

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Clark, W. Andrew, Cher L. Cornett, and Peter M. Hriso. "Linking Art to Science: Digital Media as a Technology Translation Tool." Digital Commons @ East Tennessee State University, 2005. https://dc.etsu.edu/etsu-works/2524.

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Technology translation can be achieved through the blending of the sciences and arts in the form of digital imagery. Digital animation and video can be utilized to portray molecular events where the mechanism of action is known but the process occurs at a sub-microscopic level. There needs to be a strong collaboration between scientific advisors and digital artists when creating the animation such that the artistic interpretation of the molecular event conforms to the known and accepted confines of science. The finished animation may be used for information, education or persuasion as entrepre
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Books on the topic "Japanese Small art works"

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Bossan, Enrico. Ainu: Contemporary Japanese artists. Antiga edizioni, 2018.

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Bossan, Enrico. Hiroshima, Nagasaki: Contemporary Japanese artists. Edited by Imago Mundi (Project) and Fabrica (Organization). Antiga edizioni, 2018.

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Toriyama, Rei. Sakuhinshū: Art works. Kabushiki Kaisha Kyūryūdō, 2004.

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Ghana, FCA, ed. Small works, big city. FCA Ghana, 2005.

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Ghana, FCA, ed. Small works, big city. FCA Ghana, 2005.

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Ghana, FCA, ed. Small works, big city. FCA Ghana, 2005.

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Gallery, Sligo Art. Íontas: Sixth small works art exhibition. Sligo Art Gallery, 1995.

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Gallery, Sligo Art. Íontas: Second small works art exhibition. Sligo Art Gallery, 1991.

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Gallery, Sligo Art. Íontas: Eigth small works art exhibition. Sligo Art Gallery, 1997.

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Romanow, Joanna Kleinberg. Small. Drawing Center, 2014.

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Book chapters on the topic "Japanese Small art works"

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Mehl, Margaret. "11. The World in Sendai." In Music and the Making of Modern Japan. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0374.11.

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Chapter 11, ‘The World in Sendai’ investigates the types of ‘Western music’ that were actually performed in concerts in Sendai. This is the main theme of. Based on the programmes of local concerts between 1907 and 1921 published in the magazine Ongakukai (World of music), this chapter shows how local concerts, in which different groups came together to perform an eclectic repertoire to a mixed audience, helped transform the people of Sendai into members of a nation within a wider world of nations. The modern institution of the public concert represented a space where Japanese and foreigners me
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Nakagawa, Masayuki. "The Efficiency of the Titling System: Perspectives of Economics." In New Frontiers in Regional Science: Asian Perspectives. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-8848-8_3.

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AbstractThe problem of land with unknown ownership is becoming increasingly evident with Japan’s declining population, low birth rate and aging population. This paper examines the need for the titling system using perspectives from economics and considers what sorts of titling system works for which types of society and looks at ways to deal with the problem of land with unknown ownership. A series of previous researches such as Miceli et al. (Eur J Law Econ 6:305–323, 1998; J Urban Econ 47:370–389, 2000) categorize the titling systems used in many advanced countries as either registration sys
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Picchiami, Sabrina. "Outsiders, non per loro scelta. Esperienze artistiche nell’Ospedale neuropsichiatrico di Arezzo 1958-1978 | L’atelier." In Arte ai margini. Firenze University Press, USiena Press, 2024. http://dx.doi.org/10.36253/979-12-215-0400-2.10.

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The atelier at Arezzo Neuropsychiatric Hospital transformed the artistic activity from a diagnostic tool to a recognized form of creative expression. Initiated in 1958 by Dr. Furio Martini and influenced by the cultural shifts of the 1950s and 60s, the atelier provided patients with a setting to express their experiences and emotions. Aftherwards the activities aimed even at offering therapeutic benefits and a small personal profit. To date, over 300 works by patients have been find, underscoring the therapeutic and social significance of art in psychiatric contexts.
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Plasa, Carl. "Icon -versations: F. Douglas Brown, Jacob Lawrence and Frederick Douglass." In Literature, Art and Slavery. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9780748683543.003.0007.

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Like its predecessor, this chapter is exclusively devoted to African American ekphrasis and American slavery, taking F. Douglas Brown’s Icon (2018) as its field of inquiry. This small-press collection is notable for the culturally diverse mix of poetic genres it deploys (Kundiman, Golden Shovel, erasure, ghazal and of course ekphrasis, inter alia); its use of the Japanese presentational mode of PechaKucha; and its eclectic play of allusion, which runs a dizzying gamut from the Annunciation pictures of the Italian Renaissance to comic-book superheroes and from popular African American dance-sty
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Shaw, Michael. "The Belgian Revival and Japonisme in Scotland." In The Fin-de-Siècle Scottish Revival. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474433952.003.0003.

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Fin-de-Siècle Scotland is frequently associated with the ‘kailyard’ movement and, by extension, with small towns, insularity and sentimentality. Using Scottish writers and artists’ thorough engagement with Belgian and Japanese culture as case studies, this chapter reveals how deeply international and cross-cultural Scottish writing and art was in the late-Victorian period. I argue that Scottish cultural revivalists looked to these two nations to help them build counter-hegemonic connections that allowed them to defend the value of smaller nations and traditional cultures. Part of the reason so
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Cutcher-Gershenfeld, Joel, Michio Nitta, Betty J. Barrett, et al. "Initial Visits to Japanese Factories." In Knowledge-Driven Work. Oxford University PressNew York, NY, 1998. http://dx.doi.org/10.1093/oso/9780195114546.003.0002.

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Abstract The production floor layout and the quality of environment in which people work is often taken for granted. Many Americans work in factories that are dirty, dangerous, noisy, cluttered, and oppressive. While people may not like these conditions, they do not usually see themselves as having the opportunity or the need to change their circumstances. Many people just focus on the small area of floor space in which they work and see the other physical aspects of their workplace as the responsibility of maintenance, engineering, custodians, or others.
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Marinucci, Lorenzo. "Different Smellscapes: Olfactory Patterns Through the Japanese Worldview." In SMELL. University of Westminster Press, 2023. http://dx.doi.org/10.16997/book68.e.

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The chapter offers a short review of the methodological and ideological problems of approaching olfaction from a philosophical point of view, before discussing Japanese olfactory culture in particular. Three particular smellscapes are explored in depth: the scent-related refinement of the Heian court, the symbolic deployment of scent-connection in Edo period haikai, and the peculiar intercultural role played by scents in the work of 20th century philosopher Kuki Shūzō.
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Philbrick, Ethan. "Introduction." In Group Works. Fordham University Press, 2023. http://dx.doi.org/10.5422/fordham/9781531502690.003.0101.

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In the introduction, Philbrick sets up the conceptual and historical terrain of the book by offering three short essays on the group tuned to three different registers—group theory, group politics, and group art—before turning to archival traces of one visionary small group from the 1970s, the Combahee River Collective, and the resonance of their work in Cauleen Smith’s 2018 film Sojourner.
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Wada-Marciano, Mitsuyo. "The Power of Art in the Post-3/11 World." In Japanese Filmmakers in the Wake of Fukushima. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463728287_ch06.

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The final chapter examines not documentary cinema but rather contemporary art in Japan. Why should a cinema scholar contemplate contemporary art? The answer can be found in the many things artists and filmmakers had in common as they struggled to deal with Fukushima and grappled with where they should stand. Many works of contemporary artists are like doppelgangers—other selves—of filmmakers. Can the characteristics of the post-3/11 era drawn from analyses of films be applied to “culture” in general? Namely, focusing on Chim↑Pom, who continues to lead the radical movement in Japanese contempor
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Atkins, B. T. S. "Theoretical Lexicography and its Relation to Dictionary-making." In Practical Lexicography. Oxford University PressOxford, 2008. http://dx.doi.org/10.1093/oso/9780199292332.003.0003.

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Abstract Does theoretical lexicography exist? If this forum is to discuss its nature, we must at least grant it the benefit of the doubt, although its counterpart, practical lexicography, has a tautological ring to it. I propose here to interpret the term theoretical lexicography in the very general sense of “a body of theory related to lexicography,” and, drawing inspiration from the title of Landau (1984), to define lexicography as “the art and craft of dictionary-making.” A more traditional definition of this latter term is to be found in the 1990 Concise Oxford Dictionary (COD): “the compi
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Conference papers on the topic "Japanese Small art works"

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Masuyama, Fujimitsu. "R&D Program for A-USC Material Development with Creep Strength/Degradation Assessment Studies." In AM-EPRI 2010, edited by D. Gandy, J. Shingledecker, and R. Viswanathan. ASM International, 2010. http://dx.doi.org/10.31399/asm.cp.am-epri-2010p0011.

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Abstract Recently advanced ultra-super critical (A-USC) pressure power plants with 700°C class steam parameters have been under development worldwide. Japanese material R&D program for A- USC beside the plant R&D program started in 2008, launched in 2007 under the METI/NEDO foundation includes not only alloy design explores and novel ideas for developing new steels and alloys that can fill critical needs in building 700°C class advanced power plants, but also fundamental studies on creep strength and degradation assessment, which are absolutely needed to assure the long-term safe use o
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Shiraki, Keisuke, Akira Taniguchi, Takushi Fujino, Shouhei Nakama, Osamu Suzuki, and Hiroyuki Kobayashi. "Experience of Work for Replacing Reactor Recirculation Piping in Narrow Space of MARK-I Containment Vessel." In ASME 2014 Pressure Vessels and Piping Conference. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/pvp2014-28367.

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Tsuruga unit-1, the first Japanese commercial BWR (BWR-II, 357MWe) started its operation in 1970, has a Mark-I type containment vessel and 3-loop reactor recirculation piping. In the 33rd planned outage of 2011, most parts of the reactor recirculation piping were replaced to improve corrosion resistance and inspectability. This replacement work dealing with long pipe pieces had to be conducted in limiting condition and severe environment such as the narrow work space, only one small entrance hatch, and high dose rate. In addition, other maintenance works by four contractors were concurrently b
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Beris, Yeter, and İsmail Erim Gulacti. "Influences of Japanese prints on European printmaking (in the case of Degas-Manzi partnership)." In 10th International Symposium on Graphic Engineering and Design. University of Novi Sad, Faculty of technical sciences, Department of graphic engineering and design,, 2020. http://dx.doi.org/10.24867/grid-2020-p69.

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Contemporary artists have included classical methods together with innovative digital printing technologies to their artistic manufactures and thus their technological production interactions have been reflected on current art as well. Today’s artists have also been in collaboration with each other by involving the digital printing technologies which kept advancing during the recent 20 years in their works of art just like Degas and Manzi did in their relationships of production partnerships in 19th Century. Besides, those opinions which originated from modernism ideas and movements consist of
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Machida, Hideo. "Validity of Successive Inspections to the Piping With Multiple Circumferential Stress Corrosion Cracks." In ASME 2009 Pressure Vessels and Piping Conference. ASMEDC, 2009. http://dx.doi.org/10.1115/pvp2009-77186.

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This paper describes the validity of successive inspections in a chain of the integrity assessment applying Fitness-For-Service (FFS) Codes to piping with stress corrosion cracks. Integrity assessment of primary recirculation system (PLR) piping with stress corrosion cracks is one of the recent interests in Japanese boiling water reactor (BWR) plants. Girth weld joints with detected stress corrosion cracks are required to secure the integrity during subsequent 5 years operation and to conduct three times of successive inspections for PLR piping. If the safety factor included in FFS Codes works
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Sasaki, Hiroshi, Kenji Watanabe, and Ichiro Koshijima. "Development of Approach for Improving Cybersecurity Governance for Factory systems." In 15th International Conference on Applied Human Factors and Ergonomics (AHFE 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1004781.

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As the digitization of factory systems progresses with mutual digital connections among them, cybersecurity risks throughout the supply chain also increase. In fact, there have been many cyber incidents where factories have stopped due to damage from ransomware. For large companies, it is possible to secure the budget and personnel for cybersecurity, including outsourcing. However, almost all small and mediums enterprises (SMEs) are facing with the difficulties to secure them.In this paper, we focus on how to improve governance for factory systems because our previous research revealed that it
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Исламова, Л. Я., and М. Я. Исламова. "SMALL GENRES OF ORAL FOLK ART INGUSH (PROVERBS, CHASES), AND ICY MOTIFS IN THE WORK OF SAIDA CHAKHKIEVA." In ПРОБЛЕМА ЖАНРА В ФИЛОЛОГИИ. Crossref, 2024. https://doi.org/10.34775/a4131-3583-6462-u.

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Данная статья посвящена исследованию малых жанров устного народного творчества ингушей, а именно пословиц и поговорок, и анализа произведений Саида Чахкиева на основе их мотивов. В результате исследования выявлено, что не только фольклор, но и произведения автора, созданные на его основе, имеют поучающий, дидактический характер. This article is devoted to the study of small genres of Ingush oral folk art, as well as names and events, as well as the analysis of Saida Chakhkieva's works based on their motives. As a result of the research, it turned out that not only folklore, but also the works
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Некрасова, Т. И. "DEDICATED TO VERA MUKHINA MEDALS IN THE ART WORKS OF TEACHERS AND STUDENTS." In Вера Мухина — гордость России. К 135-летию со дня рождения выдающегося советского скульптора. Crossref, 2025. https://doi.org/10.54874/9785605245841.2024.01.07.

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Актуальность и популярность в современном искусстве произведений скульптуры малых форм, памятных знаков, изготовленных из металла, определяют обращение к этой теме преподавателей и студентов кафедры монументально-декоративной скульптуры. Отдавая дань уважения личности выдающегося советского скульптора Веры Игнатьевны Мухиной (1889– 1953), преподаватели и студенты СПГХПА им. А. Л. Штиглица сделали эскизы памятных медалей для дальнейшей отливки в бронзе. The relevance and popularity of small shapes works of sculpture, commemorative signs made of metal in the modern art, determine the appeal to t
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Nikiforovs, Juris. "Works of Latvian Medallists in Fidem Congress Exhibition in Florence." In 82nd International Scientific Conference of the University of Latvia. University of Latvia Press, 2024. http://dx.doi.org/10.22364/htqe.2024.37.

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Medal is a miniature to be held. As an art form medal has evolved from being decorative to purely modernistic in a sense of creative expression. Many of Latvian medallists have a long experience in the field of medal art, working as sculptors and educators. Some artists have joined the Latvian Medal club recently. Latvian national section of medal art was represented in FIDEM (International Medal Art Federation) XXXVII Congress exhibition in Biblioteca Nazionale Centrale in Florence 2023 with 25 works by 15 artists of a living generation. Sculptural styles of the exhibited art medals of Latvia
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Бородкин, П. В., and Т. В. Горбунова. "SCULPTURE AND STAINED GLASS AS A PART OF THE ART MARKET." In ХУДОЖНИК И МЕНЕДЖЕР В ПРОСТРАНСТВЕ СОВРЕМЕННОГО АРТ-РЫНКА Материалы VII научно-практической конференции молодых ученых. Crossref, 2024. http://dx.doi.org/10.54874/9785605196556.2024.3.02.

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Выставочные пространства редко проводят масштабные групповые показы работ скульпторов, как следствие, затрудняя анализ общих стилистические тенденций и творческих исканий мастеров. Витраж как авторское произведение, в силу преобладания тиражной продукции и специфики работы дизайн-студий, претерпевает ограничения на авторское творчество. Такие тенденции приводят к тому, что арт-рынок не предоставляет современным художникам возможность заявить о себе через авторское творчество. Сложившаяся ситуация не позволяет полноценно развиваться ни арт рынку, ни авторскому творчеству в России. Works of scul
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Ziviani, Hugo Eduardo, Guillermo Cámara Chávez, and Mateus Coelho Silva. "Applying a Conditional GAN for Bone Suppression in Chest Radiography Images." In Seminário Integrado de Software e Hardware. Sociedade Brasileira de Computação - SBC, 2022. http://dx.doi.org/10.5753/semish.2022.222540.

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Bone suppression in radiography is a suitable technique to evaluate the health of soft tissues in exams. For instance, these techniques are essential in evaluating chest radiography images during the COVID-19 outbreak. The purpose of this work is to propose an alternative to solve the bone suppression task in chest radiography images using Generative Adversarial Networks (GANs). Specifically, we used a conditional GAN type (cGAN) to provide a bone-suppressed version of the initial image. To quantify the results, it was necessary to review the main metrics and some state-of-the-art papers relat
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Reports on the topic "Japanese Small art works"

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Nikkei-Latin American Artists of the 20th Century. Inter-American Development Bank, 2005. http://dx.doi.org/10.18235/0008269.

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Presents the exhibition pays tribute to Japan and to more than a century of relations between Japan and Latin America. This paper presents selected art works "painting, drawing, engraving and installation" by 10 artists of Japanese descent from Argentina (Kasuya Sakai), Brazil (Tikashi Fukushima, Manabu Mabe, Tomie Ohtake, Yutaka Toyota and Kazuo Wakabayashi), Mexico (Luis Nishizawa) and Peru (Arturo Kubotta, Carlos Runcie Tanaka and Venancio Shinki).
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