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Journal articles on the topic 'Japanese Story'

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1

MORRIS, MARK. "Book Reviews." Comparative Critical Studies 4, no. 3 (2007): 455–59. http://dx.doi.org/10.3366/e174418540800013x.

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In 1925, a year central to the concerns of Advertising Tower, the short-lived short story writer Kajii Motojirô published a tale called ‘Lemon’. It has long been considered one the classics of Japanese short fiction. The climax of the story locates the focal character in one embodiment of Western-orientated Japanese modernity – the book section of Tokyo's Maruzen Department Store. The down-at-the-heel narrator has brought with him one shiny yellow lemon. He heaps up an armload of expensive, illustrated art books, sticks the lemon in the pile, and awaits the cataclysm. William O. Gardener has l
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Zhang, Gui Ming, Wen Feng Liu, and Zhi Hong Chen. "Seismic Displacement Design Method Comparison between Chinese, American, European and Japanese Seismic Design Codes." Advanced Materials Research 859 (December 2013): 43–47. http://dx.doi.org/10.4028/www.scientific.net/amr.859.43.

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Seismic displacement design method and allowable values of story drift are compared between Chinese, American, European and Japanese seismic design codes. An engineering example's seismic displacement is calculated in the methods given by the four codes, and story drift are compared. Researches show that allowable story drift of Chinese code under rare earthquake action is approximately close to that of American with a 10% probability of exceedance in 50 years, and allowable story drift of Japanese code is more rigorous than other three codes. For three-story three-span reinforced concrete fra
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Lofgren, Erik R., Ōoka Shōhei, and Wayne P. Lammers. "Taken Captive: A Japanese POW's Story." World Literature Today 71, no. 2 (1997): 462. http://dx.doi.org/10.2307/40153259.

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KIM, Sang-Won. "The Intertextuality of Japanese Mystery Story." Korean Society of Culture and Convergence 40, no. 4 (2018): 607–38. http://dx.doi.org/10.33645/cnc.2018.08.40.4.607.

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Rahmah, Yuliani. "Edogawa Rampo’s short story Kagami Jigoku: A Structural Study." KIRYOKU 4, no. 1 (2020): 7–17. http://dx.doi.org/10.14710/kiryoku.v4i1.7-17.

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The purpose of this research is to analyze the intrinsic elements found in the short story Kagami Jigoku by Edogawa Rampo. By using structural methods the analysis process find out the intrinsic elements which builds the Kagami Jikoku short story. As a result it is known that the Kagami Jikoku is a short story with a mystery theme as the hallmark of Rampo as its author. The characteristic of this short story can be seen from the theme which raised the unusual obsession problem of the main characters. With the first person point of view which tells in unusual way from the other short stories, t
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Rahmah, Yuliani. "PERGESERAN MAKNA DALAM CERPEN HACHI NO JI YAMA." KIRYOKU 2, no. 4 (2018): 30. http://dx.doi.org/10.14710/kiryoku.v2i4.30-37.

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(Title: Meaning Shift in Japanese Short Story “Hachi No Ji Yama”) A literary work will be translated properly according to the original text if an interpreter does the translation procedure appropriately. The translation procedure itself is divided into 14 types, but in the translation process from Japanese into Indonesian, there are three types which commonly used in procedures of the translation process. It is Transposition, Modulation, and Adaptation. This paper tried to explain the use of that three types of translation procedures in a Japanese short story. The short story used as the obje
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Zunz, Olivier. "Exporting American Individualism." Tocqueville Review 16, no. 2 (1995): 99–116. http://dx.doi.org/10.3138/ttr.16.2.99.

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The exporting of goods and capital has been Japan's much heralded success story of the postwar global order, much to the dismay of Americans who had been the prime builders of the Pax Americana on which the world's economy now rests. But despite today's headlines, U.S.-Japanese relations are not just about trade. This paper is about the exporting not of goods but of ideas and the connection between ideology and economic policy. I suggest that the Japanese's peculiar response to American ideas on individualism has helped them develop an ultimately successful economic alternative to American dem
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Fadli, Zaki Ainul. "DEUS VERSUS OHIRUME DALAM CERPEN KAMIGAMI NO BISHOU: BENTURAN BUDAYA ANTARA BARAT DENGAN JEPANG." IZUMI 7, no. 2 (2018): 94. http://dx.doi.org/10.14710/izumi.7.2.94-106.

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(Title: Deus Versus Ohirume in Kamigami No Bishou: Cultural Clash Between West and Japan) The Kamigami no Bishou short story is one of the most famous Japanese literary works, Akutagawa Ryuunosuke. Kamigami no Bishou was created by Akutagawa in 1922 which tells the meeting of Organtino, a Christian missionary in Japan with an old man who was the embodiment of one of Japan's ancient gods. The purpose of this article is to reveal how the clash of cultures between the West and Japan was reconstructed in Kamigami no Bishou short stories. To achieve this goal, the following steps are taken. First,
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Ikeuchi, Suma. "Saudade: A Story of Japanese Brazilian Diaspora." Anthropology and Humanism 46, no. 1 (2021): 161–70. http://dx.doi.org/10.1111/anhu.12317.

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Van Fleit, Krista. "Suspect narratives: “Sinifying” an “Indianized” Japanese story." International Journal of Asian Studies 19, no. 2 (2022): 303–17. http://dx.doi.org/10.1017/s1479591422000067.

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AbstractIn 2013, the Malayalam film Drishyam, a suspenseful story of the cover up of an accidental murder, became a huge hit in India that inspired remakes in many regional languages including one in Hindi that, as with other recent Bollywood hits, traveled to China. This time, though, instead of screening the Hindi film in theaters, the narrative reached Chinese audiences with a Chinese language remake, titled Sheep Without A Shepherd《误杀》. The original film has been accused of lifting its story from a popular Japanese detective novel, The Devotion of Suspect X, which was also made into films
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Kurashige, Lon. "Expanding the Story of Japanese American Internment." Critical Asian Studies 35, no. 4 (2003): 633–36. http://dx.doi.org/10.1080/1467271032000147078.

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Thomas-Emeagwali, Gloria. "Technology transfer: Explaining the Japanese success story." Journal of Contemporary Asia 21, no. 4 (1991): 504–12. http://dx.doi.org/10.1080/00472339180000331.

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KAWATA, Tsutomu. "A Story of Japanese Word Processor Development." Journal of the Society of Mechanical Engineers 99, no. 928 (1996): 203–5. http://dx.doi.org/10.1299/jsmemag.99.928_203.

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Kumazawa, Joichi, and Morimasa Yagisawa. "The history of antibiotics: The Japanese story." Journal of Infection and Chemotherapy 8, no. 2 (2002): 125–33. http://dx.doi.org/10.1007/s101560200022.

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Thomsen, Hans Bjarne. "Japanese Bronze Bells in Switzerland." Global Europe – Basel Papers on Europe in a Global Perspective, no. 120 (August 3, 2021): 13–36. http://dx.doi.org/10.24437/globaleurope.i120.454.

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Western museums hold numerous Japanese objects, typically gathered by collectors during travels in Japan and then donated to local institutions. This simple scenario is by no means always the case, as can be seen with the numerous Japanese bronze bells in Swiss museum collections. The story of how the bells changed from holding significant functions within Japanese monastic and secular communities to being sold for their materiality and sheer weight as they travel across the globe tells a complex story of how objects change in meaning as they travel. As the bells were eventually relegated to m
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Minami, Masahiko. "Telling good stories in different languages." Narrative Inquiry 18, no. 1 (2008): 83–110. http://dx.doi.org/10.1075/ni.18.1.05min.

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There are many ways to tell a story, but whether a story is good or bad depends on whether or not the listener/reader can comprehend all that the speaker/writer wants to convey in his or her story. This study examines the characteristics of stories that native speakers of given languages consider to be good. Forty English-Japanese bilingual children ages six to twelve were asked to narrate a picture storybook in both English and Japanese. Also involved in the study were 16 adult native Japanese speakers and 16 adult native English speakers who evaluated the stories produced by the bilingual ch
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Drascic-Gaudio, Meghan, Hailey Graham, and Madeleine Howard. "Igniting Connections." IJournal: Graduate Student Journal of the Faculty of Information 4, no. 3 (2019): 28–36. http://dx.doi.org/10.33137/ijournal.v4i3.33077.

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Redefining Home: A Story of Japanese Canadian Resettlement in Toronto explores the story of Harold and Hana Kawasoe, a young Japanese Canadian couple, who chose Toronto as their new home in the face of immeasurable loss they, and many other Japanese Canadians faced during the Second World War. Using a co-curation approach to share the Kawasoe story, the exhibit team discovered how community collaboration and the facilitation of diverse experiences can organically create support and success for museums and historic houses. Redefining Home offers a lens through which the strengths and weaknesses
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Lambrecht, Nicholas. "Missing Keystones: Echoes of Empire in Kobayashi Masaru’s “Bridge Building”." International Journal of Korean History 27, no. 1 (2022): 75–98. http://dx.doi.org/10.22372/ijkh.2022.27.1.75.

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Postwar writings by and about Japanese repatriates often serve to illustrate the incomplete nature of Japanese decolonization. While the process of repatriation physically removed Japanese colonists from the former empire, it also deferred the necessary process of coming to terms with Japan’s imperial past. This article examines how unresolved memories of empire reemerge in the postwar writings of Kobayashi Masaru (1927–1971), a Japanese author who was born and raised in colonial Korea. Through an analysis of Kobayashi’s Akutagawa Prize-nominated short story “Bridge Building” (“Kakyō,” 1960),
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Yamagata-Montoya, Aurore. "An Affair with a Village – Joy Hendry." Mutual Images Journal, no. 10 (December 20, 2021): 347–54. http://dx.doi.org/10.32926/2021.10.r.yam.affai.

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Joy Hendry is today a leading Japanese studies scholar and anthropologist, recompensed with the Order of the Rising Sun, who founded and presided over several major research associations over the past decades. However, at the time this story starts (as it is a story Hendry is writing in this book), she is a young woman starting her fieldwork for a doctorate. She had mastered the Japanese language already, but many aspects of Japanese daily life, especially in a retired rural area such as the small village of Kurotsuchi (Kyushu), elude her – as it did for most foreign academics in the 1970s. Wr
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Kwek, Joan. "The story‐telling potential ofemakimono(Japanese Picture Scrolls)." Japanese Studies 6, no. 3 (1986): 11–16. http://dx.doi.org/10.1080/10371398608737540.

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Foley, P., Y. Mizuno, T. Nagatsu, et al. "The L-DOPA story - an early Japanese contribution." Parkinsonism & Related Disorders 6, no. 1 (2000): 1. http://dx.doi.org/10.1016/s1353-8020(99)90001-9.

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Welker, James. "Telling Her Story: Narrating a Japanese Lesbian Community." Japanstudien 16, no. 1 (2005): 119–44. http://dx.doi.org/10.1080/09386491.2005.11826914.

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Welker, James. "Telling Her Story: Narrating a Japanese Lesbian Community." Journal of Lesbian Studies 14, no. 4 (2010): 359–80. http://dx.doi.org/10.1080/10894161003677265.

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Blahota, Martin. "Hayama Yoshiki’s “The Prostitute” in Taiwanese and Manchukuo Proletarian Literature." AUC PHILOLOGICA 2021, no. 3 (2022): 47–60. http://dx.doi.org/10.14712/24646830.2022.3.

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In the 1920s and 1930s, the Japanese proletarian literary movement had an enormous impact on East Asian writers, who often translated and adapted Japanese tales. Amongst them, Hayama Yoshiki’s 1925 short story “Inbaifu” (The Prostitute) enjoyed great popularity. This paper focuses on the Taiwanese writer Lang-shi-sheng’s adaptation of “Inbaifu”, the 1935 “Yami” (Darkness), and Manchukuo writer Yuan Xi’s adaptation of the same Japanese source text, the 1938 short story “Shi tian” (Ten Days). By comparing the Taiwanese and Manchukuo stories, this paper suggests that both versions of “Inbaifu” re
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Xie, Miya Qiong. "“Borderland Translation”." Journal of World Literature 4, no. 4 (2019): 552–80. http://dx.doi.org/10.1163/24056480-00404006.

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Abstract This paper explores the complexity of translation of borderland literature through a case study of the Japanese and Chinese translations of the Korean short story “The Red Hill.” Written by the renowned Korean writer Kim Tong-in (김동인, 1900–1951) in 1932, this story features the Korean agrarian community in the Northeast Asian borderland of Manchuria and is conventionally considered a masterpiece of Korean national literature. When it was translated into Japanese and Chinese and anthologized in inland Japan and the Japanese Manchukuo respectively, the three texts of the same story in t
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COOK, HARUKO TAYA, and THEODORE F. COOK. "A lost war in living memory: Japan’s Second World War." European Review 11, no. 4 (2003): 573–93. http://dx.doi.org/10.1017/s1062798703000498.

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We examine the strata of memory in Japan’s recollections of the wartime experience and explore the shaping and releasing of memory in Japan, seeking to penetrate and recover individual Japanese experience. Individual memories that seemed tightly contained, when released were told with great emotional intensity and authenticity. That there has been little public discourse does not mean that individual Japanese have forgotten that war, but that the conflict – a war with no generally accepted name or firmly fixed start or end – seems disconnected from the private memories of the wartime generatio
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Agnew, Junko. "CONSTRUCTING CULTURAL DIFFERENCE IN MANCHUKUO: STORIES OF GU DING AND USHIJIMA HARUKO." International Journal of Asian Studies 10, no. 2 (2013): 171–88. http://dx.doi.org/10.1017/s1479591413000053.

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This article explores the role of Pan-Asian ideology in Japanese imperialism and how it is reflected in literary texts produced in Manchukuo. Through the analysis of Chinese and Japanese literary works this study examines the construction of ethnic identities and difference which was central to both Pan-Asian discourse and Manchukuo national identity. In both types of works the Japanese and Chinese characters use the concept of ethnicity or culture to reveal different realities of Manchukuo's ethnic politics. While the insoluble separation between the Japanese and the Chinese in Ushijima Haruk
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Hirai, Akiyo. "Developmental research on skill-integrated speaking activities and evaluation scales: Learning English with story-retelling." Impact 2021, no. 3 (2021): 30–31. http://dx.doi.org/10.21820/23987073.2021.3.30.

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Storytelling and story-retelling have the potential to be used as tools to assist with foreign language teaching and learning. Professor Akiyo Hirai, University of Tsukuba, Japan, has been interested in this concept since 2005. She is researching Second Language Acquisition and observed that students from European countries and South America learning English tended to master the language more quickly than Asian students and particularly Japanese students. This highlighted that teaching methods that are effective for one demographic may not necessarily be suited to another demographic. In order
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GANTAR, Lija. "Ancient Greek Legend in Modern Japanese Literature: “Run, Melos!” by Dazai Osamu." Acta Linguistica Asiatica 7, no. 2 (2017): 51–68. http://dx.doi.org/10.4312/ala.7.2.51-68.

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Dazai Osamu (1909-1948), a modern Japanese writer, wrote “Run, Melos!” in 1940. The short story is a rework of an Ancient Greek legend of Damon and Pythias from the 4th century B.C., which was introduced to Dazai through Schiller’s version of the legend, “The Hostage”. The legend, based on a true event, represents the perfect friendship and was reworked a number of times by different antique writers. After having been forgotten for a while, it reappeared in the Middle Ages as a fictional story and has gotten many new adaptations from then on. One of them was Schiller’s ballad in 1798, which –
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Kasimbara, Devi Cintia. "MANGO TREE’S DESIRE IN THE STORY OF DENGAR KELUHAN POHON MANGGA: STUDY ON PSYCHOANALYSIS OF LACAN." JURNAL BASIS 7, no. 2 (2020): 301. http://dx.doi.org/10.33884/basisupb.v7i2.2480.

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Dengar Keluhan Pohon Mangga (DKPM) is the story written by Maria Amin during the Japanese colonial era. The author uses the metaphor of "mango tree" to escape Japanese censorship to be published so that there are many hidden meanings in this short story. This study aimed to determine the author's unconscious condition through the language used by using Lacan's psychoanalytic theory. This study used a qualitative research method with a poststructuralism approach using Lacan's psychoanalysis. The data source of this research is a document, namely the short story DKPM by Maria Amin. The sampling
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Suzuki, Masao. "Success Story? Japanese Immigrant Economic Achievement and Return Migration, 1920–1930." Journal of Economic History 55, no. 4 (1995): 889–901. http://dx.doi.org/10.1017/s0022050700042200.

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Even in a country whose patron saint is the Horatio Alger hero, there is no parallel to their [the Japanese American] success strory.The view that Japanese and other Asian Americans constituted an economic success story gained popularity in the mass media and among scholars during the 1960s. At a time when the demands of the Civil Rights movement were challenging the government to redress the racism ingrown in American society, Japanese and other Asian Americans were often held up as “model minorities” who had overcome discrimination through their own efforts and without aid from government la
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Liu, Kun, Kang-Ming Chang, Ying-Ju Liu, and Jun-Hong Chen. "Animated Character Style Investigation with Decision Tree Classification." Symmetry 12, no. 8 (2020): 1261. http://dx.doi.org/10.3390/sym12081261.

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Although animated characters are based on human features, these features are exaggerated. These exaggerations greatly differ by country, gender, and the character’s role in the story. This study investigated the characteristics of US and Japanese character designs and the similarities and differences or even the differences in exaggerations between them. In particular, these similarities and differences can be used to formulate a shared set of principles for US and Japanese animated character designs; 90 Japanese and 90 US cartoon characters were analyzed. Lengths for 20 parts of the body were
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Lemco, Jonathan, and Scott B. MacDonald. "Sino-Japanese Relations: Competition and Cooperation." Current History 101, no. 656 (2002): 290–93. http://dx.doi.org/10.1525/curh.2002.101.656.290.

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Many analysts choose to focus on the points of contention between the Asian giants. This is perfectly understandable, for China's industries will grow and compete with Japan's worldwide, and Japan's more assertive military will complicate China's foreign policy goals. But the tensions are only half the story.
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Ito, Takuya, Jumpei Ono, and Takashi Ogata. "Implementing Story Units of Japanese Folktales with Conceptual Dictionaries." Proceedings of International Conference on Artificial Life and Robotics 26 (January 21, 2021): 191–96. http://dx.doi.org/10.5954/icarob.2021.os15-3.

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Martin, Carol. "Foreign Assembly Toshiki Okada’s Time’s Journey through a Room in the US." TDR: The Drama Review 65, no. 2 (2021): 95–105. http://dx.doi.org/10.1017/s1054204321000101.

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Okada is one of the most internationally produced contemporary Japanese playwrights. American directors approach his work both as uniquely Japanese and as a synecdoche for the world. The story of Okada’s web of institutional, professional, and personal relationships is an object lesson in the foreign assembly of international works.
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Priventa, Hendrike. "Aspek Estetis dalam Cerita Pendek “Inu to Hito to Hana” Karya Ogawa Mimei." Chi'e: Journal of Japanese Learning and Teaching 8, no. 1 (2020): 18–25. http://dx.doi.org/10.15294/chie.v8i1.35041.

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The short story "Inu to Hito to Hana" by Ogawa Mimei is a simple story that is full of elements of ethics and aesthetics. The purpose of this study is to describe the aesthetic aspects of the short story "Inu to Hito to Hana". The method used is literature study using an aesthetic identity approach. The results of this study can be seen from aesthetic aspects, namely 1) language style, 2) symbols, 3) imagination process, and 4) philosophical values.
 Keywords : Aesthetic aspects, aesthetic identity, ethics, Japanese short story
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Ainul Fadli, Zaki. "Story Meaning in Warera no Jidai no Fuukoroa -Koodo Shihon Shugi Zenshi by Murakami Haruki." E3S Web of Conferences 202 (2020): 07030. http://dx.doi.org/10.1051/e3sconf/202020207030.

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Warera no Jidai no Fuukoroa - Koodo Shihon Shugi Zenshi's short story by Murakami Haruki tells the romance of Japanese teenagers in the 60s (Showa era). This study uses a sociological approach to literature to analyze the meaning of the story through a picture of the society of the 60s told in a short story. The results showed that in the Showa period gender equality was still difficult to realize because people's thinking still supported patriarchal domination. Besides, the portrayal of the romance story is the author's criticism of the fragility of society in that era.
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Gottfried, Heidi, and Nagisa Hayashi-Kato. "Gendering Work: Deconstructing the Narrative of the Japanese Economic Miracle." Work, Employment and Society 12, no. 1 (1998): 25–46. http://dx.doi.org/10.1177/0950017098121002.

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The story of the Japanese system, held up as a model for economic prosperity and growth, underplays the role of non-standard labour in the narrative of `success'. Our analysis deconstructs the narrative of the Japanese economic miracle to shed light on this almost invisible pillar by tracing the historical development of non-standard employment among women. We find that this form of work constitutes a larger and faster growing share of total employment than heretofore realised, and that women account for most of the change. Rather than merely a residual dimension of Japanese employment practic
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Yuliani, Rahmah, Mulyadi Budi, and Fajria Noviana. "The Existence of Forests in Japanese Belief (Sociology Literature Study of Anime Miyori no Mori)." E3S Web of Conferences 317 (2021): 03001. http://dx.doi.org/10.1051/e3sconf/202131703001.

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This research discusses the environmental issues and their relationship with the Japanese beliefs described in Japanese visual literature: anime Miyori no Mori. This animation story is full of messages about environmental preservation and environmental issues. The story Miyori no Mori teaches the audiences (especially children) the importance of protecting the forest and the impacts that will arise when the forest is destroyed and clearly illustrates how the forest is related to god’s spirits in Japanese belief. This research aims to reveal the elements of that belief through the existence of
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Hapsari, Kris. "Kasunan dan Mangkunegaran di Tengah Penjajahan Tentara Jepang." Indonesian Historical Studies 2, no. 1 (2018): 36. http://dx.doi.org/10.14710/ihis.v2i1.3200.

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This paper discusses the Kasunanan and Mangkunagaran during the Japanese occupation that was compiled using the historical method using primary sources from ANRI and Mangkunegaran. This article is like a prologue from the story of Kasunanan and Mangkunegaran in 1945-1950, the struggle period of the two Surakarta monarchies which maintained their existence in the midst of the independence revolution. The initial story fragment, a brief description of the situation in Surakarta during the Japanese occupation. This short period considered by the Kasunanan and Mangkunegaran became alignments to Ja
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Khronopulo, L. Yu. "The influence of Fredric W. Brown’s micro fiction on Hoshi Shin’ichi’s and Akagawa Jirō’s short-short stories." Japanese Studies in Russia, no. 2 (July 4, 2022): 95–107. http://dx.doi.org/10.55105/2500-2872-2022-2-95-107.

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The short-short story was first introduced by Japanese writer Tsuzuki Michio, who in the late 1950s – the early 1960s familiarized the Japanese reader with extra-short stories of American author Fredric W. Brown (1906–1972); his traditions were followed by Japanese writer Hoshi Shin’ichi (1926–1997), Akagawa Jirō (b. 1948), and other authors experimenting in the new genre of social and psychological science fiction, as well as in the genre of fantasy and detective stories. In American literature, three major specific features of a short-short story were formulated: 1) a fresh idea, 2) an unexp
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NASIR, Suraya Binti Md. "Understanding Manga as a “Style” through Essay Manga’s Multimodal Literacies:And Its Relations to the Discourse on “local art style” in Malaysian Comics." Border Crossings: The Journal of Japanese-Language Literature Studies 13, no. 1 (2021): 61–74. http://dx.doi.org/10.22628/bcjjl.2021.13.1.61.

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The trans-cultural consumption of Japanese Manga in Malaysia has prompted a significant amount of manga-influenced local works. As an outcome, traces of Japanese Manga can be found through its iconic art styles, storytelling and Japanese culture in these works. While fans show the positive response for these manga-influenced local works, the artists’ community shows the opposite response, in particular, related to the representation of the “typical Japanese manga-style”, resulting in the idea that these artists are turning away from the “local art style” which has been pioneered by the predece
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Thelen, Timo. "The Japanization of wife and whisky in NHK’s morning drama Massan." East Asian Journal of Popular Culture 5, no. 2 (2019): 177–93. http://dx.doi.org/10.1386/eapc_00007_1.

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The story of NHK’s morning drama (asadora) Massan (2014–2015) is loosely based on real events. It depicts the lives of the Japanese whisky pioneer Massan and his Scottish wife Ellie in pre- and post-war Japan. Ellie assimilates and grows into the role of a perfect Japanese ‘good wife and wise mother’, while Massan fulfils his dream and succeeds in producing the first authentic whisky made in Japan. Approaching the series’ narrative from the perspective of multiculturalism, I argue that the series falls into the trap of representing the heroine as a stereotypical foreigner, resembling figures w
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Sikarskie, Amanda. "Japanese Contemporary Quilts and Quilters: The Story of an American Import (Wong)." Museum Anthropology Review 10, no. 2 (2016): 169–70. http://dx.doi.org/10.14434/mar.v10i2.21773.

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Mulyadi, Budi. "Keunikan Rumah Tradisional Jepang Minka." KIRYOKU 3, no. 4 (2019): 239. http://dx.doi.org/10.14710/kiryoku.v3i4.239-246.

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(Title: The uniqueness of Japanese traditional house minka). The main goal of this research is to know everything about the Japanese traditional house minka and it's uniqueness. This research is a combination of library research and field research. The step method used in this research is observation, classification, analysis, interpretation and description. From the result of this paper, in general, can be described that the Japanese traditional house minka has a long story of development and has a uniqueness which describes the Japanese culture which is concentrated with natural and religiou
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Tamara, Gati Intan, Dianni Risda, and Juju Juangsih. "TEKNIK PERMAINAN CERITA BERANTAI DENGAN MEDIA GAMBAR UNTUK PEMBELAJARAN BERBICARA BAHASA JEPANG." JAPANEDU: Jurnal Pendidikan dan Pengajaran Bahasa Jepang 1, no. 1 (2016): 90. http://dx.doi.org/10.17509/japanedu.v1i1.2656.

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AbstraksiKemampuan berbicara merupakan salah satu aspek yang mempunyai peranan penting dalam berkomunikasi sehingga dapat menunjang keterampilan berbahasa khususnya Bahasa Jepang. Namun dalam kenyataannnya keterampilan berbicara kurang mendapat perhatian. Pembelajar bahasa asing menemui masalah pada saat berbicara dalam bahasa yang sedang dipelajarinya. Oleh karena itu, dibutuhkan teknik pembelajaran yang dapat mengatasi masalah tersebut, salah satunya dengan menerapkan teknik permainan cerita berantai dengan media gambar untuk pembelajaran berbicara Bahasa Jepang. Tujuan penelitian ini adalah
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Kvidera, Peter James. "The Story/History of Japan: Producing Knowledge by Integrating the Study of Japanese Literature and Japanese History." Japanese Language and Literature 55, no. 1 (2021): 131–59. http://dx.doi.org/10.5195/jll.2021.68.

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This essay discusses the benefits to student learning when we integrate the study of Japanese literature and Japanese history through the curricular model of "linked courses." The essay begins by examining the process of linking an introductory Japanese literature course and introductory Japanese history course, and continues by explaining its pedagogical advantages. Specifically, the collaboration of literary and historical study provides students greater access to the material and, subsequently, the opportunity for deeper analysis. Students can better understand how historical context inform
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Rahmah, Yuliani. "BENTUK AMAE DAN OMOIYARI DALAM CERPEN FUMINSHO." KIRYOKU 2, no. 2 (2018): 83. http://dx.doi.org/10.14710/kiryoku.v2i2.83-89.

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(Amae and Omoiyari’s form in Fuminsho's Short story) This article describes the embodiment of bushido values in a literary work. The value discussed is one of the Bushido element called Jin (means compassion) especially the form of amae and omoiyari. With literature research method,this article explain amae and omoiyari’s attitude which describes in a Japanese short story entitled Fuminsho. As a result it is known that despite the genre of science fiction, the short story of fuminsho contains amae and omoiyari which is shown by the relationship between the role of main characters and the other
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Oda, Meredith. "Rebuilding Japantown." Pacific Historical Review 83, no. 1 (2014): 57–91. http://dx.doi.org/10.1525/phr.2014.83.1.57.

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This article follows the transpacific process of race-making and urban redevelopment in the Japanese Cultural and Trade Center in San Francisco. Japanese Americans carved out spaces for themselves in the Center’s development by mediating between city representatives and Japanese interests and culture. Their role built on their professional skills as well as contemporary racial thinking about Japanese Americans and U.S. expansionism in the Pacific. As the United States sought out connections with a nation understood as particularly alien, Japanese Americans rearticulated contemporary perception
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Guth, Christine M. E. "From Book to Film." Journal of Japonisme 6, no. 1 (2021): 1–26. http://dx.doi.org/10.1163/24054992-06010001.

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Abstract Mary McNeil Fenollosa’s 1906 novel The Dragon Painter and its 1919 filmic adaptation sit at the intersection of American literary, art, and film history. Simultaneously personal and political, each is a product of its time and place. Together, they tell a story about changing (and unchanging) attitudes that were constituents of the complex and often contradictory history of the reception of Japanese culture and people in the United States. The novel draws on stereotypes of Japan as a primitive country of innately artistic people that at the time of its publication had been made famili
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