Log in

Relevant bibliographies by topics / Japanese Verse drama

Contents

Journal articles
Books
Book chapters
Conference papers

Academic literature on the topic 'Japanese Verse drama'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Japanese Verse drama.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Japanese Verse drama"

1

Azarova, Valentina Vladimirovna. "On the organization of sound space in "The Tidings brought by Mary" by Paul Claudel, 1912 edition." Культура и искусство, no. 4 (April 2022): 141–63. http://dx.doi.org/10.7256/2454-0625.2022.4.37912.

Full text

Abstract:

The article examines the words and the meaning, as well as the dramaturgy of sound in the first edition of the mystery "The Tidings brought by Mary" by Paul Claudel. Understanding the synthesis of verbal and vocal intonation leads the author of the article to discover new ways of solving the problem of stage music in mystery drama by Claudel. The discrete nature of the design of the sound space of the mystery in the first edition represents the concept of separately performed fragments, in which the episodes integrated into the action in liturgical Latin are united by a common spiritual meanin

APA, Harvard, Vancouver, ISO, and other styles

2

Hutcheon, Linda. "In Defence of Literary Adaptation as Cultural Production." M/C Journal 10, no. 2 (2007). http://dx.doi.org/10.5204/mcj.2620.

Full text

Abstract:

   Biology teaches us that organisms adapt—or don’t; sociology claims that people adapt—or don’t. We know that ideas can adapt; sometimes even institutions can adapt. Or not. Various papers in this issue attest in exciting ways to precisely such adaptations and maladaptations. (See, for example, the articles in this issue by Lelia Green, Leesa Bonniface, and Tami McMahon, by Lexey A. Bartlett, and by Debra Ferreday.) Adaptation is a part of nature and culture, but it’s the latter alone that interests me here. (However, see the article by Hutcheon and Bortolotti for a discussi

APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Japanese Verse drama"

1

Katō, Eileen. W.B. Yeats and the noh. [Asiatic Society of Japan?], 2003.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Durband, Alan. A Midsummer Night's Dream: Original Text & Modern Verse (Shakespeare Made Easy Series). Trans-Atlantic Publications, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

Book chapters on the topic "Japanese Verse drama"

1

Cucinelli, Diego. "Volare nella notte su ali rilucenti. L’airone (sagi) nel Giappone premoderno tra letteratura, folklore e bestiari." In Connessioni. Studies in Transcultural History. Firenze University Press, 2024. http://dx.doi.org/10.36253/979-12-215-0422-4.06.

Full text

Abstract:

The heron (sagi) holds a cherished place among avian figures in Japanese culture, although it has received less scholarly attention compared to other birds. Its significance can be traced back to some of the oldest surviving texts. References to white herons are present in the Man’yōshū (Collection of Ten Thousand Leaves, second half of the 8th century) and the Kokin waka rokujō (Six Quires of Ancient and Modern Japanese Poetry, late 10th century). Additionally, the docile bittern appears in the Heike monogatari (Tale of the Heike, 13th century), and the nō drama Sagi (The Heron) is another no

APA, Harvard, Vancouver, ISO, and other styles

2

Schoenberger, Casey. "Music without Composers." In Music, Mind, and Language in Chinese Poetry and Performance. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/oso/9780198886211.003.0005.

Full text

Abstract:

Abstract This chapter draws on concepts of predictive coding/processing to introduce two major higher-order structural principles for Chinese verse and performance: qi-cheng-zhuan-he (open-receive-turn-close) and xu-po-ji (prelude-broaching-rushing, from Japanese jo-ha-kyu). Beginning with analysis of an ancient musical structure called luan (wrap-up), this chapter goes on to describe the functioning of mode-keys (gongdiao) in song-lyric (ci) melodies recorded by Southern Song Dynasty poet Jiang Kui, and in the complex suite structure of late-Ming polymath Xu Wei’s one-act variety drama, The M

APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Japanese Verse drama"

1

Mukherjee, Tapati. "Focusing Cultural Affinity Among South Asian Cultures, Cutting Across Geo-spatial Barrier: Rabindranath Tagore and His Multi-dimensional Creativity." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2024. http://dx.doi.org/10.62119/icla.1.8205.

Full text

Abstract:

In a jet – set globalized world where change is the only con-stant as an aftermath of phenomenal progress in science and tech-nology, we are at ease to interact with various cultures, pertaining to various countries, nations and groups. But it is indeed amazing that even in the nineteenth century, a poet and litterateur of as-tounding magnitude in British ruled – India – Rabindranath Tagore, the first Nobel Laureate of Asia could visualize the idea of a one world across geo – political boundary. Notwithstanding his multiple visits to Europe and America, his fascination for Asian countries has

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!