Relevant bibliographies by topics / Japonisme

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Japonisme'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "Japonisme"

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Emery, Elizabeth. "Hayashi Tadamasa in the United States (1887)." Journal of Japonisme 7, no. 1 (2022): 18–49. http://dx.doi.org/10.1163/24054992-07010002.

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Abstract This article extends the conclusions of “A Japoniste Friendship in Translation: Hayashi Tadamasa and Philippe Burty (1878–1890)” (Journal of Japonisme, 6:1, 2021), an essay dedicated to the translation and analysis of a set of French letters documenting the friendship between Hayashi Tadamasa and Philippe Burty. The present article focuses on a second set of letters sent from Hayashi to Burty while on a trip to the United States in 1887 during which he sold fourteen French paintings for Burty. Hayashi’s descriptions of transatlantic voyages, the tastes and practices of American client
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Coman, Sonia. "Local, Cross-cultural, and Global: Japoniste Ceramics in Limoges." Journal of Japonisme 5, no. 1 (2019): 47–70. http://dx.doi.org/10.1163/24054992-00051p02.

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Abstract Ever since its inception Japonisme presented a creative tension between local traditions and cross-cultural practices. Adding to this formative relationship was the simultaneous development of Japonisme across Europe, the United States, and Japan itself. This paper focuses on one place of intersection – Limoges – and one medium – ceramics – to identify the local (Limoges’s rich ceramic history), the cross-cultural (French and Japanese influences), and the global (similar practices in other regions). A constellation of producers and collectors inextricably connected Limoges, a centurie
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Emery, Elizabeth. "Madame Desoye, “First Woman Importer” of Japanese Art in Nineteenth-Century Paris." Journal of Japonisme 5, no. 1 (2019): 1–46. http://dx.doi.org/10.1163/24054992-00051p01.

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Abstract The shop run by Madame Desoye at 220, rue de Rivoli in Paris is legendary in Japonisme studies thanks to the writings of Edmond de Goncourt and Philippe Burty, yet the identity of the woman hidden behind this married name, like the extent of her participation in Japoniste activities, has long remained a mystery. The present article draws upon new archival research to provide information about the life of Louise Mélina Desoye, née Chopin (1836-1909) and her important contributions to the first wave of French Japonisme.
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Ma, Scott. "The Politics of Curating Japonisme." Journal of Japonisme 8, no. 1 (2023): 31–66. http://dx.doi.org/10.1163/24054992-08010001.

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Abstract This article studies the Paris exposition Japonismes 2018, organized by the Japanese government to introduce the European public to the profundity of Japanese culture. It examines the organizational deliberations leading up to the exposition; the curation of individual exhibits held within its ambit; and the cultural politics of ‘Japan expositions’ that began with Japonismes and continue to this day. It argues that the organizers and exhibits in Japonismes make political use of the trope of a timeless, mystical, and animistic Japanese sense of beauty that supposedly unites prehistoric
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Clark, Carol. "“Rabid Just Now on the j”: Revisiting American Japonism." Journal of Japonisme 10, no. 1-2 (2025): 83–88. https://doi.org/10.1163/24054992-10010206.

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Abstract In this essay, the author considers the ‘American Japonism’ exhibition that she curated in tandem with the 1975 Japonisme: Japanese Influence on French Art 1854–1910 exhibition at the Cleveland Museum of Art. She reflects on the organization of this event and its impact on her subsequent career.
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Dimitrio, Laura. "Japonisme, New Japonisme, and Pop Japonisme in Italian Fashion." Journal of Japonisme 9, no. 2 (2024): 80–114. http://dx.doi.org/10.1163/24054992-09020002.

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Abstract This article examines the profound impact exerted by Japanese fashion and culture on the evolution of Italian fashion. In Italy, the assimilation of Japanese clothing and aesthetics occurred particularly during three periods: 1870s–1920s (the era of Japonisme), 1970s–1990s (New Japonisme), and the early decades of the twenty-first century (Pop Japonisme). Throughout these periods, the kimono was a significant source of inspiration for Italian designers, who progressively reinterpreted this garment with increasing creativity. With the onset of New Japonisme, the influence of avant-gard
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Emery, Elizabeth, and Mei Mei Rado. "Introduction: Japonisme and Fashion." Journal of Japonisme 9, no. 2 (2024): 73–79. http://dx.doi.org/10.1163/24054992-09020001.

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Abstract This introduction to a special issue dedicated to ‘Japonisme and Fashion’ evokes the influence of fashion within the field of Japonisme, sketches the history of the field, summarizes its recent developments, and outlines the issue’s contents. The modern sartorial practices and global fashion industry inspired by the styles, motifs, and concepts of Japanese dress shed new light on the inherent multiculturalism of Japonisme itself.
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Nunokawa, Yumiko. "Influence of Japonisme on Art of M. K. Čiurlionis and His Contemporaries." International Journal of Area Studies 10, no. 1 (2015): 85–118. http://dx.doi.org/10.1515/ijas-2015-0005.

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Abstract The aim of this paper is to show how Japonisme was introduced to Europe in the late 19th century and how it influenced artists in major cities. Japanese woodblock prints (ukiyo-e), especially those of Hokusai and Hiroshige, fascinated the Impressionists and other contemporaries such as Claude Monet (1840-1926), Vincent van Gogh (1853-1890), and James Abbott McNeill Whistler (1834-1903). Many of them adopted japonaiserie motifs in their paintings or sculptures, and it formed a major artistic trend called Japonisme. The Lithuanian composer and painter Mikalojus Konstantinas Čiurlionis (
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Delank, Claudia. "The Painters of the Blaue Reiter and Japan." Journal of Japonisme 5, no. 1 (2019): 71–91. http://dx.doi.org/10.1163/24054992-00051p03.

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Abstract Japonisme, like today’s Japanese pop culture, is a transcultural phenomenon. In the ‘classical phase of Japonisme’ individual artists were influenced by Japanese art (especially by ukiyo-e woodblock prints) and transcended thematic and compositional adaption: the confrontation with Japanese art sparked a creative process and led to new developments in art. Japonisme became not only an important medium in the development of modern western art, but also attested a cultural transcendence.
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Cate, Phillip Dennis. "Japonisme, Some Recollections." Journal of Japonisme 10, no. 1-2 (2025): 28–31. https://doi.org/10.1163/24054992-10010204.

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Abstract In this essay, a co-organizer of the 1975 Japonisme: Japanese Influence on French Art 1854–1910 exhibition reflects on the organization of the event and his evolving relationship to Japonisme over the last fifty years.
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Dissertations / Theses on the topic "Japonisme"

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Suzuki, Junji. "Marcel Proust et le japonisme." Paris 4, 1996. http://www.theses.fr/1996PA040277.

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L'objectif de la présente thèse est, d'une part, de mettre en évidence les faits ponctuels qui témoignent des contacts entre Marcel Proust et diverses choses du japon mentionnées dans ses écrits, et d'autre part, de déceler la structure du japonisme dans A La Recherche du temps perdu. Le premier chapitre est consacré à l'étude du rapport entre Proust et quelques écrivains qui se sont intéressés à la culture japonaise. Dans le second, nous passons en revue les fréquentations qu'avait Proust de quelques amis qui montraient un penchant pour les japoneries. Dans le troisième, nous considérons quel
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Spławski, Piotr. "Japonisme in Polish pictorial arts (1885-1939)." Thesis, University of the Arts London, 2013. http://ualresearchonline.arts.ac.uk/6205/.

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This thesis chronicles the development of Polish Japonisme between 1885 and 1939. It focuses mainly on painting and graphic arts, and selected aspects of photography, design and architecture. Appropriation from Japanese sources triggered the articulation of new visual and conceptual languages which helped forge new art and art educational paradigms that would define the modern age. Starting with Polish fin-de-siècle Japonisme, it examines the role of Western European artistic centres, mainly Paris, in the initial dissemination of Japonisme in Poland, and considers the exceptional case of Julia
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Amico, Valentina <1990&gt. ""Ukiyoe: un’indagine artistico-economica tra Japonisme e Branding."." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/15172.

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Lo scopo di questo elaborato è quello di analizzare attraverso un lungo periodo storico, partendo dal XVII secolo fino all’anno corrente 2019, l’evoluzione artistica delle stampe Ukiyoe; in particolar modo come esse siano state un motivo di propulsione per l’avvento di un nuovo fenomeno culturale che a partire dalla seconda metà del 1800 portò in tutto il mondo occidentale una rinascita artistica fatta di prodotti e temi esotici. Questo fenomeno si è poi fatto strada negli anni evolvendosi e abbracciando non più solo le belle arti, ma anche la fotografia, il cinema, il design, la moda e la gra
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Cooper, Chelsea N. "THE INFLUENCE OF JAPONISME IN CLAUDE MONET’S IMPRESSION, SUNRISE." Kent State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=kent1587645241000178.

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Steadman, Amanda Joy. "Images of Japonisme: The Portrayal of Japan in Select Musical Works." Bowling Green State University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1249250727.

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Savornin, Sabine. "De la réception du haiga en France ou de la relation entre poésie et peinture, entre mot et image." Aix-Marseille 1, 2010. http://www.theses.fr/2010AIX10024.

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Depuis la japonisme, soit la seconde moitié du XIXe siècle, les études et expositions sur l'art japonais n'ont cessé de se mulitplier. Toutefois, ce sont généralement les mêmes oeuvres et artistes nippons qui sont mis en avant : d'une part les ukiyo-e avec Hokusai, Hiroshige ou Utamaro pour la peinture, d'autre part les haiku avec essentiellement Basho pour la poésie. Aussi se posait cette question : pourquoi le haiga est-il peu connu en France alors que la forme poétique à laquelle il se rattache - le haikai - y est largement connue et appréciée ? Notre hypothèse de départ est la suivante : l
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Walker, Nancy J. "The Fox in the Mirror| Bertha Lum and American Japonisme." Thesis, California State University, Long Beach, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1570862.

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<p> The introduction of Japanese art and culture to the Western world prompted a powerful response from an entire generation of artists, writers, and musicians, including a gifted American artist named Bertha Lum. Lum travelled to Japan in the early 1900s to train with Japanese masters in the design, cutting, and printing of woodblock prints. Lum was a passionate exponent of <i> Japonisme,</i> and a study of her work illuminates how this phenomenon manifested itself in American art and culture.</p><p> In cultural and artistic terms, <i>Japonisme</i> emerged as a selective interpretation of
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Okada, Tomoko. "Le japonisme sur scène en France de 1870 à 1914." Paris 4, 2005. http://www.theses.fr/2005PA040248.

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Cette thèse traite des exemples de japonisme sur scène (opéra, ballet, pièce de théâtre) de la fin du XIXe siècle, domaine encore très peu exploité. Dans la première partie, après les deux premiers chapitres consacrés à la presse et au théâtre ainsi qu'à un constat historique sur l'exotisme, le japonisme est abordé de manière globale, dans la littérature, les arts et la musique, en rapport avec les œuvres scéniques et leurs auteurs traités dans la deuxième partie. Celle-ci est dédiée à des analyses spécifiques de chaque pièce, à l'aide de nombreux documents iconographiques de l'époque, sous tr
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Suzuki, Junji. "Le japonisme dans la vie et l'oeuvre de Marcel Proust /." Tokyo : Keio university press, 2003. http://catalogue.bnf.fr/ark:/12148/cb41239844k.

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Tinch, Rebecca H. "Locating Modernity: Japonisme, Gender, and Enchantment at the 1893 World’s Fair." Miami University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=miami1336132958.

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Books on the topic "Japonisme"

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Johannes, Wieninger, Mabuchi Akiko, and Tōbu Bijutsukan, eds. Wīn no japonisumu =: Japonisme in Vienna. Tōkyō shinbun, 1994.

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Bijutsukan, Kokuritsu Seiyo, Galeries nationales du Grand Palais., and France. Ministère de la culture et de la communication., eds. Le Japonisme. Editions de la Réunion des musées nationaux, 1988.

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1957-, Okabe Masayuki, Okabe Tomoko, and Tōkyō-to Teien Bijutsukan, eds. Kōgei no Japonisumu ten =: Japonisme in decorative arts. NHK, NHK Puromōshon, 1998.

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Watanabe, Toshio. High Victorian Japonisme. P. Lang, 1991.

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Fraisse, Luc. Proust et le japonisme. Presses universitaires de Strasbourg, 1997.

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Hánová, Markéta. Japonisme in Czech art. National Gallery in Prague, 2014.

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Akiko, Mabuchi, La Farge John 1835-1910, Jarves James Jackson 1818-1888, et al., eds. Japanese art and Japonisme. Ganesha Publishing, 1999.

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L, Weisberg Yvonne M., ed. Japonisme: An annotated bibliography. Jane Voorhees Zimmerli Art Museum, Rutgers-The State University of New Jersey, 1990.

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Christine, Shimizu, Yamashita H. 1938-, and Musée national de céramique (France), eds. Satsuma: De l'exotisme au japonisme. Réunion des musées nationaux, 2007.

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Hakamata, Hiroyo, and Yūko Ikeda. Hokusai to Japonisumu: Hokusai ga seiyō ni ataeta shōgeki = Hokusai and Japonisme. Yomiuri Shinbunsha Tōkyō Honsha, 2017.

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Book chapters on the topic "Japonisme"

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Ellis, Sylvia C. "Japan, Japonisme and Japonaiserie." In The Plays of W. B. Yeats. Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1007/978-1-349-27224-2_2.

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Blouin, Michael J. "Japonisme and the Female Gothic." In Japan and the Cosmopolitan Gothic. Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137305220_4.

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LeVine, Peg. "Morita, Japonisme, Karen Horney, and Zen." In Classic Morita Therapy. Routledge, 2017. http://dx.doi.org/10.4324/9781315213088-2.

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Fukuzawa, Naomi Charlotte. "Pierre Loti's Novel Madame Chrysanthème (1887) on Japan's Vulnerability." In Japan and Japonisme in Late Nineteenth Century Literature. Routledge, 2024. http://dx.doi.org/10.4324/9781003425656-2.

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Fukuzawa, Naomi Charlotte. "Mori Ōgai's First Modern Japanese Novella The Dancing Girl (1890)." In Japan and Japonisme in Late Nineteenth Century Literature. Routledge, 2024. http://dx.doi.org/10.4324/9781003425656-3.

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Fukuzawa, Naomi Charlotte. "Conclusion." In Japan and Japonisme in Late Nineteenth Century Literature. Routledge, 2024. http://dx.doi.org/10.4324/9781003425656-7.

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Fukuzawa, Naomi Charlotte. "Introduction." In Japan and Japonisme in Late Nineteenth Century Literature. Routledge, 2024. http://dx.doi.org/10.4324/9781003425656-1.

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Fukuzawa, Naomi Charlotte. "Lafcadio Hearn's Exoticizing Modernist Construction of Japan in Kokoro." In Japan and Japonisme in Late Nineteenth Century Literature. Routledge, 2024. http://dx.doi.org/10.4324/9781003425656-5.

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Fukuzawa, Naomi Charlotte. "Anglo-Irish Ghost Stories in Japan." In Japan and Japonisme in Late Nineteenth Century Literature. Routledge, 2024. http://dx.doi.org/10.4324/9781003425656-6.

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Fukuzawa, Naomi Charlotte. "Natsume Sōseki's Fictional Encounter with Britain's Historical Ghosts in “The Tower of London”." In Japan and Japonisme in Late Nineteenth Century Literature. Routledge, 2024. http://dx.doi.org/10.4324/9781003425656-4.

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Conference papers on the topic "Japonisme"

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Botelho Teixeira, Amanda. "Japonismes 2018 ou 1867?" In 31º Encontro Nacional da ANPAP - EXISTÊNCIAS. Even3, 2022. http://dx.doi.org/10.29327/31enanpap2022.513500.

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Sun, Yang, Hongyue Chen, Chao Xu, Ding Song, and Yi Hu. "Study on Purification of Chlorogenic Acid from Flos Lonicera Japonicae by Ionic Liquid Modified Macroporous Resin." In Proceedings of the 2018 3rd International Conference on Advances in Materials, Mechatronics and Civil Engineering (ICAMMCE 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/icammce-18.2018.9.

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Xu, Bing, Zhaozhou Lin, Xinyuan Shi, Yanjiang Qiao, Min Du, and Zhisheng Wu. "NIR Determination of Three Critical Quality Attributes in Alcohol Precipitation Process of Lonicerae Japonicae with Uncertainty Analysis." In 2012 International Conference on Biomedical Engineering and Biotechnology (iCBEB). IEEE, 2012. http://dx.doi.org/10.1109/icbeb.2012.283.

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Будимиров, А. С. "Участие восточноазиатских микромицетов и растений в формировании видового богатства мучнисторосяных грибов на Среднем Урале". У III молодёжная всероссийская научная конференция с международным участием «PLANTAE & FUNGI». Botanical Garden-Institute FEB RAS, 2023. http://dx.doi.org/10.17581/paf2023.45.

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Мучнисторосяные (Erysiphaceae Tul. &amp; C. Tul. 1861) – одна из самых распространённых групп биотрофных фитопатогенных микромицетов. Среди представителей данного семейства встречаются виды, способные к распространению за пределы своего естественного ареала и расширению спектра растений-хозяев [2, 4]. Исследования последних лет показали рост доли чужеродных видов в общем видовом богатстве сем. Erysiphaceae на Среднем Урале [3, 4]. Среди таких видов около 40% составляют азиатские таксоны. В данной работе были задействованы образцы, депонированные в гербарии ИЭРиЖ УрО РАН (SVER), литературные да
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