Log in

Relevant bibliographies by topics / Japonisme / Journal articles

To see the other types of publications on this topic, follow the link: Japonisme.

Journal articles on the topic 'Japonisme'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Japonisme.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Emery, Elizabeth. "Hayashi Tadamasa in the United States (1887)." Journal of Japonisme 7, no. 1 (2022): 18–49. http://dx.doi.org/10.1163/24054992-07010002.

Full text

Abstract:

Abstract This article extends the conclusions of “A Japoniste Friendship in Translation: Hayashi Tadamasa and Philippe Burty (1878–1890)” (Journal of Japonisme, 6:1, 2021), an essay dedicated to the translation and analysis of a set of French letters documenting the friendship between Hayashi Tadamasa and Philippe Burty. The present article focuses on a second set of letters sent from Hayashi to Burty while on a trip to the United States in 1887 during which he sold fourteen French paintings for Burty. Hayashi’s descriptions of transatlantic voyages, the tastes and practices of American client

APA, Harvard, Vancouver, ISO, and other styles

2

Coman, Sonia. "Local, Cross-cultural, and Global: Japoniste Ceramics in Limoges." Journal of Japonisme 5, no. 1 (2019): 47–70. http://dx.doi.org/10.1163/24054992-00051p02.

Full text

Abstract:

Abstract Ever since its inception Japonisme presented a creative tension between local traditions and cross-cultural practices. Adding to this formative relationship was the simultaneous development of Japonisme across Europe, the United States, and Japan itself. This paper focuses on one place of intersection – Limoges – and one medium – ceramics – to identify the local (Limoges’s rich ceramic history), the cross-cultural (French and Japanese influences), and the global (similar practices in other regions). A constellation of producers and collectors inextricably connected Limoges, a centurie

APA, Harvard, Vancouver, ISO, and other styles

3

Emery, Elizabeth. "Madame Desoye, “First Woman Importer” of Japanese Art in Nineteenth-Century Paris." Journal of Japonisme 5, no. 1 (2019): 1–46. http://dx.doi.org/10.1163/24054992-00051p01.

Full text

Abstract:

Abstract The shop run by Madame Desoye at 220, rue de Rivoli in Paris is legendary in Japonisme studies thanks to the writings of Edmond de Goncourt and Philippe Burty, yet the identity of the woman hidden behind this married name, like the extent of her participation in Japoniste activities, has long remained a mystery. The present article draws upon new archival research to provide information about the life of Louise Mélina Desoye, née Chopin (1836-1909) and her important contributions to the first wave of French Japonisme.

APA, Harvard, Vancouver, ISO, and other styles

4

Ma, Scott. "The Politics of Curating Japonisme." Journal of Japonisme 8, no. 1 (2023): 31–66. http://dx.doi.org/10.1163/24054992-08010001.

Full text

Abstract:

Abstract This article studies the Paris exposition Japonismes 2018, organized by the Japanese government to introduce the European public to the profundity of Japanese culture. It examines the organizational deliberations leading up to the exposition; the curation of individual exhibits held within its ambit; and the cultural politics of ‘Japan expositions’ that began with Japonismes and continue to this day. It argues that the organizers and exhibits in Japonismes make political use of the trope of a timeless, mystical, and animistic Japanese sense of beauty that supposedly unites prehistoric

APA, Harvard, Vancouver, ISO, and other styles

5

Clark, Carol. "“Rabid Just Now on the j”: Revisiting American Japonism." Journal of Japonisme 10, no. 1-2 (2025): 83–88. https://doi.org/10.1163/24054992-10010206.

Full text

Abstract:

Abstract In this essay, the author considers the ‘American Japonism’ exhibition that she curated in tandem with the 1975 Japonisme: Japanese Influence on French Art 1854–1910 exhibition at the Cleveland Museum of Art. She reflects on the organization of this event and its impact on her subsequent career.

APA, Harvard, Vancouver, ISO, and other styles

6

Dimitrio, Laura. "Japonisme, New Japonisme, and Pop Japonisme in Italian Fashion." Journal of Japonisme 9, no. 2 (2024): 80–114. http://dx.doi.org/10.1163/24054992-09020002.

Full text

Abstract:

Abstract This article examines the profound impact exerted by Japanese fashion and culture on the evolution of Italian fashion. In Italy, the assimilation of Japanese clothing and aesthetics occurred particularly during three periods: 1870s–1920s (the era of Japonisme), 1970s–1990s (New Japonisme), and the early decades of the twenty-first century (Pop Japonisme). Throughout these periods, the kimono was a significant source of inspiration for Italian designers, who progressively reinterpreted this garment with increasing creativity. With the onset of New Japonisme, the influence of avant-gard

APA, Harvard, Vancouver, ISO, and other styles

7

Emery, Elizabeth, and Mei Mei Rado. "Introduction: Japonisme and Fashion." Journal of Japonisme 9, no. 2 (2024): 73–79. http://dx.doi.org/10.1163/24054992-09020001.

Full text

Abstract:

Abstract This introduction to a special issue dedicated to ‘Japonisme and Fashion’ evokes the influence of fashion within the field of Japonisme, sketches the history of the field, summarizes its recent developments, and outlines the issue’s contents. The modern sartorial practices and global fashion industry inspired by the styles, motifs, and concepts of Japanese dress shed new light on the inherent multiculturalism of Japonisme itself.

APA, Harvard, Vancouver, ISO, and other styles

8

Nunokawa, Yumiko. "Influence of Japonisme on Art of M. K. Čiurlionis and His Contemporaries." International Journal of Area Studies 10, no. 1 (2015): 85–118. http://dx.doi.org/10.1515/ijas-2015-0005.

Full text

Abstract:

Abstract The aim of this paper is to show how Japonisme was introduced to Europe in the late 19th century and how it influenced artists in major cities. Japanese woodblock prints (ukiyo-e), especially those of Hokusai and Hiroshige, fascinated the Impressionists and other contemporaries such as Claude Monet (1840-1926), Vincent van Gogh (1853-1890), and James Abbott McNeill Whistler (1834-1903). Many of them adopted japonaiserie motifs in their paintings or sculptures, and it formed a major artistic trend called Japonisme. The Lithuanian composer and painter Mikalojus Konstantinas Čiurlionis (

APA, Harvard, Vancouver, ISO, and other styles

9

Delank, Claudia. "The Painters of the Blaue Reiter and Japan." Journal of Japonisme 5, no. 1 (2019): 71–91. http://dx.doi.org/10.1163/24054992-00051p03.

Full text

Abstract:

Abstract Japonisme, like today’s Japanese pop culture, is a transcultural phenomenon. In the ‘classical phase of Japonisme’ individual artists were influenced by Japanese art (especially by ukiyo-e woodblock prints) and transcended thematic and compositional adaption: the confrontation with Japanese art sparked a creative process and led to new developments in art. Japonisme became not only an important medium in the development of modern western art, but also attested a cultural transcendence.

APA, Harvard, Vancouver, ISO, and other styles

10

Cate, Phillip Dennis. "Japonisme, Some Recollections." Journal of Japonisme 10, no. 1-2 (2025): 28–31. https://doi.org/10.1163/24054992-10010204.

Full text

Abstract:

Abstract In this essay, a co-organizer of the 1975 Japonisme: Japanese Influence on French Art 1854–1910 exhibition reflects on the organization of the event and his evolving relationship to Japonisme over the last fifty years.

APA, Harvard, Vancouver, ISO, and other styles

11

Eidelberg, Martin. "Japonisme in Retrospect." Journal of Japonisme 10, no. 1-2 (2025): 25–27. https://doi.org/10.1163/24054992-10010203.

Full text

Abstract:

Abstract In this essay, a co-organizer of the 1975 Japonisme: Japanese Influence on French Art 1854–1910 exhibition reflects on the organization of the event and his evolving relationship to Japonisme over the last fifty years.

APA, Harvard, Vancouver, ISO, and other styles

12

Weisberg, Gabriel P. "Le Japonisme (I)." Arts asiatiques 44, no. 1 (1989): 130–32. http://dx.doi.org/10.3406/arasi.1989.1269.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

Lacambre, G. "Le Japonisme (II)." Arts asiatiques 44, no. 1 (1989): 132–34. http://dx.doi.org/10.3406/arasi.1989.1270.

Full text

APA, Harvard, Vancouver, ISO, and other styles

14

Tanaka, Hidemichi. "Cezanne and "Japonisme"." Artibus et Historiae 22, no. 44 (2001): 201. http://dx.doi.org/10.2307/1483720.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

Weisberg, Gabriel P. "Reflecting on Japonisme." Journal of Japonisme 1, no. 1 (2016): 3–16. http://dx.doi.org/10.1163/24054992-00011p02.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

Kagouridi, Kassiani. "Vienna-Paris-Corfu: Japonisme and Gregorios Manos (1851–1928)." Journal of Japonisme 5, no. 2 (2020): 152–79. http://dx.doi.org/10.1163/24054992-00052p02.

Full text

Abstract:

Abstract The present study defines the connection between Japonisme and the Greek diplomat and donor-collector Gregorios Manos (1851–1928). Manos collected Japanese pieces during the reign of Japonisme in Europe, was a pioneer of the study of Japanese art in Greece, and the first donor of Chinese and Japanese artifacts to the Greek State in 1919. The donation resulted in the foundation, in 1926, of the Sino-Japanese Museum (renamed in Museum of Asian Art in 1973) in Corfu. The present research is based on primary and secondary sources and seeks to present unpublished data as well as re-examine

APA, Harvard, Vancouver, ISO, and other styles

17

Ducrey, Guy. "Le japonisme au théâtre." Cahiers Edmond et Jules de Goncourt 1, no. 18 (2011): 125–48. http://dx.doi.org/10.3406/cejdg.2011.1058.

Full text

APA, Harvard, Vancouver, ISO, and other styles

18

Hokenson, Jan. "Proust's "japonisme": Contrastive Aesthetics." Modern Language Studies 29, no. 1 (1999): 17. http://dx.doi.org/10.2307/3195357.

Full text

APA, Harvard, Vancouver, ISO, and other styles

19

Barrett, Marie-Therese, Klaus Berger, David Britt, Julia Meech, Gabriel P. Weisberg, and Harry Abrams. "Japonisme in the West." Monumenta Nipponica 48, no. 1 (1993): 101. http://dx.doi.org/10.2307/2385468.

Full text

APA, Harvard, Vancouver, ISO, and other styles

20

Ueno, Rie. "À propos des motifs japonisants dans l’œuvre de Pavel Kouznetsov et celle des néo-primitivistes." Slavica Occitania 33, no. 1 (2011): 155–76. https://doi.org/10.3406/slaoc.2011.1661.

Full text

Abstract:

Le japonisme en tant que mouvement artistique s’est répandu en Russie à la fin des années 1880, c’est-à-dire au début du modernisme. La particularité du japonisme russe tient au fait avant tout qu’il est issu du modernisme occidental et européen et non d’Extrême-Orient directement. Le modernisme a stimulé l’intérêt des artistes russes pour l’Orient étranger mais aussi pour l’Orient national, interne pourrait-on dire. Cela a aidé les artistes russes à élaborer leur propre style dans le cadre du primitivisme. Le présent article se penche sur la période où le primitivisme succède au symbolisme da

APA, Harvard, Vancouver, ISO, and other styles

21

Bru, Ricard. "Marià Fortuny and Japanese Art." Journal of Japonisme 1, no. 2 (2016): 155–85. http://dx.doi.org/10.1163/24054992-00012p01.

Full text

Abstract:

Marià Fortuny, a painter in the forefront of the European avant-garde of the early 1870s, is also considered a key figure in the introduction of Japonisme in Spain and Italy. This study aims to offer a comprehensive analysis of Marià Fortuny’s links to Japanese art and the phenomenon of Japonisme. To this end, the article provides new information about Fortuny’s collection of Japanese art and considers the influence that these pieces had on the Catalan painter’s own work.

APA, Harvard, Vancouver, ISO, and other styles

22

Kōdera, Tsukasa, Tatsuya Saito, Megumi Soda, and Geneviève Aitken. "Introduction." Journal of Japonisme 2, no. 1 (2017): 1–37. http://dx.doi.org/10.1163/24054992-00021p01.

Full text

Abstract:

The exhibition of Japanese prints held at the École des Beaux-Arts in Paris in 1890 is a milestone in the history of Japonisme. Organized by S. Bing in collaboration with a number of Japonistes, the exhibition presented more than 1100 Japanese prints, illustrated books and kakemono. This article reconstructs this historic event in its diverse aspects: clarifying the preparation process, reconstructing the exhibition venue, identifying exhibits, and examining their lenders. All these factors will be placed in a historical context, revealing how meticulously Bing prepared the exhibition and subs

APA, Harvard, Vancouver, ISO, and other styles

23

Houssais, Laurent. "Les Goncourt et le japonisme." Cahiers Edmond et Jules de Goncourt 1, no. 11 (2004): 59–78. http://dx.doi.org/10.3406/cejdg.2004.929.

Full text

APA, Harvard, Vancouver, ISO, and other styles

24

Séguela, Matthieu. "Le Japonisme de Georges Clemenceau." Ebisu 27, no. 1 (2001): 7–44. http://dx.doi.org/10.3406/ebisu.2001.1122.

Full text

APA, Harvard, Vancouver, ISO, and other styles

25

Skov, Lise. "Fashion Trends, Japonisme and Postmodernism." Theory, Culture & Society 13, no. 3 (1996): 129–51. http://dx.doi.org/10.1177/026327696013003007.

Full text

APA, Harvard, Vancouver, ISO, and other styles

26

Semmel, Marsha L. "“Japonisme” Reflections: Widening the Lens." Journal of Japonisme 10, no. 1-2 (2025): 91–94. https://doi.org/10.1163/24054992-10010207.

Full text

Abstract:

Abstract A former student of Gabriel Weisberg discusses the impact of the Japonisme: Japanese Influence on French Art 1854–1910 exhibition on her career, stressing the interdisciplinary teaching and learning, and public engagement with the humanities it fostered.

APA, Harvard, Vancouver, ISO, and other styles

27

Giviskos, Christine. "Japonisme at the Zimmerli, 50 years on." Journal of Japonisme 10, no. 1-2 (2025): 99–101. https://doi.org/10.1163/24054992-10010209.

Full text

Abstract:

Abstract The Curator of Prints, Drawings, and European Art at the Zimmerli Museum at Rutgers University in New Jersey reflects on the museum’s historical role in the 1975 exhibition Japonisme: Japanese Influence on French Art, 1854–1910 and its continued impact on museum collections and programming. The Japonisme exhibition ushered in more than two decades of acquisitions, primarily of prints, but including works in all media, of European and American objects created during the later nineteenth and early twentieth centuries. These works, along with Japanese prints and photographs, bolster the

APA, Harvard, Vancouver, ISO, and other styles

28

Dixon, Laurinda S. "Japan Meets Holland." Journal of Japonisme 6, no. 2 (2021): 159–84. http://dx.doi.org/10.1163/24054992-06020002.

Full text

Abstract:

Abstract George Hendrik Breitner (1857–1923) was a Dutch Realist artist, whose works chronicle urban life in Amsterdam. But his paintings of a young woman, collapsed on a divan and wrapped in a luxuriant kimono, secured his reputation as an exponent of European Japonisme. The so-called ‘Kimono Girls’, completed between 1893 and 1896, are compelling evocations of female leisure, subsumed within an exotic melange of vivid color and pattern. More importantly, they are an amalgamation of several cultural contexts that characterized the volatile nineteenth century. European Japonisme, the revival o

APA, Harvard, Vancouver, ISO, and other styles

29

Kang, Cindy. "Bonnard and the Folding Screen: Toward a Theory of Ornamentalism." Nineteenth Century Studies 33, no. 1 (2021): 128–42. http://dx.doi.org/10.5325/ninecentstud.33.0128.

Full text

Abstract:

Abstract Bonnard’s folding screens are generally understood as part of the phenomenon of japonisme, a widespread fascination with Japanese culture in Europe that emerged during the second half of the nineteenth century. When they begin to appear and then alter the representation of space in Bonnard’s painting, however, japonisme no longer provides an adequate framework for understanding their role in his art. I endeavor to account for the continued life of the non-Western object in the Western context by highlighting the folding screen’s capacity to disrupt and engender change even as it disap

APA, Harvard, Vancouver, ISO, and other styles

30

Couto Duarte, João Miguel. "The Rediscovery of Japan: The Critical Reception of Japanese Architecture in Portugal after the Opening of Japan to the West." Athens Journal of Architecture 9, no. 1 (2022): 55–82. http://dx.doi.org/10.30958/aja.9-1-3.

Full text

Abstract:

The opening of Japanese ports to the West in 1854 enabled the rediscovery by the rest of the world of Japan as a country, which, until then and throughout the more than two centuries of the Sakoku or closed country period, had maintained an isolationist policy in relation to the outside world. This opening up allowed for contact with Japanese art, including architecture, which was progressively absorbed by Western art, giving rise to Japonisme. Portugal was receptive to Japonisme, even if that receptiveness was motivated more by a taste for the exotic than genuine interest in the values of Jap

APA, Harvard, Vancouver, ISO, and other styles

31

Miyao, Daisuke. "Japonisme and the Birth of Cinema." Journal of Japonisme 1, no. 1 (2016): 66–92. http://dx.doi.org/10.1163/24054992-00011p05.

Full text

Abstract:

In this essay, I examine the connection between Japonisme and the films of the Lumière brothers. Lumière films have been considered to be “actuality films” or documentary. By focusing on Japonisme that is observed in these films, I locate them in a broader field of media interactions among such cultural products as painting and photography. One of my focuses is on the conflict and negotiation between the camera eye and the physicality of the human eyes and hands that can be witnessed in Lumière films. Moreover, considering the questions posed in Marxist, subaltern, and postcolonial theory abou

APA, Harvard, Vancouver, ISO, and other styles

32

Russell, Catherine. "Japonisme and the Birth of Cinema." Canadian Journal of Film Studies 31, no. 1 (2022): 133–36. http://dx.doi.org/10.3138/cjfs-2021-0042.

Full text

APA, Harvard, Vancouver, ISO, and other styles

33

Koósz, István. "Japonisme in the Austro-Hungarian Monarchy." Művészettörténeti Értesítő 70, no. 2 (2022): 375–78. http://dx.doi.org/10.1556/080.2021.00020.

Full text

APA, Harvard, Vancouver, ISO, and other styles

34

Klompmakers, Inge. "From Van Gogh and Japanese Prints to Journal of Japonisme." Journal of Japonisme 10, no. 1-2 (2025): 102–6. https://doi.org/10.1163/24054992-10010210.

Full text

APA, Harvard, Vancouver, ISO, and other styles

35

Sekulic, Nada. "The impact of Japonisme on European art and painting in the late 19th century: Characteristics of cultural exchange during the rise of European imperialism." Bulletin de l'Institut etnographique 72, no. 1 (2024): 117–30. http://dx.doi.org/10.2298/gei2401117s.

Full text

Abstract:

Since the opening of Japan to trade with the West, a cult of Japanese aesthetics in the art and design has been created in Europe. Japonisme exerted a remarkable influence on the emergence of Impressionism and Post-Impressionism, including a recognizable individual influence on key artists within those movements. Motifs, technique, composition, colors were directly borrowed from Japanese art, especially woodcats (ukiyo-e). Japonisme also influenced some later movements in painting and design, but Impressionism and Post-Impressionism represented the initial turning point. Only by considering th

APA, Harvard, Vancouver, ISO, and other styles

36

Lachaud, Francois. "Bouddhisme et japonisme des Goncourt à Claudel." Comptes-rendus des séances de l année - Académie des inscriptions et belles-lettres 152, no. 2 (2008): 699–709. http://dx.doi.org/10.3406/crai.2008.92038.

Full text

APA, Harvard, Vancouver, ISO, and other styles

37

Suga, Y. "Modernism, Nationalism and Gender: Crafting 'Modern' Japonisme." Journal of Design History 21, no. 3 (2008): 259–75. http://dx.doi.org/10.1093/jdh/epn026.

Full text

APA, Harvard, Vancouver, ISO, and other styles

38

Whitmore, Janet. "Fifty Years Later. A Retrospective of Japonisme: Japanese Influence on French Art 1854–1910." Journal of Japonisme 10, no. 1-2 (2025): 5–24. https://doi.org/10.1163/24054992-10010202.

Full text

Abstract:

Abstract In this essay, the author provides an overview of the exhibition Japonisme: Japanese Influence on French Art 1854–1910, held at the Cleveland Museum of Art in 1975. She examines photographs of its installation, summarizes its catalogue, and evaluates its impact on the field.

APA, Harvard, Vancouver, ISO, and other styles

39

Becker, Edwin. "Siegfried Bing’s Empire in Retrospective: A Never-Ending Research Story." Journal of Japonisme 10, no. 1-2 (2025): 95–98. https://doi.org/10.1163/24054992-10010208.

Full text

Abstract:

Abstract In this essay, the author reflects on the logistical complexity, collaborative work, and educational opportunities inherent in organizing large international exhibitions related to Japonisme. He focuses particularly on the case study of an exhibition related to the ‘Bing Empire’ for which he served as co-curator.

APA, Harvard, Vancouver, ISO, and other styles

40

Pavelchuk, Ivanna. "Iconography of intertwined branches in M. Buraček’s landscapes during 1917–1924: (regarding problems of adaptation of Young Polish Japonisme in the works of Ukrainian students of the Krakow Academy of Arts)." National Academy of Managerial Staff of Culture and Arts Herald, no. 2 (September 17, 2021): 122–27. http://dx.doi.org/10.32461/2226-3209.2.2021.239983.

Full text

Abstract:

The purpose of the article is to analyze M. Buraček’s winter landscapes from the collection of the Zaporizhzhia Art Museum: “Winter” (1917), “Apple Trees in Winter. Dziunkiv”(1922), “Branches in the Hoarfrost”(1924) and to substantiate the reflections associated with the Young Polish Japonisme mastered by the Ukrainian artist while studying at the Krakow Academy of Arts. Methodology. In order to solve the problem set in the publication, the following methods were used: comparative – in connection with clarifying the analogies between the landscapes of M. Buraček of 1917–1924 and the plots of P

APA, Harvard, Vancouver, ISO, and other styles

41

Coman, Sonia. "Daisuke Miyao, Japonisme and the Birth of Cinema." Journal of Japonisme 6, no. 1 (2021): 77–82. http://dx.doi.org/10.1163/24054992-06010003.

Full text

APA, Harvard, Vancouver, ISO, and other styles

42

Sandler, Mark H., and Klaus Berger. "Japonisme in Western Painting from Whistler to Matisse." Journal of Japanese Studies 20, no. 1 (1994): 219. http://dx.doi.org/10.2307/132802.

Full text

APA, Harvard, Vancouver, ISO, and other styles

43

Scherbakova, Elena. "JAPONISME IN RUSSIAN ART CULTURE OF SILVER AGE." Herald of Culturology, no. 1 (2022): 74–85. http://dx.doi.org/10.31249/hoc/2022.01.04.

Full text

Abstract:

The article tries to trace the Japan influence on the Russian Art Culture in the end of XTX - beginning of XX centuries. Tt is found that the beginning of Japanese culture reception in Russia was connected with decorative and applicable art and painting and then with the theatre, literature and music. Tn some cases reception took place indirectly through oriental genres of European Art.

APA, Harvard, Vancouver, ISO, and other styles

44

Kang, Tae Woong. "Ukiyo-e and Japonisme in the 21st Century." Korean Journal of Japanese Dtudies 20 (February 15, 2019): 78–99. http://dx.doi.org/10.29154/ilbi.2019.20.078.

Full text

APA, Harvard, Vancouver, ISO, and other styles

45

Organ, Michael. "Tolkien’s Japonisme: Prints, Dragons, and a Great Wave." Tolkien Studies 10, no. 1 (2013): 105–22. http://dx.doi.org/10.1353/tks.2013.0021.

Full text

APA, Harvard, Vancouver, ISO, and other styles

46

Weisberg, Gabriel P. "Japonisme in western painting from Whistler to Matisse." History of European Ideas 18, no. 1 (1994): 150. http://dx.doi.org/10.1016/0191-6599(94)90183-x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

47

Daniellou, Simon. "Daisuke Miyao, Japonisme and the Birth of Cinema." 1895, no. 94 (June 1, 2021): 209–13. http://dx.doi.org/10.4000/1895.8794.

Full text

APA, Harvard, Vancouver, ISO, and other styles

48

Heller, Leonid. "Un aspect du nouvel orientalisme russe : le japonisme." Chroniques slaves 3, no. 1 (2007): 51–60. http://dx.doi.org/10.3406/chros.2007.890.

Full text

APA, Harvard, Vancouver, ISO, and other styles

49

Borowitz, Helen O. "Japonisme: Japanese Influence on French Art 1854-1910." Journal of Japonisme 10, no. 1-2 (2025): 51–79. https://doi.org/10.1163/24054992-10010213.

Full text

APA, Harvard, Vancouver, ISO, and other styles

50

Yamaguchi, Arisa. "Ambiguity as a Sign of Degeneration?: Japanese Kimonos in Art, Fashion and Criticism of fin de siècle Britain." Costume 58, no. 2 (2024): 201–25. http://dx.doi.org/10.3366/cost.2024.0306.

Full text

Abstract:

Several important studies of Japonisme in fashion have considered the design and cultural influence of Japanese kimonos on the art and fashionable world. However, there is much more to discuss when it comes to how the kimono trend as a phenomenon actually correlated with the beliefs, thoughts and spirit of the time. Using Max Nordau’s Degeneration as a critical starting point, this article intends to explore what the adoption and the representation of kimonos could mean concerning the Victorian idea of progress and degeneration of human bodies by analysing the radical use of kimonos in the art

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!