Log in

Relevant bibliographies by topics / Japonismo / Journal articles

To see the other types of publications on this topic, follow the link: Japonismo.

Journal articles on the topic 'Japonismo'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 April 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Japonismo.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Almazán Tomás, David. "VISIONES Y ENSOÑACIONES DEL JAPONISMO EN LA NARRATIVA ESPAÑOLA Y UNAS NOTAS SOBRE LA RECEPCIÓN DE LA NARRATIVA JAPONESA." SIGLO DIECINUEVE (Literatura hispánica), no. 17 (May 7, 2011): 191–213. http://dx.doi.org/10.37677/sigloxix.vi17.160.

Full text

Abstract:

La narrativa japonesa comenzó a ser conocida en España en el siglo XIX indirectamente a través de estudios y antologías en lenguas occidentales y, con excepción de los cuentos, su recepción tuvo una escasa repercusión en el Japonismo literario español. En el variado repertorio del Japonismo literario destaca el interés de los libros de viaje y algunos relatos de ficción, que fundamentalmente se enmarcan en dos etapas, la era Meiji de finales del siglo XIX y comienzos del XX y, por otra parte, la década de los años veinte. Asimismo, destacamos una particularidad del Japonismo literario español, que fue la persistencia en el interés de evangelizar Japón. Este discurso que enlaza con la tradición de los misioneros del SigloIbérico en Japón, predomina frente a la seducción de las religiones orientales, tema menos frecuente. La visión y ensoñación de la mujer japonesa fue el tema principal de estos relatos.

APA, Harvard, Vancouver, ISO, and other styles

2

Míguez Santa Cruz, Antonio. "El japonismo de Star Wars." FILMHISTORIA Online 29, no. 1-2 (January 22, 2020): 47–56. http://dx.doi.org/10.1344/fh.2019.1-2.47-56.

Full text

Abstract:

El universo de Star Wars es tan popular que prácticamente se ha estudiado desde todas las perspectivas posibles. Sin embargo, la enorme cantidad de referencias visuales o filosóficas que conviven escondidas tras los atrezzos, los vestuarios, o el mismo guion de George Lucas, nos parece una asignatura pendiente a la hora de comprender completamente la profundidad de la afamada saga galáctica.En este caso, nosotros nos ocuparemos de comprobar hasta qué punto existe el japonismo en Star Wars, analizando las influencias o códigos procedentes del país del sol naciente más allá del obvio caso del yelmo de Darth Vader. Así pues, ¿tuvo tanta influencia La fortaleza escondida de Kurosawa en su concepción?; ¿son los jedi un trasunto de los guerreros samurái? O ¿son la Fuerza y el budismo más semejantes de lo que a priori podríamos creer? Sobre esas y otras muchas cuestiones girarán las siguientes páginas.

APA, Harvard, Vancouver, ISO, and other styles

3

Bru Turull, Ricard. "El japonismo en Lluís Domènech i Montaner y su colección de libros ilustrados japoneses." Archivo Español de Arte 91, no. 363 (September 28, 2018): 285. http://dx.doi.org/10.3989/aearte.2018.18.

Full text

Abstract:

Este artículo presenta la relación de Lluís Domènech i Montaner con el arte japonés a través del fenómeno del japonismo difundido en Cataluña a finales del siglo XIX poniendo especial énfasis en los vínculos entre su obra, su biblioteca y su colección particular de libros ilustrados japoneses.

APA, Harvard, Vancouver, ISO, and other styles

4

Romero, Berenice. "Japonismo: otra forma de leer a Alejandro Zambra." Taller de Letras, no. 59 (2020): 11–18. http://dx.doi.org/10.7764/tl5911-18.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Litvak, Lily. "JAPONERÍAS." SIGLO DIECINUEVE (Literatura hispánica), no. 17 (May 7, 2011): 243–85. http://dx.doi.org/10.37677/sigloxix.vi17.163.

Full text

Abstract:

La moda europea del japonismo se basó en la apreciación de los objetos artísticos japoneses o japonerías importados a Europa después de la apertura del Japón a occidente a mediados del siglo XIX. Estos objetos exóticos proporcionaron un punto de vista oriental, e influyeron en la literatura y a las artes españolas, con nuevas técnicas y un distinto sentido de la belleza.

APA, Harvard, Vancouver, ISO, and other styles

6

DRUCK, MARIA DA GRAÇA. "Globalização e reestruturação produtiva: o Fordismo e/ou Japonismo." Brazilian Journal of Political Economy 19, no. 2 (April 1999): 271–90. http://dx.doi.org/10.1590/0101-31571999-1039.

Full text

Abstract:

RESUMO O artigo analisa o processo de reestruturação produtiva em curso no contexto da globalização, priorizando suas dimensões sociais e políticas. Situa as transformações das formas de organização e gerenciamento do trabalho em história. Faz uma reconstrução do taylorism, do fordism e de sua crise. Discute diferentes abordagens, presentes na literatura atual, sobre o “modelo japonês” (toyotismo) e sua aplicação no Brasil.

APA, Harvard, Vancouver, ISO, and other styles

7

Coman, Sonia. "Local, Cross-cultural, and Global: Japoniste Ceramics in Limoges." Journal of Japonisme 5, no. 1 (December 18, 2019): 47–70. http://dx.doi.org/10.1163/24054992-00051p02.

Full text

Abstract:

Abstract Ever since its inception Japonisme presented a creative tension between local traditions and cross-cultural practices. Adding to this formative relationship was the simultaneous development of Japonisme across Europe, the United States, and Japan itself. This paper focuses on one place of intersection – Limoges – and one medium – ceramics – to identify the local (Limoges’s rich ceramic history), the cross-cultural (French and Japanese influences), and the global (similar practices in other regions). A constellation of producers and collectors inextricably connected Limoges, a centuries-old hub of French ceramics, with the increasingly global realm of japoniste ceramics. How did the Limoges tradition blend with a Paris-based Japonisme in Limoges-produced japoniste ceramics? And what was the international reception of these ceramics? Cross-regional and cross-temporal emulation was a driving force bridging Japonisme with the latest experiments in the arts, from early abstractionism to revisions of hierarchies of genre and medium.

APA, Harvard, Vancouver, ISO, and other styles

8

Cooperstein, Shana. "Pondo os costumes culturais em “risco”: Félix Régamey, japonismo e educação artística nacional." 19&20 XVI, no. 2 (July 1, 2021): n.p. http://dx.doi.org/10.52913/19e20.xvi2.01.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Emery, Elizabeth. "Madame Desoye, “First Woman Importer” of Japanese Art in Nineteenth-Century Paris." Journal of Japonisme 5, no. 1 (December 18, 2019): 1–46. http://dx.doi.org/10.1163/24054992-00051p01.

Full text

Abstract:

Abstract The shop run by Madame Desoye at 220, rue de Rivoli in Paris is legendary in Japonisme studies thanks to the writings of Edmond de Goncourt and Philippe Burty, yet the identity of the woman hidden behind this married name, like the extent of her participation in Japoniste activities, has long remained a mystery. The present article draws upon new archival research to provide information about the life of Louise Mélina Desoye, née Chopin (1836-1909) and her important contributions to the first wave of French Japonisme.

APA, Harvard, Vancouver, ISO, and other styles

10

Calvo Asensio, Juan Carlos, Pablo Cercós Maícas, and Marc Millan Rabasa. "La presencia de Oriente en tres dancings barceloneses de los años 30: Oshima, Wu Li Chang y La Criolla." Mirai. Estudios Japoneses 4 (June 3, 2020): 143–60. http://dx.doi.org/10.5209/mira.67520.

Full text

Abstract:

La relación entre Oriente y Occidente estuvo presente desde la antigüedad, aunque la industrialización aceleró el acercamiento entre ambos mundos. En nuestro país, la cultura de China y de Japón tuvo una influencia especialmente intensa en la ciudad de Barcelona desde mediados del siglo XIX hasta la Guerra Civil. En el presente artículo estudiamos esta conexión exponiendo el impacto de ambos países en el ambiente festivo, arquitectónico y decorativo de tres dancings barceloneses de los años 30 del siglo pasado: Oshima, Wu Li Chang y La Criolla. Para comprenderlos, explicaremos los fenómenos del japonismo y la tardo-chinoiserie a partir de las Exposiciones de 1888 y 1929. A continuación, mediante fotografías históricas y notas de prensa, ahondaremos en la historia de estos tres locales y el uso de la temática oriental para atraer, en un caso, a la burguesía catalana y, en los otros dos, a las clases populares.

APA, Harvard, Vancouver, ISO, and other styles

11

Emery, Elizabeth. "Hayashi Tadamasa in the United States (1887)." Journal of Japonisme 7, no. 1 (March 18, 2022): 18–49. http://dx.doi.org/10.1163/24054992-07010002.

Full text

Abstract:

Abstract This article extends the conclusions of “A Japoniste Friendship in Translation: Hayashi Tadamasa and Philippe Burty (1878–1890)” (Journal of Japonisme, 6:1, 2021), an essay dedicated to the translation and analysis of a set of French letters documenting the friendship between Hayashi Tadamasa and Philippe Burty. The present article focuses on a second set of letters sent from Hayashi to Burty while on a trip to the United States in 1887 during which he sold fourteen French paintings for Burty. Hayashi’s descriptions of transatlantic voyages, the tastes and practices of American clients, and his personal reflections on travel, religion, and the tensions among French and American japonistes provide valuable insights into his character, the art market, and the social and aesthetic situation of Japonisme in 1887.

APA, Harvard, Vancouver, ISO, and other styles

12

Anía Ruiz-Flores, Pablo César. "La presencia de Hokusai en la prensa española (1868-1912): biografía, obra y valoración crítica." Mirai. Estudios Japoneses 3 (August 6, 2019): 143–63. http://dx.doi.org/10.5209/mira.63110.

Full text

Abstract:

En el presente artículo se trata el impacto de Hokusai en España a través de las publicaciones periódicas en el último tercio del siglo XIX y primeras décadas del siglo XX coincidiendo con los periodos japoneses Meiji (1868-1912) y Taishō (1912-1926), época en la que el arte japonés y el fenómeno del japonismo se encontraban en pleno auge. El impacto de Hokusai en nuestro país a través de las publicaciones periódicas no fue tan importante como el que se produjo en otras naciones occidentales que tuvieron en esta época vínculos más estrechos con Japón y donde el coleccionismo de arte japonés (en especial de grabados ukiyo-e) fue más importante. No obstante, tanto en revistas ilustradas como en buena parte de los periódicos nacionales y locales de nuestro país se hicieron eco de la importancia de este destacado artista japonés proporcionando noticias sobre su vida y su obra, además de brindar informaciones sobre su influencia en otros artistas y sobre el coleccionismo de sus obras. De esta forma el conocimiento tanto de Hokusai como de su obra gozó de una notable difusión alcanzando todos los estratos de la sociedad y presentando un importante calado.

APA, Harvard, Vancouver, ISO, and other styles

13

Gutiérrez Machó, Luisa Mª. "LA MÚSICA COMO LENGUAJE Y MEDIO DE COMUNICACIÓN. ECOS DEL LEJANO ORIENTE EN LA VANGUARDIA MUSICAL ORIENTALISMO Y JAPONISMO MUSICAL." Entreculturas. Revista de traducción y comunicación intercultural, no. 5 (January 23, 2013): 15–36. http://dx.doi.org/10.24310/entreculturasertci.vi6.11544.

Full text

Abstract:

La Música es un lenguaje a través del cual el ser humano se expresa y se comunica. Al igual que un idioma utiliza las palabras para crear unas estructuras gramaticales de las que participa una comunidad, pueblo o cultura, la Música se sirve de los sonidos para, en sus múltiples combinaciones, crear otras estructuras, en este caso armónicas, que serán las que expresen ideas, sentimientos y generen imágenes. En el último cuarto del siglo XIX y el primero del XX, con el desarrollo del colonialismo, se va a popularizar el conocimiento de culturas lejanas y de sus gentes. Las relaciones culturales Oriente-Occidente quedarán manifiestas especialmente en el arte y en la música.

APA, Harvard, Vancouver, ISO, and other styles

14

Nunokawa, Yumiko. "Influence of Japonisme on Art of M. K. Čiurlionis and His Contemporaries." International Journal of Area Studies 10, no. 1 (March 1, 2015): 85–118. http://dx.doi.org/10.1515/ijas-2015-0005.

Full text

Abstract:

Abstract The aim of this paper is to show how Japonisme was introduced to Europe in the late 19th century and how it influenced artists in major cities. Japanese woodblock prints (ukiyo-e), especially those of Hokusai and Hiroshige, fascinated the Impressionists and other contemporaries such as Claude Monet (1840-1926), Vincent van Gogh (1853-1890), and James Abbott McNeill Whistler (1834-1903). Many of them adopted japonaiserie motifs in their paintings or sculptures, and it formed a major artistic trend called Japonisme. The Lithuanian composer and painter Mikalojus Konstantinas Čiurlionis (1875-1911) was also influenced by the trend of Japonisme, especially from the paintings of the Impressionists or through artists in Poland. In Poland and Russia, Japanese artworks were imported by artists who had studied abroad, or by wealthy bourgeoisie such as Feliks “Manggha” Jasieński (1861-1929), a Polish collector whose nickname was directly associated with Japonisme, and Sergey Kitaev (1864-1927), an ardent Russian collector of Japanese artworks. In this article, Japonisme in European art in general will be outlined, together with similar tendencies in Čiurlionis’ paintings, and then, examples of Japonisme-influenced paintings in Poland and Russia will be briefly shown. Finally, by focusing on Čiurlionis’ paintings, it will be shown how he adopted Japonisme in three stages. In the first stage japonaiserie motifs were only partially borrowed. In the second stage ukiyo-e’s motifs and pictorial schemes were applied to his paintings, and finally, in the third stage of borrowing, expressions of Japanese motifs in his most sublime style will be shown.

APA, Harvard, Vancouver, ISO, and other styles

15

Delank, Claudia. "The Painters of the Blaue Reiter and Japan." Journal of Japonisme 5, no. 1 (December 18, 2019): 71–91. http://dx.doi.org/10.1163/24054992-00051p03.

Full text

Abstract:

Abstract Japonisme, like today’s Japanese pop culture, is a transcultural phenomenon. In the ‘classical phase of Japonisme’ individual artists were influenced by Japanese art (especially by ukiyo-e woodblock prints) and transcended thematic and compositional adaption: the confrontation with Japanese art sparked a creative process and led to new developments in art. Japonisme became not only an important medium in the development of modern western art, but also attested a cultural transcendence.

APA, Harvard, Vancouver, ISO, and other styles

16

Kagouridi, Kassiani. "Vienna-Paris-Corfu: Japonisme and Gregorios Manos (1851–1928)." Journal of Japonisme 5, no. 2 (September 7, 2020): 152–79. http://dx.doi.org/10.1163/24054992-00052p02.

Full text

Abstract:

Abstract The present study defines the connection between Japonisme and the Greek diplomat and donor-collector Gregorios Manos (1851–1928). Manos collected Japanese pieces during the reign of Japonisme in Europe, was a pioneer of the study of Japanese art in Greece, and the first donor of Chinese and Japanese artifacts to the Greek State in 1919. The donation resulted in the foundation, in 1926, of the Sino-Japanese Museum (renamed in Museum of Asian Art in 1973) in Corfu. The present research is based on primary and secondary sources and seeks to present unpublished data as well as re-examine Manos’ connection to Japonisme. In addition, this micro-perspective research aims to reveal Manos’ studies, diplomatic carrier, collecting practices, and donating vision. At the same time, it hopes to enrich macro-perspective study by outlining the circumstances under which collectors founded museums of Asian art in peripheral places, such as Greece, during the first half of the twentieth century under and beyond the allure of Japonisme.

APA, Harvard, Vancouver, ISO, and other styles

17

Weisberg, Gabriel P. "Le Japonisme (I)." Arts asiatiques 44, no. 1 (1989): 130–32. http://dx.doi.org/10.3406/arasi.1989.1269.

Full text

APA, Harvard, Vancouver, ISO, and other styles

18

Lacambre, G. "Le Japonisme (II)." Arts asiatiques 44, no. 1 (1989): 132–34. http://dx.doi.org/10.3406/arasi.1989.1270.

Full text

APA, Harvard, Vancouver, ISO, and other styles

19

Tanaka, Hidemichi. "Cezanne and "Japonisme"." Artibus et Historiae 22, no. 44 (2001): 201. http://dx.doi.org/10.2307/1483720.

Full text

APA, Harvard, Vancouver, ISO, and other styles

20

Weisberg, Gabriel P. "Reflecting on Japonisme." Journal of Japonisme 1, no. 1 (January 4, 2016): 3–16. http://dx.doi.org/10.1163/24054992-00011p02.

Full text

APA, Harvard, Vancouver, ISO, and other styles

21

Barrett, Marie-Therese, Klaus Berger, David Britt, Julia Meech, Gabriel P. Weisberg, and Harry Abrams. "Japonisme in the West." Monumenta Nipponica 48, no. 1 (1993): 101. http://dx.doi.org/10.2307/2385468.

Full text

APA, Harvard, Vancouver, ISO, and other styles

22

Hokenson, Jan. "Proust's "japonisme": Contrastive Aesthetics." Modern Language Studies 29, no. 1 (1999): 17. http://dx.doi.org/10.2307/3195357.

Full text

APA, Harvard, Vancouver, ISO, and other styles

23

Ducrey, Guy. "Le japonisme au théâtre." Cahiers Edmond et Jules de Goncourt 1, no. 18 (2011): 125–48. http://dx.doi.org/10.3406/cejdg.2011.1058.

Full text

APA, Harvard, Vancouver, ISO, and other styles

24

Bru, Ricard. "Marià Fortuny and Japanese Art." Journal of Japonisme 1, no. 2 (August 22, 2016): 155–85. http://dx.doi.org/10.1163/24054992-00012p01.

Full text

Abstract:

Marià Fortuny, a painter in the forefront of the European avant-garde of the early 1870s, is also considered a key figure in the introduction of Japonisme in Spain and Italy. This study aims to offer a comprehensive analysis of Marià Fortuny’s links to Japanese art and the phenomenon of Japonisme. To this end, the article provides new information about Fortuny’s collection of Japanese art and considers the influence that these pieces had on the Catalan painter’s own work.

APA, Harvard, Vancouver, ISO, and other styles

25

Houssais, Laurent. "Les Goncourt et le japonisme." Cahiers Edmond et Jules de Goncourt 1, no. 11 (2004): 59–78. http://dx.doi.org/10.3406/cejdg.2004.929.

Full text

APA, Harvard, Vancouver, ISO, and other styles

26

Skov, Lise. "Fashion Trends, Japonisme and Postmodernism." Theory, Culture & Society 13, no. 3 (August 1996): 129–51. http://dx.doi.org/10.1177/026327696013003007.

Full text

APA, Harvard, Vancouver, ISO, and other styles

27

Séguela, Matthieu. "Le Japonisme de Georges Clemenceau." Ebisu 27, no. 1 (2001): 7–44. http://dx.doi.org/10.3406/ebisu.2001.1122.

Full text

APA, Harvard, Vancouver, ISO, and other styles

28

Hyesoo Kim. "Fashion Design Formed by Japonism." Journal of Integrated Design Research 16, no. 4 (December 2017): 67–80. http://dx.doi.org/10.21195/jidr.2017.16.4.006.

Full text

APA, Harvard, Vancouver, ISO, and other styles

29

Dixon, Laurinda S. "Japan Meets Holland." Journal of Japonisme 6, no. 2 (August 26, 2021): 159–84. http://dx.doi.org/10.1163/24054992-06020002.

Full text

Abstract:

Abstract George Hendrik Breitner (1857–1923) was a Dutch Realist artist, whose works chronicle urban life in Amsterdam. But his paintings of a young woman, collapsed on a divan and wrapped in a luxuriant kimono, secured his reputation as an exponent of European Japonisme. The so-called ‘Kimono Girls’, completed between 1893 and 1896, are compelling evocations of female leisure, subsumed within an exotic melange of vivid color and pattern. More importantly, they are an amalgamation of several cultural contexts that characterized the volatile nineteenth century. European Japonisme, the revival of Dutch painterly traditions, medical dogma, and the beginnings of organized feminism come together in these works, making them both compelling and subversive.

APA, Harvard, Vancouver, ISO, and other styles

30

Miyao, Daisuke. "Japonisme and the Birth of Cinema." Journal of Japonisme 1, no. 1 (January 4, 2016): 66–92. http://dx.doi.org/10.1163/24054992-00011p05.

Full text

Abstract:

In this essay, I examine the connection between Japonisme and the films of the Lumière brothers. Lumière films have been considered to be “actuality films” or documentary. By focusing on Japonisme that is observed in these films, I locate them in a broader field of media interactions among such cultural products as painting and photography. One of my focuses is on the conflict and negotiation between the camera eye and the physicality of the human eyes and hands that can be witnessed in Lumière films. Moreover, considering the questions posed in Marxist, subaltern, and postcolonial theory about the relationship between center and periphery in formations of modernity, this essay attempts to reveal the process of conflict and negotiation encountered by France and Japan during the period of emerging cinema as a new global visual medium.

APA, Harvard, Vancouver, ISO, and other styles

31

Russell, Catherine. "Japonisme and the Birth of Cinema." Canadian Journal of Film Studies 31, no. 1 (April 1, 2022): 133–36. http://dx.doi.org/10.3138/cjfs-2021-0042.

Full text

APA, Harvard, Vancouver, ISO, and other styles

32

Hansen, Vibeke Waallann. "Thorolf Holmboe og japonismen." Kunst og Kultur 101, no. 01-02 (May 29, 2018): 68–87. http://dx.doi.org/10.18261/issn.1504-3029-2018-01-02-05.

Full text

APA, Harvard, Vancouver, ISO, and other styles

33

Lachaud, Francois. "Bouddhisme et japonisme des Goncourt à Claudel." Comptes-rendus des séances de l année - Académie des inscriptions et belles-lettres 152, no. 2 (2008): 699–709. http://dx.doi.org/10.3406/crai.2008.92038.

Full text

APA, Harvard, Vancouver, ISO, and other styles

34

Suga, Y. "Modernism, Nationalism and Gender: Crafting 'Modern' Japonisme." Journal of Design History 21, no. 3 (September 1, 2008): 259–75. http://dx.doi.org/10.1093/jdh/epn026.

Full text

APA, Harvard, Vancouver, ISO, and other styles

35

Pavelchuk, Ivanna. "Iconography of intertwined branches in M. Buraček’s landscapes during 1917–1924: (regarding problems of adaptation of Young Polish Japonisme in the works of Ukrainian students of the Krakow Academy of Arts)." National Academy of Managerial Staff of Culture and Arts Herald, no. 2 (September 17, 2021): 122–27. http://dx.doi.org/10.32461/2226-3209.2.2021.239983.

Full text

Abstract:

The purpose of the article is to analyze M. Buraček’s winter landscapes from the collection of the Zaporizhzhia Art Museum: “Winter” (1917), “Apple Trees in Winter. Dziunkiv”(1922), “Branches in the Hoarfrost”(1924) and to substantiate the reflections associated with the Young Polish Japonisme mastered by the Ukrainian artist while studying at the Krakow Academy of Arts. Methodology. In order to solve the problem set in the publication, the following methods were used: comparative – in connection with clarifying the analogies between the landscapes of M. Buraček of 1917–1924 and the plots of Polish artists of the 1900s; hermeneutic - to understand the connection between the traditions of ukiyo-e Japanese woodblock prints and particularities of the Polish improvisations of early XX century. The scientific novelty of the publication consists in the fact that the works of M. Buraček proposed for consideration are analyzed for the first time in the context of the problem of assimilation of Young Polish Japonisme among Ukrainian students of the Krakow Academy of Arts. Conclusions. It was found that the landscape plots of kachō-ga, inspired by the Polish artistic background, had been adapted in the works of M. Buraček during the period: 1917–1924. The then strivings of the below Krakiw pioneers from Young Poland’s artistic environment contributed to the renewal of M. Buraček’s thematic repertoire: W. Weiss, J. Voinarski, K. Gomolaks, T. Richter, F. Ruszczyc, T. F. Simon, J. Stanislawski, W. Tadeusz, J. Tchaikovsky. The study of the landscape repertoire of M. Buraček during 1917–1924, which had been formed during his studies at the Krakow Academy of Arts, results in confirming the Krakiw Japonisme reflections traced in his works attributable to the first quarter of XX century.

APA, Harvard, Vancouver, ISO, and other styles

36

Kang, Tae Woong. "Ukiyo-e and Japonisme in the 21st Century." Korean Journal of Japanese Dtudies 20 (February 15, 2019): 78–99. http://dx.doi.org/10.29154/ilbi.2019.20.078.

Full text

APA, Harvard, Vancouver, ISO, and other styles

37

Sandler, Mark H., and Klaus Berger. "Japonisme in Western Painting from Whistler to Matisse." Journal of Japanese Studies 20, no. 1 (1994): 219. http://dx.doi.org/10.2307/132802.

Full text

APA, Harvard, Vancouver, ISO, and other styles

38

Organ, Michael. "Tolkien’s Japonisme: Prints, Dragons, and a Great Wave." Tolkien Studies 10, no. 1 (2013): 105–22. http://dx.doi.org/10.1353/tks.2013.0021.

Full text

APA, Harvard, Vancouver, ISO, and other styles

39

Weisberg, Gabriel P. "Japonisme in western painting from Whistler to Matisse." History of European Ideas 18, no. 1 (January 1994): 150. http://dx.doi.org/10.1016/0191-6599(94)90183-x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

40

Coman, Sonia. "Daisuke Miyao, Japonisme and the Birth of Cinema." Journal of Japonisme 6, no. 1 (January 22, 2021): 77–82. http://dx.doi.org/10.1163/24054992-06010003.

Full text

APA, Harvard, Vancouver, ISO, and other styles

41

Ten Doeschate-Chu, Petra. "Revelation and Validation." Journal of Japonisme 1, no. 2 (August 22, 2016): 186–203. http://dx.doi.org/10.1163/24054992-00012p02.

Full text

Abstract:

This article is about Matisse’s interest in Japanese and Chinese art, two artistic traditions that had a significant impact on his artistic thinking at the beginning and the end of his career, respectively. It analyzes the importance of Far-Eastern art and theory for Matisse’s modernism against the backdrop of the transformation (and ultimate decline) of Japonisme in the early twentieth century and the attendant revival of interest in Chinese art.

APA, Harvard, Vancouver, ISO, and other styles

42

Grishin, Mikhail V. "Japonism as a Pan-European Cultural Phenomenon at the Turn of the 19th and 20th Centuries." Observatory of Culture, no. 2 (April 28, 2015): 130–36. http://dx.doi.org/10.25281/2072-3156-2015-0-2-130-136.

Full text

Abstract:

Explores this phenomenon of European culture. The author believe that it was a result of a strong visual influence produced by Japanese art on Western European culture. It was for the first time that the West perceived an alien culture as equal and Japonism may be regarded as an aesthetic reception of Japanese arts related to the European dream about a Kingdom of Beauty.

APA, Harvard, Vancouver, ISO, and other styles

43

Shin, Sangchel. "Japonisme et réception de la céramique coréenne en France." ASSOCIATION CULTURELLE FRANC0-COREENNE 35, no. 2 (November 2017): 161–88. http://dx.doi.org/10.18022/acfco.2017.35.2.006.

Full text

APA, Harvard, Vancouver, ISO, and other styles

44

Beckson, Karl, and Linda Gertner Zatlin. "Beardsley, Japonisme, and the Perversion of the Victorian Ideal." South Atlantic Review 64, no. 2 (1999): 166. http://dx.doi.org/10.2307/3201990.

Full text

APA, Harvard, Vancouver, ISO, and other styles

45

Tornier, Etienne. "Territoires du Japonisme, edited by Patricia Plaud-Dilhuit, 2014." Journal of Japonisme 1, no. 1 (January 4, 2016): 144–49. http://dx.doi.org/10.1163/24054992-00011p09.

Full text

APA, Harvard, Vancouver, ISO, and other styles

46

Johnson, Annika K. "An Aesthetic Experience: Japonisme in the North” Framing Japanomania." Journal of Japonisme 1, no. 2 (August 22, 2016): 211–26. http://dx.doi.org/10.1163/24054992-00012p04.

Full text

Abstract:

Review of the exhibition Japanomania in the Nordic Countries, 1875-1918 which opened at the Helsinki Ateneum Museum February 18, 2016. The exhibition examined over 400 works in all media that revealed how the mania for all things Japanese shaped Nordic aesthetics at the turn of the century. The exhibition goes on to Oslo and Copenhagen through 2017, and it has a catalogue published in five separate language editions with the English version being distributed by Yale University Press.

APA, Harvard, Vancouver, ISO, and other styles

47

George, David R. "Galdós and Japonisme: The Floating World of León Roch." Anales Galdosianos 52, no. 1 (2017): 11–32. http://dx.doi.org/10.1353/ang.2017.0000.

Full text

APA, Harvard, Vancouver, ISO, and other styles

48

Brennan, Marcia, and Linda Gertner Zatlin. "Beardsley, Japonisme, and the Perversion of the Victorian Ideal." Albion: A Quarterly Journal Concerned with British Studies 31, no. 1 (1999): 145. http://dx.doi.org/10.2307/4052863.

Full text

APA, Harvard, Vancouver, ISO, and other styles

49

Bernier, Bernard. "Révisionnisme, japonisme, culturalisme : comment expliquer le succès économique japonais ?" Anthropologie et Sociétés 14, no. 3 (September 10, 2003): 21–43. http://dx.doi.org/10.7202/015141ar.

Full text

Abstract:

Résumé Révisionnisme, japonisme. culturalisme : comment expliquer le succès économique japonais ? Cet article porte sur l'explication du succès économique du Japon après la Seconde Guerre mondiale et sur l'interprétation des frictions commerciales récentes entre le Japon et les États-Unis. Il est divisé en trois parties. La première porte sur l'explication donnée par des auteurs, que l'on a appelés les révisionnistes, du succès japonais depuis 1945. Cette explication se fonde sur une conception de la société japonaise comme différente des sociétés occidentales, en particulier dans ses arrangements institutionnels et dans sa politique industrielle. La seconde comprend un examen des postulats theoriques sous-jacents à l'explication révisionniste. La troisième présente les bases d'une interprétation différente du succès japonais, interprétation plus complexe qui tient compte, en plus de la politique industrielle et des arrangements institutionnels, de la culture, des relations internationales et de la conjoncture historique.

APA, Harvard, Vancouver, ISO, and other styles

50

Wells, K. L. H. "The “Merely Imitative Mood”: British Japonisme and Imperial Mimesis." Nineteenth Century Studies 27, no. 1 (January 1, 2013): 143–66. http://dx.doi.org/10.5325/ninecentstud.27.2013.0143.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!