Academic literature on the topic 'Jardín umbrío'

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Journal articles on the topic "Jardín umbrío"

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Ponce Cárdenas, Jesús. "Era una tarde de un jardín umbrío." Bulletin hispanique, no. 115-1 (June 1, 2013): 305–58. http://dx.doi.org/10.4000/bulletinhispanique.2513.

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Ana Elvira Vélez Villa, Arquitectos, and Arquitectos Lorenzo Castro Jaramillo. "Café del bosque Jardín Botánico. Medellín. Colombia." EN BLANCO. Revista de Arquitectura 5, no. 12 (2013): 100. http://dx.doi.org/10.4995/eb.2013.6611.

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<p>El edificio es umbral que prepara la entrada al Jardín. Su presencia sobre la esquina de Carabobo lo convierte en la primera imagen representativa del Jardín en la ciudad. Conformado por muros de concreto ocre, inclinados hacia afuera, de geometría elíptica que se desplaza para traslapar los muros y crear en el rompimiento las puertas. El piso refuerza la intensión; trabajado en una sola superficie de concreto, da continuidad a los muros que conforman el patio y contiene a su vez un espejo de agua. La pérdida de noción del límite que produce el reflejo de los muros y el cielo, concede
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3

Godoy-Cossío, Ana. "El erotismo de la niña-mujer en el jardín narrativo de Francisco Umbral y Mario Vargas Llosa." La Colmena, September 22, 2020, 55. http://dx.doi.org/10.36677/lacolmena.v0i107.14226.

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Se presenta un acercamiento a las coincidencias bio-bibliográficas existentes entre Francisco Umbral y Mario Varga Llosa, en particular, el tema del erotismo en su literatura. Se describe la presencia de arquetipos femeninos en sus narrativas, con especial énfasis en la figura de la niña-mujer, fruto de las lecturas de los mismos maestros franceses, y de la influencia de la música, la pintura y del cine en ambos escritores. Finalmente, se analizan de forma breve algunos personajes femeninos y su transmutación individual y en conjunto, así como su presencia mediante una sucesión de cuadros (un
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Dissertations / Theses on the topic "Jardín umbrío"

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Pontrelli, Geni. "Society and ideology in Valle-Inclan's Jardin umbrío." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0011/NQ41488.pdf.

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Books on the topic "Jardín umbrío"

1

Valle-Inclán, Ramón del. Jardín umbrío: Historias de santos, de almas en pena, de duendes y ladrones. 7th ed. Espasa Calpe, 1993.

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2

Teixidó, Raúl. Jardín umbrío. Editorial "Los Amigos del Libro,", 1994.

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3

Alarcón, Justo S. Técnicas narrativas en Jardín umbrío de Valle-Inclán. Alta Pimería Pro Arte y Cultura, 1990.

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Pontrelli, Geni. Society and ideology in Valle-Inclán's Jardín umbrío. 1998.

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5

Valle-Inclan, Ramon Del. Jardin Umbrio. Espasa-Calpe, 2002.

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Book chapters on the topic "Jardín umbrío"

1

Sanchez-Alarcos, José, and Elena Revilla. "The Sign-Meaning Chain and its Implications for the Organization." In Encyclopedia of Human Resources Information Systems. IGI Global, 2009. http://dx.doi.org/10.4018/978-1-59904-883-3.ch116.

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For anyone with an education in literary or philosophical confines, coming across the word “semiotics” in a business dictionary might seem strange. It is not among the terms that make up the common jargon of the manager, however, it is acquiring more importance as organizations become more complex. Although the concept is very old and it could be referred to, the philosopher, Umberto Eco (1991) was who got the concept out of the most tightly knit academic circles in his “treating general semiotics.” Eco defines semiotics as “the science that studies the life of signs within the framework of social life” while the R.A.E. (Spanish Society of Arts) defines it as “general theory of signs.” Towards the year 1995, the application of the principles of semiotics to organizations started to be used. The reason why a concept close to grammar or language construction should be of interest in business confines must be sought in the development of information systems (Gazendam, 2001). These have converted today’s organization into an ordered set of signs where, instead of “touching” a reality, it is represented by symbols which, at the same time are represented by other symbols, and so on, until n number of times. As a result, organizations have generated a language of electronic signs more and more distanced from tangible reality because the mobility of the sign is much higher than that which it actually represents. This is the phenomenon which has raised interest in semiotics from the confines of organizations.
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