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1

Anne, Pingeot, ed. Sculptures des jardins du Louvre, du Carrousel et des Tuileries. Paris: Éditions de la Réunion des musées nationaux, 1986.

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2

Anne, Pingeot, and Le Normand-Romain Antoinette, eds. Sculptures des jardins du Louvre, du Carrousel et des Tuileries. Paris: Éditions de la Réunion des musées nationaux, 1986.

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3

Brese-Bautier, Geneviève. Sculptures des jardins du Louvre, du Carrousel et des Tuileries. Paris: Editions de la Réunion des musées nationaux, 1986.

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4

Sapieha, Nicolas. Esculturas dos jardins de Queluz: Sculptures in the gardens of Queluz. Lisboa]: Instituto Português do Património Arquitectónico, 1997.

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5

Pierre, Restany, Risset Jacqueline 1936-, Tasset Jean-Marie, and Palais-Royal (Paris France), eds. Arnaldo Pomodoro: Dans les Jardins du Palais-Royal : sculptures 1962-2000. Milano: Skira, 2002.

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6

Little, Carol Morris. A comprehensive guide to outdoor sculpture in Texas. Austin: University of Texas Press, 1996.

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7

Gardens of art: The sculpture park at the Frederik Meijer Gardens. Grand Rapids, Michigan: Frederik Meijer Gardens and Sculpture Park, 2002.

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8

Éloge des jardins anarchiques. Montreuil: Insomniaque, 2011.

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9

Carric, Jean-François. Versailles: Le jardin des statues. [Paris]: Herscher, 2000.

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10

Mussard, Fred. Gilbert Clain: Le jardin des colosses. Chevagny-sur-Guye, France?]: Orphie, 2007.

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11

Les jardins de l'art brut. Dijon: Presses du réel, 2007.

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12

Jelloun, Tahar Ben. Igor Mitoraj: Sculptures monumentales : Jardin des Tuileries, octobre-décembre 2004. Paris: Edition JGM. Galerie, 2004.

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13

France), Palais-Royal (Paris, and Palacio de Exposiciones del Retiro., eds. Cinquante ans de sculpture espagnole =: Cincuenta años de escultura española : Jardins du Palais Royal. Paris: Regard, 2001.

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14

Conseil général de la Manche., ed. De places en jardins: La statuaire dans l'espace public de la Manche, 1800-1945. [Saint-Lô]: Conseil général de la Manche, 2007.

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15

Parcours mythologique dans les jardins de Versailles: Achille, Apollon, Diane, Jupiter, Vénus. Paris: Artlys, 2012.

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16

Kirili, Alain. Jardin des Tuileries : sculptures modernes et contemporaines: Installation conçue par Alain Kirili, 1997-2000. Paris: Éditions du patrimoine, 2001.

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17

Estado, São Paulo (Brazil :. State) Pinacoteca do. Escultura brasileira: Da Pinacoteca ao Jardim da Luz. São Paulo, SP: Pinacoteca, 2000.

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18

Salvador, Prieto Ma del Socorro. La escultura monumental en Madrid: Calles, plazas y jardines publicos (1875-1936). Madrid: Alpuerto, 1990.

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19

Charneau, Roger. Les ailes et le sablier: Le jardin-musée du Père-Lachaise. Paris: Cercle d'art, 1997.

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20

1930-2002, Saint-Phalle Niki de, ed. Niki de Saint Phalle: Le Jardin des tarots. Arles: Actes sud, 2010.

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21

Armengol, Manel. El jardí dels guerrers. Madrid: Lunwerg, 1987.

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22

Rico), Simposio Internacional de Escultura en Puerto Rico (1st 1992 Universidad de Puerto. Primer Simposio Internacional de Escultura en Puerto Rico: Del 3 al 18 de septiembre del 1992, Jardín Botánico de la Universidad de Puerto Rico. [Puerto Rico: Fundación para la Universidad de Puerto Rico, 1993.

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23

Jardins extraordinaires: Atelier Patrice Alexandre, Beaux-Arts de Paris : exposition du 31 mai au 2 juin 2013, Parc du Génitoy, Bussy Saint-Georges, Parc culturel de Rentilly. Paris: École nationale supérieure des beaux-arts, 2013.

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24

Lechien-Durant, Françoise. Olivier Strebelle dans les jardins du Musée van Buuren: rétrospective 1960-200 = Olivier Strebelle in de tuinen van het Van Buuren Museum: retrospectieve 1960-2000: Exposition, Bruxelles, Musée van Buuren, du 11 mai au 31 octobre 2000: catalogue = tentoonstelling, Brussel, van Buuren Museum, van 11 mei tot 31 oktober 2000: catalogus. Bruxelles: Delta, 2000.

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25

John, Maizels, and Taschen Angelika, eds. Fantasy worlds. Köln: Taschen, 1999.

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26

Irene, Vilar. Abraço: Uma escultura para Macau, Jardim Luís de Camões = Yung pao : i tso hsien kei Chia-mei-shih hua yüan ti su hsiang = Hug : one sculpture to Macau, Luís de Camões Garden. [Macao: Governo de Macau], 1997.

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27

Becherer, Joseph Antenucci. Gardens of Art: The Sculpture Park at the Frederik Meijer Gardens. Wayne State University Press, 2002.

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28

Symbolique des jardins de versailles. Huitieme Jour, 2002.

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29

/Kristev, Storr /Kirili. La sculpture moderne et contemporaine au jardin des tuileries. Patrimoine, 2001.

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30

Jacques, Stiennon, and Allart Dominique, eds. L' architecture, la sculpture & l'art des jardins à Bruxelles et en Wallonie. Bruxelles: Renaissance du Livre, 1995.

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31

L'architecture, la sculpture et l'art des jardins à Bruxelles et en Wallonie. Renaissance du livre, 1995.

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32

Curtis, Cathy. Loft Life, Speaking Out, and European Vistas. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190498474.003.0007.

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During the 1960s, Elaine lived in a succession of New York lofts, where she painted, wrote, and entertained large groups of friends—including artists, writers, and athletes. She became caught up in the Death Row case of Caryl Chessman, one of several causes she vigorously pursued. Feminism was not among them. She was equally hostile to Pop Art, scorning it as simply “a way of making money.” The mid-sixties were a troubled time for Elaine: her mother died; Bill tried to divorce her. Her drinking escalated, leading to several car accidents and embarrassing scenes. (She stopped drinking in the mid-seventies.) Elaine spent summers in Paris as a teacher at the New York Studio School, bringing a family member or student along for city excursions. A Jules Dalou sculpture in the Jardin du Luxembourg prompted her Bacchus painting series, which captured the play of dappled light and foliage on the bronze figures.
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33

Curtis, Cathy. A Generous Vision. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190498474.001.0001.

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Elaine de Kooning (1918–1989) was a noted art critic and artist, and a prime mover in the New York art world. She was a vivacious social catalyst. Her sparkling wit enlivened meetings of the Club, nights at the Cedar Tavern, and chance conversations on the street. Her droll sense of humor, generosity of spirit, and freewheeling spending were as legendary as her ever-present cigarette. An incisive writer, she pinpointed the essence of artists as diverse as Franz Kline and August Renoir, and deftly refuted pompous critical rhetoric. As a painter, she melded Abstract Expressionism with her lifelong interest in bodily movement to capture the characteristic postures of portrait sitters ranging from artist and writer friends to President John F. Kennedy. Driven to focus on a single theme for years at a stretch, she produced multiple paintings reflecting her fascination with people and animals in motion; her subjects include bullfighting, basketball, Paleolithic cave paintings, and a multi-figure sculpture in the Jardin du Luxembourg in Paris. Married to Willem de Kooning from 1943 until her death, she credited him as her greatest influence. Although the couple separated in 1957, after episodes of unfaithfulness on both sides, nearly two decades later she bought a house near his to rescue him from severe alcoholism. Rather than being overshadowed by his fame, she said, she worked “in his light.”
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34

Sardo, Delfim, António Filipe Pimentel, Helena Freitas, and Karen Bennet. Rui Chafes: a mesma origem nocturna = the same nocturnal origin: esculturas de Rui Chafes no Jardim Botânico = sculptures by Rui Chafes on display at the Botanic Garden. Imprensa da Universidade de Coimbra, 2008. http://dx.doi.org/10.14195/978-989-26-0324-7.

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