Relevant bibliographies by topics / Jazm

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Jazm'

Author: Grafiati
Published: 7 June 2025
Last updated: 2 August 2025

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Journal articles on the topic "Jazm"

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Boltaboyev, Sultonbek. "ARAB TILIDA JAZM YUKLAMALARI." Oriental Renaissance: Innovative, educational, natural and social sciences 5, no. 20 (2025): 65–67. https://doi.org/10.5281/zenodo.14875077.

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Maʼlumki dunyodagi har bir tilning grammatikasida oʻziga xos boʻlgan grammatik qoidalari, grammatik kategoriyalari hamda grammatik birliklari mavjud. Jumladan, arab tilida ham ana shunday grammatik kategoriyalaridan biri jazm yuklamalaridir. Umuman olib qaraganda fikrning borliqqa boʻlgan munosabati, yaʼni modal munosabat yuklamalar orqali ifodalanadi. Yuklamalar bilan soʻzlovchining harakat, belgi, voqea hodisaga boʻlgan ishonchi, gumoni, voqelikni tasdiqlashi, buyruq yoki inkor qilish kabi munosabatlar bildiriladi. Shuningdek yuklamalar soʻz oʻzgartirish xususiyatiga umuman ega emasligi va b
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Tahira Kulsoom and Dr Raheela Khalid Qureshi. "Factors of Jazm & its Signs." AL-HIDAYAH 6, no. 1 (2024): 43–56. http://dx.doi.org/10.52700/alhidayah.v6i1.81.

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One of the characteristics of the Arabic language is syntax (Eraab). And it is the change of the symbol at the end of the word due to the change of internal factors and their requirements. “Eraab” play a significant role in bringing brevity, clarity and change in meaning in speech at the same time. There are two types of “Eraab”: Real “Eraab”and Sub-“Eraab”. Real “Eraab” include Rafa, Nasab, Jar and Jazm. Among the rules of these four real “Eraab”, the rules of Jazm are the most detailed and complex. As there are some factors (Letters of Elision), out of which some factors put one verb in the
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Mulizar. "MENGENAL ṢIGAT-ṢIGAT DALAM MEREPRESENTASIKAN HADIS:". Al-Bukhari : Jurnal Ilmu Hadis 2, № 2 (2019): 175–89. http://dx.doi.org/10.32505/v2i2.1161.

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In terms of sanad and matan, or based on the strengths and weaknesses, the Hadith is divided into two groups, namely: the hadith maqbūl and the hadith mardūd. One way to find out a hadith whether the hadith is accepted or mardūd can be seen from the Ṣīgāt. Ṣīgāt Hadith is divided into two groups, namely Ṣīgāt Jazm and Ṣīgāt Tamrῑḍ. An assessment of a Hadith is incomplete if we have not discussed ṣīgāt al-Jazm and ṣīgāt at-Tamrῑḍ. This needs to be done to understand how the Hadith is classified. In determining the laws of ṣīgāt al-Jazm and ṣīgāt at-Tamrῑḍ the Ulama of Hadith have explained that
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SABOORI, ALIREZA, and ZEINAB SHIRVANI. "A checklist of Acari type specimens deposited in the Jalal Afshar Zoological Museum, Karaj, Iran." Zootaxa 4949, no. 2 (2021): 289–311. http://dx.doi.org/10.11646/zootaxa.4949.2.4.

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A checklist of the Acari type specimens deposited in the Jalal Afshar Zoological Museum (JAZM), Department of Plant Protection, Faculty of Agriculture, University of Tehran, Karaj, Iran is given. From a total of 451 type specimens (which comprises 166 valid species names) cited in the list, 164 are available and two are lost. Based on the comparison of these type specimens, the following taxonomic change is proposed in this paper: Erythraeus (Zaracarus) ueckermanni is considered as a valid species and is not a junior synonym of Erythraeus (Zaracarus) budapestensis.
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Supardi, Adi. "Nilai-Nilai Karakter Pengguna Bahasa Arab Perspektif I’rab Nahwu." Kalamuna: Jurnal Pendidikan Bahasa Arab dan Kebahasaaraban 2, no. 1 (2021): 37–49. http://dx.doi.org/10.52593/klm.02.1.03.

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Penelitian ini berasumsi dari kebutuhan nilai-nilai pendidikan karakter yang perlu ditanamkan bagi pengguna bahasa Arab. Tujuan penelitian ini untuk mengetahui nilai-nilai karakter bagi pengguna bahasa Arab menggunakan pendekatan kontekstual filosofis i’rab Nahwu. Penelitian ini menggunakan penelitian kualitatif, yang berbentuk library reseach (penelitian pustaka) dengan menggunakan metode analisis deskriftif kitab klasik al-Jurûmiyah dengan pendekatan kitab pensyarahnya yaitu Asymawiy karya Syekh Abdullâh ibn Fadhîl al-Asymawiy dan Kitab al-Kafrawy ala Matn al-Jurûmiyah karya Syekh Hasan al-K
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Chalaye, Sylvie. "Jaz, simplement jazz." Africultures 56, no. 3 (2003): 247. http://dx.doi.org/10.3917/afcul.056.0247.

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Arsyad, Berti. "Makna Garamatikal Huruf Ma>." `A Jamiy : Jurnal Bahasa dan Sastra Arab 8, no. 1 (2019): 67. http://dx.doi.org/10.31314/ajamiy.8.1.67-85.2019.

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Al-Harfu dalam bahasa arab adalah sebuah kata yang tidak mungkin mengalami perubahan akibat hubungan gramatikal. Al-harfu dapat dibagi menjadi tiga bagian. Pertama, al-harfu yang khusus bersanding dengan nomina yaitu, terdiri dari dua bagian: al-harf al-jar dan al-harfu an-nasb. Kedua, al-harf yang khusus bersanding dengan verba, terdiri dua bagian: al-harf al-jazm dan al-harf an-nasb. Kemudian yang ketiga adalah al-harf yang bersanding dengan nomina dan verba. Harf ma> sangat beragam maknanya, dalam Sintaksis arab al-harf ma> itu terbagi menjadi tiga kelompok: ma> nomina, ma> al-h
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Sambali, Ahmad, Ahmad Miftahuddin, and Darul Qutni. "FI’L MUDLĀRI’ MABNIYY (VERBA IMPERVEKTUM PERMANENT) DALAM AL-QUR’AN JUZ 1-15 (ANALISIS SINTAKSIS)." Lisanul Arab: Journal of Arabic Learning and Teaching 12, no. 1 (2023): 64–69. http://dx.doi.org/10.15294/la.v12i1.67550.

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The permanent impervektum verb in Arabic tradition is called fi’l mudlāri’ mabniyy (فعل المضارع المبني), namely the imperfect verb that meets two nūn taukid (tsaqilah or khafifah) direcly and nūn niswah. The purpose of this study is to increase knowledge of permanent impervectum verbs (fi’l mudlāri’ mabniyy) in the Qur’an. This researchis a qualitative research with library research design. The data is in the form of fi’l mudlāri’ mabniyy with the source of the Qur’an juz 1-15. The instruments used are data cards and recapitulation sheets. And technical data analysis using intralingual equival
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José, Luis Punzo Díaz, Bernardo Martínez Vázquez Dante, and Carvajal Medina Ricardo. "Iconografía militar y ceremonial en El Jazmín, un sitio rupestre del oriente de Michoacán, México." Arqueologia Iberoamericana 47 (February 20, 2021): 71–77. https://doi.org/10.5281/zenodo.4553199.

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Este art&iacute;culo es un avance de investigaci&oacute;n sobre el sitio rupestre de El Jazm&iacute;n, Michoac&aacute;n, M&eacute;xico. Est&aacute; localizado en la regi&oacute;n oriental del Estado, caracterizada por ser una zona monta&ntilde;osa que hist&oacute;ricamente ha sido escenario de constantes conflictos b&eacute;licos desde la &eacute;poca prehisp&aacute;nica hasta el siglo XX. Se presenta un primer an&aacute;lisis de uno de los paneles que m&aacute;s llamaron la atenci&oacute;n, pues este cuenta con una importante carga de grafismos relacionados con la guerra. ENGLISH: <em>Militar
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Ula, Miftahul, and Faliqul Isbah. "Dimensi Tasawuf dalam Ilmu Nahwu." JOUSIP: Journal of Sufism and Psychotherapy 2, no. 1 (2022): 89–106. http://dx.doi.org/10.28918/jousip.v2i1.6001.

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&#x0D; &#x0D; Ilmu tasawuf adalah ilmu yang membahas tentang gagasan batin atau spiritualitas, sedangkan ilmu nahwu merupakan ilmu yang membahas tentang bagaimana cara untuk bisa berkomunikasi verbal dengan baik. Kedua aspek tersebut harus seimbang dan sejalan pada diri manusia. Salah satu tokoh yang membahas hal ini adalah Ibn ‘Ajibah dalam karya nya yang berjudul al-Futuhat al-Quddusiyyah. Artikel ini berusaha mengungkap dimensi tasawuf dari makna-makna simbolik yang tertuang dalam ilmu Nahwu. Makna simbolik yang terdapat pada kaidah-kaidah nahwu di kitab al-Futuhat al-Quddusiyyah dari persp
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Dissertations / Theses on the topic "Jazm"

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Silva, Roberto José da. "Jazz da malta: estudo sobre a sustentabilidade da jam session Jazz Standards de Aveiro." Master's thesis, Universidade de Aveiro, 2017. http://hdl.handle.net/10773/23248.

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Mestrado em Música<br>A presente dissertação de mestrado apresentada é um estudo sobre a jam session Jazz Standards de Aveiro. Trata-se, primeiramente, da busca pela sutentabilidade de um grupo criado por alunos da licenciatura da Universidade de Aveiro. Apesar da recente criação, tornou-se um importante evento dentro da cidade. A identificação do funcionamento de outras jam sessions, que acontecem em outras cidades do país, foi uma das etapas cumpridas no âmbito deste trabalho. As pesquisas etnográficas realizadas nas jam sessions geraram material de apoio para as futuras pesquisas dentro da
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Figueiredo, Luís Alberto Cordeiro de. "Jazz, identidade musical e o piano Jazz em Portugal." Doctoral thesis, Universidade de Aveiro, 2016. http://hdl.handle.net/10773/16212.

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Doutoramento em Música - Performance Jazz<br>Ao longo de todo o séc. XX, o jazz construiu um espaço alternativo às dicotomias heurísticas tradicionais, como por ex. tradição/inovação, erudito/popular, composição/improvisação, entre outras. Por entre discursos polarizados, o jazz afirmou-se como domínio musical conciliador de diferenças culturais e sociais, configurando um espaço novo de mediação, um “jazz art world” como definido pelo sociólogo Paul Lopes. Nesse espaço, a individualidade sempre assumiu enorme centralidade, em virtude do papel particularmente criativo do performer e também
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Beale, Charles W. "From jazz to jazz in education : an investigation of tensions between player and educator definitions of jazz." Thesis, University College London (University of London), 2001. http://discovery.ucl.ac.uk/10006655/.

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Farley, Jeff. "Making America's music : jazz history and the Jazz Preservation Act." Thesis, University of Glasgow, 2008. http://theses.gla.ac.uk/519/.

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The aim of this thesis is to investigate some significant examples of the process by which jazz has been shaped by the music industry and government and their ideas of the place of jazz within American culture and society. The examples demonstrate that the history and traditions of jazz are not fixed entities, but rather constructions used to understand and utilise issues of race, national identity, cultural value, and musical authenticity and innovation. Engagement with such issues has been central to identifying jazz as America’s music, as it earned this status from its worldwide popularity
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Dotzek, Karl. "Så ni spelar jazz : Lärares perspektiv om jazz i gitarrundervisningen." Thesis, Linnéuniversitetet, Institutionen för musik och bild (MB), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-76418.

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Syftet med den här studien var att få en överblick om hur gitarrlärare undervisar jazz på estetiska programmet med inriktning musik. Detta är en kvalitativ studie där tre gitarrlärare från södra Sverige intervjuades för att få fram det empiriska materialet. Resultatet visar på att lärarna har olika tankar kring genren jazz i ett undervisningsperspektiv och att lärarna är rätt likasinnade när det kommer till hur jazz i gitarrundervisningen skall bedrivas. Resultatet visar även att planeringsstadiet för lärarna har mycket med individen att göra, alltså eleven eller eleverna som de undervisar sty
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Hellberg, Stina. "Jazz på harpa." Thesis, Kungl. Musikhögskolan, Institutionen för jazz, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-947.

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Dyson, Kathy. "Learning jazz improvisation." Thesis, University of Sheffield, 2008. http://etheses.whiterose.ac.uk/3627/.

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The process of learning jazz improvisation is investigated in an exploratory way drawing on schema theory as a possible framework, from both a theoretical and a practical perspective. A schema is considered to be an abstract framework in the mind that both structures and is structured by experience. In this thesis, schema theory relating to a number of disciplines, is explained indetail, focusing on cognitive and motor elements in order to relate these processes to jazz improvisation and thus to provide a theoretical model. The model in turn is used to investigate how conceptual knowledge may
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Ahn, Byungkyu. "Journey for Jazz." Thesis, University of North Texas, 2003. https://digital.library.unt.edu/ark:/67531/metadc4245/.

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This written thesis accompanies a 32-minute documentary video, Journey for Jazz, which explores four Korean students who major in jazz at the University of North Texas in Denton. Detailed accounts of the pre-production, production, and post-production of the video guide the reader to understand the challenging and rewarding process of making this documentary. Theoretical issues are also discussed, including Bill Nichols's typology of documentary modes as a useful tool for analysis of hybrid documentaries and conventions of the observational and interactive mode in Journey for Jazz, which is co
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Williams, Katherine A. "Valuing jazz : cross-cultural comparisons of the classical influence in jazz." Thesis, University of Nottingham, 2012. http://eprints.nottingham.ac.uk/12622/.

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‘Valuing Jazz: Cross-cultural Comparisons of the Classical Influence in Jazz’ re-examines the interaction of Western classical music and jazz, focussing particularly on developments in North America and Britain in the twentieth century. This dissertation acknowledges and builds on the existing connections that have been drawn between classical music and jazz—both those that underscore the musical differences between the two idioms in order to discredit the latter, and those that acknowledge similarities in order to claim cultural legitimacy for jazz. These existing studies almost universally u
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Ormsby, Verle A. "John Jacob Graas, Jr. : jazz horn performer, jazz composer, and arranger." Virtual Press, 1988. http://liblink.bsu.edu/uhtbin/catkey/560288.

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This paper is divided into two broad sections. The first section traces the life and career of John Graas through an examination of the contents of the John Graas Memorabilia and Memorial Library, which contains photo albums, newspaper clippings, records and tapes, approximately one hundred original compositions, and personal correspondence between the author and people who knew and worked with Graas.The second section is an examination and discussion of Graas's original compositions. This discussion traces Graas's compositional development and growth as an acknowledged jazz composer through t
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Books on the topic "Jazm"

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Mādūn, Muḥammad ʻAlī. Khaṭṭ al-jazm ibn al-khaṭṭ al-musnad. Dār Ṭalās lil-Dirāsāt wa-al-Tarjamah wa-al-Nashr, 1989.

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Mādūn, Muḥammad ʻAlī. Khaṭṭ al-jazm ibn al-khaṭṭ al-musnad. Dār Ṭalās lil-Dirāsāt wa-al-Tarjamah wa-al-Nashr, 1989.

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Maṭar ʻAbd Allāh Isḥāq Muḥammad Jazūlī. al-Jazm wa-asālībuhu fī al-Qurʼān al-karīm wa-atharuhu fī tawjīh al-tafsīr. al-Dār al-ʻĀlamīyah lil-Nashr wa-al-Tawzīʻ, 2018.

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Kāshmīrī, Fāz̤il. Jām-i jam. Fāz̤il Kāshmīrī, 1988.

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1949-, Murakami Haruki, ed. Pōtoreito in jazu =: Portrait in jazz. Shinchōsha, 1997.

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Tashiro, Shun'ichirō. Okinawa jazu rōdo: Okinawa jazz road. Shoshi Kankanbō, 2015.

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Guido, Michelone, and Tini Brunozzi Francesca, eds. Jam session: Storie di jazz. Lampi di stampa, 2004.

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S, Molasky Michael, ed. Nyū jazu sutadīzu: Jazu kenkyū no arata na ryōiki e = New horizons in jazz research. Arutesu Paburisshingu, 2010.

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Pinheiro, Ricardo Futre. Jazz fora de horas: Jam sessions em Nova Iorque. Universidade Lusíada, 2012.

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Verdeaux, Laurent. Jazz-jazz. M. Milo, 2003.

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Book chapters on the topic "Jazm"

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Buscatto, Marie. "Vocal Jazz, Commercial Jazz, Gendered Jazz." In Women in Jazz. Routledge, 2021. http://dx.doi.org/10.4324/9781003177555-4.

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McGee, Marquis’ Branndon. "Jazz." In The Palgrave Encyclopedia of the Possible. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-98390-5_117-1.

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Heter, T. Storm. "Jazz." In Keywords in Remix Studies. Routledge, 2017. http://dx.doi.org/10.4324/9781315516417-16.

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McGee, Marquis’ Branndon. "Jazz." In The Palgrave Encyclopedia of the Possible. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-90913-0_117.

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Burns, Ken. "Jazz." In 100 Documentary Films. British Film Institute, 2009. http://dx.doi.org/10.1007/978-1-84457-551-0_43.

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Spunt, Barry. "Jazz." In Heroin and Music in New York City. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137314291_2.

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Wierzbicki, James. "Jazz." In When Music Mattered. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-96694-2_3.

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Fessenden, Tracy. "Jazz." In The Routledge Handbook of Religion and American Culture. Routledge, 2025. https://doi.org/10.4324/9781003357353-21.

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Roxo, Pedro, and Tiago Pereira Simões. ""Conceptual Jazz" and "Jazz-Off"." In The Routledge Companion to Diasporic Jazz Studies. Routledge, 2024. http://dx.doi.org/10.4324/9781003212638-37.

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Carr, Ian, Digby Fairweather, and Brian Priestley. "A." In Jazz. J.B. Metzler, 2004. http://dx.doi.org/10.1007/978-3-476-04447-1_1.

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Conference papers on the topic "Jazm"

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Água, Pedro, and Vítor Conceição. "Enabling Factors in Complex Operations. Lessons from Jazz." In 6th International Conference on Human Systems Engineering and Design Future Trends and Applications (IHSED 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1005558.

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The contemporary world is facing a multitude of complex problems that are often rooted in the solutions of the past. Despite the ubiquity of systems in human activity, systems thinking and systems sciences are not widely incorporated into mainstream education curriculums. As a result, the lack of comprehensive understanding of systems and their rules has led to an increase in complexity resulting from political, economic, social, and technological factors. This has resulted in the emergence of new and complex issues that often prove to be insurmountable. Even sensitive domains such as security
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Água, Pedro, and Vítor Conceição. "Enabling Factors in Complex Operations. Lessons from Jazz." In 12th International Conference on Human Interaction and Emerging Technologies (IHIET 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1005505.

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The contemporary world is facing a multitude of complex problems that are often rooted in the solutions of the past. Despite the ubiquity of systems in human activity, systems thinking and systems sciences are not widely incorporated into mainstream education curriculums. As a result, the lack of comprehensive understanding of systems and their rules has led to an increase in complexity resulting from political, economic, social, and technological factors. This has resulted in the emergence of new and complex issues that often prove to be insurmountable. Even sensitive domains such as security
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Bederson, Benjamin B., Jon Meyer, and Lance Good. "Jazz." In the 13th annual ACM symposium. ACM Press, 2000. http://dx.doi.org/10.1145/354401.354754.

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Cheng, Li-Te, Susanne Hupfer, Steven Ross, John Patterson, Bryan Clark, and Cleidson de Souza. "Jazz." In Companion of the 18th annual ACM SIGPLAN conference. ACM Press, 2003. http://dx.doi.org/10.1145/949344.949370.

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Heavner, Tracy. "JAZZ PEDAGOGY: INCORPORATING AUTHENTIC JAZZ ARTICULATIONS INTO SOLO AND JAZZ ENSEMBLE PERFORMANCE / FLUTE PERFORMANCE." In 36th International Academic Conference, London. International Institute of Social and Economic Sciences, 2018. http://dx.doi.org/10.20472/iac.2018.036.016.

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Käser, Dominik. "Silhouettes of jazz." In ACM SIGGRAPH 2009 Computer Animation Fesitval. ACM Press, 2009. http://dx.doi.org/10.1145/1596685.1596807.

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Locatelli, Aude. "Littérature et jazz." In Littérature et musique. Fabula, 2010. http://dx.doi.org/10.58282/colloques.1285.

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Mukunthan, Athreya, and Govinda Agarwal. "JAM." In ICEGOV2019: 12th International Conference on Theory and Practice of Electronic Governance. ACM, 2019. http://dx.doi.org/10.1145/3326365.3326431.

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Huber, Marcus J. "JAM." In the third annual conference. ACM Press, 1999. http://dx.doi.org/10.1145/301136.301202.

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Socican, Igor. "The New Orleans and Chicago styles aspects from the perspective of the jazz double bass." In Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.05.

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The author aims to outline some aspects of the New Orleans and Chicago Jazz styles, to show the importance of the ethnic, geographical, and legal factors in the emergence of New Orleans Jazz in the early 1900s and its later derivation into the Chicago Style in the 1920s. There are examined the beneficial predecessor factors of these styles — the evolution of street brass band orchestras (marching bands), the spirituals, the blues and ragtime and their stylistic features, collective improvisation, the call-and-response principle, that have been the base for the development of jazz music in gene
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Reports on the topic "Jazm"

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Weitkamp, Tristan. Understanding Local Jazz Ecology. Portland State University Library, 2014. http://dx.doi.org/10.15760/honors.106.

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Delyea, Cole. Plant Growth - Latin Jazz - Summary. ResearchHub Technologies, Inc., 2024. http://dx.doi.org/10.55277/researchhub.lhr7j5xm.

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Romero, James. Joint Air-to-Ground Missile (JAGM). Defense Technical Information Center, 2015. http://dx.doi.org/10.21236/ad1019455.

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Delyea, Cole. Latin Jazz Sound Characteristics (Various Artists). ResearchHub Technologies, Inc., 2024. http://dx.doi.org/10.55277/researchhub.jo9s63ck.

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Giovando, Jeremy, Chandler Engel, Daniel Vandevort, and Christina Chow. Summary of ice jams and mitigation techniques in Alaska. Engineer Research and Development Center (U.S.), 2023. http://dx.doi.org/10.21079/11681/47069.

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Ice is an important part of the Alaska ecosystems and can form through dynamic (e.g., frazil) or static (e.g., thermal) processes. In Alaska, both freeze-up and breakup ice jams occur, however breakup jams during the spring snowmelt period are most common. Historically there have been many river systems in Alaska that have chronic ice jam issues. These ice jams have resulted in several significant ice jam floods. There are ice jam mitigation techniques that can be used to either provide state and local emergency managers warnings of a potential ice jam or reduce the impacts of a jam. Common re
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White, Kathleen D., and Jon E. Zufelt. Ice Jam Data Collection. Defense Technical Information Center, 1994. http://dx.doi.org/10.21236/ada280067.

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Zufelt, Jon E., and Robert Ettema. Unsteady Ice Jam Processes. Defense Technical Information Center, 1997. http://dx.doi.org/10.21236/ada334991.

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Phillips, David. Autumn Statement 2016: Jam Tomorrow. The IFS, 2016. http://dx.doi.org/10.1920/ps.ifs.2024.0581.

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Inderst, Rudolf T., Jörg Burbach, Marion Plank, Benedikt Schüler, Nadine Trautzsch, and Thorsten Zimprich. GAMEPATHY #1: Fachtagung für Gamedesign & Digitalspielforschung 2023. IU Internationale Hochschule, 2025. https://doi.org/10.56250/4052.

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Am 26. und 27. Oktober 2023 fand die Gamepathy #1 statt, die einerseits aus einer Remote-Spielefachtagung und andererseits aus einem Game Jam vor Ort am IU-Standort Regensburg bestand. Während die Organisation und Durchführung der Tagung in erster Linie bei den Professor:innen des B.A.-IU-Studienganges Game Design lag, übernahmen Studierende die Arbeit beim Game Jam. Begleitet wurde die Doppelveranstaltung von einem Videoteam der IU und via Stream konnte das Geschehen online verfolgt werden. Die Aufzeichnung ist immer noch abrufbar. Im Folgenden lassen die Organisator- wie Herausgeber:innen so
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Cottle, Christopher A., and Frederick S. Cottle. Suits to Robes: A study of Free Jazz Fashion. Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-777.

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