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Books on the topic 'Jazz à Vienne (Music festival)'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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1

1946-, Boutellier Jean-Paul, ed. Histoires d'affiches à Jazz à Vienne. Editions lyonnaises d'art et d'histoire, 2011.

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2

Robert, Arnaud. 50 summers of music: Montreux jazz festival. Textuel, 2016.

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3

Sad, Serbia) Novosadski jazz festival (10th 2008 Novi. Novosadski jazz festival: 12-15. novembar 2008. Kulturni centar Novog Sada, 2008.

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4

(Seine-Saint-Denis, France) Banlieues Bleues. Banlieues Bleues: Jazz en Seine-Saint-Denis : 22ème festival du 11 mars au 16 avril 2005. [s.n.], 2005.

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5

International Jazz Festival (2nd 2007 Jerusalem). Fesṭival ha-g'az ha-benleʼumi bi-Yerushalayim: Jerusalem Jazz Festival 2007, 19-22.6. Tsolelet tsehubah, 2007.

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6

Wnuk, Witold. Jazz w Piwnicy pod Baranami: 25 lat Letniego Festiwalu Jazzowego/Summer Jazz Festival Kraków. Polskie Wydawnictwo Muzyczne, 2020.

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7

Israel) Minhelet ha-tayarut ha-Yam ha-Adom (Elat. פסטיבל הג׳אז הבינלאומי: Elat 27-30 be-Ogusṭ 2007 = 21st Red Sea Jazz festival. Minhelet ha-tayarut ha-Yam ha-Adom, 2007.

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8

P, Smith Michael. Jazz fest memories. Pelican Pub. Co., 1997.

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9

Théry, Bruno, and Philippe Barrier. Avaulxjazz kollection: Petit traité d'art contemporain. Éditions lyonnaises d'art et d'histoire, 2012.

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10

1954-, Di Meola Al, Lagrène Biréli 1966-, Super Guitar Trio (Musical group), Montreux Sounds, and Eagle Eye Media (Firm), eds. Super Guitar Trio: Live at Montreux 1989. Eagle Eye Media, 2007.

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11

Israel) Red Sea Jazz Festival (20th 2006 Elat. Fesṭival ha-g'az ha-benleʼumi ha-20: Nemal Elat 27-30 be-Ogusṭ 2006 = The 20th Red Sea Jazz Festival Eilat Port August 27-30, 2006. Minhelet ha-tayarut ha-Yam ha-Adom, 2006.

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12

(Organization), SFJAZZ, ed. SFJAZZ: The first 30 years : setting the stage. Chronicle Books LLC, 2012.

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13

Tilgner, Wolfgang. Open air: Monterey, Woodstock, Altamont. Lied der Zeit, 1988.

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14

Free Jazz: Jazz Festival Notepad Classical Music Gift. Independently Published, 2020.

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15

Reimann, Heli. Tallinn 67 Jazz Festival: Myths and Memories. Routledge, 2021.

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16

Reimann, Heli. Tallinn '67 Jazz Festival: Myths and Memories. Taylor & Francis Group, 2021.

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17

Tallinn '67 Jazz Festival: Myths and Memories. Routledge, 2021.

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18

Reimann, Heli. Tallinn '67 Jazz Festival: Myths and Memories. Taylor & Francis Group, 2021.

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19

Reimann, Heli. Tallinn '67 Jazz Festival: Myths and Memories. Taylor & Francis Group, 2021.

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20

Fesṭival ha-g'az ha-benleʼumi Elat: Nemal Elat 22-25 Ogusṭ 2005 = Red Sea Jazz Festival, the 19th international jazz festival, Eilat, Israel. 2005.

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21

Posters: Umbria Jazz nei manifesti dei suoi festival = Umbria Jazz, the posters tell the story. Archi's, 2013.

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22

Changing the tune: The Kansas City Women's Jazz Festival, 1978-1985. University of North Texas Press, 2017.

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23

Umbria & jazz: 25 anni di musica. Silvana, 1998.

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24

Durnell, Lenora. Music Festival in Montreux : Journey to Discover the World of Music in Montreux: Experience Music in Montreux Jazz. Independently Published, 2021.

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25

Memory of a free festival: The golden era of the British underground festival scene. Cicada Books, 2017.

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26

2015), Other Minds Festival (20th. Other Minds 20: A festival of unexpected new music, March 6, 7, & 8, 2015, SF Jazz Center, San Francisco [souvenir program]. 2015.

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27

Backstory in blue: Ellington at Newport '56. Rutgers University Press, 2008.

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28

Ledgin, Stephanie P. Homegrown Music. Greenwood Publishing Group, Inc., 2004. http://dx.doi.org/10.5040/9798400666148.

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With retail sales of theO Brother, Where Art Thou?soundtrack exceeding 6.5 million copies since its 2000 release, bluegrass music has re-entered the spotlight as a major American style, spawning huge successes with subsequent albums. Author Stephanie P. Ledgin has captured the rich history of this music inHomegrown Music, a lively, informative book that is perfect for newcomers and devoted fans, musicians, and non-musicians. Though recognized and embraced internationally, bluegrass is one of only two musical genres native to America and, like jazz, it boasts a colorful and lively history, one

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29

Waksman, Steve. Live Music in America. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197570531.001.0001.

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When the Swedish concert singer Jenny Lind toured the US in 1850, she became the prototype for the modern pop star. Meanwhile, her manager, P.T. Barnum, became the prototype for another figure of enduring significance: the pop culture impresario. Starting with Lind’s fabled US tour, Live Music in America surveys the ongoing impact and the changing conditions of live music performance in the US into the twenty-first century. It covers a range of historic performances, from the Fisk Jubilee Singers expanding the sphere of African American music in the 1870s, to Benny Goodman bringing swing to Ca

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30

Storhoff, Timothy P. Harmony and Normalization. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496830876.001.0001.

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Harmony and Normalization explores cultural relations between Cuba and the United States during the Presidency of Barack Obama, who restored diplomatic relations with the island. Musical exchanges during this period act as a lens through which to view not only US-Cuban musical relations but also the larger political, economic, and cultural implications of musical dialogue between these two nations. Policy shifts allowed US and Cuban performers to more easily traverse the Florida Straits than in the recent past and encouraged them to act as musical diplomats, and their performances served as a

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