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Books on the topic 'Jazz – Aspect social'

Author: Grafiati
Published: 4 June 2021
Last updated: 8 February 2022

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1

Benoît, Cancoin, ed. Paroles et musique: Livre-disque. Paris: Harmattan, 2003.

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2

Collier, James Lincoln. Jazz: An American saga. New York: Henry Holt and Co., 1997.

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3

Jazz consciousness: Music, race, and humanity. Middletown, Conn: Wesleyan University Press, 2005.

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4

Jazz: The American theme song. New York: Oxford University Press, 1993.

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5

Jazz Age Barcelona. Toronto: University of Toronto Press, 2009.

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6

Fashion and eroticism: Ideals of feminine beauty from the Victorian era to the Jazz Age. New York: Oxford University Press, 1985.

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7

Wolfram, Knauer, and Jazz-Institut Darmstadt, eds. Jazz und Gesellschaft: Sozialgeschichtliche Aspekte des Jazz. Hofheim: Wolke, 2002.

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8

Una storia sociale del jazz: Dai canti della schiavitù al jazz liquido. Milano [etc.]: Mimesis, 2014.

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9

Jazz: Myth and religion. New York: Oxford University Press, 1987.

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10

Writing jazz. New York: Garland Publishing, Inc., 2000.

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11

Mäusli, Theo. Jazz und geistige Landesverteidigung. Zürich: Chronos, 1995.

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12

1947-, Williams Patrick, ed. Une anthropologie du jazz. Paris: CNRS Éditions, 2010.

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13

Jazz in American culture. Chicago, Ill: Ivan R. Dee, 1997.

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14

The jazz revolution: Twenties America & the meaning of jazz. New York: Oxford University Press, 1989.

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15

Brian, Morton. Plenty plenty rhythm: A new introduction to jazz. Oxford: Oxford University Press, 2003.

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16

Peter, Townsend. Jazz in American culture. Edinburgh: Edinburgh University Press, 2000.

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17

Jazz in American culture. Jackson, Miss: University Press of Mississippi, 2000.

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18

Free jazz, la catastrophe féconde: Une histoire du monde éclaté du jazz en France, 1960-1982. Paris: Harmattan, 2006.

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19

Jazz matters: Sound, place, and time since bebop. Berkeley, CA: University of California Press, 2010.

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20

Femmes du jazz: Musicalités, féminités, marginalités. Paris: CNRS éditions, 2007.

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21

Schlicht, Ursula. "It's gotta be music first": Zur Bedeutung, Rezeption und Arbeitssituation von Jazzmusikerinnen. Karben: Coda, 2000.

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22

Musica in nero: Il campo discorsivo del jazz. Torino: Bollati Boringhieri, 2007.

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23

Meadows, Eddie S. Bebop to cool: Context, ideology, and musical identity. Westport, Conn: Greenwood Press, 2003.

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24

1928-, Becker Howard Saul, ed. Do you know-- ?: The jazz repertoire in action. Chicago: The University of Chicago Press, 2009.

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25

Swing changes: Big-band jazz in New Deal America. Cambridge, Mass: Harvard University Press, 1994.

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26

The return of jazz: Joachim-Ernst Berendt and West German cultural change. New York: Berghahn Books, 2009.

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27

Going for jazz: Musical practices and American ideology. Chicago: University of Chicago Press, 2001.

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28

Hunter, Delridge LaVeon. The jazz worker: Creative musicians in times of crisis. [Cincinnati?]: Union Institute, 1995.

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29

The birth of bebop: A social and musical history. Berkeley: University of California Press, 1997.

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30

Cerchiari, Luca. Jazz e fascismo: Dalla nascita della radio a Gorni Kramer. Palermo: L'epos, 2003.

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31

Sengo Nihon no jazu bunka: Eiga, bungaku, angura. Tōkyō: Seidosha, 2005.

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32

Moore, Hilary. Inside British jazz: Crossing borders of race, nation and class. Aldershot, Hants: Ashgate Pub., 2008.

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33

Jump for joy: Jazz, basketball, and Black culture in 1930s America. Amherst: University of Massachusetts Press, 2008.

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34

Freedom sounds: Civil rights call out to jazz and Africa. Oxford: Oxford University Press, 2007.

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35

Dancing with DeBeauvoir: Jazz and the French. Carlton, Victoria: Melbourne University Press, 2004.

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36

Industrii︠a︡ dzhaza v Amerike. Sankt-Peterburg: Lanʹ, 2008.

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37

Jazz diplomacy: Promoting America in the Cold War era. Jackson: University Press of Mississippi, 2009.

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38

The color of jazz: Race and representation in postwar American culture. Jackson: University Press of Mississippi, 1997.

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39

Zinner-Frühbeis, Carola. Wir waren ja die Grössten: Deutsche Jazz- und Unterhaltungsmusiker zwischen 1920 und 1950. Frankfurt am Main: Eisenbletter & Naumann, 1991.

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40

Les résonances de l'ombre: Musique et identités, de Wagner au jazz. [Paris]: Fayard, 2012.

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41

Highbrow/lowdown: Theater, jazz, and the making of the new middle class. Ann Arbor: The University of Michigan Press, 2009.

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42

Saalfeldner Musiktage (4th 1997 Saalfelden, Austria). Musik & Macht: Strategien der Subversion, Jazz und Ideologie, Kulturindustrie : die Dokumentation der Saalfeldner Musiktage 1997. Saalfelden: Zentrum Zeitgenössischer Musik, 1999.

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43

Hersch, Charles. Subversive sounds: Politics, race, and the birth of jazz in New Orleans. Chicago: University of Chicago Press, 2007.

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44

Fornäs, Johan. Moderna människor: Folkhemmet och jazzen. Stockholm: Norstedts Förlag, 2004.

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45

Blowin' hot and cool: Jazz and its critics. Chicago: University of Chicago Press, 2006.

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46

The jazz process: Collaboration, innovation, and agility. Upper Saddle River, NJ: Addison-Wesley, 2010.

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47

Isoardi, Steven L. The dark tree: Jazz and the community arts in Los Angeles. Berkeley: University of California Press, 2006.

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48

Carr, Roy. The Hip: Hipsters, jazz, and the beat generation. London: Faber and Faber, 1986.

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49

Carr, Roy. The Hip: Hipsters, jazz, and the beat generation. London: Faber and Faber, 1986.

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50

Metal, rock, and jazz: Perception and the phenomenology of musical experience. Hanover, NH: University Press of New England, 1999.

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