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Books on the topic 'Jazz – Influence'

Author: Grafiati

Published: 4 June 2021

Last updated: 4 February 2022

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1

Otto, Werner. The Latin influence on jazz. Kendall/Hunt Pub. Co., 1992.

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2

Smet, Jean-Pierre de. New Orleans, de hartslag van de jazz. EPO, 2007.

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3

The blue moment: Miles Davis's Kind of blue and the remaking of modern music. Faber and Faber, 2009.

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4

The blue moment: Miles Davis's Kind of blue and the remaking of modern music. W. W. Norton, 2010.

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5

Solis, Gabriel. Monk's music: Thelonious Monk and jazz history in the making. University of California Press, 2008.

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6

Richard, Williams. The blue moment: Miles Davis's Kind of blue and the remaking of modern music. W. W. Norton, 2010.

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7

Williams, Richard. The blue moment: Miles Davis's Kind of blue and the remaking of modern music. W. W. Norton, 2010.

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8

Gioia, Ted. The jazz standards: A guide to the repertoire. Oxford University Press, 2012.

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9

Le blues dans le jazz instrumental des années 1950 et 1960. L'Harmattan, 2013.

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10

Emancipating pragmatism: Emerson, jazz, and experimental writing. University of Alabama Press, 2004.

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11

Hakutani, Yoshinobu. Cross-cultural visions in African American modernism: From spatial narrative to jazz haiku. Ohio State University Press, 2006.

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12

The influence of John Coltrane's music on improvising saxophonists: Comparing selected improvisations of Coltrane, Jerry Bergonzi, and David Liebman. The Edwin Mellen Press, 2014.

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13

Freedom is, freedom ain't: Jazz and the making of the sixties. Harvard University Press, 2004.

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14

The Ellington century. University of California Press, 2012.

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15

Erik Chisholm, Scottish modernist, 1904-1965: Chasing a restless muse. Boydell Press, 2009.

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16

Purser, John. Erik Chisholm, Scottish modernist, 1904-1965: Chasing a restless muse. Boydell Press, 2009.

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17

Purser, John. Erik Chisholm, Scottish modernist, 1904-1965: Chasing a restless muse. Boydell Press, 2009.

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18

The great silence: Britain from the shadow of the First World War to the dawn of the Jazz Age. Grove Press, 2009.

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19

Latin jazz: The first of the fusions, 1880s to today. Schirmer Books, 1999.

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20

The king of all, Sir Duke: Ellington and the artistic revolution. Continuum, 2001.

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21

Secular devotion: Afro-Latin music and imperial jazz. Verso, 2008.

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22

Kelley, Robin D. G. Africa speaks, America answers: Modern jazz in revolutionary times. Cambridge, Mass., 2012.

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23

Cubana be Cubana bop: Der Jazz und die lateinamerikanische Musik. Akademische Druck- u. Verlagsanstalt, 2005.

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24

Descarga cubana: El jazz en Cuba, 1900-1950. Ediciones Unión, 2000.

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25

Zwischen Exotismus und Weltmusik: Zur Rezeption asiatischer und afrikanischer Musik im Jazz der 60er und 70er Jahre. CODA, 1998.

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26

Sheldon, Harvey. The history of Afro Cuban Latin American music: Singers, musicians, composers. BookSurge], 2010.

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27

Le tumulte noir: Modernist art and popular entertainment in Jazz-Age Paris, 1900-1930. Pennsylvania State University Press, 1999.

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28

Jazz, rock, and rebels: Cold war politics and American culture in a divided Germany. University of California Press, 2000.

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29

Marleen, Hengelaar-Rookmaaker, ed. Modern art and the death of a culture. Piquant, 2002.

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30

Modern art and the death of a culture. Crossway Books, 1994.

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31

Baraka, Imamu Amiri. Blues people. Payback Press, 1995.

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32

Baraka, Imamu Amiri. Blues people: Negro music in white America. William Morrow, 1999.

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33

Baraka, Imamu Amiri. Blues people: Negro music in white America. Perennial, 2002.

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34

The chitlin' circuit: And the road to rock 'n' roll. W. W. Norton & Company, 2011.

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35

The beginnings of Western music in Meiji era Japan. E. Mellen Press, 1994.

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36

Eppstein, Ury. The beginnings of western music in Meiji era Japan. Edwin Mellen, 1995.

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37

Freuds Lost Chord Discovering Jazz In The Resonant Psyche. Karnac Books, 2012.

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38

(Editor), Claire Schneider, Helen Raye (Editor), Albright-Knox Art Gallery (Corporate Author), and Munson-Williams-Proctor Institute (Corporate Author), eds. Circa 1900: From the Genteel to the Jazz Age. Buffalo Fine Arts Academy, 2001.

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39

Washburne, Christopher. Latin Jazz. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780195371628.001.0001.

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Latin Jazz: The Other Jazz is an issue-oriented historical and ethnographic study that focuses on key moments in the history of the music in order to unpack the cultural forces that have shaped its development. The broad historical scope of this study, which traces the dynamic interplay of Caribbean and Latin American musical influence from eighteenth- and nineteenth-century colonial New Orleans through to the present global stage, provides an in-depth contextual foundation for exploring how musicians work with and negotiate through the politics of nation, place, race, and ethnicity in the eth

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40

1956-, Raye Helen, Schneider Claire 1961-, and Albright-Knox Art Gallery, eds. Circa 1900: From the genteel tradition to the jazz age. Buffalo Fine Arts Academy, 2001.

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41

Loza, Steven, and Anthony Wilson. The Jazz Pilgrimage of Gerald Wilson. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496816023.001.0001.

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Jazz great Gerald Wilson (1918–2014), born in Shelby, Mississippi, left a global legacy of paramount significance through his progressive musical ideas and his orchestra's consistent influence on international jazz. Aided greatly by interviews that bring Wilson's voice to the story, this book presents a perspective on what the musician and composer called his “jazz pilgrimage.” Wilson uniquely adapted Latin influences into his jazz palette, incorporating many Cuban and Brazilian inflections as well as those of Mexican and Spanish styling. Throughout, the book refers to Wilson's compositions an

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42

The Jazz Standards: A Guide to the Repertoire. Oxford University Press, 2012.

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43

1947-, Budds Michael J., ed. Jazz & the Germans: Essays on the influence of "hot" American idioms on the 20th-century German music. Pendragon Press, 2002.

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44

CROSS-CULTURAL VISIONS IN AFRICAN AMERIC: FROM SPATIAL NARRATIVE TO JAZZ HAIKU. Ohio State University Press, 2006.

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45

CROSS-CULTURAL VISIONS IN AFRICAN AMERIC: FROM SPATIAL NARRATIVE TO JAZZ HAIKU. Ohio State University Press, 2006.

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46

Monk's Music: Thelonious Monk and Jazz History in the Making. University of California Press, 2007.

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47

Solis, Gabriel. Monk's Music: Thelonious Monk and Jazz History in the Making. University of California Press, 2007.

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48

Solis, Gabriel. Monk's Music: Thelonious Monk and Jazz History in the Making. University of California Press, 2007.

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49

Brooks, Edward. Influence and Assimilation in Louis Armstrong's Cornet and Trumpet Work (1923-1928 (Studies in the History and Interpretation of Music, V. 70.). Edwin Mellen Press, 2001.

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50

Saul, Scott. Freedom Is, Freedom Ain't: Jazz and the Making of the Sixties. Harvard University Press, 2005.

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