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1

The contradictions of jazz. Lanham, Md: Scarecrow Press, 2008.

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2

Orlich, Lando. Socrate e il jazz. Firenze: L'autore libri Firenze, 1995.

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3

The world of jazz trumpet: A comprehensive history & practical philosophy. Milwaukee, WI: Hal Leonard, 2005.

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4

Zu einer Ästhetik des Jazz. Frankfurt am Main: P. Lang, 1995.

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5

F. Scott Fitzgerald: Die Philosophie des Jazz Age. Frankfurt am Main: P. Lang, 1994.

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6

Le jazz et l'Occident: Culture afro-américaine et philosophie. Paris: Klincksieck, 2008.

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7

Berendt, Joachim Ernst. Das Leben, ein Klang: Wege zwischen Jazz und Nada Brahma. München: Droemer Knaur, 1996.

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8

Adorno et le jazz: Analyse d'un déni esthétique. Paris: Klincksieck, 2003.

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9

Il corpo sonoro: Oralità e scrittura nel jazz. Bologna: Mulino, 2007.

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10

Gioia, Ted. The imperfect art: Reflections on jazz and modern culture. New York: Oxford University Press, 1988.

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11

Gioia, Ted. The imperfect art: Reflections on jazz and modern culture. New York: Oxford University Press, 1988.

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12

(1993), Saalfeldner Musiktage. Dokumentation: Zur Situation der zeitgenössischen Musik am Beispiel des Jazz. Saalfelden: Zentrum Zeitgenössischer Musik, 1993.

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13

Rysiek, Śliwiński, and Sobel Jordan Howard, eds. Logic, ethics and all that jazz: Essays in honour of Jordan Howard Sobel. Uppsala: Dept. of Philosophy, Uppsala University, 2009.

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14

Kauffmann, Philipp. Jazz Szenen: Ethnographisches Solo über einen städtischen Groove. Wuppertal: P. Hammer, 1997.

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15

Le blues dans le jazz instrumental des années 1950 et 1960. Paris: L'Harmattan, 2013.

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16

L'identità incompiuta: Paradossi dell'improvvisazione musicale. Bologna: Il mulino, 2010.

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17

Leidenschaft?, neue Musik: Über Klänge, Laute, Zeichen bis zu Jazz und Pop. Berlin: Lit, 2011.

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18

Omry, Keren. Cross-rhythms: Jazz aesthetics in African-American literature. London: Continuum, 2008.

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19

Cross-rhythms: Jazz aesthetics in African-American literature. London: Continuum, 2008.

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20

Barban, Efim. Dzhazovye opyty. Sankt-Peterburg: Izd-vo "Kompozitor,", 2007.

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21

John Coltrane, la musique sans raison: Esquisses d'une philosophie imaginaire, essai pour une phénoménologie du jazz. Céret: Alter ego, 2012.

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22

Metal, rock, and jazz: Perception and the phenomenology of musical experience. Hanover, NH: University Press of New England, 1999.

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23

Leonardi, Susan J. Jazz em Jerusalém: Inventividade e tradição na história cultural filosofia do trabalho criativo. São Paulo: Mankin Editorial, 1999.

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24

Die Musik der 20er Jahre: Studien zum ästhetischen und historischen Diskurs, unter bensonderer Berücksichtigung von Kompositionen Ernst Tochs. Frankfurt am Main: Peter Lang, 1999.

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25

Marleen, Hengelaar-Rookmaaker, ed. Modern art and the death of a culture. Carlisle, U.K: Piquant, 2002.

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26

Modern art and the death of a culture. Wheaton, Ill: Crossway Books, 1994.

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27

Eppstein, Ury. The beginnings of western music in Meiji era Japan. Lewiston, N.Y: Edwin Mellen, 1995.

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28

Aberjhani, ed. The Wisdom of W.E.B. Du Bois (eBook). New York, U.S.A.: OpenRoad Integrated Media LLC, 2010.

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29

The beginnings of Western music in Meiji era Japan. Lewiston, N.Y: E. Mellen Press, 1994.

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30

Brown, Lee B., David Goldblatt, and Theodore Gracyk. Jazz and the Philosophy of Art. Routledge, 2018. http://dx.doi.org/10.4324/9781315280615.

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31

author, Goldblatt David 1941, and Gracyk Theodore author, eds. Jazz and the philosophy of art. 2018.

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32

Rinzler, Paul. Contradictions of Jazz. Scarecrow Press, Incorporated, 2008.

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33

Rinzler, Paul. Contradictions of Jazz. Rowman & Littlefield Publishers, Incorporated, 2008.

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34

Clark, Gregory. Civic Jazz. University of Chicago Press, 2015.

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35

Barnhart, Scotty. World of Jazz Trumpet: A Comprehensive History and Practical Philosophy. Leonard Corporation, Hal, 2005.

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36

Jazz em Jerusalém. Nankin, 1999.

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37

Hengelaar-Rookmaaker, Marleen. New Orleans Jazz, Mahalia Jackson and the Philosophy of Art. Piquant Editions Ltd, 2002.

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38

(Editor), Richard Palmer, and John White (Editor), eds. Jazz Writings: Essays and Reviews 1940-84 (Continuum Impacts). Continuum International Publishing Group, 2005.

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39

Influencing a broader understanding of jazz dance. 1992.

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40

Influencing a broader understanding of jazz dance. 1992.

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41

Influencing a broader understanding of jazz dance. 1992.

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42

Gioia, Ted. The Imperfect Art: Reflections on Jazz and Modern Culture. Replica Books, 2002.

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43

Gioia, Ted. Imperfect Art: Reflections on Jazz and Modern Culture. Oxford University Press, 1988.

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44

The Imperfect Art: Reflections on Jazz and Modern Culture. Stanford Alumni Association, 1988.

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45

Theatrical Jazz: Performance, Àse, and the Power of the Present Moment. Ohio State University Press, 2015.

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46

Omi Osun Joni L Jones. Theatrical Jazz: Performance, Àse, and the Power of the Present Moment. Ohio State University Press, 2015.

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47

Gioia, Ted. The Imperfect Art: Reflections on Jazz and Modern Culture (Portable Stanford Book Series). Oxford University Press, USA, 1990.

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48

Anti-Music: Jazz and Racial Blackness in German Thought Between the Wars. State University of New York Press, 2018.

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49

Art from start to finish: Jazz, painting, writing, and other improvisations. Chicago, IL: University of Chicago Press, 2006.

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50

Art from Start to Finish: Jazz, Painting, Writing, and Other Improvisations. University Of Chicago Press, 2006.

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