Log in

Relevant bibliographies by topics / Jazz style / Dissertations / Theses

To see the other types of publications on this topic, follow the link: Jazz style.

Dissertations / Theses on the topic 'Jazz style'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 46 dissertations / theses for your research on the topic 'Jazz style.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.

1

Keene, Joel Andrew. "The Influence of Jazz Harmony and Jazz Style on Selected Bass Trombone Solo Literature." Scholarly Repository, 2009. http://scholarlyrepository.miami.edu/oa_dissertations/351.

Full text

Abstract:

The development of solo literature for the bass trombone came relatively late in the history of instruments. Though the development of solo literature for this instrument and the birth and development of jazz occurring at the same time in history may be coincidental, the influence of one on the other is undeniable. Because of the large percentage of solo bass trombone literature that is influenced by jazz due to this coincidence, it is necessary that even a classically trained bass trombonist include jazz as a part of the study curriculum. In order to exemplify the influences of jazz harmon

APA, Harvard, Vancouver, ISO, and other styles

2

Saint-Paul, Jean-Michel. "L'électro-jazz européen : (influences, diversités, et cristallisation d'un style)." Paris 8, 2010. http://octaviana.fr/document/159662982#?c=0&m=0&s=0&cv=0.

Full text

Abstract:

Ce travail tente de caractériser l'électro-jazz en tant que style musical, ayant émergé dans les années 90. On y traite des influences musicales, aussi bien issues des recherches de Miles Davis, du funk de Herbie Hancock, du style de Pat Metheny ou encore de celui de Terje Rypdal. Lié à l'orientation artistique et commerciale du label ECM. , l'électro jazz se caractérise sur le plan esthétique par des atmosphères aériennes, souvent suggérées par la création graphique des pochettes de disques. Sur le terrain européen et scandinave, ECM aura contribué à un répertoire de l'électro-jazz particuliè

APA, Harvard, Vancouver, ISO, and other styles

3

Thomas, Benjamin. "The devlopment of Cal Tjader's Latin jazz vibraphone style /." Thesis, Connect to this title online; UW restricted, 2007. http://hdl.handle.net/1773/11304.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Vanderheyden, Joel Patrick. "Approaching the classical style: a resource for jazz saxophonists." Diss., University of Iowa, 2010. https://ir.uiowa.edu/etd/613.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Rice, Alan J. "The structures and meanings of Toni Morrison's jazz prose style." Thesis, Keele University, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.362163.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Chi, Wu-Chen Anne. "Not just the "king of swing" : Benny Goodman's classical style." Thesis, Connect to this title online; UW restricted, 2000. http://hdl.handle.net/1773/11376.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Karns, Keith. "Woody Shaw: Development of Style in Three Versions of "The Moontrane”." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849774/.

Full text

Abstract:

Woody Shaw is one of the most influential jazz trumpet players of the past fifty years. Despite his importance, very few models exist that contextualize Shaw's improvisatory approach inside modern jazz pedagogy. Writers such as Rex Richardson, Eric O'Donnell, and Gavin Franklin have identified key elements of Shaw's style, and have begun a critical examination of Shaw's music. While extensive, these approaches do not take into consideration the impact free jazz had on Shaw's technique, nor do they provide a model for how to duplicate Shaw's style. This project examines four elements of Shaw's

APA, Harvard, Vancouver, ISO, and other styles

8

Schmid, William A. (William Albert). "An Analysis of Elements of Jazz Style in Contemporary French Trumpet Literature." Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc332815/.

Full text

Abstract:

French trumpet works comprise a large portion of the contemporary standard repertoire for the instrument, and they frequently present unique stylistic and interpretive challenges to performers. The study establishes the influence of jazz upon Henri Tomasi, André Jolivet, Eugène Bozza and Jacques Ibert in their works for solo trumpet. Idiomatic elements of jazz style are identified and discussed in terms of performance practice considerations for modern-day trumpeters.

APA, Harvard, Vancouver, ISO, and other styles

9

Hardester, Bryan Matthew. "An analysis and compositional application of trombonist John Allred's improvisational style." Diss., University of Iowa, 2013. https://ir.uiowa.edu/etd/4852.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Bourgois, Louis George. "Jazz trombonist J.J. Johnson : a comprehensive discography and study of the early evolution of his style." Connect to resource, 1986. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1165336001.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

Lilley, Andrew. "The jazz piano style : a comparative study of bebop, post-bebop and modern players." Doctoral thesis, University of Cape Town, 2006. http://hdl.handle.net/11427/9262.

Full text

Abstract:

Includes bibliographical references.<br>The study embraces a need to document the jazz piano style through analytical representation of key players in the jazz tradition. While there are several educational books outlining method, there is little material discussing jazz style in the context of influential piano players. Educator and author, David Baker, has undertaken to introduce several books from this perspective for some of the more influential horn players (Baker 1982). A search for the jazz style of Bud Powell, Thelonius Monk or Horace Silver, however, will reveal little material and wh

APA, Harvard, Vancouver, ISO, and other styles

12

Lauer, Bertrand. "Labilité stylistique des improvisations de John Coltrane : état des lieux et tentative d’interprétation." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040018.

Full text

Abstract:

Notre thèse propose de réexaminer la question du style dans les improvisations de John Coltrane. De nombreux travaux mettent en lumière des changements stylistiques abrupts et certaines étrangetés, mais l’œuvre coltranienne est globalement considérée comme le résultat d’un seul style en constante évolution. N’y aurait-il pas, au contraire, plusieurs styles dans l’œuvre de John Coltrane ? Si le style est ce qui permet de « marquer la différence », comment interpréter cette labilité stylistique ? Dans le premier chapitre, nous nous interrogeons sur le style et l’analyse stylistique dans le jazz.

APA, Harvard, Vancouver, ISO, and other styles

13

Mateus, Abelita. "The influences contributing to the "samba jazz feel" of Cesar Camargo Mariano's piano trio style." Thesis, The William Paterson University of New Jersey, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1567589.

Full text

Abstract:

<p> This thesis connects the influence of Erroll Garner, George Shearing, Oscar Peterson and Nat King Cole to the establishment of Cesar Camargo Mariano's musical style in a trio setting. It shows that Mariano's piano trio playing created a new feel categorized by this author as "samba jazz feel," which was derived from the fusion of the rhythmic basis of samba with some rhythmic aspects of jazz. To show this, the author uses musical analysis along with qualitative interview data drawn from an exclusive interview with Mariano and from his memoir. Historical aspects of the development of both s

APA, Harvard, Vancouver, ISO, and other styles

14

Kelly, Kenneth Todd. "Chet Baker : a study of his improvisational style, 1952-1959." Virtual Press, 1999. http://liblink.bsu.edu/uhtbin/catkey/1167797.

Full text

Abstract:

The purpose of this study was to identify characteristics of jazz trumpeter Chet Baker's improvisational style, both instrumental and vocal, during the early period of his career (1952-1959). Baker's early years were divided into six periods, based on major milestones: The Charlie Parker Groups (1952-1953), The Gerry Mulligan Quartet and Tentette (1952-1953), The Chet Baker Quartets (1953-1956), The European Groups (1955-1956), Quartets, Quintets, and Sextets (1956-1957), and The Riverside Recordings (1958-1959). Improvised lines and chord changes from fifteen solos were transcribed and analyz

APA, Harvard, Vancouver, ISO, and other styles

15

Mounzer, Jason. "Law of the Shortest Way and Jazz Improvisation: A Voice-Leading Model for the Analysis of "'Round Midnight"." Thesis, Université d'Ottawa / University of Ottawa, 2018. http://hdl.handle.net/10393/38196.

Full text

Abstract:

This thesis presents a method of analyzing jazz improvisation and jazz style by using a voice-leading model called “Top Lines.” It compares three separate performances of Thelonious Monk’s “’Round Midnight” by Monk, Gerry Mulligan, and Wes Montgomery. The term Top Lines refers to a voice-leading procedure created by moving as little as possible between chords tones (roots, thirds, fifths, sevenths, and upper functions) of a chordal progression. Top Lines are potential voice-leading lines in the uppermost register and follow the “Law of the Shortest Way.” The thesis defines Top Lines, shows how

APA, Harvard, Vancouver, ISO, and other styles

16

Whalen, Kevin Patrick. "Harold Shapero’s Sonata for C Trumpet and Piano: the Influence of Idiomatic Jazz Elements on a Prominent Mid-20th Century Neo-classical Composer." Thesis, University of North Texas, 2013. https://digital.library.unt.edu/ark:/67531/metadc500207/.

Full text

Abstract:

Harold Shapero’s Sonata for Trumpet in C and Piano is a significant work that it is rarely performed and studied. Shapero’s composition contains musical attributes that demand artistically accurate choices if the style of this jazz-influenced sonata is to be achieved. Written in 1940 in dedication to Aaron Copland, the Sonata for C Trumpet and Piano makes use of a variety of stylistic influences, blending those of early 20th century jazz with Stravinsky-influenced neo-classicism. The intent of this study is to examine the unique performance practice implications and musical considerations of

APA, Harvard, Vancouver, ISO, and other styles

17

Florin, Ludovic. "Par-delà les clivages ou l’harmonie des contraires : une approche de la musique d’Enrico Pieranunzi." Thesis, Paris 4, 2009. http://www.theses.fr/2009PA040177/document.

Full text

Abstract:

Notre thèse pose essentiellement la question d’un principe de dépassement des apparentes contradictions stylistiques dans la musique du jazzman Enrico Pieranunzi (né en 1949) en établissant les stratégies élaborées en vue de ce dépassement. Cela au travers de ses multiples pratiques : au sein même de l’idiome jazz (influences) ; dans la confrontation entre les styles (jazz et musique occidentale de tradition écrite) ; enfin dans le dualisme dépassé entre improvisation et écriture.Après avoir tracé le parcours du pianiste, les processus à l’oeuvre dans sa musique sont discutés à travers trois a

APA, Harvard, Vancouver, ISO, and other styles

18

Strother, Eric Scott. "The development of Duke Ellington's compositional style a comparative analysis of three selected works /." Lexington, Ky. : [University of Kentucky Libraries], 2001. http://lib.uky.edu/ETD/ukymuth2001t00012/thesistext.pdf.

Full text

Abstract:

Thesis (M.A.)--University of Kentucky, 2001.<br>Title from document title page. Document formatted into pages; contains viii, 69 p. : ill. Includes abstract. Includes bibliographical references (p. 67-68).

APA, Harvard, Vancouver, ISO, and other styles

19

Kosmyna, David J. "What ya want me to do? a guide to playing jazz trumpet/cornet in the New Orleans style /." Cincinnati, Ohio : University of Cincinnati, 2006. http://www.ohiolink.edu/etd/view.cgi?acc%5Fnum=ucin1148060987.

Full text

Abstract:

Thesis (Dr. of Musical Arts)--University of Cincinnati, 2006.<br>Title from electronic thesis title page (viewed Sept. 14, 2006). Includes abstract. Keywords: New Orleans; jazz; trumpet; cornet; collective improvisation; conversational process; dixieland; pedagogy; swing; blues. Includes bibliographical references.

APA, Harvard, Vancouver, ISO, and other styles

20

KOSMYNA, DAVID J. "WHAT YA WANT ME TO DO?: A GUIDE TO PLAYING JAZZ TRUMPET/CORNET IN THE NEW ORLEANS STYLE." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1148060987.

Full text

APA, Harvard, Vancouver, ISO, and other styles

21

Strother, Eric S. "THE DEVELOPMENT OF DUKE ELLINGTON'S COMPOSITIONAL STYLE: A COMPARATIVE ANALYSIS OF THREE SELECTED WORKS." UKnowledge, 2001. http://uknowledge.uky.edu/gradschool_theses/381.

Full text

Abstract:

Edward Kennedy Duke Ellingtons compositions are significant to the study of jazz and American music in general. This study examines his compositional style through a comparative analysis of three works from each of his main stylistic periods. The analyses focus on form, instrumentation, texture and harmony, melody, tonality, and rhythm. Each piece is examined on its own and their significant features are compared.

APA, Harvard, Vancouver, ISO, and other styles

22

Hwang, Mi Kyung. "ELEMENTS OF JAZZ STYLE IN TWENTIETH-CENTURY AMERICAN ORGAN WORKS: SELECTED WORKS OF CHARLES IVES, WILLIAM ALBRIGHT, AND WILLIAM BOLCOM." Diss., The University of Arizona, 2009. http://hdl.handle.net/10150/196128.

Full text

Abstract:

Jazz is a distinctive stylistic influence in twentieth-century American organ music. Organ music in the United States during this period may be classified into four diverse categories: German-influenced; French-influenced; program music; and new styles that include twentieth-century techniques, such as serialism, chance (aleatoric), atonality, and jazz. The organ is an ideal instrument for jazz performance since the organ can provide diverse timbres, such as reeds (clarinets, trumpets, and trombones), strings (violin, viola, and cello), and overtone-rich sounds from mutations and mixtures.T

APA, Harvard, Vancouver, ISO, and other styles

23

Gallot, Simon. "György Ligeti : populaire et savant : aux origines du style." Lyon 2, 2005. http://theses.univ-lyon2.fr/documents/lyon2/2005/gallot_s.

Full text

Abstract:

György Ligeti est considéré aujourd'hui comme l'un des plus grands compositeurs de la seconde moitié du XXe siècle. Pourtant, une partie importante de sa production demeure méconnue. Grâce à de nouvelles sources, concernant en particulier la période hongroise de création, l'évolution stylistique apparaît sous un autre jour ; le point de vue envisagé dans cette étude permet de reconsidérer l'œuvre entier. La notion de populaire y est envisagée selon ses diverses acceptions, que l'on s'attache à déceler les influences des musiques populaires, à déterminer les aspects liés à la popularité du comp

APA, Harvard, Vancouver, ISO, and other styles

24

Lin, Sheng-Hsin. "Background, Compositional Style, and Performance Considerations in the Clarinet Works of David Baker: Clarinet Sonata and Heritage: A Tribute to Great Clarinetists." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849742/.

Full text

Abstract:

David Baker (b. 1931) is an educator, composer, and jazz legend. He has composed at least fifteen works that include the clarinet. Baker’s Clarinet Sonata (1989) has become a standard of clarinet repertoire and a popular recital inclusion. His chamber work Heritage: A Tribute to Great Clarinetists (1996) interweaves solo transcriptions of five jazz clarinetists. The compositional style of Baker’s clarinet works frequently links jazz and classical idioms. The two works discussed in this document are excellent examples for classically trained musicians who would like to increase their ability an

APA, Harvard, Vancouver, ISO, and other styles

25

Bair, Jeff. "Cyclic Patterns in John Coltrane's Melodic Vocabulary as Influenced by Nicolas Slonimsky's Thesaurus of Scales and Melodic Patterns: An Analysis of Selected Improvisations." Thesis, connect to online resource, 2003. http://www.library.unt.edu/theses/open/20032/bair%5Fjeff/index.htm.

Full text

APA, Harvard, Vancouver, ISO, and other styles

26

Davis, Trevor E. "The Training of Jazz and Popular Styles in Multiple Woodwind Degree Programs." Thesis, The University of North Carolina at Greensboro, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10261377.

Full text

Abstract:

<p> I. Solo Recital: Saturday, November 1, 2014, 5:30 p.m., Organ Hall. <i> Three Pieces, Op. 30</i> (Max Laurischkus); <i>Concerto for Clarinet </i> (Henri Tomasi); <i>Carnival of Venice</i> (Paul JeanJean); <i> Press Release</i> (David Lang).</p><p> II. Solo Recital: Friday, April 17, 2015, 7:30 p.m., Recital Hall. <i> Fantasy-Ballet</i> (Jules Mazellier); <i>Concertino, Op. 15</i> (Jeanine Rueff); <i>Klezmer Rhapsody</i> (Paul Steinberg); <i> Quirk for bass clarinet and computer</i> (Eric Honour); <i>Clarinet Concerto</i> (John Veale).</p><p> III. Solo Recital: Saturday, March 19, 2016,

APA, Harvard, Vancouver, ISO, and other styles

27

Conti, Agustin A. "Argentine music styles contributions to contemporary jazz language : analysis of six original compositions." FIU Digital Commons, 2009. http://digitalcommons.fiu.edu/etd/2428.

Full text

Abstract:

The purpose of this thesis is to present and analyze six original compositions and arrangements by Agustin A. Conti that demonstrate the influence of Argentinean music on Jazz composition. Conti’s compositions combine elements of the Chacarera, Candombe, Murga, Milonga, and Malambo styles, with the odd-meter ostinato and metric modulation used in modem Latin jazz. The thesis includes scores of the six works, as well as a CD of the thesis recital, performed by a jazz quartet consisting of tenor saxophone (or soprano), piano, electric bass and drum set.

APA, Harvard, Vancouver, ISO, and other styles

28

Abramova, Tatiana A. "The Synthesis of Jazz and Classical styles in Three Piano Works of Nikolai Kapustin." Diss., Temple University Libraries, 2014. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/282327.

Full text

Abstract:

Music Performance<br>D.M.A.<br>The music of the Russian-Ukrainian composer Nikolai Kapustin is a fascinating synthesis of jazz and classical idioms. Kapustin has explored many existing traditional classical forms in conjunction with jazz. Among his works are: 20 piano sonatas, Suite in the Old Style, Op.28, preludes, etudes, variations, and six piano concerti. The most significant work in this regard is a cycle of 24 Preludes and Fugues, Op. 82, which was completed in 1997. He has also written numerous works for different instrumental ensembles and for orchestra. Well-known artists, such as St

APA, Harvard, Vancouver, ISO, and other styles

29

Park, Bokyung. "Paul Hindemith's Suite 1922: Influences of Jazz and Baroque Styles, and his Embryonic Compositional System." Diss., The University of Arizona, 2013. http://hdl.handle.net/10150/306363.

Full text

Abstract:

This document examines Paul Hindemith's piano work, Suite 1922, op. 26, (1922) a work that is seldom played and studied among pianists. My study explores two broad questions: first, how and for what purpose are traditional Baroque models and jazz idioms included in Hindemith's Suite 1922; and second, can one analyze portions of the suite according to the process and principles found in Hindemith's compositional system? While this system was not fully outlined by Hindemith until 1937, the author examines to what extent specific elements of his emerging theory are to be found throughout Suite 19

APA, Harvard, Vancouver, ISO, and other styles

30

Mundinas, Aivaras. "Ritminių mušamųjų instrumentų naudojimo specifika tradiciniuose lengvosios muzikos stiliuose." Bachelor's thesis, Lithuanian Academic Libraries Network (LABT), 2013. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2013~D_20130618_135633-97784.

Full text

Abstract:

Teorin÷s žinios apie ritminių mušamųjų instrumentų naudojimo specifiką tradiciniuose lengvosios muzikos stiliuose labai naudingos šių instrumentų gerb÷jams ir atlik÷jams.Pradedantiems bei pažengusiems būgnininkams šių ypatumų pažinimas pad÷tų lengviau perprasti ir išmokti atlikti įvairių stilių kūrinius.Bakalauro darbe analizuojami tradiciniai lengvosios muzikos stiliai, ritminių mušamųjų instrumentų ypatumai, jų grojimo specifika nagrin÷jamuose muzikiniuose stiliuose.<br>Acquisition of these peculiarities would help beginners and advanced drummers easily comprehend and perform various styles

APA, Harvard, Vancouver, ISO, and other styles

31

Pinilla, Vera Daniel Mauricio. "The Adaptation of Saxophone-Like Phrasing into the Improvisatory and Compositional Vocabulary of Jazz Guitar: A Comparative Analysis of Phrasing, Articulation, and Melodic Design in the Styles of Jimmy Raney, Jim Hall, and John Scofield." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1703322/.

Full text

Abstract:

This study investigates how different guitarists introduced saxophone-like phrasing into the improvisatory and compositional vocabulary of jazz guitar through their collaborations with saxophonists. This research presents a comparative analysis of phrasing, articulation, and melodic design in solo improvisations. The mixed approach to this study includes analysis of motives, voice leading, articulation, length of phrases, melodic contour, and the execution of bebop vocabulary on the guitar. The findings are based on original transcriptions from significant recordings by guitar-saxophone pairs.

APA, Harvard, Vancouver, ISO, and other styles

32

Tsai, Zheng-Ying, and 蔡政穎. "Interactive Jazz Style System." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/j5dbmy.

Full text

Abstract:

碩士<br>國立暨南國際大學<br>資訊工程學系<br>106<br>Live performance of Jazz music is very fascinating. It has a lot of difference from CD recording. The same song may give a lot of different feelings in live performance. Live performance of Jazz music is not just playing notes on sheet music, but is the interaction between musicians and the improvisation of the song. It also includes much music theory, abstract expression of emotion and synchronization between musicians minds. All these abilities have to be cultivated for a long time. Under the modern science and technology developed influence, we can’t help

APA, Harvard, Vancouver, ISO, and other styles

33

Duby, Marc. "The compositional and improvisational style of Thelonious Monk." Thesis, 1987. http://hdl.handle.net/10413/8900.

Full text

APA, Harvard, Vancouver, ISO, and other styles

34

Scott, Andrew Jacob. "The life, music and improvisational style of Herbert Lawrence "Sonny" Greenwich /." 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:NR19817.

Full text

Abstract:

Thesis (Ph.D.)--York University, 2006. Graduate Programme in Music.<br>Typescript. Includes bibliographical references (leaves 326-347). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:NR19817

APA, Harvard, Vancouver, ISO, and other styles

35

Martin, Christopher Robert. "A radical reconsideration of serialism and chord stranding, applied to a personal jazz style (CD recordings and exegesis)." 2008. http://hdl.handle.net/2440/49474.

Full text

Abstract:

Despite a widely held view that serialism is incompatible with jazz improvisation, there are many instances of jazz musicians successfully engaging with this concept. This conflict seems likely to have arisen from differing interpretations of ‘serialism’; however, the question of how a jazz improviser’s approach to serialism might, or perhaps should, differ from a classical composer’s, has been left unasked. In addition, most attempts at the use of serialism within improvisation remain undocumented by the musicians concerned. The chord stranding techniques of Lutoslawski are less well known an

APA, Harvard, Vancouver, ISO, and other styles

36

"Blue Hayes: An analysis of the performance style of jazz saxophonist Tubby Hayes." UNIVERSITY OF NORTHERN COLORADO, 2008. http://pqdtopen.proquest.com/#viewpdf?dispub=3318427.

Full text

APA, Harvard, Vancouver, ISO, and other styles

37

"New Orleans style: The awakening of American jazz scholarship and its cultural implications." Tulane University, 1991.

Find full text

Abstract:

This study explores the 'pre-academic' phase of jazz historiography in the United States, reviewing the development of the field prior to the appearance of Marshall Stearns' The Story of Jazz in 1956. The men and women who participated in the awakening of American jazz scholarship were partisans of a community of 'hot' record collectors, whose interest in the origins of jazz was a foregone conclusion. An international network of collectors took shape between the 1920s and 1934, providing a mechanism for the circulation of historical information on jazz, which then became the basis for the emer

APA, Harvard, Vancouver, ISO, and other styles

38

Lucas, Heidi A. "The horn can swing a guidebook for teaching jazz style and improvisation to college horn students /." 2007. http://purl.galileo.usg.edu/uga%5Fetd/lucas%5Fheidi%5Fa%5F200705%5Fdma.

Full text

APA, Harvard, Vancouver, ISO, and other styles

39

Huang, Yi-Jung, and 黃奕榮. "A study on the relationship among customer’s life style, experiential marketing and customer satisfaction in jazz bar." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/77241012272787734731.

Full text

Abstract:

碩士<br>中國文化大學<br>觀光事業研究所<br>97<br>For the performing arts marketer, audience is very importance, it is extremely difficult for jazz music marketer to identify, expect and satisfy the needs of jazz music customer. Specially, the nature of performing arts is not the music and performer, it is experience. This study focused on the life style of customers, live band performance and peripheral product and service of jazz bar and the three-factor theory of customer satisfaction. Understanding the life style of jazz bar customer, and using it to discover is there a difference on the satisfaction facto

APA, Harvard, Vancouver, ISO, and other styles

40

Kaczynski, Amy Bauer. "The contribution of the 1956 and 1964 jazz rhythm sections to the evolution of Miles Davis's style." 1987. http://catalog.hathitrust.org/api/volumes/oclc/17372449.html.

Full text

Abstract:

Thesis (M.M.)--University of Wisconsin--Madison, 1987.<br>Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 228-239).

APA, Harvard, Vancouver, ISO, and other styles

41

KUO, YI-HSUAN, and 郭逸萱. "The Research and Deliberation of Brushes in Jazz Style - Analysis of Famous Drummer Transcription and Performance in the 20th Century." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/6q2y8d.

Full text

Abstract:

碩士<br>輔仁大學<br>音樂學系<br>107<br>Brush playing is an indispensable technique in the performance of a drum set. It’s warm sound, low frequency, and long sustain make it possible for the drummer to have different interpretations. This paper transcribes three famous drummer’s playing, including Elvin Jones (1927-2004) - “Willow weep for Me”, Kenny Washington (1958-) - “Raincheck” and Jeff Hamilton (1953-) -“Daahoud” with comparing the music analysis and interpretation. Through this research topic, the reader is unified in the use of brushes and provides a more systematic application of drum brushing

APA, Harvard, Vancouver, ISO, and other styles

42

Salmon, Shawn M. "Imitation, assimilation and innovation : Charlie Christian’s influence on Wes Montgomery’s improvisational style in his early recordings (1957-1960)." 2011. http://liblink.bsu.edu/uhtbin/catkey/1660957.

Full text

Abstract:

Much of guitarist Wes Montgomery’s study of jazz improvisation came from imitating Charlie Christian’s guitar solos. The purpose of this study is to identify and examine significant improvisational traits that Wes Montgomery developed as a direct result of his imitation and assimilation of Charlie Christian. The dissertation investigates the musical traditions in Christian’s playing that were absorbed into Montgomery’s playing and how Montgomery was able to use these traits to foster new musical traditions. The solo transcriptions are limited to Montgomery’s early recordings between 1957 and

APA, Harvard, Vancouver, ISO, and other styles

43

Horejšová, Martina. "George Gershwin: Concerto in F pro klavír a orchestr." Master's thesis, 2016. http://www.nusl.cz/ntk/nusl-350540.

Full text

Abstract:

HOREJŠOVÁ, Martina: George Gershwin: Concerto in F for piano and orchestra [Diploma thesis]. Charles University in Prague. Faculty of Arts. Institute of Musicology. Supervisor: prof. PhDr. Jarmila Gabrielová, CSc. Prague 2016. The main theme of the diploma thesis is a musical analysis of Concerto in F - the only Gershwin's piano concert from 1925. This diploma thesis also contains information about composer's life, contemporary historical context with relation to American cultural, social and political climate. As well text includes contemporary musical production, which influenced Gershwin's

APA, Harvard, Vancouver, ISO, and other styles

44

Wu, Jia Jeng, and 吳家蓁. "The Performance and Research of the Jazz Style Vibraphone Repertoire in the Modern Percussion Literature -- Ney Rosauro’s Concerto for Vibraphone and Mark Glentworth’s Blues for Gilbert for the Example." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/13578208171778768459.

Full text

Abstract:

碩士<br>台南科技大學<br>音樂研究所<br>98<br>This research is focused on the usage and interpretation on the jazz style vibraphone literature in the modern percussion music works, and analyzes two important vibraphone works : Ney Rosauro’s Concerto for Vibraphone and Mark Glentworth’s Blues for Gilbert. The chapter one introduces the motivations, objectives, study scope, and methods of this research. The chapter two presents an introduction on the origin and development of vibraphone, continuing discussing the playing techniques of the instrument, and the background and evolution of the Jazz music style. At

APA, Harvard, Vancouver, ISO, and other styles

45

Stewart, Lynette Adora. "Black South African urban music styles : the ideological concepts and beliefs surrounding their development 1930-1960." Thesis, 2001. http://hdl.handle.net/2263/22921.

Full text

Abstract:

The main focus of this work explores the ideological concepts surrounding the early development of South African urban music. First, a brief description of the development of some of the major urban music styles of the continent of Africa is provided. This is followed by an overview of the early development of South African urban styles, and includes definitions of the styles as they occurred chronologically up to the development of African jazz in the 1940s. Kwela is discussed as the major commercial offshoot of African jazz in the 1950s. The concepts and beliefs, or 'thought worlds', which w

APA, Harvard, Vancouver, ISO, and other styles

46

Lee, Chang-Hung, and 李長鴻. "The Research and Deliberation of Drum Set Performance Styles in 20th Century- Take Famous Jazz and Rock and Roll Drummer Performance as Examples." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/36584h.

Full text

Abstract:

碩士<br>輔仁大學<br>音樂學系<br>102<br>The history of drum sets development is just only around one hundred years, but they are generally used in different music styles. Jazz and Rock and Roll music play the most important roles of drum sets evolution. Drum sets also become the indispensable element of Pop music. The research purpose of this thesis is offering people who want to learn playing the Jazz drums obvious concepts of different backgrounds and music characteristics of different generations by analyzing, deliberating and collecting amount of materials which include lots of books, magazines, and

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!