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Books on the topic 'Jazz writing'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Writing jazz. Garland Publishing, Inc., 2000.

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2

Emancipating pragmatism: Emerson, jazz, and experimental writing. University of Alabama Press, 2004.

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3

Yaffe, David. Fascinating rhythm: Reading jazz in American writing. Princeton University Press, 2005.

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4

Fascinating rhythm: Reading jazz in American writing. Princeton University Press, 2005.

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5

New Orleans style and the writing of American jazz history. University of Michigan Press, 2009.

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6

Drifting on a read: Jazz as a model for writing. State University of New York Press, 1999.

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7

Kessler, Dietrich. Neue Musiklehre & Songcomposing: Klassik, Jazz, Blues, Rock. KDM., 1993.

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8

Groening, Matt. Da Capo best music writing 2003: The year's finest writing on rock, pop, jazz, country & more. Da Capo, 2003.

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9

Groening, Matt. Da Capo best music writing 2003: The year's finest writing on rock, pop, jazz, country & more. Edited by Groening Matt and Bresnick Paul. Da Capo Press, 2003.

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10

Blows like a horn: Beat writing, jazz, style, and markets in the transformation of U.S. culture. Harvard University Press, 2004.

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11

A language dark enough: Essays on exile. Mid-List Press, 2004.

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12

Writings in jazz. 3rd ed. Gorsuch Scarisbrick, 1985.

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13

Davis, Nathan T. Writings in jazz. 5th ed. Kendall/Hunt Pub. Co., 1996.

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14

Davis, Nathan T. Writings in jazz. 4th ed. Kendall/Hunt Pub. Co., 1990.

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15

Dodge, Roger Pryor. Hot jazz and jazz dance: Collected writings, 1929-1964. Oxford University Press, 1995.

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16

Pryor, Dodge, ed. Hot jazz and jazz dance: The collected writings of Roger Pryor Dodge. Oxford University Press, 1995.

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17

Keepnews, Orrin. The view from within: Jazz writings, 1948-1987. Oxford University Press, 1988.

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18

The view from within: Jazz writings, 1948-1987. Oxford University Press, 1988.

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19

David, Brothers Thomas, ed. Louis Armstrong, in his own words: Selected writings. Oxford University Press, 1999.

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20

Smith, Bill. Imagine the sound no. 5: The book : photographs and writings. Nightwood Editions, 1985.

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21

Larkin, Philip. Reference back: Philip Larkin's uncollected jazz writings 1940-1984. University of Hull Press, 1999.

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22

Sitting in: Selected writings on jazz, blues, and related topics. University of Iowa Press, 1986.

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23

Hayden, Carruth. Sitting in: Selected writings on jazz, blues, and related topics. University of Iowa Press, 1993.

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24

Let freedom swing: Collected writings on jazz, blues, and gospel. Northwestern University Press, 2010.

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25

Michael, Zwerin, ed. Round about close to midnight: The jazz writings of Boris Vian. Quartet Books, 1988.

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26

Smith, Bill. Imagine the sound.: The book / photographs and writings by Bill Smith. Nightwood Editions, 1985.

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27

Musings: The musical worlds of Gunther Schuller : a collection of his writings. Da Capo Press, 1999.

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28

Anstey, Robert G. Soft jazz while the world rages: The partially collected unpublished writings of Robert G. Anstey : including prose, poetry & songs. West Coast Paradise Pub., 2005.

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29

Writing Jazz. Mercury House, 1999.

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30

Yaffe, David. Fascinating Rhythm: Reading Jazz in American Writing. Princeton University Press, 2009.

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31

Yaffe, David. Fascinating Rhythm: Reading Jazz in American Writing. Princeton University Press, 2009.

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32

Wierzbicki, James. Jazz. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040078.003.0004.

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This chapter considers how in America's postwar years, the idea of Negro music (Jazz) as a somehow natural response to centuries of official oppression had currency not just with self-defined hipsters, but also with intellectuals who in most ways swam with the cultural-political mainstream. Whether praising the music or decrying it, white authors during the so-called Jazz Age of the 1920s tended to regard the period's eponymous music as something that perhaps originated in the African American community, but that, by the time of their writing, had been fully integrated into the American cultur

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33

Jazz Up Your Journal Writing: Grade Level 3-4. Carson Dellosa Pub Co Inc, 2003.

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34

Jazz Up Your Journal Writing: Grade Level 4-6. Carson Dellosa Pub Co Inc, 2003.

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35

Jazz Up Your Journal Writing: Grade Level 1-2. Carson Dellosa Pub Co Inc, 2003.

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36

Writing Jazz: Race, Nationalism, and Modern Culture in The 1920s. Taylor & Francis Group, 2016.

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37

Caps, John. Not Quite Jazz. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036736.003.0003.

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This chapter details events in Mancini's life after he was released from active army duty in March 1946. His old master sergeant in the army became one of the arrangers for what was called the Glenn Miller Orchestra with Tex Beneke, and a job was found for him there, first as an occasional arranger and in the late 1940s as the band's rather underused pianist. He eventually grew close to Beneke band singer, Ginny O'Connor, who convinced Henry that they should quit the Beneke band to settle near Los Angeles, and that they should get married. The year 1950 would bring two important milestones to

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38

(Editor), Howard S. Becker, Robert R. Faulkner (Editor), and Barbara Kirshenblatt-Gimblett (Editor), eds. Art from Start to Finish: Jazz, Painting, Writing, and Other Improvisations. University Of Chicago Press, 2006.

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39

Art from start to finish: Jazz, painting, writing, and other improvisations. University of Chicago Press, 2006.

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40

1928-, Becker Howard Saul, Faulkner Robert, and Kirshenblatt-Gimblett Barbara, eds. Art from start to finish: Jazz, painting, writing, and other improvisations. University of Chicago Press, 2006.

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41

Art from Start to Finish: Jazz, Painting, Writing, and Other Improvisations. University Of Chicago Press, 2006.

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42

Jonathan, Lethem, and Bresnick Paul, eds. Da Capo best music writing 2002: The year's finest writing on rock, pop, jazz, country, & more. Da Capo Press, 2002.

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43

Da Capo best music writing 2003: The year's finest writing on rock, pop, jazz, country, & more. Da Capo Press, 2004.

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44

1957-, Hornby Nick, and Schafer Ben, eds. Da Capo best music writing: The year's finest writing on rock, pop, jazz, country and more. Da Capo Press, 2001.

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45

(Editor), Jonathan Lethem, and Paul Bresnick (Editor), eds. Da Capo Best Music Writing 2002: The Year's Finest Writing on Rock, Pop, Jazz, Country, & More. Da Capo, 2002.

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46

(Editor), Matt Groening, and Paul Bresnick (Editor), eds. Da Capo Best Music Writing: The Year's Finest Writing on Rock, Pop, Jazz, Country, & More (Da Capo Best Music Writing). Da Capo, 2003.

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47

Hornby, Guest Editor Nick, and Series Editor Benjamin Schafer. Da Capo Best Music Writing 2001: The Year's Finest Writing on Rock, Pop, Jazz, Country, and More. Da Capo, 2001.

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48

Guralnick, Peter. Da Capo Best Music Writing 2000: The Year's Finest Writing on Rock, Pop, Jazz, Country, and More. Da Capo, 2000.

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49

Da Capo best music writing 2004: The year's finest writing on rock, hip-hop, jazz, pop, country, & more. Da Capo, 2005.

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50

Da Capo Best Music Writing 2005: The Year's Finest Writing on Rock, Hip-hop, Jazz, Pop, Country & More. Da Capo Press, 2005.

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