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Journal articles on the topic 'Jean Genet'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Marty, Éric. "Jean Genet, tabou." Les Temps Modernes 632-633-634, no. 4 (2005): 84. http://dx.doi.org/10.3917/ltm.632.0084.

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2

Creech, James. "Outing Jean Genet." Yale French Studies, no. 91 (1997): 117. http://dx.doi.org/10.2307/2930377.

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3

Marty, Éric. "Jean Genet à Chatila." Les Temps Modernes 622, no. 1 (2003): 2. http://dx.doi.org/10.3917/ltm.622.0002.

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4

KÜZECİ, Deniz. "Mécène de Jean Genet." International Journal of Languages' Education 1, Volume 6 Issue 1 (2018): 154–62. http://dx.doi.org/10.18298/ijlet.2718.

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5

Thody, Philip, and Ian Magedera. "Jean Genet: 'Les Bonnes'." Modern Language Review 95, no. 2 (2000): 521. http://dx.doi.org/10.2307/3736199.

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6

Cliche, Anne Élaine. "L'atelier de Jean Genet." Tangence, no. 54 (1997): 41. http://dx.doi.org/10.7202/025936ar.

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7

Sandarg, Robert. "Jean Genet in Chicago." Romance Quarterly 38, no. 1 (1991): 39–47. http://dx.doi.org/10.1080/08831157.1991.11000512.

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8

Miller, Judith G. "Splendid’s by Jean Genet." L'Esprit Créateur 35, no. 1 (1995): 80. http://dx.doi.org/10.1353/esp.1995.0044.

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9

Richter, Florence. "Jean Genet, poète et voyou." Histoire de la justice 23, no. 1 (2013): 235. http://dx.doi.org/10.3917/rhj.023.0235.

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10

Corrado, Jean-Christophe. "Jean Genet et la trahison." Roman 20-50 65, no. 2 (2018): 175. http://dx.doi.org/10.3917/r2050.065.0175.

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11

Cinta, Marcela. "Jean Genet: comediante y mártir." Estudios: filosofía, historia, letras 11, no. 41 (1995): 107. http://dx.doi.org/10.5347/01856383.0041.000172793.

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12

Richter, Florence. "Jean Genet, poète et voyou." Revue interdisciplinaire d'études juridiques 61, no. 2 (2008): 73. http://dx.doi.org/10.3917/riej.061.0073.

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13

Durham, Scott. "The Deaths of Jean Genet." Yale French Studies, no. 91 (1997): 159. http://dx.doi.org/10.2307/2930379.

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14

de Grazia, Edward, and Jean Genet. "An Interview with Jean Genet." Cardozo Studies in Law and Literature 5, no. 2 (1993): 307–24. http://dx.doi.org/10.2307/743530.

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15

Grazia, Edward de, and Jean Genet. "An Interview with Jean Genet." Cardozo Studies in Law and Literature 5, no. 2 (1993): 307–24. http://dx.doi.org/10.1525/lal.1993.5.2.02a00050.

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16

Jannarone, Kimberly. "The Balcony by Jean Genet." Theatre Journal 67, no. 4 (2015): 729–31. http://dx.doi.org/10.1353/tj.2015.0145.

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17

Amsden, Robert. "The Maids by Jean Genet." Theatre Journal 70, no. 3 (2018): 401–3. http://dx.doi.org/10.1353/tj.2018.0069.

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18

Crockarell, Sarah. "The Maids by Jean Genet." Theatre Journal 71, no. 3 (2019): 386–88. http://dx.doi.org/10.1353/tj.2019.0062.

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19

De Gennaro, Mara. "What Remains of Jean Genet?" Yale Journal of Criticism 16, no. 1 (2003): 190–209. http://dx.doi.org/10.1353/yale.2003.0004.

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20

Lescot, David. "Un printemps avec Jean Genet." La Nouvelle Revue française N° 657, no. 1 (2024): 123. https://doi.org/10.3917/nrf.657.0123.

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21

Lavery, Carl. "Jean Genet: Utopian or Deconstructionist?" New Theatre Quarterly 20, no. 2 (2004): 192–94. http://dx.doi.org/10.1017/s0266464x04210089.

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22

Boyle, C. "Jean Genet: Performance and Politics." French Studies 65, no. 1 (2010): 123–24. http://dx.doi.org/10.1093/fs/knq184.

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23

Davis, Oliver. "Jean Genet: ‘Journal du voleur’." French Studies 59, no. 3 (2005): 426–27. http://dx.doi.org/10.1093/fs/kni192.

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24

Plunka, Gene A. "Jean Genet: Politics and Performance." SubStance 38, no. 1 (2009): 151–53. http://dx.doi.org/10.1353/sub.0.0028.

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25

de Grazia, Edward. "An Interview with Jean Genet." Law & Literature 5, no. 2 (1993): 307–24. http://dx.doi.org/10.1080/1535685x.1993.11015739.

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26

Granier de Cassagnac, Serge. "L'image, Jean Genet, le dévoilement." Analyse Freudienne Presse 10, no. 2 (2004): 135. http://dx.doi.org/10.3917/afp.010.0135.

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27

Genet, Jean, and Rüdiger Wischenbart. "Une rencontre avec Jean Genet." Revue d'études palestiniennes N° 21, no. 4 (1986): 3–25. https://doi.org/10.3917/repa.021.0003.

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28

Marty, Éric. "Le rire chez Jean Genet." Textuel 34/44 67, no. 1 (2012): 163–78. https://doi.org/10.3406/textu.2012.2003.

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29

Jakovljević, Branislav. "Genet in Gaza." TDR: The Drama Review 68, no. 4 (2024): 102–11. https://doi.org/10.1017/s1054204324000388.

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Jean Genet’s 1966 epic play The Screens offers a unique insight into Hamas’s attack on 7 October 2023 and the subsequent devastation of Gaza by the Israel Defense Forces. Seen from this perspective, this is not a local war, but an event that has global significance.

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30

Viana-Martin, Eden. "Jean Genet : Notre-dame défloré(e)." Figures de l'Art. Revue d'études esthétiques 4, no. 1 (1999): 301–15. http://dx.doi.org/10.3406/fdart.1999.1204.

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Notre-Dame-des-fleurs , premier roman de Jean Genet, fut expurgé de plusieurs extraits érotiques lors de son édition chez Gallimard. Le texte ainsi coupé par son auteur, est révélateur d’une nouvelle beauté, confirmée peut-être par la blessure de sa propre censure. En déflorant notre-Dame-des-Fleurs, Jean Genet pensa certainement recoudre le trou érotique du texte et lui donner ainsi un aspect plus virginal. Reconstruction : paradoxe de la défloration. Ce roman expurgé, qui comporte, malgré lui, les traces effacées de quelques mots à connotation trop pornographique, continue de faire carrière

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31

Fredette, Nathalie. "Jean Genet : les pouvoirs de l’imposture." Études françaises 31, no. 3 (2006): 87–101. http://dx.doi.org/10.7202/036000ar.

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Résumé À la faveur d'un premier déplacement des enjeux stylistiques vers une scène plus spécifiquement politique, Jean Genet explore dans Pompes funèbres les nombreux pouvoirs de l'imposture. Jouant de la collusion entre les codes sexuel et politique, l'écrivain entend opposer ainsi une mobilité extrême aux positions en apparence les plus immuables.

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32

Derrida, Jacques. "Fragments d’une lettre à Jean Genet." Lignes 47, no. 2 (2015): 87. http://dx.doi.org/10.3917/lignes.047.0087.

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33

WALKER, D. H. "Review. Jean Genet. Knapp, Bettina L." French Studies 44, no. 3 (1990): 362. http://dx.doi.org/10.1093/fs/44.3.362.

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34

Plainemaison, Jacques. "La première œuvre de Jean Genet." Studi Francesi, no. 170 (LVII | II) (July 1, 2013): 335–46. http://dx.doi.org/10.4000/studifrancesi.2953.

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35

Amin, K. "Jean Genet: une ecriture des perversions." French Studies 66, no. 3 (2012): 420–21. http://dx.doi.org/10.1093/fs/kns086.

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36

Saïd, Edward. "Les derniers écrits de Jean Genet." Revue d'études palestiniennes N° 39, no. 2 (1991): 91–104. https://doi.org/10.3917/repa.039.0091.

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37

Autréaux, Patrick. "Les saintes huiles de Jean Genet." La Nouvelle Revue française N° 633, no. 6 (2018): 110–20. https://doi.org/10.3917/nrf.633.0110.

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38

Bargalló, J. "El tema del doble en el teatro de Jean Genet." Philologia Hispalensis 2, no. 4 (1989): 771–86. http://dx.doi.org/10.12795/ph.1989.v04.i02.26.

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39

Krieger, Antoine. "On Jean-Luc Godard, Jean Genet and representing the Palestinians." Journal of European Studies 47, no. 1 (2017): 54–66. http://dx.doi.org/10.1177/0047244116676672.

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In July 2014, the people who took part to the banned demonstration in Paris against the intervention of the Israeli Defence Forces in Gaza were expressing their support of a besieged people. However, this very support was also an excuse to demonstrate their religious and ethnic allegiances as well as their political opinions. The use of the Palestinian struggle for recognition as a tool in domestic political debates is not a recent trend in French political culture: it can be traced back to 1968 when the Palestinian cause was discovered in the aftermath of the Six-Day War. A pioneer of the Pal

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40

Ågerup, Karl. "Competing Images. The Posthumous Reception of Jean Genet." Moderna Språk 111, no. 2 (2017): 1–14. http://dx.doi.org/10.58221/mosp.v111i2.7729.

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Since the death of Jean Genet, his name and oeuvre have been the subject of heated debate. Influential critics have argued that Genet was an aristocratic anti-Semite, rather than a revolutionary poet who took sides with the outcasts. In this article, I analyze the positions, patterns, and strategies of this multifaceted debate, suggesting that provocation and marginalization constitute an integral part of Genet’s aesthetics. In the act of judging Genet from historical, political, and ethical perspectives, the critics operate as executors of his literary project, confirming the paratopic positi

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41

Uvsløkk, Geir. "Om Georges Batailles lesninger av Jean Genet." Norsk litteraturvitenskapelig tidsskrift 11, no. 01 (2008): 43–50. http://dx.doi.org/10.18261/issn1504-288x-2008-01-04.

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42

Genet, Jean, Ruediger Wischenbart, and Gitta Honegger. "Interview: Jean Genet. The Intellectual as Guerrilla." Performing Arts Journal 9, no. 1 (1985): 38. http://dx.doi.org/10.2307/3247810.

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43

Antle, Martine, and Laura Oswald. "Jean Genet and the Semiotics of Performance." South Atlantic Review 55, no. 2 (1990): 170. http://dx.doi.org/10.2307/3200280.

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44

Bradby, David, and Laura Oswald. "Jean Genet and the Semiotics of Performance." Modern Language Review 86, no. 3 (1991): 746. http://dx.doi.org/10.2307/3731094.

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45

Genet, Jean, Layla Shahid Barrada, and Rudiger Wischenbart. "Jean Genet: Affirmation of Existence Through Rebellion." Journal of Palestine Studies 16, no. 2 (1987): 64–84. http://dx.doi.org/10.2307/2537088.

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46

Plunka, Gene, Albert Dichy, and Pascal Fouche. "Jean Genet, Essai de Chronologie, 1910-1944." Theatre Journal 43, no. 2 (1991): 265. http://dx.doi.org/10.2307/3208231.

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47

Silva, Pedro Henrique Rodrigues da. "A VIOLÊNCIA COMO DESTINO EM JEAN GENET." Revista de Estudos Acadêmicos de Letras 12, no. 01 (2019): 162–70. http://dx.doi.org/10.30681/23588403v12i01162170.

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48

Rabaté, Jean-Michel. "Jean Genet: La position du Franc-tireur." L'Esprit Créateur 35, no. 1 (1995): 30–39. http://dx.doi.org/10.1353/esp.1995.0048.

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49

Ueda, Makiko. "Jean Genet: Prison, Homosexualité, Politique by Eurêka." L'Esprit Créateur 35, no. 1 (1995): 80–81. http://dx.doi.org/10.1353/esp.1995.0053.

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50

Sandarg, Robert. "Jean Genet and the Black Panther Party." Journal of Black Studies 16, no. 3 (1986): 269–82. http://dx.doi.org/10.1177/002193478601600303.

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