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Journal articles on the topic 'Jean-Pierre (1941-....)'

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Published: 4 June 2021
Last updated: 11 February 2022

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1

Brûlet, Annie, Mohamed Daoud, and Bernard Farnoux. "Jean-Pierre Cotton (1941–2016)." Neutron News 27, no. 3 (July 2, 2016): 33–34. http://dx.doi.org/10.1080/10448632.2016.1197607.

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Bays, Florence. "Pierre Jean Jouve en exil à Genève 1941-1944 : inspirateur de la revue Lettres." Matériaux pour l'histoire de notre temps 67, no. 1 (2002): 61–65. http://dx.doi.org/10.3406/mat.2002.402389.

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3

Pinol, Jean-Luc. "Jean-Pierre Azéma, Antoine Prost, Jean- Pierre Rioux (sous la direction de), Le Parti communiste français des années sombres, 1938-1941, Paris, Seuil, « L'univers historique », 1986, 322 p." Annales. Histoire, Sciences Sociales 43, no. 5 (October 1988): 1145–46. http://dx.doi.org/10.1017/s0395264900071274.

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Radwan, Jérôme. "Quelques repères significatifs pour ne pas oublier l’action du bouquiniste bruxellois de « La Borgne Agasse », Jean-Pierre Canon (25 décembre 1941 – 12 janvier 2018)." Textyles, no. 54 (March 15, 2019): 197–99. http://dx.doi.org/10.4000/textyles.3192.

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Zanello, Marc, Johan Pallud, Nicolas Baup, Sophie Peeters, Baris Turak, Marie Odile Krebs, Catherine Oppenheim, Raphael Gaillard, and Bertrand Devaux. "History of psychosurgery at Sainte-Anne Hospital, Paris, France, through translational interactions between psychiatrists and neurosurgeons." Neurosurgical Focus 43, no. 3 (September 2017): E9. http://dx.doi.org/10.3171/2017.6.focus17250.

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Sainte-Anne Hospital is the largest psychiatric hospital in Paris. Its long and fascinating history began in the 18th century. In 1952, it was at Sainte-Anne Hospital that Jean Delay and Pierre Deniker used the first neuroleptic, chlorpromazine, to cure psychiatric patients, putting an end to the expansion of psychosurgery. The Department of Neuro-psychosurgery was created in 1941. The works of successive heads of the Neurosurgery Department at Sainte-Anne Hospital summarized the history of psychosurgery in France.Pierre Puech defined psychosurgery as the necessary cooperation between neurosurgeons and psychiatrists to treat the conditions causing psychiatric symptoms, from brain tumors to mental health disorders. He reported the results of his series of 369 cases and underlined the necessity for proper follow-up and postoperative re-education, illustrating the relative caution of French neurosurgeons concerning psychosurgery.Marcel David and his assistants tried to follow their patients closely postoperatively; this resulted in numerous publications with significant follow-up and conclusions. As early as 1955, David reported intellectual degradation 2 years after prefrontal leucotomies.Jean Talairach, a psychiatrist who eventually trained as a neurosurgeon, was the first to describe anterior capsulotomy in 1949. He operated in several hospitals outside of Paris, including the Sarthe Psychiatric Hospital and the Public Institution of Mental Health in the Lille region. He developed stereotactic surgery, notably stereo-electroencephalography, for epilepsy surgery but also to treat psychiatric patients using stereotactic lesioning with radiofrequency ablation or radioactive seeds of yttrium-90.The evolution of functional neurosurgery has been marked by the development of deep brain stimulation, in particular for obsessive-compulsive disorder, replacing the former lesional stereotactic procedures.The history of Sainte-Anne Hospital’s Neurosurgery Department sheds light on the initiation—yet fast reconsideration—of psychosurgery in France. This relatively more prudent attitude toward the practice of psychosurgery compared with other countries was probably due to the historically strong collaboration between psychiatrists and neurosurgeons in France.
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Cézilly, Frank. "Jean-Pierre Desportes (1943–2001)." Behavioural Processes 63, no. 3 (July 2003): 147–48. http://dx.doi.org/10.1016/s0376-6357(03)00012-3.

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Pouliquen, Y. "Jean-Pierre Faure (1931–2012)." Journal Français d'Ophtalmologie 35, no. 5 (May 2012): 317–18. http://dx.doi.org/10.1016/j.jfo.2012.04.001.

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8

Prevot, M. "Jean-Pierre Lalardrie (1931–2016)." Annales de Chirurgie Plastique Esthétique 62, no. 4 (August 2017): 269–73. http://dx.doi.org/10.1016/j.anplas.2017.05.003.

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9

Yakoubsohn, Jean-Claude. "Jean-Pierre Dedieu 1949–2012." Journal of Complexity 28, no. 5-6 (October 2012): 521–23. http://dx.doi.org/10.1016/j.jco.2012.08.001.

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Erlinger, Serge. "Jean-Pierre Capron (1943–2012)." Clinics and Research in Hepatology and Gastroenterology 36, no. 4 (August 2012): 311. http://dx.doi.org/10.1016/j.clinre.2012.08.006.

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Kondo, Gustavo Koíti, Carla Caroline Schramm, Max Rainer Rosado Novaes, and Hélio Afonso Ghizoni Teive. "Jules Joseph Dejerine: an outstanding neurologist and Charcot's enemy." Arquivos de Neuro-Psiquiatria 76, no. 5 (May 2018): 352–54. http://dx.doi.org/10.1590/0004-282x20180028.

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ABSTRACT Jules Joseph Dejerine (1849-1917) became renowned for his many contributions to neurology, including his anatomical and anatomo-functional studies, particularly those in the field of language and the peripheral nervous system. A disciple of Vulpian and a rival of Charcot, Dejerine progressed rapidly in the academic world, reaching the peak of his career in 1911, when he was appointed to the chair of Nervous System Diseases at the Salpêtrière Hospital after defeating Pierre Marie (1853-1940), one of the most distinguished pupils of Jean-Martin Charcot (1825-1893).
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12

Risser, Nicole Dombrowski. "Jean-Pierre Le Crom. Au secours, Maréchal! L'instrumentalisation de l'humanitaire (1940–1944)." American Historical Review 119, no. 2 (April 2014): 618–19. http://dx.doi.org/10.1093/ahr/119.2.618.

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Hublin, J. J. "Jean-Pierre Bocquet-Appel (1949–2018)." Bulletins et Mémoires de la Société d'Anthropologie de Paris 31, no. 1-2 (April 2019): 99–102. http://dx.doi.org/10.3166/bmsap-2019-0058.

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14

Horaud, Florian. "Obituary—Jean-Pierre Lecocq 1947–1992." Biologicals 20, no. 2 (June 1992): 89. http://dx.doi.org/10.1016/s1045-1056(05)80055-7.

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15

Barnett, R. L. Etienne. "Poétique de la rupture spectrale." Revue Romane / Langue et littérature. International Journal of Romance Languages and Literatures 48, no. 1 (June 21, 2013): 119–30. http://dx.doi.org/10.1075/rro.48.1.06eti.

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Sociologists and historians of genealogical filiations invoke modernity as the dissolution of traditional communities that formerly, albeit oft tacitly, bound descendants to ancestors. So as to invent oneself spontaneously and without restraint, the modern figure breaks with the strictures of the past, forging a path toward liberation. This newly-minted “emancipation” gives way to a sense of discomfortable culpability among contemporary “scribes.” In quest of remedy, they fashion a space, at once disturbing yet inviting to the ghosts and spectres of primogenitors, a space that both supports and distorts the words of heir(s). In such an optic, Sylvie Germain (1954) and Jean Rouaud (1952), Gérard Macé (1946), Pierre Michon (1945) and Pierre Bergounioux (1949) are powerfully haunted writers. As beneficiaries/successors, their gestures recall past lives and their words replicate their parents’ inflections and manner of verbal discourse. They are, as such, dispossessed of a familial past that represents little but ruin and grief, yet possessed by those absent beings who intrude obsessively on their consciousness and speech. They are heirs torn apart by a melancholy that extends to the grave of their “predecessors.” Contemporary literature vies with this spectral theme to analyze the ambivalence occasioned by such haunting refrains: artistic victims, orphans and parricidal vestiges of a family past, significantly impacted by the unconscious and linguistic upheavals that accompany such compelling loss.
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Koreman, Megan. "The Red Tape Option: Bureaucratic Collaboration and Resistance in Vichy France." Contemporary European History 9, no. 2 (July 2000): 261–67. http://dx.doi.org/10.1017/s0960777300002058.

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Marc Olivier Baruch, Servir l'Etat français: L'administration en France de 1940 à 1944, preface by Jean-Pierre Azéma (Paris: Fayard, 1997), 737 pp., FF 180, ISBN 2–213–59930–0.François Bloch-Lainé and Claude Gruson, Hauts Fonctionnaires sous l'Occupation (Paris: Editions Odile Jacob, 1996), 283 pp., FF 130, ISBN 2–738–10419–3.Claude Singer, L'Université libérée, l'université épurée (1943–1947) (Paris: Les Belles Lettres, 1997), 430 pp., FF 185, ISBN 2–251–38037–x.Bureaucracies are so famously capable of destroying the best-laid plans of reformers that historians often take their power to resist or collaborate for granted. In the burgeoning field of Vichy France, for example, we have studies of the ideologies of the well-known collaborators and of Vichy's ’National Revolution‘ as well as studies of the havoc those ideologies wreaked on the country and the growing opposition to both the ideas and the consequences. What we do not have is a very clear picture of how those ideas became consequences. The question is important because, unlike eastern European countries where Nazi occupation was naked and brutal, the French ended up amply serving the German cause almost despite themselves and at remarkably low cost to the Germans in terms of personnel. The French were not terrorised into turning over their Jews, their young people, or their crops at gunpoint in the way that, say, the Poles were. And yet they turned them over. Were the French, then, Nazis willing to give their all for the cause? Certainly not: far too many heroic men and women preferred to die as resistants rather than help the Germans.
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17

Poidevin, Raymond. "Le relèvement (1944-1949) sous la direction de Pierre Gerbet et Jean Laloy." Revue française de science politique 42, no. 3 (1992): 491–92. http://dx.doi.org/10.3406/rfsp.1992.404317.

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18

Houssaye, Jean, and Laurent Cosnefroy. "Hommage à Jean-Pierre Astolfi (1943-2009)." Revue des sciences de l'éducation 36, no. 1 (2010): 255. http://dx.doi.org/10.7202/043995ar.

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19

Amunátegui, Godofredo Iommi. "Pierre Duhem, a Hundred Years Later." Transversal: International Journal for the Historiography of Science, no. 5 (December 9, 2018): 204. http://dx.doi.org/10.24117/2526-2270.2018.i5.15.

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Pierre Duhem, cent ans plus tard (1916 – 2016). Actes de la journée d’étude internationale tenue à Tunis le 10 mars 2016, suivis de l’édition française de l’Histoire de la physique (1911). [Pierre Duhem, a hundred years later (1916 - 2016). Proceedings of the International Study Day held in Tunis on March 10, 2016, followed by the French edition of the History of Physics (1911)]. Edited by Jean-François Stoffel, with the collaboration of Souad Ben Ali. Tunis: Université de Tunis, 2017. 412 p. ISBN: 978-9973-06-968-9.
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20

Kirshner, Jonathan. "Passive Resistance." Film Quarterly 69, no. 1 (2015): 90–92. http://dx.doi.org/10.1525/fq.2015.69.1.90.

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Jean-Pierre Melville’s first film, Le silence de la mer (1949), is available for the first time in North America in the form of a sparkling new edition from the Criterion Collection, stuffed with its customary irresistible extras.
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21

Dauchy, Serge. "Nécrologie: In memoriam Jean-Pierre Nandrin, 1947–2012." Tijdschrift voor rechtsgeschiedenis 82, no. 3-4 (December 3, 2014): 349. http://dx.doi.org/10.1163/15718190-08234p12.

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22

Bergeon, Céline. "Liégeois, Jean-Pierre (2009) Roms et Tsiganes." e-Migrinter, no. 5 (April 28, 2010): 76–77. http://dx.doi.org/10.4000/e-migrinter.1931.

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23

Gagey, Pierre-Marie, Alfredo Marino, Maria Luisa Marino, and Philippe Villeneuve. "Jean-Pierre Roll (1943–2018): Talking with the body." Neurophysiologie Clinique 50, no. 1 (February 2020): 72–73. http://dx.doi.org/10.1016/j.neucli.2020.01.002.

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24

Dalenogare Neto, Waldemar. "O cinema de resistência de Jean-Pierre Melville." Artcultura 21, no. 38 (June 12, 2019): 149–62. http://dx.doi.org/10.14393/artc-v21-n38-2019-50167.

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Este artigo discute como o diretor francês Jean-Pierre Melville trabalhou com o conceito de resistência em sua carreira no cinema a partir de três diferentes perspectivas, rompendo com o modelo de celebração heroica adotado pela indústria. Através da análise dos filmes Le silence de la mer (1949), Léon Morin, prêtre (1961) e L’armée des ombres (1969), o objetivo é tratar sobre os conceitos de resistência passiva, nãoresistência e a resistência ativa durante a Segunda guerra Mundial na frança a partir da revisão narrativa e estética destes longas-metragens. Palavras-chave: cinema francês; resistência; Segunda guerra Mundial.
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25

Capuano, Christophe. "Au secours maréchal ! L'instrumentalisation de l'humanitaire (1940-1944) de Jean-Pierre Le Crom Paris, PUF, 2013." Revue française des affaires sociales 1, no. 3 (2013): 155. http://dx.doi.org/10.3917/rfas.126.0155.

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26

Lowy, Vincent. "Jean-Pierre Bertin-Maghit, Les documenteurs des Années Noires. Les documentaires de propagande, France, 1940-1944." Questions de communication, no. 8 (December 1, 2005): 411–13. http://dx.doi.org/10.4000/questionsdecommunication.5708.

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27

Granier-Deferre, Carolyn. "Tribute to our Colleague and Friend Jean-Pierre Lecanuet (1946–2002)." Musicae Scientiae 6, no. 2 (September 2002): 114–17. http://dx.doi.org/10.1177/102986490200600202.

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Promoted from Assistant to Associate Professor in General Psychology at Lille III University (1969–1972), Jean-Pierre continued his career at the Centre National de la Recherche Scientifique first as Associate and then Research Director (1972–2002) in three laboratories: laboratoire de Physiologie Nerveuse (1972–1985), laboratoire de Psychobiologie du Développement (1985–1995) and the laboratoire Cognition et Développement (1996–2002).
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Pinheiro, Bruno. "Jogando com imagens: as disputas sobre os sentidos da capoeira na revista ilustrada O Cruzeiro." Artcultura 20, no. 37 (December 12, 2018): 157–69. http://dx.doi.org/10.14393/artc-v20-n37-2018-47247.

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As fotorreportagens “Delinquência juvenil” (1 fev. 1947), assinadas pelo fotojornalista Jean Manzon e pelo jornalista David Nasser, e “Capoeira mata um!” (10 jan. 1948), do então fotojornalista Pierre Verger e do folclorista Cláudio “Tuiuti” Tavares, são analisadas como parte da continuidade dos debates em torno da descriminalização da capoeira, ocorrida em 1937. Na primeira, evidenciam-se os modos de representar o tema que eram populares no período anterior a 1937, em que ocupava quase que unicamente as páginas policiais. Na segunda, estão presentes as formas difundidas nos anos seguintes, quando a capoeira migrou para as páginas de cultura. Após delinear as filiações visuais e intelectuais dos autores nessa disputa, seus conteúdos serão aproximados às representações da capoeira que permeiam o romance Capitães da areia (1937), de Jorge Amado, tomado como referência comum a ambas as publicações, buscando explicitar os limites das narrativas jornalísticas sobre a temática. palavras-chave: cultura visual; capoeira; relações raciais.
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FROBERT, LUDOVIC. "ELIE HALEVY AND PHILOSOPHICAL RADICALISM." Modern Intellectual History 12, no. 1 (December 2, 2014): 127–50. http://dx.doi.org/10.1017/s1479244314000377.

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In 1995, the Presses universitaires de France re-published (for the very first time in French) Elie Halévy's classic bookLa formation du radicalisme philosophique(first edition 1901–4). Startlingly, in the afterword of volume 1, Jean-Pierre Dupuy explained that even if this book on Bentham and his school of thought has been considered a classic and one of the first serious historical studies in any language, Halévy had been a “bad interpreter” of utilitarianism.
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Judt, Tony. "The Fourth Republic, 1944-1958. Jean-Pierre Rioux , Godfrey Rogers." Journal of Modern History 62, no. 2 (June 1990): 398–99. http://dx.doi.org/10.1086/600514.

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31

Seitz, Helmut K. "In Memoriam Professor Jean Pierre von Wartburg (1931 to 2017)." Alcoholism: Clinical and Experimental Research 41, no. 7 (June 15, 2017): 1244–45. http://dx.doi.org/10.1111/acer.13423.

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32

Livernois, Jonathan. "Lettres de Pierre Vadeboncoeur (1920-2010) à Jean-Pierre Issenhuth (1947-2011). 1987 à 2003." Études françaises 50, no. 1-2 (2014): 115. http://dx.doi.org/10.7202/1026230ar.

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Feiler, Adilson Felicio, and Agemir Bavaresco. "PIERRE-JEAN LABARRIÈRE (1931-2018): UMA VIDA E O LEGADO FILOSÓFICO HEGELIANO." Síntese: Revista de Filosofia 47, no. 148 (August 11, 2020): 429. http://dx.doi.org/10.20911/21769389v47n148p429/2020.

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Relembrando o jesuíta intelectual Pierre-Jean Labarrière, reconstruímos sua trajetória biográfica e intelectual como expressão de gratidão e reconheci­mento pela sua missão. Homem incansável e vigoroso, desde jovem Labarrière mostrou suas habilidades intelectuais. Muito atento às mudanças e desafios da história, não teve medo de enfrentar as provocações de pensadores como Hegel, de quem se tornou um grande estudioso. Labarrière aproveitou, inclusive, o pensamento de Hegel, para dar respostas a inúmeros impasses com os quais o Cristianismo Católico francês se confrontava.
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Thifault, Marie-Claude. "Sentiments et correspondance dans les dossiers médicaux des femmes internées à l’hôpital Saint-Jean-de-Dieu, de la fin du XIXe au début du XXe1." Articles 21, no. 2 (March 16, 2009): 127–42. http://dx.doi.org/10.7202/029444ar.

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Au cœur de cette étude des mentalités, l'auteure examine les sentiments partagés entre les femmes internées pour folie à l'hôpital Saint-Jean-de-Dieu pendant la période 1873-1921 et les membres de leur famille. S'il est question d'attachement, d'espoir et d'assistance à l'égard des femmes internées, c'est bien parce que la récurrence de telles manifestations attentionnées repérées dans les dossiers médicaux de Saint-Jean-de-Dieu a surpris l'auteure. Ces lettres, principalement rédigées par un ou une membre de la famille de l'aliénée, se sont avérées suffisamment nombreuses pour reconnaître qu'effectivement la famille garde contact avec sa malade pendant l'internement et pour repérer les principales préoccupations de l'époux, de la mère ou des enfants à l'égard de leur malade, confinée derrière les murs de pierre de l'asile.
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Gandolfo, Alberto Airton Amendola. "A política das plazas nacionales e a atribuição de ofícios públicos na Catalunha após a Guerra de Sucessão: uma desnaturalização da administração." Epígrafe 9, no. 1 (August 10, 2020): 349–69. http://dx.doi.org/10.11606/issn.2318-8855.v9i1p349-369.

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Este artigo analisará a atribuição de ofícios públicos no Principado da Catalunha após a Guerra de Sucessão (1701 - 1714), sobretudo, os métodos utilizados para a escolha de servidores dos ofícios públicos no contexto de reorganização da administração pública na Monarquia espanhola. Nosso objetivo é estudar as políticas utilizadas para essas escolhas, em especial, a política das plazas nacionales, que assegurava que uma parte mínima dos cargos indicados fosse conferida a catalães. Tais medidas foram implementadas na conjuntura que se constrói após a promulgação da Nueva Planta em 1716 por Felipe V, que extinguiu a maioria dos foros do Principado, dentre os quais destacamos as prohibiciones de estrangería, que garantiam a exclusividade dos cargos públicos aos catalães. Para atingir o objetivo proposto, discutiremos a bibliografia sobre esse assunto, em especial, recorrendo aos estudos especializados dos historiadores Pere Molas i Ribalta (1942 - X) e Jean Pierre Dedieu (1948 - X), mapeando as divergências e convergências de perspectiva sobre o tema em questão. Trata-se de um artigo de recenseamento bibliográfico e portanto, suas conclusões serão embasadas na interpretação e contraposição dos trabalhos e das estatísticas prosopográficas mobilizadas pelos autores.
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Michel, Jean-Paul. "Le 'là' de l'être-là et la 'présence-à-soi' du poème-comme-poème." Irish Journal of French Studies 18, no. 1 (December 13, 2018): 51–62. http://dx.doi.org/10.7173/164913318825258356.

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Jean-Paul Michel est né en 1948, en Corrèze. Après le reflux de la vague de Mai 68, il revient à la poésie, après une diète de huit années. Ses premiers poèmes publiés sont salués par Roland Barthes, Michel Foucault, Jude Stéfan, Jacques Réda, Louis-René des Forêts, Philippe Lacoue-Labarthe, Jean-Luc Nancy. Ses poèmes ont été rassemblés aux éditions Flammarion: Le plus réel est ce hasard, et ce feu (1997); 'Défends-toi, Beauté violente!' (2007); Je ne voudrais rien qui mente, dans un livre (2010). Un volume d'Écrits sur la poésie a paru aux mêmes éditions en 2016. Un colloque a été consacré à son travail à Cerisy-la-Salle en juillet 2016, sous la direction de Michael Bishop et Matthieu Gosztola: Jean-Paul Michel, la surprise de ce qui est. Les Actes paraîtront dans la collection Cerisy/Littérature, Classiques Garnier, en décembre 2018. Jean-Paul Michel est le créateur des Éditions William Blake and Co., à Bordeaux, en 1975. Il entretient de 2000 à 2016 d'étroites relations de travail et d'amitié avec Yves Bonnefoy, dont il a publié une dizaine de volumes. Dernier titre publié, avec Pierre Bergounioux: Correspondance. 1981–2017 (Verdier éditeur, 2018).
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CLAIRE, JEAN. "Modality in western chant: an overview." Plainsong and Medieval Music 17, no. 2 (October 2008): 101–27. http://dx.doi.org/10.1017/s0961137108000831.

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Translator’s note Dom Jean Claire of the Abbey of Saint-Pierre de Solesmes was for many years engaged in a study of modality in Gregorian chant and in other surviving repertories of liturgical chant of the Latin West. He had perhaps an unparalleled knowledge of the chant, derived from both practice and study. Dom Claire sang the chant at Solesmes from the time he entered the monastery in 1944, and from 1971 to 1996 he was the choirmaster of the abbey and editor of Paléographie musicale, directing the abbey’s long tradition of scholarly and practical publications.
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Saldanha Alvarez, José Maurício. "The Memory of the French Centurions: Asia-Europe Connections in the Tragic Memory of Pierre Schoendoerffer’s Films." Review of European Studies 11, no. 2 (May 28, 2019): 97. http://dx.doi.org/10.5539/res.v11n2p97.

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Inspired by Pierre Nora and Maurice Halbwachs, who were French researchers of the mechanism of the memory, and Jean Larteguy, the novelist who gave a voice to the defeated French colonial soldiers, this essay explores the passage of the perilous memories of the veterans of the French Far East Expeditionary Corps, which fought in Indochina between 1945 and 1954, based on the regenerative memory of the war and of Asia and on their memories of themselves. The defeat at Dien Bien Phu resulted in the stigma of a dangerous and traumatic memory. Producers of image and rhetorical discourse, such as the French filmmaker Pierre Schoendoerffer, have undertaken acts of image making through films that transformed the humiliating defeat into a grand and redemptive tragedy. For Schoendoerffer, these acts of filmmaking constituted an unsettling and regenerative experience for both sides, creating a film production of transcultural memories connecting Asia and France.
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Genest, Jean-Guy. "Jean-Pierre GAGNON, Le 22e bataillon (canadien-français), 1914-1919. Étude sociomilitaire." Recherches sociographiques 29, no. 2-3 (1988): 490. http://dx.doi.org/10.7202/056391ar.

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40

Skinner, James M. "From Munich to Liberation, 1938-1944, by Jean-Pierre AzémaFrom Munich to Liberation, 1938-1944, by Jean-Pierre Azéma. Cambridge, Cambridge University Press, 1984. xxxix, 294 pp. $59.50." Canadian Journal of History 21, no. 3 (December 1986): 467–68. http://dx.doi.org/10.3138/cjh.21.3.467.

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41

Vignaux, Valérie. "Jean-Pierre Bertin-Maghit, Les documenteurs des années noires, les documentaires de propagande, France 1940-1944, préface de Marc Ferro." 1895, no. 46 (June 1, 2005): 134–38. http://dx.doi.org/10.4000/1895.1842.

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42

Haines, John. "The ‘modal theory’, fencing, and the death of Aubry." Plainsong and Medieval Music 6, no. 2 (October 1997): 143–50. http://dx.doi.org/10.1017/s0961137100001327.

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On 29 June 1909, a jury of six scholars decreed that Pierre Aubry (1874–1910), in his bookTrouvères et Troubadours, had stolen the ‘modal’ interpretation of medieval monophony from the young doctor Jean-Baptiste Beck (1881–1943). Aubry was to make amends for his plagiarism in two ways: first, by destroying copies of the book's first edition and issuing an emended one; second, by publishing the trial's verdict in twenty scholarly journals at his own cost. An only slightly emendedTrouvères et Troubadoursdid appear the following year (1910), but Aubry failed to publish the jury's verdict in a single journal. A little over a year after the trial, in August of 1910, he died of a fencing wound. The following year, Beck emigrated to the United States.
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43

VINCENDEAU, G. "Review. Quinze ans d'annees trente. (Le cinema des francais 1929-1944). Jeancolas, Jean-Pierre." French Studies 41, no. 4 (October 1, 1987): 483. http://dx.doi.org/10.1093/fs/41.4.483-a.

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44

Boenisch, Gilles. "Pierre Barboza, Jean-Louis Weissberg, dirs, L’image actée. Scénarisations numériques, parcours du séminaire. L’action sur l’image." Questions de communication, no. 13 (July 1, 2008): 426–28. http://dx.doi.org/10.4000/questionsdecommunication.1947.

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45

Dall'Asta, Monica. "Looking for Myriam." Feminist Media Histories 2, no. 3 (2016): 29–53. http://dx.doi.org/10.1525/fmh.2016.2.3.29.

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Despite the recent multiplication of studies in found footage cinema, the fog surrounding the figure of Myriam Borsoutsky remains thick. This article elaborates the rare extant information about her work to retrace an important chapter in the history of found footage cinema in France, in which women have played a major role. In an attempt to delineate a specifically female genealogy in the history of French compilation film, Myriam's work is studied alongside that of Nicole Vedrès, and situated in the cultural context of a net of relationships that includes other women, for instance Denise Tual and Yannick Bellon, as well as such masters of French cinema as Pierre Braunberger, Sacha Guitry, Henri Langlois, Alain Resnais, André Bazin, Chris Marker, Jean-Luc Godard, and Michel Leiris. A detailed analysis of two major works in this genealogy, Paris 1900 (dir. Nicole Vedrès, 1947) and Bullfight (dir. Myriam and Pierre Braunberger, 1951), draws upon Vedrès's own writings and André Bazin's critical notes on the films. The last section addresses the meaning of the neologism neomontage, coined by Bazin in his review of Bullfight to describe Myriam's “diabolical” editing abilities.
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46

Aglan, Alya. "Jean-Pierre Le Crom, Au secours Maréchal ! L'instrumentalisation de l'humanitaire (1940-1944), Paris, PUF, 2013, 344 p., ISBN 978-2-13-061938-3." Revue d’histoire moderne et contemporaine 61-3, no. 3 (2014): 185. http://dx.doi.org/10.3917/rhmc.613.0185.

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47

Amann-Gainotti, Merete. "Contributions to the History of Psychology: LXXXV. Jean Piaget, Student of Pierre Janet (Paris 1919–1921)." Perceptual and Motor Skills 74, no. 3_suppl (June 1992): 1011–15. http://dx.doi.org/10.2466/pms.1992.74.3c.1011.

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This article provides information about an important period of Piaget's formative years, those he spent in Paris from 1919 to 1921, during which he came into contact with eminent members of the French scientific and philosophical community of the time. Among these was the psychiatrist and psychologist Pierre Janet, whose genetic approach to the psychology of behavior and ideas about the hierarchical organization of psychological functions converged with Piaget's early scientific interests and provided Piaget a conceptual framework within which to work and develop his own project of studying the genesis of knowledge.
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48

Benjamin, Smuin. "Al Qaeda in Its Own Words - Edited by Gilles Kepel and Jean Pierre Milelli." Digest of Middle East Studies 19, no. 2 (September 2010): 303–5. http://dx.doi.org/10.1111/j.1949-3606.2010.00037.x.

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49

Zeitlin. "Return to the Land of the Sun: in Homage to Jean-Pierre Vernant (1914–2007)." Arion: A Journal of Humanities and the Classics 27, no. 3 (2020): 145. http://dx.doi.org/10.2307/arion.27.3.0145.

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50

Pichette, Jean-Pierre. "Germain Lemieux par lui-même (1914-1958)." Cahiers Charlevoix 9 (April 10, 2017): 107–93. http://dx.doi.org/10.7202/1039314ar.

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Jean-Pierre Pichette publie la première tranche de l’entrevue qu’il a réalisée en 1995 auprès du fondateur de l’ethnologie franco-ontarienne. Ce long entretien consacré à la vie et à l’oeuvre du jésuite Germain Lemieux (1914-2008) a d’abord été diffusé sur les ondes de la radio d’État. Préparé de longue main, sur la base de la fréquentation continue des écrits et de l’homme, il a été enregistré sous la forme d’un autoportrait afin de permettre au père Lemieux de situer dans leur contexte les travaux de sa production scientifique et d’aller au-delà des écrits en livrant ses souvenirs et ses projets. Ce premier volet, qui couvre les années 1914-1958, aborde sous un jour personnel la période gaspésienne de ce chercheur – son enfance à Cap-Chat et ses études au séminaire de Gaspé –, puis son entrée et sa formation chez les jésuites de Montréal, jusqu’au début de sa période franco-ontarienne – son affectation au collège du Sacré-Coeur de Sudbury et ses premières enquêtes dans le nord de l’Ontario. Présentés dans leur chronologie, ces témoignages apportent un éclairage nouveau sur les origines paysannes de ce personnage marquant, sur sa formation, sur son tempérament et finalement sur son oeuvre dont ils révèlent les détours inédits. Cette édition est accompagnée de notes et de commentaires.
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