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Relevant bibliographies by topics / Jean Ray Ray

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Academic literature on the topic 'Jean Ray Ray'

Author: Grafiati

Published: 4 June 2021

Last updated: 4 February 2022

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Journal articles on the topic "Jean Ray Ray"

1

Boza Araya, Virginia. "L'universe fantastique de Jean Ray." LETRAS, no. 38 (July 29, 2005): 123–51. http://dx.doi.org/10.15359/rl.2-38.7.

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Berkans, Catherine. "Malpertuis ou Jean Ray face au mythe." Textyles, no. 1-4 (January 1, 1997): 225–31. http://dx.doi.org/10.4000/textyles.1689.

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Duhamel, Joseph. "Jean Ray, un narrateur dans le monde parallèle." Textyles, no. 10 (January 1, 1993): 73–84. http://dx.doi.org/10.4000/textyles.1900.

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Hugon, Philippe. "Jean-Michel Severino et Olivier Ray, Le Temps de l'Afrique." Afrique contemporaine 233, no. 1 (2010): 167. http://dx.doi.org/10.3917/afco.233.0167.

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Dozo, Björn-Olav. "Otrante. Art et littérature fantastiques. Jean Ray / John Flanders. Croisement d’ombres." Textyles, no. 26-27 (April 15, 2005): 187–88. http://dx.doi.org/10.4000/textyles.679.

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Dozo, Björn-Olav. "Ray (Jean) / Flanders (John), Œuvres complètes tome 2. La Flandre libérale." Textyles, no. 26-27 (April 15, 2005): 188–89. http://dx.doi.org/10.4000/textyles.680.

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Huftier, Arnaud. "Jean Ray / John Flanders et la littérature alimentaire : l’essence en sommeil." Textyles, no. 23 (July 1, 2003): 50–62. http://dx.doi.org/10.4000/textyles.729.

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Rioust de Largentaye, Armand. "Olivier Ray, Jean-Michel Severino. Le Grand Basculement. La question sociale à l'échelle mondiale." Afrique contemporaine 243, no. 3 (2012): 145. http://dx.doi.org/10.3917/afco.243.0145.

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Jiménez Murillo, Juan Carlos. "Identifier, déchiffrer et interpréter le code énigmatique dans l’œuvre de Jean Ray : vers une lecture policière du conte « Le Gardien du Cimetière » (Identificar, descifrar e interpretar el código enigmático en la obra de Jean Ray: hacia una lectura detectivesca del cuento « Le Gardien du Cimetière »)." LETRAS 2, no. 62 (2018): 117. http://dx.doi.org/10.15359/rl.1-62.6.

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Cet article se propose de montrer les relations existantes entre le récit fantastique et le récit policier à travers l’analyse du conte « Le Gardien du Cimetière » de l’écrivain belge Jean Ray. La coexistence de ces deux registres littéraires à l’intérieur de ce conte, constitue l’occasion de se centrer sur le rôle du lecteur, conçu celui-ci comme un détective qui doit se livrer à un travail de développement de stratégies de lecture. Sous la forme d’une suite de neuf étapes, à partir du modèle proposé par le tchèque Jiří Šrámek, le lecteur doit s’interroger, repérer les indices, les étudier et

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Alarcón, Soledad Díaz. "Estudio de los rasgos del fantástico real en Miroirs obscurs: treize contes fantastiques de Jean-Baptiste Baronian desde un enfoque traductológico." Hermēneus. Revista de traducción e interpretación, no. 22 (January 28, 2021): 75–98. http://dx.doi.org/10.24197/her.22.2020.75-98.

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El relato fantástico es por excelencia el discurso del desconcierto, enfrenta al hombre a sus propios miedos a través de la construcción de un clima de inquietante extrañeza en un contexto realista. Aunque sus orígenes se remontan a la novela gótica de Walpole, en el siglo XVIII, en el XX, el género fantástico se reafirma con fuerza en Bélgica gracias a las novelas de Franz Hellens, Jean Ray, Jean Muno, entre otros. Más recientemente, lo sobrenatural se acerca a la realidad de la mano de Jean-Baptiste Baronian, quien lo sitúa en la transgresión de la cotidianeidad. En este trabajo, estudiamos

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Dissertations / Theses on the topic "Jean Ray Ray"

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Amos, Thomas. "Architectura cimmeria : Manie und Manier phantastischer Architektur in Jean Rays "Malpertuis" /." Heidelberg : Winter, 2006. http://deposit.d-nb.de/cgi-bin/dokserv?id=2841337&prov=M&dok_var=1&dok_ext=htm.

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Calvignac-Neau, Claude-Marie. "Les "ruelles ténébreuses" de Jean Ray." Nantes, 1996. http://www.theses.fr/1996NANT3022.

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Jean Ray occupe une place singulière parmi les écrivains fantastiques de la première partie du XXe siècle. Son monde imaginaire s'organise autour de la notion d'hyperespace, et les découvertes de la physique de son époque, révélant un continuum espace-temps quadridimensionnel, sont venues étayer la fiction. Ainsi, les figures traditionnelles de l’épouvante : revenants, vampires, sorciers, sorcières, diable se trouvent-elles revivifiées par l'existence d'un univers intercalaire auquel elles sont associées. Il en est de même pour plusieurs thèmes de l’œuvre rayenne : main autonome, regard pétrif

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Naïm, Joëlle. "Nicholas Ray : un cinéaste en crise." Paris 8, 1993. http://www.theses.fr/1993PA080830.

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Le but de cette these est d'etudier, a travers l'oeuvre de nicholas ray, les formes de la crise du cinema hollywoodienne et son importance dans la naissance du cinema moderne europeen, celui, des nouvelles vagues francaise et allemande. Ce travqil a ete oriente par la vision d'un dernier film, paradoxal et controver se, un film au confluent de plusieurs crise. Il s'agit de nick's movie lightnin over water, dans lequel un des plus celebres cineastes hollywoodien des annees 50, est filme en tran de mourir par un de ses fils spirituels, wim wenders, un cineaste allemand des annees 70. La premiere

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Oliveira, Fabíola Castro de. "Une étude et la traduction de deux contes fantastiques de Jean Ray." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2010. http://hdl.handle.net/10183/25434.

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Ce mémoire de maîtrise analyse « Le Fantôme dans la cale » et « Quand le Christ marcha sur la mer », deux contes de l’écrivain belge Jean Ray, publiés en 1942 dans le recueil intitulé Le Grand Nocturne. Le travail comprend quatre chapitres disposés dans l’ordre suivant : le premier offre un aperçu du parcours personnel et littéraire de Jean Ray. Le deuxième chapitre est une étude de différentes définitions du fantastique en ce qui concerne ses emplois dans la littérature. Le troisième et quatrième chapitres présentent respectivement “Le Fantôme dans la cale” et “Quand le Christ marcha sur la m

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Amos, Thomas. "Architectura cimmeria Manie und Manier phantastischer Architektur in Jean Rays Malpertuis." Heidelberg Winter, 2000. http://deposit.d-nb.de/cgi-bin/dokserv?id=2841337&prov=M&dok_var=1&dok_ext=htm.

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Zemel, Dustin Reed. "Less like science, more like film the use of non-redundant images to facilitate critical thinking in science film /." Thesis, Montana State University, 2009. http://etd.lib.montana.edu/etd/2008/zemel/ZemelD1208.pdf.

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Thesis (MFA)--Montana State University--Bozeman, 2009.<br>Typescript. Chairperson, Graduate Committee: Ronald Tobias. Big, Dramatic is a DVD accompanying the thesis. Includes bibliographical references (leaves 23-25).

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Rizea, Barbos Carmen Raluca. "Espaces du fantastique urbain et aspects du sacré. Le cas de Mircea Eliade, Jean Ray et Howard Phillips Lovecraft." Phd thesis, Université de la Sorbonne nouvelle - Paris III, 2009. http://tel.archives-ouvertes.fr/tel-00947719.

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La littérature fantastique au XXe siècle semble est issue d'un triple conflit qui est aussi celui de l'homme contemporain : rupture avec la réalité, crise identitaire et perte de sens de l'univers caractéristiques à l'époque postmoderne, profanisation graduelle de l'espace urbain. Dans ce contexte difficile troublé encore plus par des prévisions alarmistes de l'avenir proche, l'homme contemporain exorcise ses peurs à travers les œuvres fantastiques, il s'invente des monstres pour arriver à supporter le quotidien. Pourtant, l'intrusion de la Surnature ou de l'étrange dans l'espace urbain modern

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Benkert, Andreas [Verfasser], Friedrich [Gutachter] Reinert, and Jean [Gutachter] Geurts. "Soft x-ray spectroscopic study of methanol and glycine peptides in different physical environments / Andreas Benkert ; Gutachter: Friedrich Reinert, Jean Geurts." Würzburg : Universität Würzburg, 2017. http://d-nb.info/1130587991/34.

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Huftier, Arnaud. "Ecrire un pays qui n'existe pas : réception et re-création : les littératures belges à travers l'exemple de Jean Ray / John Flanders." Valenciennes, 2001. https://ged.uphf.fr/nuxeo/site/esupversions/296cafbc-25b1-40a4-88ab-d7bf1f3afd70.

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La production de R. De Kremer a été écrite en deux langues, français et néerlandais, et sous deux noms Jean Ray et John Flanders. Cette dualité ontologique est accentuée d'une double situation de périphérie : le regard, en tant que Belge bilingue, sur les centres voisins Paris et Amsterdam. Si bien que, par cette production nationalement marquée, il est possible d'opérer une coupe d'un siècle des littératures belges, selon leurs réceptions et codifications. Autour de la paratopie de Ray/Flanders, partant du système émetteur belge, ouverture est faite sur les principaux systèmes récepteurs. La

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Ranft, Jonas M. [Verfasser], Frank [Akademischer Betreuer] Jülicher, Jean-François [Akademischer Betreuer] Joanny, Ray [Akademischer Betreuer] Goldstein, Lars [Akademischer Betreuer] Hufnagel, and Jens-Uwe [Akademischer Betreuer] Sommer. "Mechanics of Growing Tissues: A Continuum Description Approach / Jonas M. Ranft. Gutachter: Ray Goldstein ; Lars Hufnagel ; Jens-Uwe Sommer. Betreuer: Frank Jülicher ; Jean-François Joanny." Dresden : Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2013. http://d-nb.info/1068444037/34.

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Books on the topic "Jean Ray Ray"

1

Jean Ray en Seine. Corps 9, 1986.

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Carion, Jacques. Jean Ray: Le grand nocturne. Editions Labor, 1986.

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Jean Ray: L'alchimie du mystère. Encrage, 2010.

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Verbrugghen, André. Bibliographie Jean Ray =: John Flanders bibliografie. Sailor's Memories, 1993.

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editor, Klanten Robert, Honigman Ana Finel author, and Roos Robbert author, eds. Jen Ray: Ain't we got fun. Gestalten, 2012.

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Wyclef Jean. Lucent Books, 2013.

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Jedna zemlja, jedan rat: Istra 1615-1618. Istarska naklada, 1986.

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Jacques, Le Goff. Za jedan drugi srednji vijek: Vrijeme, rad i kultura na Zapadu. Izd. Antibarbarus, 2011.

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de, La Fontaine Jean. Jean de la Fontaine's the cat and the old rat: With a translation by Patrizia Miller. Orirana Press, 1986.

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Galipaud, Jean-Christophe. Sanan rai, patrimóniu ne'ebé besik lakon iha Timor-Leste: Sanan rai, um património em extinção em Timor-Leste / texto, Jean-Christophe Galipaud no Cecilia Assis = A vanishing heritage in Timor-Leste / text, Jean-Christophe Galipaud no Cecilia Assis. Governo de Timor-Leste, 2014.

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Book chapters on the topic "Jean Ray Ray"

1

Wild, Gerhard. "Ray, Jean." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_13766-1.

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Zondergeld, Rein A. "Jean Ray." In Kindler Kompakt: Horrorliteratur. J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04502-7_41.

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Zondergeld, Rein A. "Ray, Jean: Malpertuis." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_13767-1.

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Laubin, Pascal. "Conormality and Lagrangian Properties Along Diffractive Rays." In Jean Leray ’99 Conference Proceedings. Springer Netherlands, 2003. http://dx.doi.org/10.1007/978-94-017-2008-3_7.

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André, Emmanuelle. "Seeing through the Fingertips1." In Indefinite Visions, translated by Elise Harris and Martine Beugnet. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474407120.003.0016.

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Digital technologies lead us to question anew the opposition between flatness and depth: as with 19<sup>th</sup> century modernity (Edouard Manet’s paintings in particular), it produces perceptual uncertainties, but uncertainties that are specific to cinematic representation. This chapter focuses on Jean-Luc Godard’s use of three-dimensional effects in Goodbye to Language (2014), which aims to substitute for the fluid and homogeneous space sought after in mainstream 3D cinema a disjointed, multiple, heterogeneous space. The film thus continues the project started by Nicholas Ray in We Can’t Go Home Again (1973), in which Ray experimented with simultaneous projections and aesthetic effects reminiscent of watercolour painting. In turn, these hybrid images evoke the atlas and the associated process of ‘leafing through’, hence offering themselves as the anachronistic portrait of a filmmaker who has escaped our contemporary world.

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Met, Philippe. "Chapitre II. Le legs maudit des livres et des manuscrits : H.P. Lovecraft et Jean Ray." In La Lettre tue. Presses universitaires du Septentrion, 2009. http://dx.doi.org/10.4000/books.septentrion.79183.

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Amos, Thomas. "A Sulphurous Time: Les contes du whisky by Jean Ray, a Translation of ‘les Années Folles’." In From Art Nouveau to Surrealism. Routledge, 2017. http://dx.doi.org/10.4324/9781315093864-8.

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Vas-Deyres, Natacha. "Jean-Claude Dunyach, Poet of the Flesh." In Lingua Cosmica. University of Illinois Press, 2018. http://dx.doi.org/10.5622/illinois/9780252041754.003.0003.

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Jean-Claude Dunyach, born in 1957, has published more than a hundred short stories in a career of over thirty years. He belongs to a generation of contemporary French science-fiction writers that includes figures such as Roland C. Wagner, Emmanuel Jouanne, and Jean-Marc Ligny. At a time when French science fiction was struggling to explore new ways of storytelling influenced by surrealism or the Nouveau Roman, this generation has given science fiction new life by mixing a hard-science approach with the supernatural, fantasy and the fantastic, while paying glowing tributes to authors of the Golden Age of Anglo-Saxon sf: Duntach’s influences include Samuel Delany, Ray Bradbury, and more particularly, J. G. Ballard. The specificity of Dunyach consists of making metaphysical concepts tangible for the reader by giving them a symbolic substance: time itself becomes tangible as a sea of sand, stone, ashes, sea water; love stories can be petrified as semiprecious stones and worn as trophies—even the universe itself complies as a sheet of paper or a piece of cloth that can be creased. The characters in his short stories are hurt or twisted, often with cracks in their past, but they still act as links between the individual and the collective: for Dunyach, any kind of system—in particular a political one—can be defined by the way it deals with marginality. Dunyach favors an individual point of view for a better detection of the system’s weaknesses (cities, societies, religions, or relationships with time and death). In that respect, the most accomplished characters in his work are the “AnimalCities”: these living, extraterrestrial, city-shaped animals made of flesh and cartilage travel through space from node to node on the web of the universe. Their symbiotic liaison with humanity gradually leads humans to understand the global nature of reality.

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Allen, Craig. "The Perenchio Era." In Univision, Telemundo, and the Rise of Spanish-Language Television in the United States. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9781683401643.003.0009.

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Period: 1993–1999. Perenchio’s tenure at Univision begins contentiously. Capitalizing on the PLA and ignoring discord, Perenchio has President Ray Rodriguez quickly reinstate Televisa’s popular content. As U.S. programs are replaced, Univision personnel lose their jobs. At Telemundo, Blaya briefly succeeds before Telemundo declares bankruptcy. Steinberg yields ownership of Telemundo to another Wall Street “raider,” Leon Black. Univision soars in the early Nielsen ratings. Upon broadcasting Televisa’s blockbuster María la del Barrio, Univision reaches 80 percent of Latino viewers. Telemundo falls to 20 percent. Its audiences equaling those of ABC, CBS, NBC, and Fox, Univision issues public stock. It becomes a multibillion dollar firm. Acquired by Sony, Telemundo’s attempt at domestic production alienates Latinos and brings record low ratings. While Telemundo’s reach shrinks to 7 percent of the Latino audience, Univision’s reach enlarges to 93 percent. Univision’s reaches 98 percent with its millennium telecast. It is the highest rating Nielsen ever reports. However, upon Azcárraga Milmo’s death, Televisa passes to his son and heir, Emilio Azcárraga Jean, who demands that Perenchio renegotiate the PLA. Perenchio refuses. Azcárraga Jean sabotages a novela Univision is to show. Warfare awaits.

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Feleman, Susan. "The Mystery … The Blood … The Age of Gold: Sculpture in Surrealist and Surreal Cinema." In Screening Statues. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474410892.003.0003.

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Figurative sculpture had a special status within the visual universe of Surrealism. Iconographically, statues are a prominent element in the dreamlike spaces of Giorgio de Chirico’s paintings of 1913–14 that so enchanted André Breton and friends after the end of the war and became among the first and most paradigmatic images associated with the movement. Statues appear in many other Surrealist paintings, including those of Salvador Dalí, where, although they might stand on plinths or pedestals, they equivocate between the appearance of inanimate and living bodies, through the impression of liquidity and putrefaction that infects all his visions. In Surrealist collages, too, bodies are often rendered equivocally sculptural through fragmentation, for instance in photographic or printed images of the female nude rendered headless or otherwise dismembered to resemble antiques, in the works of Max Ernst and others. René Magritte, Paul Delvaux, Man Ray, Pierre Boucher, Picasso, and Jean Cocteau, among others associated with Surrealism, also incorporated statuary into their paintings, drawings, and photographs.

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Conference papers on the topic "Jean Ray Ray"

1

Laorga Fernandez, Nuria. "Jean de Montaigu y el Castillo de Marcoussis: Un señorío en construcción en torno al año 1400." In I Simposio anual de Patrimonio Natural y Cultural ICOMOS España. Editorial Universitat Politècnica de València, 2020. http://dx.doi.org/10.4995/icomos2019.2020.11700.

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La locura del rey Charles VI; el reino de Francia prometido al rey de Inglaterra por medio del tratado de Troyes; la trágica muerte en la hoguera de Juana de Arco; la aparición del personaje de la muerte en el arte… Varios hechos que nos muestran hasta qué punto los siglos XIV y XV forman parte de una época crucial y problemática. Época en la que no era nada fácil conservar un estatus social, generalmente alcanzado gracias a las ayudas de los príncipes y a los enormes gastos en la construcción de imponentes edificios que aseguraban la grandeza de estos personajes. Jean de Montagu fue más allá

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Šabotić, Izet. "Historiografija o Tuzli i Tuzlanskom kraju,1 koja se odnosi na novi vijek i savremeno doba, nastala u vremenu 2001–2018. godine." In Međunaordna naučno-kulturološka konferencija “Istoriografija o BiH (2001–2017 )”. Academy of Sciences and Arts of Bosnia and Herzegovina, 2020. http://dx.doi.org/10.5644/pi2020.186.19.

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U radu su date osnovne karakteristike razvoja historiografije o Tuzli i Tuzlanskom kraju u periodu od 2000. godine do danas, vezanom za novi vijek i savremeno doba. Ukazano je na to da je u navedenom vremenu značajno pojačan interes i intenziviran istraživački rad na proučavanju prošlosti Tuzle i Tuzlanskog kraja. Tome su u znatnoj mjeri doprinijele određene okolnosti. Jedna od njih jeste nedovoljna istraženost ovog perioda tuzlanske prošlosti, što je motiviralo i podstaklo istraživače da se značajnije bave njome. Značajan podsticaj istraživanju ove problematike dao je Odsjek za historiju Filo

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Kaothekar, Sachin, and R. K. Chhajlani. "Jeans instability of self gravitating partially ionized Hall plasma with radiative heat loss functions and porosity." In PROCEEDING OF INTERNATIONAL CONFERENCE ON RECENT TRENDS IN APPLIED PHYSICS AND MATERIAL SCIENCE: RAM 2013. AIP, 2013. http://dx.doi.org/10.1063/1.4810713.

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Nagy, Attila. "THE NON-APPLICATION OF COMPETITION RULES IN POST-CONFLICT DEVELOPMENT." In International Jean Monnet Module Conference of EU and Comparative Competition Law Issues "Competition Law (in Pandemic Times): Challenges and Reforms. Faculty of Law, Josip Juraj Strossmayer University of Osijek, 2021. http://dx.doi.org/10.25234/eclic/18834.

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Competition has been claimed to be a very liberal economic tool where market players are meant to be free in arranging their technologies, production and sales on a particular market. In this paper we are developing a new hypothetical of the functioning of market economies which are in a global sense and considering new markets very different and specific. All the global powers, whose centre of influence might change in time, are trying to gain a bigger share regarding raw materials and potential markets. In post-conflicts societies and in particular in our case study of Kosovo and Serbia we c

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Gómez Gómez, Jaime Francisco, Francisco Javier González Madariaga, Luis Alberto Rosa Sierra, and Ruth Maribel León Morán. "Scrap denim-PP composites as a material for new product design." In Systems & Design: Beyond Processes and Thinking. Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/ifdp.2016.3360.

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The growing interest of manufacturing companies to use its scraps as raw material to design and develop alternate products has led them to news ways of processing them. The present project arises from a jeans manufacturing company’s interest on making an effort to reuse its daily denim scrap to manufacture a different kind of product without diversifying its capabilities. Some studies on denim-binder mixtures have been previously performed, amongst which binders such as corn starch and vinyl adhesives were used. In the present work some preliminary findings are shown using denim in its woven f

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Elizondo, Hazel A., Bereket Lebassi, and Jorge E. Gonzalez-Cruz. "Modeling and Validation of Building Thermal Performance of the 2007 Santa Clara University Solar Decathlon House." In ASME 2008 2nd International Conference on Energy Sustainability collocated with the Heat Transfer, Fluids Engineering, and 3rd Energy Nanotechnology Conferences. ASMEDC, 2008. http://dx.doi.org/10.1115/es2008-54044.

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Sustainability is an issue of great importance in the building and energy sectors. In the United States, about 40% of total energy use is in buildings, 30% of raw materials are used in buildings, 30% of waste outputs come from buildings, 30% of greenhouse gas emissions are attributed to buildings, and 12% of potable water consumption occurs in buildings. Thus, there is a great necessity for the rapid deployment of highly sustainable buildings that are aesthetic and reliable. Solar houses are highly sustainable and can be designed to be reliable by using streamlined technologies, providing as m

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