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1

Plasa, Carl. Jean Rhys. Macmillan Education UK, 2001. http://dx.doi.org/10.1057/978-1-137-22186-5.

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Maurel, Sylvie. Jean Rhys. Macmillan Education UK, 1998. http://dx.doi.org/10.1007/978-1-349-27006-4.

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Howells, Coral Ann. Jean Rhys. Harvester Wheatsheaf, 1991.

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Sternlicht, Sanford V. Jean Rhys. Twayne, 1997.

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Carr, Helen. Jean Rhys. Northcote House, 1996.

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Jordis, Christine. Jean Rhys. La Manufacture, 1989.

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Maurel, Sylvie. Jean Rhys. St. Martin's Press, 1998.

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Howells, Coral Ann. Jean Rhys. St. Martin's Press, 1991.

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Lopoukhine, Juliana, Frédéric Regard, and Kerry-Jane Wallart. Jean Rhys. Routledge, 2023. http://dx.doi.org/10.4324/9781003367895.

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Tobia, Paola. Jean Rhys: Scrittrice ipertestuale. Tracce, 2011.

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11

Rhys, Jean. Jean Rhys: The Complete Novels. W. W. Norton & Company, 1985.

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12

Angier, Carole. Jean Rhys: Life and work. Andre Deutsch, 1990.

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Angier, Carole. Jean Rhys: Life and work. Little, Brown, 1991.

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14

M, Frickey Pierrette, ed. Critical perspectives on Jean Rhys. Three Continents Press, 1990.

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Rhys, Jean. Jean Rhys: Letters 1931-1966. Penguin, 1985.

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16

1959-, Plasa Carl, and Tredell Nicolas, eds. Jean Rhys: Wide Sargasso Sea. Icon Books, 2001.

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17

Nebeker, Helen. Jean Rhys: woman in passage: A critical study of the novels of Jean Rhys. 2nd ed. Acacia Publishing, 2009.

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18

Fertig, Mona. Wide Sargasso Sea (for Jean Rhys). (m)Other Tongue Press, 1997.

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19

Savory, Elaine. The Cambridge introduction to Jean Rhys. Cambridge University Press, 2009.

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20

Savory, Elaine. The Cambridge introduction to Jean Rhys. Cambridge University Press, 2009.

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Savory, Elaine. The Cambridge introduction to Jean Rhys. Cambridge University Press, 2009.

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22

Economides, Athena. Jean Rhys: A selective, partially annotated bibliography. typescript, 1986.

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23

Moore, Simeon John. Jean Rhys and "the ideology of modernism". The Author], 1991.

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24

Malcolm, Cheryl Alexander. Jean Rhys: A study of the short fiction. Twayne Publishers, 1996.

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Gallez, Paula Le. The Rhys woman. St. Martin's Press, 1990.

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Moran, Patricia. Virginia Woolf, Jean Rhys, and the Aesthetics of Trauma. Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230601857.

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27

Francis, Nicola. Themes of alienation and identity in Jean Rhys' novels. Thames Polytechnic, 1989.

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28

III, Université de Paris, ed. L'œuvre de Jean Rhys: Le texte et son ombre. A.N.R.T. Université de Lille III, 1995.

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Johnson, Erica, and Patricia Moran. Jean Rhys. Edinburgh University Press, 2015. http://dx.doi.org/10.1515/9781474402200.

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30

Lykiard, Alexis. Jean Rhys. Shoestring Press, 2006.

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31

Angier, Carole. Jean Rhys. Carlton Books Limited, 1990.

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Irele, Abiola, and Elaine Savory. Jean Rhys. Cambridge University Press, 2005.

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33

Maurel, Sylvie. Jean Rhys. Red Globe Press, 1998.

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34

Carr, Helen. Jean Rhys. Hyperion Books, 1990.

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35

Savory, Elaine. Jean Rhys. Cambridge University Press, 1999.

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36

Savory, Elaine. Jean Rhys. Cambridge University Press, 1998.

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Maurel, Sylvie. Jean Rhys. Palgrave Macmillan Limited, 1998.

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Savory, Elaine. Jean Rhys. Cambridge University Press, 2009.

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39

Jean Rhys. F. Ungar Pub. Co., 1985.

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40

Jean Rhys. 2nd ed. Northcote House Publishers Ltd, 2005.

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Jean Rhys. Viking, 1985.

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42

Jean Rhys. Cambridge University Press, 1998.

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Angier, Carole. Jean Rhys: Life and Work (Jean Rhys). Pub Overstock Unlimited Inc, 1991.

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44

Lopoukhine, Juliana, Frédéric Regard, and Kerry-Jane Wallart, eds. Transnational Jean Rhys. Bloomsbury Publishing Inc, 2021. http://dx.doi.org/10.5040/9781501361326.

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45

Jean Rhys revisited. Stride Publications, 2000.

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46

Webb, Ruth. Jean Rhys Biography. Little, Brown Book Group Limited, 2005.

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47

Jean Rhys: Writing Precariously. Taylor & Francis Group, 2023.

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48

Jean Rhys, la prisonnière. Stock, 1996.

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49

Jean Rhys: Writing Precariously. Taylor & Francis Group, 2023.

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50

Plock, Vike Martina. Conformity and Idiosyncrasy: Jean Rhys. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474427418.003.0003.

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Abstract:
By looking at Jean Rhys’s ‘Left Bank’ fiction (Quartet, After Leaving Mr Mackenzie, Good Morning, Midnight, ‘Illusion’, ‘Mannequin’), this chapter investigates how new operational procedures such as Fordism and Taylorism, which were introduced into the French couture industry at the beginning of the twentieth century, affected constructions of modern femininity. Increasingly standardized images of feminine types were produced by Paris couturiers while the new look of the Flapper seemingly advertised women’s expanding social, political and professional mobility. Rhys, this chapter argues, noted
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