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Books on the topic 'Jerome Robbins'

Author: Grafiati

Published: 31 August 2024

Last updated: 31 July 2025

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1

Vaill, Amanda, and Judy Kinberg. Jerome Robbins: Something to dance about. Kultur, 2009.

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2

Jowitt, Deborah. Jerome Robbins: His life, his theater, his dance. Simon & Schuster, 2004.

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3

Bocher, Barbara. The cage: Dancing for Jerome Robbins and George Balanchine, 1949-1954. CreateSpace], 2012.

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4

Laurents, Arthur. West side story: A musical : based on a conception of Jerome Robbins. Heinemann Educational, 1985.

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5

Schlundt, Christena L. Dance in the musical theatre: Jerome Robbins and his peers, 1934-1965 : a guide. Garland Pub., 1989.

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6

Finn, Felicity. Jeremy and the aunties. Second Story Press, 1992.

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7

Lesser, Wendy. Jerome Robbins. Yale University Press, 2018. http://dx.doi.org/10.12987/9780300240429.

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8

Jerome Robbins. Rosen Publishing Group, 2009.

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9

Jerome Robbins. Rosen Publishing Group, 2009.

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10

Vaill, Amanda. Jerome Robbins. Little, Brown Book Group Limited, 2006.

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11

Jerome Robbins. Rosen Publishing Group, 2009.

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12

Jerome Robbins. Rosen Publishing Group, 2009.

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13

Jerome Robbins' Broadway. Hal Leonard Corp, 1989.

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14

Jerome Robbins: That Broadway Man. Booth-Clibborn, 2000.

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15

Vaill, Amanda. Somewhere: The Life of Jerome Robbins. Broadway, 2008.

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16

Jerome Robbins: A life in dance. 2018.

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17

Somewhere: The Life of Jerome Robbins. Orion Publishing Group, Limited, 2005.

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18

Vaill, Amanda. Somewhere: The Life of Jerome Robbins. Broadway, 2006.

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19

Lesser, Wendy. Jerome Robbins: A Life in Dance. Yale University Press, 2018.

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20

Seibert, Brian. Jerome Robbins (Library of American Choreographers). Rosen Publishing Group, 2005.

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21

Somewhere: The Life of Jerome Robbins. Orion Publishing Group, Limited, 2007.

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22

Somewhere: The life of Jerome Robbins. Broadway Books, 2006.

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23

Jerome Robbins (The Library of American Choreographers). Rosen Central, 2005.

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24

Dance with Demons: The Life of Jerome Robbins. Putnam Adult, 2001.

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25

Jerome Robbins: His Life, His Theater, His Dance. Simon & Schuster, 2005.

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26

Jowitt, Deborah. Jerome Robbins: His Life, His Theater, His Dance. Simon & Schuster, 2004.

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27

Lawrence, Greg. Dance With Demons: The Life of Jerome Robbins. Diane Pub Co, 2003.

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28

Dance with Demons: The Life of Jerome Robbins. Penguin Publishing Group, 2001.

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29

Jerome Robbins: His life, his theater, his dance. Simon & Schuster, 2004.

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30

Dance with Demons: The Life of Jerome Robbins. Berkley Trade, 2002.

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31

West Side Story Based On A Conception Of Jerome Robbins. Hal Leonard Publishing Corporation, 2011.

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32

Broadway, the Golden Years: Jerome Robbins and the Great Choreographer-Directors, 1940 to the Present. Bloomsbury Publishing Plc, 2006.

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33

Broadway, the Golden Years: Jerome Robbins and the Great Choreographer-Directors, 1940 to the Present. Continuum International Publishing Group, 2001.

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34

Broadway, the Golden Years: Jerome Robbins and the Great Choreographer-Directors, 1940 to the Present. Bloomsbury Publishing Plc, 2006.

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35

Broadway, the Golden Years: Jerome Robbins and the Great Choreographer Directors, 1940 to the Present. Continuum International Publishing Group, 2003.

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36

Jerome Robbins, by Himself: Selections from His Letters, Journals, Drawings, Photographs, and a Memoir in Progress. Knopf Doubleday Publishing Group, 2019.

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37

Broadway: The Golden Years: Jerome Robbins And The Great Choreographer-Directors 1940'S To The Present. Continuum, 2003.

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38

Winkler, Kevin. Apprenticeship. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199336791.003.0003.

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This chapter describes Bob Fosse’s first four Broadway shows, which he worked on with George Abbott or Jerome Robbins, both of whom proved important mentors to the young choreographer. This high-level apprenticeship served as a foundation for every Fosse show that followed. With The Pajama Game, his distinctive style was already fully developed as exemplified in “Steam Heat.” Damn Yankees introduced Fosse to Gwen Verdon, a former Jack Cole dancer whose performance of Fosse’s choreography for “Whatever Lola Wants” proved indelible and led to a professional and personal association that would la

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39

Winkler, Kevin. Big Deal. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199336791.001.0001.

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Bob Fosse’s work continues to be the most recognizable of the great choreographers of Broadway’s post–World War II golden age. This book offers deep analysis of Fosse’s development as a choreographer, including the various dance influences he absorbed as a young performer. It examines key Fosse dances and contextualizes them across his career. It looks at how he influenced changes in the musical theater, particularly as a director, and how early mentors George Abbott and Jerome Robbins shaped his theatrical outlook. It compares his work to that of peers like Robbins, Gower Champion, Michael Be

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40

Winkler, Kevin. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199336791.003.0001.

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This introduction looks at the development of the role of director-choreographer, that individual who uses movement to align all elements of a musical into an integrated and cohesive whole. Ned Wayburn’s codified dance routines and Julian Mitchell’s scenic effects and production numbers gave way to Seymour Felix’s and Sammy Lee’s early attempts at integrating dance with narrative. From there, George Balanchine’s introduction of ballet into the structure of musicals and the corresponding requirement for classically trained dancers led to Agnes de Mille’s danced psychological scenarios, which em

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41

Challender, James Winston. The function of the choreographer in the development of the conceptual musical: An examination of the work of Jerome Robbins, Bob Fosse, and Michael Bennett on Broadway between 1944 and 1981. 1986.

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42

Winkler, Kevin. Everything is Choreography. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190090739.001.0001.

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Everything Is Choreography: The Musical Theater of Tommy Tune is the first full-scale analysis of the work of Tommy Tune, and his place in a lineage of Broadway’s great director-choreographers. The decade of the 1980s was considered a low point for the American musical. Tune’s predecessors in the art of complete musical staging like Jerome Robbins, Bob Fosse, Gower Champion, and Michael Bennett were either dead or withdrawn from the Broadway arena. Yet it was the period of Tune’s greatest success. The book examines how he adapted to an increasingly corporatized, high-stakes producing and fundi

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43

Young, Harvey, ed. The Great North American Stage Directors. Bloomsbury Publishing Plc, 2021. http://dx.doi.org/10.5040/9781350045187.

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This volume chronicles the lives and artistry of Elia Kazan, Jerome Robbins, and Lloyd Richards. Their commitment to staging new works, which often focused on the experiences of immigrant and working-class families, significantly expanded the scope and possibilities of American theatre across the 20th century. It illuminates too their collaborations with a range of innovative theatre artists, including Lee Strasberg, Clifford Odets, Marlon Brando, Arthur Miller, Tennessee Williams, Lorraine Hansberry, Leonard Bernstein, Stephen Sondheim, and August Wilson. The Great North American Stage Direct

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44

Gennaro, Liza. Making Broadway Dance. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190631093.001.0001.

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Musical theater dance is an ever-changing and evolving dance form, egalitarian in its embrace of any and all dance genres. It is a living, transforming art developed by exceptional dance artists requiring dramaturgical understanding; character analysis; knowledge of history, art, design; and, most importantly, an extensive knowledge of dance, both intellectual and embodied. Its ghettoization within criticism and scholarship as a throw-away dance form, undeserving of analysis—derivative, cliché ridden, titillating and predictable, the ugly stepsister of both theater and dance—belies and ignores

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45

West, Martha Ullman. Todd Bolender, Janet Reed, and the Making of American Ballet. University Press of Florida, 2021. http://dx.doi.org/10.5744/florida/9780813066776.001.0001.

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Martha Ullman West illustrates how American ballet developed over the course of the twentieth century from an aesthetic originating in the courts of Europe into a stylistically diverse expression of a democratic culture. West places at center stage two artists who were instrumental to this story: Todd Bolender and Janet Reed. Lifelong friends, Bolender (1914–2006) and Reed (1916–2000) were part of a generation of dancers who navigated the Great Depression, World War II, and the vibrant cultural scene of postwar New York City. They danced in the works of choreographers Lew and Willam Christense

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46

Zipprodt, Patricia, and Arnold Wengrow. If the Song Doesn’t Work, Change the Dress. Bloomsbury Publishing Plc, 2025. http://dx.doi.org/10.5040/9781350430693.

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Iconic Broadway costume designer Patricia Zipprodt (1925-99) tells her own colorful story from a tumultuous childhood in Depression-era Chicago to Bohemian New York in the 1950s, becoming one of the 20th century's most celebrated designers. Told with Zipprodt's acerbic humor and delicious wit,If the Song Doesn't Work, Change the Dresscharts her journey to 1950s Greenwich Village, America's literary and artistic Bohemia. Tracking her career as it plunges into the developing Off-Broadway movement, and charting her personal and professional failures and successes collaborating with the biggest ar

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47

Dietz, Dan. Complete Book of 1960s Broadway Musicals. Rowman & Littlefield, 2014. https://doi.org/10.5040/9798881833756.

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While the 1960s may have been a decade of significant upheaval in America, it was also one of the richest periods in musical theatre history. Shows produced on Broadway during this time include such classics as Bye, Bye Birdie; Cabaret; Camelot; Hello Dolly!; Fiddler on the Roof; How to Succeed in Business without Really Trying; Oliver!; and Man of La Mancha. Performers such as Dick Van Dyke, Anthony Newley, Jerry Orbach, and Barbara Streisand made their marks, and other talents—such as Bob Fosse, John Kander, Fred Ebb, Alan Jay Lerner, Frederick Loewe, Jerome Robbins, and Stephen Sondheim—als

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48

Dietz, Dan. Complete Book of 1950s Broadway Musicals. Rowman & Littlefield, 2014. https://doi.org/10.5040/9798881823412.

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The Broadway musical came of age in the 1950s, a period in which some of the greatest productions made their debuts. Shows produced on Broadway during this decade include such classics as Damn Yankees, Fiorello!, Guys and Dolls, The King and I, Kismet, The Most Happy Fella, My Fair Lady, The Pajama Game, Peter Pan, The Sound of Music, and West Side Story. Among the performers who made their marks were Julie Andrews, Bob Fosse, Carol Lawrence, and Gwen Verdon, while other talents who contributed to shows include Leonard Bernstein, Oscar Hammerstein II, Alan Jay Lerner, Frederick Loewe, Cole Por

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49

Martincich, Dustyn, Phoebe Rumsey, Benae Beamon, et al. Dance in Musical Theatre. Edited by Dustyn Martincich and Phoebe Rumsey. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350235564.

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From Oklahoma! and West Side Story, to Spring Awakening and Hamilton, dance remains one of the most important and key factors in musical theatre. Through the integration of song and dance in the ‘dream ballets’ of choreographers like Agnes de Mille; the triple threat performances of Jerome Robbins’ dancers; the signature style creation by choreographers like Bob Fosse with dancers like Gwen Verdon; and the contemporary, identity-driven work of choreographers like Camille A. Brown, the history of the body in movement is one that begs study and appreciation. Dance in Musical Theatre offers guide

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