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Zemen, Jan. "Marek Jerie - violoncellista a pedagog." Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2013. http://www.nusl.cz/ntk/nusl-177948.
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This thesis details the recognized and recpected personalities of Marek Jerie, which draws from the perspective of teaching and interpretative operation,but also closer to him as a person and a prominent figure of cultural events.Aside leaves or inconvenience caused by the previous regime and his departure into exile.Trough the work is also very close encounter with leading personalities of the world´s Cello ( Bohus Heran, Pablo Cassals, Andrér Navara, Mstislav Rostropovich ad.).With their views on the interpretation and art in general is their nature. Also appears in many of the links and interconnections struktures of world of the art. A very important point of this paper is a summary view of Jerieho interpretation and recording activities resting on the study of contemporary international critics. In addition to solo action Jerie was a member of several chamber ensembles ( Guarneri Trio Prague, Duo Bohuslava Martinů, and others.). In detail, the work in this regard focuses on Jerie´s artistic effect with the Guarneri Trio Prague, of which member is over twenty five years. One of the last chapters look at his teaching "laboratory ". His pupils are successfully applied worldwide, and its methods are widely recognized world wide cello public.
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Ibitson, David Alexander. "Authorship, imperial masculinity, and parody in the works of Jerome K. Jerome, 1886-1902." Thesis, University of Leeds, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.634525.
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This thesis demonstrates that Jerome K. Jerome's Three Men in a Boat functions as a parody of an Imperial adventure narrative, mimicking Henry Morton Stanley's How I Found Livingstone, as well as works by H. Rider Haggard and G. A. Henty. It acts to critically disfigure its literary source texts, as well as to question tenets of heroic masculinity. This primary parody in turn suggests how Jerome's wider body of work acts on other more social source texts which are bound up with ideas of Imperial adventure. Jerome's writing acknowledges and undermines contemporary ideas of urban enervation and declining national fitness, proposing instead a valid office clerk masculinity in opposition to an Imperial one. His protagonists evoke and undermine contemporary urban escape programmes and boys organizations, such as the Boys' Brigade. Similarly, Jerome also targets the efforts of social reformers who carry out urban exploration, while using and endorsing the site of the music hall to argue for a type of urban masculinity. He brings together ideas of urban degeneration, imperial travel and sexual danger to portray the practice of urban exploration as a parodic corruption of explorative heroism. Jerome's work also demonstrates an attempt to resolve notions of clerkish enervation with authorship as a career, His novels express an authorial anxiety about the suitability of writing as a masculine profession, which is comparable with George Gissing's New Grub Street. Jerome is revealed to be a crucial focal point which brings together intersecting fin de siecle ideas of masculinity, heroism, class and national fitness, and fully explicates how these interact. These concerns anticipate preoccupations of modernist texts.
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Henri, Jérôme. "Etude comparative de deux ionophores carboxyliques chez la volaille : apport de la modélisation pharmacocinétique basée sur la physiologie." Poitiers, 2008. http://theses.edel.univ-poitiers.fr/theses/2008/Henri-Jerome/2008-Henri-Jerome-These.pdf.
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Les ionophores carboxyliques utilisés comme additifs anticoccidiens dans l’alimentation des volailles sont actuellement en cours de réévaluation, pour l’Autorité européenne de sécurité sanitaire des aliments, afin d’en évaluer le risque pour le consommateur. Ce travail a contribué à l’évaluation de la pharmacocinétique du monensin chez le poulet et le dindon et de la salinomycine chez le poulet, afin de pouvoir établir quelques généralités concernant les ionophores carboxyliques chez la volaille. Les trois exemples pris comme sujet d’étude lors de cette thèse ont montré une faible biodisponibilité orale et une élimination rapide conduisant à un temps d’attente calculé qui ne dépasse pas 22 heures. Lors de ces travaux, des expérimentations in vitro et in vivo ont également servi à affecter des valeurs aux paramètres permettant d’implémenter un modèle pharmacocinétique basé sur la physiologie. Ce modèle a été appliqué au couple poulet-monensin. Un modèle physiologique du monensin chez le poulet a donc été testé. Les simulations de ce modèle reproduisent les concentrations observées après administration unique par voie intraveineuse ou orale, mais surestiment les concentrations après administrations orales répétées via l’aliment supplémentéCarboxylic ionophores used as anticoccidial additives in poultry feed are currently under reevaluation by the European food safety authority in order to assess the safety of the consumer. This work has contributed to the knowledge of pharmacokinetics of monensin in chickens and turkeys and salinomycin in chickens in order to establish some generalities about carboxylic ionophores in poultry. The three examples taken as experimental subject during this thesis have shown a low oral bioavaibility and a rapid elimination driving to a calculated withdrawal period of less than 22 hours in any case. During these works, in vitro and in vivo experiments were used to attribute values to parameters allowing to implement a physiologically based pharmacokinetic model. A physiological model of monensin in chickens has then been tested. Simulations of this model reproduce concentrations observed after a single administration by intravenous or oral route but overestimate concentrations after repeated oral administrations in the supplemented food
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Jolibois, Jérôme. "Etude et développement d'un actionneur plasma à décharge à barrière diélectrique : application au contrôle d'écoulement sur profil d'aile." Poitiers, 2008. http://theses.edel.univ-poitiers.fr/theses/2008/Jolibois-Jerome/2008-Jolibois-Jerome-These.pdf.
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La Décharge à Barrière Diélectrique (DBD) employée ici consiste en une décharge électrique établie dans l’air à pression atmosphérique à la surface d’un isolant. Cette décharge ionise l’air ambiant environnant, et les espèces chargées générées soumises à la force de Coulomb induisent, par transfert de quantité de mouvement, un écoulement appelé vent électrique. Récemment, la capacité de ce type de dispositif à contrôler un écoulement subsonique autour de profils aérodynamiques a été mise en évidence. La DBD employée dans ce sens est appelée actionneur plasma. Ces actionneurs peuvent modifier les écoulements de couche limite en proche paroi par l’intermédiaire du vent électrique. Le but de la thèse est d’améliorer les performances aérodynamiques d’une aile, soit en augmentant sa portance, soit en réduisant sa traînée ou bien encore en retardant le décrochage du profil. Le travail réalisé se divise en deux grandes parties. La première partie a consisté à développer puis optimiser une décharge à barrière diélectrique afin de mieux comprendre son fonctionnement. Pour cela, une étude paramétrique a été effectuée, en faisant varier les grandeurs électriques, physiques et géométriques. Des mesures électriques et mécaniques ont été réalisées, puis des grandeurs électromécaniques comme le rendement par exemple ont été estimées et comparées. Ces différentes études ont permis de définir un ensemble de paramètres permettant d’obtenir une DBD optimum en termes de génération de vent électrique et de fiabilité. La seconde partie a consisté à intégrer l’actionneur plasma optimisé sur un profil symétrique NACA 0015, et de tester son efficacité dans un écoulement d’air allant jusqu’à 40 m/s. Pour cela, des mesures Particle Image Velocimetry (PIV) de l’écoulement autour du profil et des pesées aérodynamiques ont été réalisées sans, puis avec contrôle. L’influence de différents paramètres (fréquence et intensité de l’excitation, mode en fonctionnement) a été étudiée. Il a été mis en évidence une modification de l’écoulement sous les effets du contrôle qui favorise soit le processus de recollement de la couche limite ou soit le décollement. L’efficacité des actions continue et instationnaire de l’actionneur a été comparée. Modulée par une fréquence adimensionnelle F+, le mode instationnaire présente des résultats équivalent voire supérieur au mode continu tout en réduisant la consommation spécifique de la DBDThe Dilectric Barrier Discharge (DBD) employed here consists of a surface electrical discharge established in air at atmospheric pressure on a dielectric wall. This discharge ionizes the ambient air and the produced species charged submitted to Coulomb forces induce by a momentum transfer a flow called electric wind. Recently, the ability of this device to control subsonic airflow around of aerodynamic profils has been demonstrated. The DBD used here is called plasma actuator. These actuators are able to modify the boundary layer close to the wall by the electric wind. The goal of this thesis is to improve the aerodynamic performances of an airfoil, either by increasing its lift or by reducing its drag, either by delaying the stall of the profile. The present work divides in two parts. The first part has consisted in developping and optimizing a dielectric barrier discharge in order to understand its operating. For that, a parametric study has been conducted by varying the electrical, physical and geometrical parameters. Electrical and mechanical measurements have been realised. Then the electromechanical parameters such as efficiency have been determined and compared. These different studies allowed to define a system of parameters allowing to obtain an optimum DBD in terms of electric wind generation and fiability. The second part has consisted in integrating the optimised plasma actuator on a NACA 0015 profile and in testing its effectiveness to control an airflow up to 40 m/s. For that, Particle Image Velocimetry (PIV) measurements and force balance measurements have been realized without, and then with control. The influence of different parameters (frequency and intensity of excitation, operation mode) has been investigated. It was highlighted an airflow modification under the effects of control which favors the reattachemnt or the detachment. The effectiveness of the steady and unsteady actuations of the actuator has been compared. Modulated by a dimensionless frequency F+, the unsteady mode presents equivalent results and even greater than the steady actuation while reducing the consumption of the DBD
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Gehannin, Jérôme. "Analyse théorique des amortisseurs à film fluide fonctionnant à des nombres de Reynolds élevés." Poitiers, 2009. http://theses.edel.univ-poitiers.fr/theses/2009/Gehannin-Jerome/2009-Gehannin-Jerome-These.pdf.
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L'amortisseur à film fluide (Squeeze Film Damper ou SFD) est un composant couramment utilisé dans l'industrie aéronautique permettant d'apporter de l'amortissement aux arbres en rotation supportés par des roulements et fonctionnant en régime surcritique. Le mouvement de l'arbre dû à son excitation extérieure est alors amorti par un film mince confiné entre le roulement et le carter. Une modélisation du comportement fluide du film mince est nécessaire à une bonne estimation des efforts générés par le mouvement de l'arbre. Pour des conditions de fonctionnement industrielles, le SFD est muni de systèmes d'alimentation et d'étanchéité devant être pris en compte dans la modélisation. De plus, les dépressions importantes engendrées dans le film entrainent la vaporisation du fluide, qui doit aussi être modélisée. Cependant, pour des configurations de fonctionnement réelles, l'écoulement est inertiel, ce qui ne permet plus une modélisation simple basée sur l'équation de Reynolds. Le modèle doit alors être basé sur un système d'équations similaire aux équations Navier Stokes de la Mécanique des FluidesThe Squeeze Film Damper (SFD) is a component used in the aeronautical industry for damping aircraft engines rotors guided by roller bearings and working at supercritical regimes. The vibration of the rotor entrained by an external excitation is then damped by a thin film confined between the roller bearing and the engine casing. A modelling of the thin fluid film is then necessary for a good estimation of the forces engendered by the vibrations of the rotor. For industrial working conditions, the SFD is provided with feeding and sealing systems that must be taken into account in the theoretical model. Moreover, low pressures engendered in the film entrain the vaporisation of the fluid that must be also taken into account. Meanwhile, for real working conditions the flow is dominated by inertia effects and a simple model based on Reynolds equation is not appropriate any more. The model must be then based on a system of equations similar to Navier Stokes equations
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Abarca, Cordero Julio César. "Jerome Seymour Bruner (1915-2016)." Pontificia Universidad Católica del Perú, 2017. http://repositorio.pucp.edu.pe/index/handle/123456789/102410.
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Mateus, Andrea Martins Lameirao. "A poética multifacetada de Jerome Rothenberg." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-14012015-170016/.
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A Poética Multifacetada de Jerome Rothenberg investiga o modo operacional da poética de Jerome Rothenberg (1931). Nascido em Nova York, em 1931, Rothenberg fez parte de uma geração intermediária entre movimentos poéticos bastante conhecidos de público e crítica: a poesia beatnik dos anos 1950 e 1960 e a language poetry do início da década de 1970. Junto com o poeta Robert Kelly, Rothenberg concebe a deep image nos anos 1960, movimento de curta duração, mas essencial para seu desenvolvimento poético. Rothenberg é conhecido principalmente por ter criado o termo etnopoesia e por seus experimentos com o que chamou tradução total, ao traduzir a poesia indígena norteamericana. A tradução total foi um método inovador de considerar a musicalidade, a presença de distorções de palavras ou palavras sem sentido, e outros mecanismos poéticos das artes verbais indígenas como parte integrante da composição. Dessa forma, o resultado da tradução deveria necessariamente contemplar todos esses aspectos. A partir de seu dito o primitivo é complexo Rothenberg passa a considerar aspectos poéticos da produção oriunda de culturas orais, ditas primitivas, como a base de seu conceito de etnopoesia. Sua busca pelo primitivo também o conecta diretamente com outros autores lidos como experimentais na poesia, de William Blake e Walt Whitman a Allen Ginsberg, passando por uma tríade modernista: Ezra Pound, William Carlos Williams e Gertrude Stein. A hipótese desta tese é demonstrar que o impulso etnopoético, aparentemente restrito ao seu trabalho como antologista e suas traduções, na realidade é mais abrangente e inclui sua própria produção poética. A etnopoesia se torna o conceito pelo qual podemos ler o seu retorno à sua ancestralidade judaica e seus poemas que tratam de temas como a vida dos judeus na Polônia dos anos 1930, a tradição mística da cabala e o Holocausto. A tese aborda também questões como inserção no meio poético, autoria, influência e originalidadeThe Multifaceted Poetry of Jerome Rothenberg deals with the methods applied by Jerome Rothenbergs poetics. Born in New York, in 1931, Rothenberg was part of a generation in between well known poetic movements: the beatnik poetry from the 1950s e 1960s and the language poetry of the 1970s. With fellow poet Robert Kelly, Rothenberg starts the deep image in the 1960, a short-lived movement, yet an essential one for his poetic development. Rothenberg is better known for having coined the term etnopoetry and for his experimentations with what he called total translation, while working with North-American Indian poetry. Total translation was an innovative method in considering musicality, the presence of word distortions or meaningless words and other poetic mechanisms of Indian poetry as an integral part of a poem or song, so that the resultant translation would necessarily contemplate all these aspects. From the perspective of his saying primitive is complex, Rothenberg starts considering the characteristics of poetry from oral culture, or those called primitive, as the basis for his concept of an etnopoetics. His search for the primitive also connects him with authors read as experimental in poetry, from William Blake and Walt Whitman to Allen Ginsberg, passing through the modernist triad Ezra Pound, William Carlos Williams and Gertrude Stein. The hypothesis of this thesis is to show how the etnopoetic impulse, apparently restricted to his work as anthologist and translator, is, in reality, much more broad in its spectrum and includes his own poetic production. Etnopoetry then becomes the concept we can use to read his return to his Jewish ancestrality and the poems dealing with topics such as the life of Jews in Poland in the 1930s, the mystical kabbalah and the Holocaust. This thesis also shows his insertion in the poetic scene, and debates questions like authorship, influence, and originality
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Mansell, John David. "Jerry Herman's leading ladies." Orlando, Fla. : University of Central Florida, 2010. http://purl.fcla.edu/fcla/etd/CFE0003017.
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Mansell, John. "JERRY HERMAN'S LEADING LADIES." Doctoral diss., University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/3334.
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Jerry Herman is celebrated for his ability to showcase strong leading female roles in his canon of work that spans some fifty years. In writing such strong female characters, he must produce strong male counterparts to these women who can communicate on their level and not become overpowered by the women s presence. I was cast in the musical revue, It s Today: An Evening of Jerry Herman, conceived, directed, and choreographed by Earl D. Weaver. My portion of the revue explored Herman s leading male roles of Cornelius from Hello, Dolly!; Mack from Mack and Mabel; Colonel Tadeusz Boleslav Stjerbinsky from The Grand Tour; and Albin from La Cage aux Folles, My analysis of these specific leading male roles uncovers how their relationships with their leading ladies defines their character in each of the musicals for which they were written. It also helped me define multiple characters in the course of a revue with no plot or storyline. Though all these male characters provided me with challenges, my greatest task was defining Albin in La Cage aux Folles. He provides a unique perspective in that he exemplifies a combination of both male/female characteristics. He is a man who regularly portrays a woman onstage in a drag club as well as assuming a female role in a homosexual relationship. He serves as the  leading lady for La Cage aux Folles though his character is considered a  leading man role. He is the consummate representation of all Jerry Herman leading roles, and embodies many of the themes Herman utilizes in all his work.M.F.A.
Department of Theatre
Arts and Humanities
Theatre MFA
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Cleary, Nicole. "Jerome on the attack : constructing a polemical persona." Thesis, University of Edinburgh, 2015. http://hdl.handle.net/1842/10661.
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This thesis argues that Jerome’s polemics against Helvidius, Jovinian, and Vigilantius were tailored to boost Jerome’s status within the Christian community, and were carefully constructed pieces of abusive rhetoric, rather than the result of his famed curmudgeonly character. These treatises are studied in light of both the ancient rhetorical tradition within which Jerome was trained, and modern theories of abusive rhetoric. This thesis is demonstrated in six chapters. Chapter 1 demonstrates that past scholarship focused on ‘Jerome the man’, his self-invention, and his academic and spiritual qualities, without giving adequate attention to how Jerome used these qualities in his compositions. Chapter 2 focuses on ancient and modern theories of rhetoric in order to set out a methodology of abusive rhetoric that highlights Burkean identification. In addition, this chapter studies how rhetoric can define and challenge social hierarchies. Chapter 3 discusses Jerome’s awareness of social standing through discussion of his interactions with three of his contemporaries: Augustine, Rufinus, and Ambrose. It examines how Jerome altered his rhetoric to reflect his perception of the relative social status of his correspondents. Part 2 studies three of Jerome’s treatises in light of the conclusion of Part 1. Chapter 4 analyzes Jerome’s Adversus Helvidium, and argues that Jerome’s rhetoric serves to contrast himself with Helvidius, whose heretical, fame-seeking character illuminates Jerome as a humble and conservative Christian. It argues that Jerome’s rhetoric in this treatise aimed for episcopal authority. Chapter 5 studies Jerome’s Adversus Iovinianum and argues that the polemic sought to extend Jerome’s views on asceticism to a wider audience, and potentially secure favor for himself following his expulsion from Rome. He presents Jovinian as a deceptive sinner with a dissolute lifestyle, and himself as an authoritative savior. Although Jerome attempted to connect to the elite in the Christian community, his tract was a failure due to an inability to identify successfully with the audience on the topic of virginity. Finally, Chapter 6 discusses Jerome’s Contra Vigilantium. Jerome presents Vigilantius as a boorish Gallic innkeeper, in contrast to himself as an urbane, albeit snobbish, orthodox Christian. Jerome’s rhetoric carefully identifies himself with upper class Christians, as well as the Emperor, apostles, and martyrs, thereby claiming their agreement with his view of orthodoxy. In sum, I argue that Jerome’s rhetoric served to construct a polemical persona that he attempted to use to further his Christian career, and shape his own image. While this was not entirely successful in his own day, Jerome’s rhetoric did ultimately succeed in crafting an image of himself as an orthodox and authoritative father of the Church.
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Gustin, Mae Sexauer. "A PETROGRAPHIC, GEOCHEMICAL AND STABLE ISOTOPE STUDY OF THE UNITED VERDE OREBODY AND ITS ASSOCIATED ALTERATION, JEROME, ARIZONA." Diss., The University of Arizona, 1988. http://hdl.handle.net/10150/187546.
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The United Verde orebody, a Proterozoic volcanogenic massive sulfide deposit, is hosted by the Cleopatra Formation. The Cleopatra Formation is subdivided into two distinct members, the Upper and Lower, on the basis of alteration facies, whole rock geochemistry and the chemistry of alteration minerals. The Lower member was deposited prior to ore deposition and consists of five major alteration facies. Facies Bl, the most distant from the orebody represents the recharge area for the ore-forming fluid. Facies B2 surrounds the major discharge area or the chlorite pipe. These three facies contain chlorite and quartz as alteration minerals in variable amounts. Two facies, 81 and S2, contain quartz and sericite as alteration minerals. Mass balance calculations show progressive removal of Na and Ca, and addition of MgO and FeO* from the area of recharge (facies Bl) to facies B2 to the chlorite pipe. Whole rock δ¹⁸O values are high relative to least altered Cleopatra Formation in the recharge area and low in the discharge zone. Mineralogy and geochemistry of samples from the Upper member indicate that it was deposited following ore deposition and interacted with fluids rich in silica and iron. The hydrothermal fluid, which is interpreted to have been seawater, evolved to a high temperature slightly acidic, reduced fluid during water-rock interaction(log a₀₂ = -33 to -41; log a(H2S) = -2.6 to -5.0). The fluid δ¹⁸O and δ¹³C₀₂ values increased. Calculated δ¹³C₀₂ and δ¹⁸O fluid values, and sphalerite and chlorite chemistry imply that mixing of the hydrothermal fluid with seawater occurred in the orebody. the upper The levels of the chlorite pipe and in limited range in δ³⁴S values of sulfides is consistent with the derivation of the oreforming fluids from the reduced basal layer of a stratified basin. The study area represents only a small part of the United Verde circulation cell. Increased δ¹⁸O values of the fluid, and the need for a source of Mg, Fe and other metals suggest that the fluids may have circulated into the Shea Basalt.
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Conrads, Peter. "Hieronymus, scriptor et interpres : zur Ikonographie des Eusebius Hieronymus im frühen und hohen Mittelalter /." Würzburg : [s.n.], 1990. http://bibpurl.oclc.org/web/33766.
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Schoenhentz, Jerome [Verfasser]. "Synthese perfluoralkylierter mucinanaloger Glycolipopeptide zur multivalenten Antigenpräsentation / Jerome Schoenhentz." Mainz : Universitätsbibliothek Mainz, 2012. http://d-nb.info/1025407474/34.
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Medernach, Jerry [Verfasser]. "Einsatz sportartspezifischer Trainingsmethoden im Wettkampfbouldern / Jerry Medernach." Köln : Zentralbibliothek der Deutschen Sporthochschule, 2014. http://d-nb.info/1096522195/34.
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McCoubrey, Karen. "The descent into the inner depths, Jerome Martell and Kurtz." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ60733.pdf.
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Hadey, Jean. "Le statut du temple dans le livre du prophete jeremie." Université Marc Bloch (Strasbourg) (1971-2008), 1998. http://www.theses.fr/1998STR20034.
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Les differences textuelles entre la septante et le texte massoretique du livre de jeremie attestent que celui-ci est le produit d'une longue tradition litteraire. Il reste cependant legitime et possible de rechercher quelles ont ete les prises de position de jeremie dans les questions de son temps. Une telle recherche est ici entreprise a propos du temple. Dans une premiere partie est analysee la terminologie employee dans le livre de jeremie pour designer le temple, soit les termes hebreux equivalents a : maison, palais, sanctuaire, tente, patrimoine, trone, lieu. La seconde partie est consacree a l'etude des passages du livre de jeremie les plus pertinents pour la question du temple : les recits de jr. 27-28; 26; les discours en prose de jr. 3,14-18; 7,1-15; et les oracles prophetiques de jr. 11,15-17; 12,7-12; 4,19-26. Ces analyses permettent de conclure que le prophete jeremie a rejete l'ideologie judeenne du temple fondee sur la notion d'election de jerusalem comme lieu de la presence divine. Une partie des interventions redactionnelles a permis d'estomper cet aspect de la predication du propheteIt is obvious that the book of jeremiah is the result of a complex and lengthy process of literary evolution. It remains nonetheless possible to look for jeremiah's own declarations on several subjects. Such a quest is here undertoken concerning the question of the temple. The first part is a study of the terminology of the temple used in the book of jeremiah in the second part, several passages in jeremiah which appear to be concerned with the question of the temple are submitted to detailed exegesis. These analyses allow the conclusion that jeremiah rejected the judean temple ideology based on the election of jerusalem through god
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Minty, Mary. "Albrecht Dürer's "St. Jerome in his study" of 1514 : a reassessment." Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63349.
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Alex, Jerome [Verfasser], Karsten [Akademischer Betreuer] Große-Brauckmann, and John [Akademischer Betreuer] Sullivan. "The periodic Steiner problem / Jerome Alex ; Karsten Große-Brauckmann, John Sullivan." Darmstadt : Universitäts- und Landesbibliothek Darmstadt, 2019. http://d-nb.info/1180602285/34.
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Tan, Jerome Nicholas [Verfasser], and M. [Akademischer Betreuer] Weber. "Low-latency big data visualisation / Nicholas Tan Jerome ; Betreuer: M. Weber." Karlsruhe : KIT Scientific Publishing, 2019. http://d-nb.info/1199538108/34.
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Magny, Ariane. "Porphyry in fragments : Eusebius, Jerome, Augustine and the problem of reconstruction." Thesis, University of Bristol, 2010. http://hdl.handle.net/1983/d105292c-dfd6-4210-b53c-db5d1c4003f9.
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Everyone working on Porphyry's 'Against the Christians' refers to the fragment collection compiled by Adolf von Harnack in 1916. Harnack's scholarship was impressive, but his work is difficult to use, and needs revision in the light of new approaches to the collection and interpretation of fragments. This dissertation draws mainly on the methodological work of Most et al. (1997) to argue that a fragment should not be read apart from its contextual framework. The dissertation analyses the fragments preserved in Eusebius, Jerome, and Augustine, and explains how each author's agenda, as well as their religious and intellectual contexts, influence the way in which they refer to Porphyry. Ultimately, this study aims at proposing a new fragment collection.
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Cogan, Michaëla. "Portrait de l'artiste en idiot : l'idiotie dans l'œuvre de Jerome Charyn." Thesis, Bourgogne Franche-Comté, 2020. http://www.theses.fr/2020UBFCC014.
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La figure de l’idiot sert de clé pour pénétrer l’imaginaire personnel de Charyn. Ce motif récurrent n’en est pas pour autant immédiatement intelligible, l’écrivain mettant en scène une idiotie aux multiples visages, fruit d’une vision éminemment personnelle. En dépit d’un intertexte très présent (emprunt au personnage séminal du Benjy de Faulkner), l’œuvre se distingue par une prise d’autonomie par rapport à un modèle littéraire donné ou à la représentation d’un idiot-type. La première partie fait une typologie de l’idiotie entendue comme rapport problématique au monde et en particulier au langage (« dumbness »). Observé au prisme de l’opposition normalité/anormalité, le personnage de l’idiot est d’abord perçu comme monstrueux et il est marginalisé sur plusieurs plans (spatial, discursif, narratif), même si le récit problématise parfois cette mise à l’écart. Lorsque l’altérité radicale de l’idiot est transgressive, il est le nouveau centre d’un univers dont il est sujet et non plus objet. La seconde partie examine la dimension autoréférentielle du personnage de l’idiot, que Charyn replace dans le contexte spécifique de son enfance dans le Bronx des années quarante, où il a grandi entouré d’immigrants illettrés et traumatisés. À cette idiotie environnante s’oppose l’idiotie singulière de Jerome, devenu paradoxalement l’idiot de la famille car il est le seul à poursuivre une éducation et à acquérir un langage. Enfin, la troisième partie examine la régénération de l’idiot par la toute-puissance de la littérature, plus précisément d’une écriture autofictionnelle, à la fois autoréférentielle et mythologisée. Charyn devient son propre personnage, un idiot nommé Jerome, et réinvente également les « idiots » qui ont peuplé son enfance (le père Sam, la mère Fannie, le frère Harvey). La musique averbale de l’écrivain, son idiolecte, finit par s’extérioriser en un langage intelligible, une voix littéraire originale et idiosyncrasiqueThe figure of the idiot provides a key to Charyn’s imaginary landscape. The recurrence of the motif does not mean, however, that it is immediately intelligible. Charyn’s idiocy is, indeed, multifaceted and originates in an essentially personal vision. Despite undeniable intertextual references – Charyn names Faulkner’s Benjy as a main source of inspiration – marked deviations testify to his independence from other literary models or from the archetypal representations of idiocy. The first part is a typology of idiocy understood as a problematic interaction with the world and in particular with language. Seen at first through the lens of the normal/abnormal dichotomy, the character of the idiot is perceived as monstrous and marginalized on the threefold level of space, speech and story. In some cases the idiot’s radical otherness becomes transgressive, turning him into the center, the subject rather than the object of a then entirely subjective universe. The second part shows the self-reflexive dimension of the idiotic character, through the description of the illiterate Bronx of the forties where he grew up surrounded by traumatized immigrants. This pervasive idiocy contrasts with Charyn’s own singular version of it – he is paradoxically the family idiot because he is the first one to get a degree and to evolve from dumbness towards articulateness. The third part deals with the regeneration of the figure of the idiot through the power of literature, specifically through autofictional writing, both self-reflexive and mythologized. Charyn becomes his own character, an idiot named Jerome, and reinvents his childhood idiots (his father Sam, mother Fannie, brother Harvey). The writer’s wordless music, or idiolect, is eventually externalized, giving birth to an original, idiosyncratic literary voice
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Gustavsson, Hampus. "Guds fiender : En analys av Jerry Falwells uttalanden." Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper (KV), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-28982.
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Gunter, Terry D. "Jerry Rose: An Appalachian Man at the Barre'." Ohio University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1269379951.
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Aranguiz, R. Patricio, C. Heidi Bilbao, and F. Antonieta Parra. "J. D. Salinger: his life and works." Tesis, Universidad de Chile, 2003. http://repositorio.uchile.cl/handle/2250/133437.
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Berti, da Silva Douglas Regis 1980. "Representando o desconhecido = o timbre orquestral na trilha musical de Jerry Goldsmith = Playing the unknown : orchestral tone in Jerry Goldsmith's musical score." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285271.
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Orientador: José Eduardo Ribeiro de PaivaDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-25T21:21:28Z (GMT). No. of bitstreams: 3 BertidaSilva_DouglasRegis_M.pdf: 16408229 bytes, checksum: 036ad2e6aada58e00ac047303daf0fa4 (MD5) BertiDaSilva_DouglasRegis_Anexo1.zip: 147919886 bytes, checksum: a9c5dad785b66408ac9f89714b3c4cb0 (MD5) BertiDaSilva_DouglasRegis_Anexo2.zip: 386337236 bytes, checksum: f594563c559a3a5f032c7e6b2152b1a1 (MD5) Previous issue date: 2014
Resumo: Este trabalho teve por objetivo demonstrar hábitos definidos de efeitos de orquestração em trilhas sonoras, no âmbito do cinema industrial hollywoodiano, por meio de recursos de instrumentação e organização do timbre orquestral consagrados por Jerry Goldsmith. Sob um panorama cronológico, delineamos através de partituras o desenvolvimento de técnicas e procedimentos formais de orquestração, paralelamente à evolução de grupos instrumentais na história da música ocidental. A expansão dos limites da música sinfônica e as inovações orquestrais desenvolvidas pelos grandes compositores, tornaram-se a referência para dirigirmos as atenções aos primeiros compositores de música original para o cinema clássico, e assim nos deparamos com os primeiros filmes que retratam o sobrenatural e os mistérios desconhecidos da humanidade, especialmente por Bernard Herrmann. As artimanhas necessárias para criar uma nova sonoridade orquestral que representasse monstros e alienígenas na música de cinema ¿ além das aflições humanas, é claro ¿ se tornam, em última instância, a nossa derradeira missão: o legado de Jerry Goldsmith e os efeitos da sonoridade orquestral no cinema
Abstract: This study aimed to show defined custom orchestration effects found in Hollywood film industry soundtracks, via resources of instrumentation and orchestral tone established by Jerry Goldsmith. Under a chronological prospect, we outlined the development of techniques and formal method of orchestration through scores, at the same time with the evolution of instrumental sets in European music history. The spreading of symphonic music¿s boundaries and the technical innovation developed by the great composers became reference to us to focus to the first original music composers in the classical Hollywoodian cinema, and here we run into the first movies that depict the supernatural and the unknown mysteries of mankind, specially by Bernard Herrmann. The required tricks to creat a new orchestral sound which intended to play monsters and aliens in the music track ¿ human suffering as well ¿ turn up, as a last resort, our last mission: Jerry Goldsmith¿s legacy and the effects of the orchestral sounds on film
Mestrado
Fundamentos Teoricos
Mestre em Música
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Peters, Tanja Elisabeth. "George Gershwins und Jerome Kerns Musicalsongs : ihre Ähnlichkeit, Wahrnehmung und musikalische Struktur /." Köln, 2008. http://digitool.hbz-nrw.de:1801/webclient/DeliveryManager?pid=3615100&custom_att_2=simple_viewer.
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Doyle, Jessica B. "Geology and structure of Winters Creek, Jerritt Canyon District, Elko County, Nevada." abstract and full text PDF (free order & download UNR users only), 2007. http://0-gateway.proquest.com.innopac.library.unr.edu/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:1447627.
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Mohammed, Amjad. "Evolution des propriétés réservoirs de la formation de Jeribe, champ d'Alzawra, Irak." Bordeaux 1, 1988. http://www.theses.fr/1988BOR10368.
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Environ 16 séquences de sabkha verticales empilées sur 45-55 cm constituent la formation de jeribe du miocène moyen dans le champ d'Alzawra, Irak. Cette séquence consiste en des sédiments marins peu profonds a prédominance bioclastique appartenant vers le haut a des sédiments intertidaux lamines alguaires, recouverts par des anhydrites modulaires supratidales. Un milieu d'estran est mis en évidence par l'analyse des facies, la caractérisation diagraphique, l'analyse séquentielle et les corrélations a traverser le bassin sédimentaire. La séquence de sabkha de jeribe est à différencier des séquences d'évaporite subaquatiques de fars inf. Sur la base de son emplacement et du processus de sédimentation et de diagenèse. Sept classes principales de microfaciès, dont trois marines peu profondes et quatre d'estran supérieur, apparaissent, respectivement selon des critères de composition et de structure. Les variations de texture et le type de grain sont utilises pour définir le spectre des types de microfaciès. La diagenèse, qui est en général, proche de la surface (eugénétique), est plus sélective et complète dans les sédiments marins peu profonds ou la dolomitisation de reflux est la principale altération dia génétique. Les allochèmes sont remplaces de façon pseudomorphique et les structures sont ainsi bien préservées. Dans les sédiments d'estran supérieur, les transformations diagénétiques sont dominées par la précipitation enecontemporaine de l'évaporite et la dolomitisation consécutive à la présence de la sabkha. Le profil de jeribe représente des types de roche utilisant les graphiques de porosité et de porosité-perméabilité. Ils définissent ensemble avec les données de courbe de pression capillaire, la couverture des roches et les réservoirs potentiels. Les packstones bioclastiques marins peu profonds ayant de forts taux de porosité, de moules (dissolution de mollusques) et de géodes, forment de bons réservoirs qui peuvent être déterminés en utilisant un modèle de réservoir géologique
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Biasi, Cécile. "Les "questions hébraïques" dans la Correspondance de Jérôme de Stridon." Thesis, Montpellier 3, 2016. http://www.theses.fr/2016MON30025/document.
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Avant même de se fixer définitivement à Bethléem, Jérôme effectue la visite systématique de la Palestine, désirant connaître de façon approfondie et directe les lieux saints où vécut le Christ. De même, son souci de parvenir à un savoir authentique sur les Écritures lui fait entreprendre l'apprentissage ardu de l'hébreu. Les premières lettres conservées de sa Correspondance datent de 380‑381, années où l'auteur débute précisément, à Chalcis, son initiation à la langue de l'Ancien Testament. Les missives écrites ensuite reflètent les difficultés rencontrées par le père de la Vulgate tout au long de sa révision des traductions courantes de la Bible à partir des orignaux grecs et hébreux. Les questions posées par des correspondants cultivés et curieux d'en apprendre plus sur le contenu de ces orignaux sont également à l'origine de commentaires philologiques de la part de Jérôme. Les lettres constituent partant un excellent support de réflexion pour analyser les interactions entre culture-source et culture-cible en interrogeant les nombreuses difficultés de vocabulaire et d'interprétation auxquelles sont confrontés Jérôme et les exégètes cités par lui, lorsqu'il s'agit de passer du texte hébreu à ses versions grecques et latines. La présente étude s'intéresse aux questions d'hébreu contenues dans la Correspondance. La place faite à l'hébreu, dans les lettres, et jusque dans la forme épistolaire, amène à s'interroger sur la représentation singulière de la langue et de la culture hébraïques s'en dégageant, ainsi que sur l'image de l'interpres liée à cette représentation. Les enjeux inhérents à la résolution de cette problématique sont importants, car ils renvoient à la fois à la manière dont la Bible hébraïque est appréhendée et traduite par Jérôme, aux catégories intellectuelles mises à contribution par l'épistolier pour répondre aux difficultés rencontrées, à la consolidation dogmatique de l'Église du IVe siècle, mais aussi à la question paradoxale de l'autorité du traducteur. L'examen minutieux des textes hébreux par Jérôme soulève une contradiction majeure entre la conception traditionnelle des rapports entre langues barbares et langues policées, et l'idéalisation d'une quête de l'Hebraica ueritas, mise sur le même plan que le voyage en Terre Sainte. Il s'agit dès lors de comprendre pourquoi et pour quoi un Occidental cultivé comme Jérôme s'est lancé dans la difficile traduction de la Bible à partir de l'hébreu. L'adoption d'un tel angle de réflexion mobilise des éléments historiques, historico-théologiques et linguistiques, puisqu'il faut tenir compte des relations entre juifs et chrétiens au IVe siècle. Afin de mettre en lumière puis de préciser ces enjeux, la présente analyse aborde, en premier, la définition à nouveaux frais du profil intellectuel de Jérôme, en se plaçant, pour cela, dans une perspective de transmission des savoirs liés à la Bible hébraïque. Ce premier bilan conduit à envisager, en second lieu, la manière dont l'auteur de la Correspondance manie l'hébreu, et à mettre, de façon inédite, ce maniement en relation avec la structure des lettres et les stratégies rhétoriques et littéraires qui y sont déployées. Troisièmement, nous avons cherché à comprendre quelle représentation de l'objet d'étude hébraïque se dégage du corpus étudié et comment Jérôme procède pour transformer cette représentation en source d'autorité, pour le dogme chrétien comme pour lui-même - paradoxalement, en tant que traducteur. La démonstration fait intervenir un concept central pour analyser la méthodologie hiéronymienne, celui d'ἱστορία. En croisant différentes approches en lien avec les questions d'hébreu, la présente analyse s'efforce de démontrer que la richesse de la Correspondance hiéronymienne est loin d'avoir été totalement épuisée par la recherche et que certains aspects, notamment l'interdépendance entre les perspectives philologique et idéologique, ont été encore assez peu approfondisEven before settling permanently in Bethlehem, Jerome performs routine visit to Palestine, in his desire to know in depth and direct the holy places where Christ lived. Similarly, its concern to achieve a genuine know the scriptures him to undertake the arduous learning Hebrew. The first letters of his correspondence conserved dating from 380-381, years in which the author begins precisely at Chalcis, his introduction to the language of the Old Testament. The letters then written to reflect the difficulties faced by the father of the Vulgate throughout its review of the common translations of the Bible from Greek and Hebrew moose. The questions posed by cultivated and curious corresponding learn about the content of these moose are also the cause of philological comments from the Stridonien. The letters are therefore an excellent reflection of support for analyzing interactions between source culture and target-culture by interviewing many vocabulary difficulties and interpretation faced Jerome and the commentators cited by him, when it comes to spend Hebrew text to his Greek and Latin versions. This study is interested in Hebrew questions contained in the correspondence. The emphasis in Hebrew, in letters, and even in epistolary form, raises questions about the singular representation of the Hebrew language and the culture that surrounds it, and the image of 'interpres related to this representation. The challenges inherent in the resolution of this issue is important, since they relate both to how the Hebrew Bible is understood and translated by Jerome, the intellectual categories put to use by the letter writer to meet the challenges , the dogmatic consolidation of the fourth-century Church but also to the paradoxical question of the authority of the translator. The scrutiny of Hebrew texts by Jerome raises a major contradiction between the traditional conception of the relationship between barbarians and civilized languages languages, and the idealization of a quest for the Hebraica ueritas, put on the same plane as the trip to Earth Ste. It is therefore understand why and for what a Westerner grown as Jerome embarked on the difficult translation of the Bible from Hebrew. The adoption of such a reflection angle is mobilizing historical, historical-theological and linguistic, since we must consider the relationship between Jews and Christians in the fourth century. To highlight and clarify these issues, this analysis discusses, first, the definition anew intellectual Jerome profile by standing for this, with a view to transmitting knowledge related to the Hebrew Bible . This initial assessment leads to consider, second, how the author of mania Correspondence Hebrew, and putting in a new way, this handling in relation to the structure of letters and literary and rhetorical strategies that are are deployed. Third, we sought to understand what object representation of Hebrew study emerges from the corpus studied and how Jérôme proceeded to transform this representation source of authority for the Christian dogma as for himself - ironically, as a translator. The demonstration involves a central concept to analyze Jerome's methodology, that of ἱστορία. By combining different approaches related to the Hebrew issues, this analysis seeks to demonstrate that the wealth of Jerome's correspondence is far from having been fully covered by research and that some aspects, especially the interdependence philological and ideological perspectives were still fairly extensive
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Johnson, Nancy Ann 1958. "Geochemistry of two exhalite horizons at the Copper Chief Mine, Jerome District, Arizona." Thesis, The University of Arizona, 1989. http://hdl.handle.net/10150/558106.
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Pociūtė, Laura. "Translation of humour in Jerome K. Jerome's novel "Three Men on a Bummel"." Bachelor's thesis, Lithuanian Academic Libraries Network (LABT), 2012. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20120831_102854-40842.
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The problems of translating English humour into Lithuanian have not been thoroughly studied, therefore it has been chosen as a subject of this article. This research focuses on the analysis of examples of different sorts of humour in J. K. Jerome's novel "Three Men on a Bummel" and compares the source text with the target text. The present paper is assigned to provide a theoretical framework of humour phenomenon, its classification and translation peculiarities as well as to reveal the complexity of humour phenomenon which exists in every part of the world, nevertheless, travels badly from one language to another. The aim of the research is to identify and perceive the main challenges in translating humour that contains culture-specific items and instances of untranslatibility.Angliško humoro vertimo į lietuvių kalbą problematika nėra pakankamai tyrinėta. Šis straipsnis skirtas įvairių humoro rūšių J. K. Jerome romane ”Trise dviračiais” vertimui. Straipsnyje pateikiamos teorinės įžvalgos, humoro, kaip fenomeno, klasifikacijos bei vertimo ypatumų klausimais. Humoras egzistuoja visame pasaulyje, bet jo perteikimas vertimo procese tampa tikru iššūkiu vertėjams. Tai atsitinka dėl keleto priežasčių: skirtingo mentaliteto, kultūrinių realijų gausumo, kurios, deja, dažniausiai yra neišverčiamos.
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Lindholm, Stefan [Verfasser]. "Jerome Zanchi (1516–90) and the Analysis of Reformed Scholastic Christology / Stefan Lindholm." Göttingen : Vandenhoeck & Ruprecht, 2016. http://www.v-r.de/.
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Praniess, Martin. "Das Godly-Play-Konzept die Rezeption der Montessori-Pädagogik durch Jerome W. Berryman." Göttingen V & R Unipress, 2007. http://d-nb.info/986382582/04.
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Lindeque, Jeremie Zander. "Metallothionein involvement in mitochondrial function and disease : a metabolomics investigation / Jeremie Zander Lindeque." Thesis, North-West University, 2011. http://hdl.handle.net/10394/8434.
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One of the many recorded adaptive responses in respiratory chain complex I deficient cells is the
over-expression of the small metal binding proteins, metallothioneins (MTs). The antioxidant
properties of MTs putatively protect the deficient cells against oxidative damage, thus limiting
further damage and impairment of enzymes involved in energy production. Moreover, the role of
metallothioneins in supplying metal cofactors to enzymes and transcription factors in order to
promote energy metabolism was previously proposed, which could accompany their role as
antioxidants. This view is supported by the observations that MT knockout mice tend to become
moderately obese, implying a lower energy metabolic rate. Hence, the involvement of
metallothioneins in mitochondrial function and disease cannot be ignored. However, this
association is still very vague due to the diversity of their functions and the complexity of the
mitochondrion. The use of systems biology technology and more specifically metabolomics
technology was thus employed to clarify this association by investigating the metabolic differences
between wild type and MT knockout mice in unchallenged conditions as well as when
mitochondrial function (energy metabolism) was challenged with exercise and/or a high-fat diet.
The metabolic differences between these mice were also studied when complex I of the respiratory
chain was inhibited with rotenone. The metabolome content of different tissues and bio-fluids were
examined in an untargeted fashion using three standardized analytical platforms and the data
mined using modern metabolomics and related statistical methods. Clear metabolic differences
were found between the wild type and MT knockout mice during unchallenged conditions. These
metabolic differences were persisted and were often amplified when mitochondrial metabolism was
specifically challenged through exercise, high-fat intake or complex I inhibition. The data pointed to
an overall reduced metabolic rate in the MT knockout mice and possible insulin resistance after the
interventions which imply (and confirm) the involvement of MTs in promoting energy metabolism in
the wild type mice.Thesis (Ph.D. (Biochemistry))--North-West University, Potchefstroom Campus, 2012
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Koperski, Andrew Robert. "Breaking with Tradition: Jerome, the Virgin Mary, and the Troublesome “Brethren” of Jesus." Ohio University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1524837953738555.
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Sais, Pere. "Hacia una poética del arte como vehículo de Jerry Grotowski." Doctoral thesis, Universitat Autònoma de Barcelona, 2015. http://hdl.handle.net/10803/382639.
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La trayectoria del director teatral e investigador en el ámbito de las artes performativas Jerzy Grotowski se divide en cinco períodos: Teatro de las producciones, parateatro, Teatro de las fuentes, Drama Objetivo y arte como vehículo. La Tesis Doctoral traza un itinerario por la última etapa del trabajo de Grotowski, llamada arte como vehículo y desarrollada desde mediados de los años 80 en el Workcenter of Jerzy Grotowski and Thomas Richards de Pontedera, Italia. En la presente Tesis, el autor, a partir de su experiencia de primera mano como doer (actuante), describe y analiza de manera sistemática cada uno de los elementos de trabajo que configuran el corpus de la práctica del arte como vehículo, así como los principios que subyacen en ellos. A través de una aproximación desde una doble vertiente teórico-práctica, y a partir de las “voces” del propio Grotowski, de los herederos de su legado, Thomas Richards y Mario Biagini, así como de profesores, practicantes y especialistas reconocidos, se propone una posible poética del arte como vehículo.The trajectory of the director and researcher in the field of performing arts Jerzy Grotowski is divided in five periods: Theatre of Productions, Paratheatre, Theatre of Sources, Objective Drama and Art as Vehicle. The Doctoral Thesis traces an itinerary through the last stage of Grotowski´s work, called Art as Vehicle and developed since the mid-eighties at the Workcenter of Jerzy Grotowski and Thomas Richards in Pontedera, Italy. In the present Thesis, starting from its author´s first hand experience as a doer, each one of the elements of work that configure the corpus of the practice of Art as Vehicle is described and systematically analyzed, as well as the principles that underlie them. Through an approach from a double, theoretical-practical, perspective and starting from Grotowski´s own “voice” as well as the ones of the heirs of his legacy, Thomas Richards and Mario Biagini, and of reknown professors, practitioners and specialists, a possible Poetics of Art as Vehicle is proposed.
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Mardis, Roger D. "An analysis and evaluation of the expository preaching and teaching ministry of Jerry Vines." Online full text .pdf document, available to Fuller patrons only, 2002. http://www.tren.com.
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Al-Murani, Ghassan Sabti Ghafil. "Sedimentology and petrophysical effects of the Middle Miocene Jeribe formation, East Baghdad Field, Iraq." Thesis, University of Oxford, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.302879.
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Rea-Frauchiger, Maria Anna [Verfasser]. "Der amerikanische Rechtsrealismus: Karl N. Llewellyn, Jerome Frank, Underhill Moore. / Maria Anna Rea-Frauchiger." Berlin : Duncker & Humblot, 2011. http://d-nb.info/1238350380/34.
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Kagan, Sacha Jerome [Verfasser]. "Exploring artful possibilities: a transdisciplinary research on culture, arts and sustainability / Sacha Jerome Kagan." Lüneburg : Leuphana Universität Lüneburg, 2021. http://nbn-resolving.de/urn:nbn:de:gbv:luen4-opus4-11737.
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Busch, Jerra Lui [Verfasser], Thomas Ede [Gutachter] Zimmermann, and Cécile [Gutachter] Meier. "Anankastic relatives / Jerra Lui Busch ; Gutachter: Thomas Ede Zimmermann, Cécile Meier." Frankfurt am Main : Universitätsbibliothek Johann Christian Senckenberg, 2017. http://d-nb.info/1138276871/34.
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Crépin, Odile. "Le clown cinématographique, des origines à Jerry Lewis et Pierre Etaix /." [S.l. : s.n], 2005. http://catalogue.bnf.fr/ark:/12148/cb414284989.
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Jaime, Cisneros Luis. "JERZI KURILOWICZ. L'accentuation des langues indo-éuropeennes. Krakow, 1958, 2a. edición." Pontificia Universidad Católica del Perú, 2017. http://repositorio.pucp.edu.pe/index/handle/123456789/114256.
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Crépin, Odile. "Le "clown cinématographique", des origines à Jerry Lewis et Pierre Étaix." Paris 8, 2005. http://www.theses.fr/2005PA082550.
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Johanning, Jerome Dean. "I take thee--." Thesis, Kansas State University, 1985. http://hdl.handle.net/2097/9853.
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Fialho, Ruth. "Aux frontières du chaos : ruptures, détours et passages dans la fiction de Jérôme Charyn." Bordeaux 3, 2003. http://www.theses.fr/2003BOR30022.
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Dans sa fiction, l'auteur développe une esthétique de l'incertain à travers ses choix thématiqies et narratifs. Le "réel" s'y révèle comme une surface à lire. L'ensemble des signes qui la couvrent sont les traces visibles d'un mouvement souterrain, indéfini et multiple. La multitude de déguisements qui apparaissent dans la diégèse font du masque le support allégorique d'une quete herméneutique. Le refoulé qui soudain affleure engendre des discours à l'infini qui ne font que désigner leur propre hétérogénéité etleur rapport problématique au "réel". Une première étape dans cette émergence d'un "réel" insaisissable se construit à travers la figure de l'Autre, du Double. Les personnages se dédoublent, voient double, rompent avec une certaine idée de la "réalité". Le nomde l'auteur apparait dans l'action comme élément tragi-comique pris dans un faisceau d'influences et de désirs contradictoires. Les différentes lectures possibles du double que cette fiction nous autorise permettent de rendre compte du double comme part d'ombre, mais aussi comme le lieu d'une ouverture qui passe par la création de réseaux parallèles et illégaux dans lesquels lelecteur est invité à̧ faire un ( ou des) tours. S'établit ainsi une circulation de l'Un vers les autres, qui marque une volonté de s'affranchir des cadres prédéterminés, géographiques, historiques ou littéraires.
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Macdonald, Andrew. "The structural geology of the Yohoe Creek to Cape Jervis area, Fleurieu Peninsula, South Australia /." Title page, contents and introduction only, 1995. http://web4.library.adelaide.edu.au/theses/09S.B/09s.bm1348.pdf.
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