Relevant bibliographies by topics / Jersey photography

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Academic literature on the topic 'Jersey photography'

Author: Grafiati
Published: 7 June 2025
Last updated: 2 August 2025

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Journal articles on the topic "Jersey photography"

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Morgan, Nicholas C. "Photographic Process as Desire." Afterimage 50, no. 1 (2023): 24–48. http://dx.doi.org/10.1525/aft.2023.50.1.24.

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Between 1986 and his death from AIDS-related causes in 1989, the Boston- and Jersey City–based photographer Mark Morrisroe produced a series of cameraless photographs with heterogenous material including fabric, pornography, and X-rays. This essay argues that these photograms move away from a dominant understanding of photography that celebrates stasis, legibility, and indexicality in favor of one concentrating on activity. Morrisroe’s photograms cast the photograph as a process: the image unfixable and always under development, its matter flexing, sputtering, and shifting over time. For Morri
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Wagner, Kurt W. "Dorn-Severini Historic Photography Collection Donated to Monmouth University." New Jersey Studies: An Interdisciplinary Journal 6, no. 2 (2020): 121–27. http://dx.doi.org/10.14713/njs.v6i2.215.

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In December 2019, Kathy Dorn Severini and George Severini, residents of Fair Haven, NJ, donated a collection of photographic images to Monmouth University, a private, comprehensive 4-year institution in West Long Branch, NJ, located about a mile from the Atlantic Ocean. With a 2019 enrollment of 6,167, the University offers undergraduate and graduate programs across all traditional disciplines, as well as a Doctorate in Nursing Practice and an Ed. D. program. Monmouth University is a Grammy Museum affiliate, offers a Peace Corps Prep program that is unique in New Jersey, and is the home to the
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Ammentorp, Louise. "Imagining social change: Developing social consciousness in an arts-based pedagogy." Outlines. Critical Practice Studies 9, no. 1 (2007): 38–52. http://dx.doi.org/10.7146/ocps.v9i1.2085.

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This paper is a study of a social-justice, arts-based literacy curriculum in a low income, working-class, predominately African-American school district in Newark, New Jersey. Participating students studied photography and poetry of established artists and took and developed their own photographs accompanied by written narratives. As a part of the curriculum students also wrote poetry and analytical essays. I present my findings within the context of a Vygotskian pedagogical approach that takes social consciousness and metaphor as its central concepts. The paper lays out this conceptual appara
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Pierce, Christopher. "Three's a crowd: drawing, building and photography in the recent work of Diller Scofidio + Renfro." Architectural Research Quarterly 12, no. 3-4 (2008): 233–48. http://dx.doi.org/10.1017/s1359135508001164.

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This is a short tale of two competing institutions and two of their most celebrated figures. On one side is Cooper Union – that hulking Manhattan brownstone, an island on the intersection of Lafayette Street and the Bowery where Ricardo Scofidio (1935) silently honed his art of drawing like an angel. On the other is Princeton University, where his partner (and partner), Elizabeth Diller (1954) is often resident. Princeton sits in the heart of the New Jersey woods, literally and metaphorically, and despite its baronial coniferous presence, is most notable in architectural circles for its rhetor
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Bagheri, Sima, and Robert M. Hordon. "Hazardous waste site identification using aerial photography: A pilot study in Burlington County, New Jersey, USA." Environmental Management 12, no. 1 (1988): 119–25. http://dx.doi.org/10.1007/bf01867383.

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Bagheri, Sima, and Robert M. Hordon. "Hazardous waste site identification using aerial photography: A pilot study in Burlington County, New Jersey, USA." Environmental Management 12, no. 3 (1988): 411–12. http://dx.doi.org/10.1007/bf01867531.

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Argentieri, G., P. Grosenstein, and K. Killary. "Microscopy, Electron Microscopy, Elemental Analysis, Image Analysis, Digital Photography, And Telepathology Applications In Pharmaceuticals Research." Microscopy and Microanalysis 5, S2 (1999): 6–7. http://dx.doi.org/10.1017/s1431927600013350.

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Light and electron microscopy are exceedingly versatile disciplines having many applications in pharmaceutical research. Many corporate and university facilities are organized with a centralized microscopy laboratory that serves the needs of many different investigators. This is also true at the Novartis Pharmaceuticals Corporation in East Hanover, New Jersey. A centralized microscopy laboratory is not only more efficient, but also most cost effective. The microscopy lab at Novartis is designed to meet the needs for a wide range of applications serving all of Research and Development. The lab
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Curtis, James C. "Dorothea Lange: Photographs of a Lifetime. Robert ColesRoy Stryker: U. S. A., 1943-1950; The Standard Oil (New Jersey) Photography Project. Steven W. Plattner." Winterthur Portfolio 20, no. 4 (1985): 317–20. http://dx.doi.org/10.1086/496254.

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Chandrasekaran, Subhashini, William Kass, Loka Thangamathesvaran, et al. "Tele-glaucoma versus clinical evaluation: The New Jersey Health Foundation Prospective Clinical Study." Journal of Telemedicine and Telecare 26, no. 9 (2019): 536–44. http://dx.doi.org/10.1177/1357633x19845273.

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Introduction Glaucoma, the second most common cause of blindness, is normally detected in clinic. With technological improvements, tele-glaucoma exams can identify these changes off-site. The quality of tele-glaucoma exams needs to be compared with that of traditional exams. This study’s purpose was to validate the tele-glaucoma programme, which allows a physician comprehensive access to patients’ data, by comparing results to clinical examinations. Methods A prospective study of 107 subjects evaluated in clinic and then tele-glaucoma stations, which consisted of non-mydriatic fundus photograp
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Saretzky, Gary D., and Joseph G. Bilby. "New Jersey Photographers of the Civil War and Postwar Era: John P. Doremus." New Jersey Studies: An Interdisciplinary Journal 8, no. 1 (2022): 152–223. http://dx.doi.org/10.14713/njs.v8i1.267.

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Of the more than 3,000 photographers active in New Jersey in the nineteenth century, a number of them were itinerant camera workers at some point during their careers, operating with a horse-drawn wagon. Some photographers, especially those taking views, circulated locally even when they had a gallery where they did portraits and sold other kinds of photographs. Like many other American photographers who did not always wait for customers, John P. Doremus began working in the medium during the Civil War, when there was a strong market for portraits. Doremus is distinguished in that, for much of
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Books on the topic "Jersey photography"

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Hiscano, Dwight. New Jersey, the natural state. Rutgers University Press, 2000.

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Gunther, Matt. Probable cause. Schilt Publishing, 2014.

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Cyrus, Gerald. Gerald Cyrus: Portrait of Camden in photographs, 2001-2008. Haverford College Press, 2013.

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Museum, Noyes, ed. Southern visions II: Photography in Southern New Jersey 1910-1985 :[exhibition] March 15-May 17, 1987, the Noyes Museum. The Museum, 1987.

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Malacavage, Mark. My Cape May. Schiffer Publishing Ltd., 2013.

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1960-, Youmans Richard, ed. Four seasons at the shore: Photographs of the Jersey shore : featuring the work of forty-seven photographers. Down the Shore Pub., 2004.

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1905-, Worth Robert, Worth Edith 1907-1983, and Montclair Art Museum, eds. A Picture is what you are: Robert and Edith Worth, a retrospective : Montclair Art Museum, Montclair, New Jersey, April 20-June 8, 1986. The Museum, 1986.

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Edward, Wakeling, and Carroll Lewis 1832-1898, eds. Lewis Carroll, photographer: The Princeton University Library albums. Princeton University Press, 2002.

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Newark Public Schools (N.J.). Office of Instructional Technology., Newark Public Schools (N.J.). Office of Visual and Performing Arts., and Paul Robeson Art Gallery, eds. A day in the life of Newark: An exhibit of photographs and accompanying narratives by students of the Newark Public Schools depicting images seen around the city of Newark, New Jersey. Newark Public Schools, 2004.

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Schools, Newark Public, and Paul Robeson Gallery, eds. A day in the life of Newark: An exhibit of photographs and accompanying narratives by students of the Newark Public Schools depicting images seen around the city of Newark, New Jersey. Newark Public Schools, 2004.

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Book chapters on the topic "Jersey photography"

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Wincencjusz-Patyna, Anita. "Chapter 5. From Halley’s Comet to the Scout Kwapiszon." In Children’s Literature, Culture, and Cognition. John Benjamins Publishing Company, 2023. http://dx.doi.org/10.1075/clcc.17.05win.

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This chapter presents a historic review of the use of photomontage and photo-based collage in Polish books for children (fiction and poetry) in the 20th century. The earliest example dates from 1934, whereas the latest one is dated 1981. The chapter begins with an outline of the artistic background in the period 1918–1939, it gives a short typology of photo-based illustrations, and then analyses the only known examples of genuine photomontage created for children’s books before World War II, namely works by Aleksander Krzywobłocki and Jerzy Janisch in Kometa Halley’a (Halley’s Comet) by Alina
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Boom, Jeroen. "20. Mylar Foil: Blankets of Silver and Gold." In Edition Kulturwissenschaft. transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839466971-023.

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Within the endless circulation of contemporary media images, a common visual trope has emerged in which refugees arriving on European beaches are covered in blankets of silver and gold. Besides materials such as rubber (life vests, rafts), wood (boats, shelters), and paper (invalid passports, washed-up photographs), these sheets of mylar heat foil belong to an ecology of circulating matter within the Mediterranean border zones. In this chapter, Jeroen Boom will look at several images and video artworks as temporary semiotic fixations of this flow of meaning and matter in the context of what ha
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Ellenzweig, Allen. "A New Career." In George Platt Lynes. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190219666.003.0008.

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Financial considerations encourage George’s return home to Englewood from Paris in early spring 1929. There is some question of buying back the Park Place Bookshop. A day after his twenty-second birthday, George is rushed to the hospital for a ruptured appendix. He survives surgery and peritonitis, then is laid up for weeks. He grows moody facing a summer in suburban New Jersey while the rest of the Lyneses plan a European trip. By luck, Monroe and Glenway visit stateside and keep George entertained in the city and at the rectory. One night, George shows “the boys” his Kodak photos from Corsic
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Ho, Joseph W. "Converting Visions." In Developing Mission. Cornell University Press, 2022. http://dx.doi.org/10.7591/cornell/9781501760945.003.0003.

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This chapter delves into media technologies and visual practices across the 1920s that connected Chinese Catholic communities in isolated West Hunan to US congregations in West Hoboken, New Jersey. It highlights the photography's role in shaping overlapping conversion experiences and the creation of a Catholic media identity in China. The chapter then elucidates the concept of conversion in several registers—not strictly limiting it to the religious sense, and including the makers of the images as well as their subjects and audiences. It emphasizes photographic mediations as conversions. Using
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"Jeremy Scott, Fall/Winter 1999–2000." In Fashion Photography Archive. Bloomsbury, 2015. http://dx.doi.org/10.5040/9781474260428-fpa425.

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"JERRY MCMILLAN." In The Photographic Object 1970. University of California Press, 2016. http://dx.doi.org/10.1525/9780520422742-017.

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"Photographs of Jerry Brown’s pottery." In Of Mules and Mud. University of Alabama Press, 2022. https://doi.org/10.2307/jj.30297188.29.

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"Choose the best photograph." In Jeremy Harmer's 50 Communicative Activities. Cambridge University Press, 2022. http://dx.doi.org/10.1017/9781009273275.034.

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Auclair, Clara. "The Personal Is Technical." In Collecting Cinema, Rewriting Film History. Amsterdam University Press, 2025. https://doi.org/10.5117/9789048565955_ch05.

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Francis Doublier (1878–1948), started his career in the laboratories of the Lumière factory in 1894 and two years later was sent to Eastern Europe and Russia to promote the Cinématographe. In 1902, he left France for the United States, where he spent the rest of his life working in film laboratories. Doublier was an avid film collector, who crafted his own heritage and identity as a film pioneer through a large collection of films, cameras, and photographs he kept on display in his own laboratory-museum inside his home in Fort Lee, New Jersey. Through the analysis of three series of photograph
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Ellenzweig, Allen. "A Country House; Cocteau in Coney Island; The Sleepwalker." In George Platt Lynes. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190219666.003.0017.

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George photographs Cecil Beaton, who introduces his work to Edna Chase, Vogue’s editor-in-chief. In 1935–1936, George’s fashion obligations proceed apace with four pictures each in March editions of Town and Country and Harper’s Bazaar. Agnes Rindge arranges a demanding commission of photographing Vassar’s 1935 graduating class. Next, George photographs noteworthy artists for Chick Austin’s 1936 Hartford Festival program. Lloyd and Barbara Wescott purchase a large dairy farm in New Jersey and gift a nearby house to Glenway, allowing Monie and George continued familial relations with the Wescot
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Conference papers on the topic "Jersey photography"

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Storer, Rebecca N., Armand J. Beaudoin, and Peter Kurath. "Investigation of the PLC Effect Using DIC." In ASME 2010 International Mechanical Engineering Congress and Exposition. ASMEDC, 2010. http://dx.doi.org/10.1115/imece2010-38941.

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In certain alloys non-homogeneous plastic flow is observed. A category of jerky flow, also called the Portevin-Le Chatelier (PLC) effect, is attributed to the competition between dislocation aging by solute atoms and plastic strain rate. In this study, the PLC effect was examined in an aluminum-magnesium alloy using digital image correlation (DIC) techniques. A cold rolling procedure was developed for Al5052-T0 specimens that resulted in repeatable jerky flow when tested in tension at nominal displacement rates that spanned three orders of magnitude. The tests were successful in producing repe
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