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Journal articles on the topic 'Jersey photography'

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1

Morgan, Nicholas C. "Photographic Process as Desire." Afterimage 50, no. 1 (2023): 24–48. http://dx.doi.org/10.1525/aft.2023.50.1.24.

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Between 1986 and his death from AIDS-related causes in 1989, the Boston- and Jersey City–based photographer Mark Morrisroe produced a series of cameraless photographs with heterogenous material including fabric, pornography, and X-rays. This essay argues that these photograms move away from a dominant understanding of photography that celebrates stasis, legibility, and indexicality in favor of one concentrating on activity. Morrisroe’s photograms cast the photograph as a process: the image unfixable and always under development, its matter flexing, sputtering, and shifting over time. For Morri
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Wagner, Kurt W. "Dorn-Severini Historic Photography Collection Donated to Monmouth University." New Jersey Studies: An Interdisciplinary Journal 6, no. 2 (2020): 121–27. http://dx.doi.org/10.14713/njs.v6i2.215.

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In December 2019, Kathy Dorn Severini and George Severini, residents of Fair Haven, NJ, donated a collection of photographic images to Monmouth University, a private, comprehensive 4-year institution in West Long Branch, NJ, located about a mile from the Atlantic Ocean. With a 2019 enrollment of 6,167, the University offers undergraduate and graduate programs across all traditional disciplines, as well as a Doctorate in Nursing Practice and an Ed. D. program. Monmouth University is a Grammy Museum affiliate, offers a Peace Corps Prep program that is unique in New Jersey, and is the home to the
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Ammentorp, Louise. "Imagining social change: Developing social consciousness in an arts-based pedagogy." Outlines. Critical Practice Studies 9, no. 1 (2007): 38–52. http://dx.doi.org/10.7146/ocps.v9i1.2085.

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This paper is a study of a social-justice, arts-based literacy curriculum in a low income, working-class, predominately African-American school district in Newark, New Jersey. Participating students studied photography and poetry of established artists and took and developed their own photographs accompanied by written narratives. As a part of the curriculum students also wrote poetry and analytical essays. I present my findings within the context of a Vygotskian pedagogical approach that takes social consciousness and metaphor as its central concepts. The paper lays out this conceptual appara
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Pierce, Christopher. "Three's a crowd: drawing, building and photography in the recent work of Diller Scofidio + Renfro." Architectural Research Quarterly 12, no. 3-4 (2008): 233–48. http://dx.doi.org/10.1017/s1359135508001164.

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This is a short tale of two competing institutions and two of their most celebrated figures. On one side is Cooper Union – that hulking Manhattan brownstone, an island on the intersection of Lafayette Street and the Bowery where Ricardo Scofidio (1935) silently honed his art of drawing like an angel. On the other is Princeton University, where his partner (and partner), Elizabeth Diller (1954) is often resident. Princeton sits in the heart of the New Jersey woods, literally and metaphorically, and despite its baronial coniferous presence, is most notable in architectural circles for its rhetor
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Bagheri, Sima, and Robert M. Hordon. "Hazardous waste site identification using aerial photography: A pilot study in Burlington County, New Jersey, USA." Environmental Management 12, no. 1 (1988): 119–25. http://dx.doi.org/10.1007/bf01867383.

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Bagheri, Sima, and Robert M. Hordon. "Hazardous waste site identification using aerial photography: A pilot study in Burlington County, New Jersey, USA." Environmental Management 12, no. 3 (1988): 411–12. http://dx.doi.org/10.1007/bf01867531.

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Argentieri, G., P. Grosenstein, and K. Killary. "Microscopy, Electron Microscopy, Elemental Analysis, Image Analysis, Digital Photography, And Telepathology Applications In Pharmaceuticals Research." Microscopy and Microanalysis 5, S2 (1999): 6–7. http://dx.doi.org/10.1017/s1431927600013350.

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Light and electron microscopy are exceedingly versatile disciplines having many applications in pharmaceutical research. Many corporate and university facilities are organized with a centralized microscopy laboratory that serves the needs of many different investigators. This is also true at the Novartis Pharmaceuticals Corporation in East Hanover, New Jersey. A centralized microscopy laboratory is not only more efficient, but also most cost effective. The microscopy lab at Novartis is designed to meet the needs for a wide range of applications serving all of Research and Development. The lab
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Curtis, James C. "Dorothea Lange: Photographs of a Lifetime. Robert ColesRoy Stryker: U. S. A., 1943-1950; The Standard Oil (New Jersey) Photography Project. Steven W. Plattner." Winterthur Portfolio 20, no. 4 (1985): 317–20. http://dx.doi.org/10.1086/496254.

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Chandrasekaran, Subhashini, William Kass, Loka Thangamathesvaran, et al. "Tele-glaucoma versus clinical evaluation: The New Jersey Health Foundation Prospective Clinical Study." Journal of Telemedicine and Telecare 26, no. 9 (2019): 536–44. http://dx.doi.org/10.1177/1357633x19845273.

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Introduction Glaucoma, the second most common cause of blindness, is normally detected in clinic. With technological improvements, tele-glaucoma exams can identify these changes off-site. The quality of tele-glaucoma exams needs to be compared with that of traditional exams. This study’s purpose was to validate the tele-glaucoma programme, which allows a physician comprehensive access to patients’ data, by comparing results to clinical examinations. Methods A prospective study of 107 subjects evaluated in clinic and then tele-glaucoma stations, which consisted of non-mydriatic fundus photograp
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Saretzky, Gary D., and Joseph G. Bilby. "New Jersey Photographers of the Civil War and Postwar Era: John P. Doremus." New Jersey Studies: An Interdisciplinary Journal 8, no. 1 (2022): 152–223. http://dx.doi.org/10.14713/njs.v8i1.267.

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Of the more than 3,000 photographers active in New Jersey in the nineteenth century, a number of them were itinerant camera workers at some point during their careers, operating with a horse-drawn wagon. Some photographers, especially those taking views, circulated locally even when they had a gallery where they did portraits and sold other kinds of photographs. Like many other American photographers who did not always wait for customers, John P. Doremus began working in the medium during the Civil War, when there was a strong market for portraits. Doremus is distinguished in that, for much of
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King, Michael R., Jon A. Carnegie, and Reid Ewing. "Pedestrian Safety Through a Raised Median and Redesigned Intersections." Transportation Research Record: Journal of the Transportation Research Board 1828, no. 1 (2003): 56–66. http://dx.doi.org/10.3141/1828-07.

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Documentation was done on the effect of a raised median, signalized and redesigned intersections, curbs, and sidewalks on vehicle speed, pedestrian exposure risk, driver predictability, and vehicle volume along a four-lane suburban roadway in central New Jersey. The analysis used both quantitative tools (speed and volume counts, timing runs) and qualitative methods (pedestrian tracking, video, before-and-after photography). The results are that the 85th-percentile vehicle speed fell by 2 mi/h and pedestrian exposure risk decreased by 28%. Also, the median allows pedestrians to cross one direct
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Scholtes, Esther. "Reframing the Far North." Sophia Journal 7, no. 1 (2022): 19. http://dx.doi.org/10.24840/2183-8976_2022-0007_0001_2.

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Evgenia Arbugaeva, Untitled 90 (From the series IV. Chukotka), 2019-2020 Exploring the Far North historically meant an immense effort, meticulous planning and the endurance of many hardships. These are characteristics that partly still hold true today. The northern parts of our planet are therefore surrounded by a narrative of distance. In this simplified notion the Far North is pictured as an isolated and unspoiled wilderness, one of the last places on Earth free of human disruption. Meanwhile, the (sub-)Arctic areas are among the first to be profoundly affected by climate change. Melting sno
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Knight, Lionel. "The Marshall Albums: Photography and Archaeology. Edited by Sudeshna Guha with contributions by Sudeshna Guha, Michael S. Dodson, Tapati Guha-Thakurta, Christopher Pinney, Robert Harding. pp. 288. The Alkazi Collection of Photography in association with Mapin Publishing with support from Archaeological Survey of India. Simultaneously published, Ocean Township, New Jersey and London, 2010." Journal of the Royal Asiatic Society 21, no. 3 (2011): 386–88. http://dx.doi.org/10.1017/s135618631100037x.

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Harold W. Keller. "The Lives of Fungi: A Natural History of our Planet’s Decomposers." Journal of the Botanical Research Institute of Texas 16, no. 1 (2022): 62. http://dx.doi.org/10.17348/jbrit.v16.i1.1240.

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Britt A. Bunyard. 2022. The Lives of Fungi: A Natural History of our Planet’s Decomposers. (ISBN-13: 978-0-691-22984-3, hbk). Princeton University Press, 41William Street, Princeton, New Jersey 08540, U.S.A. (Orders: press.Princeton.edu). $29.95 US, 288 pp., 187 color photographs, 42 b/w photographs, 36 illustrations, references, index, 7½" × 9½".
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Chakraborty, Debananda, and Gunhan Caglayan. "Semiregular Tessellations with Pattern Blocks." Mathematics Teacher 111, no. 2 (2017): 90–94. http://dx.doi.org/10.5951/mathteacher.111.2.0090.

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Pattern blocks are multifunctional instructional tools with a variety of applications in various strands of mathematics (number sense, geometry, measurement, algebra, probability). The six pattern blocks are an equilateral triangle (green), a blue rhombus, an isosceles trapezoid (red), a regular hexagon (yellow), a square (orange), and a white rhombus. The sides of all pattern blocks are congruent, considered to be 1 unit in length for this article. Photograph 1 depicts a wall painting with squares and rhombuses found in Jersey City, New Jersey.
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Rickard, Laura N., Jonathon P. Schuldt, Gina M. Eosco, Clifford W. Scherer, and Ricardo A. Daziano. "The Proof is in the Picture: The Influence of Imagery and Experience in Perceptions of Hurricane Messaging." Weather, Climate, and Society 9, no. 3 (2017): 471–85. http://dx.doi.org/10.1175/wcas-d-16-0048.1.

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Abstract Although evidence suggests that photographs can enhance persuasive messaging by offering “proof,” less research considers their utility relative to other visual forms that ostensibly convey more information but more abstractly. Drawing on communication and information processing theory, this study examines the influence of visual features and personal experience variables in a domain with urgent need to better understand their role: hurricane messaging. In a between subjects experiment, residents of New York, New Jersey, and Connecticut (N = 1052) were exposed to a hypothetical hurric
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Seeley, Thomas D. "Wild Honey Bees: An Intimate Portrait. With photography by Ingo Arndt and text by Jürgen Tautz. Princeton (New Jersey): Princeton University Press. $29.95. 192 p.; ill.; no index. ISBN: 978-0-691-23508-0. [Originally published in 2021.] 2022." Quarterly Review of Biology 97, no. 2 (2022): 150. http://dx.doi.org/10.1086/720101.

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Pearson, P. N., and E. Thomas. "Drilling disturbance and constraints on the onset of the Paleocene/Eocene boundary carbon isotope excursion in New Jersey." Climate of the Past Discussions 10, no. 4 (2014): 3303–25. http://dx.doi.org/10.5194/cpd-10-3303-2014.

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Abstract. The onset of the Paleocene/Eocene thermal maximum (PETM) and associated carbon isotope excursion (CIE; about 56 million years ago) was geologically abrupt but it is debated whether it took thousands of years or was effectively instantaneous. A significant new record of the onset of the CIE was published by Wright and Schaller (2013) who claimed that it could be resolved across 13 annual layers in a drill core through the Marlboro Clay at Millville, New Jersey (Ocean Drilling Program Leg 174X). Supporting evidence of similar layering was also reported from another New Jersey drill sit
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Goyeneche-Gómez, Edward. "Un programa de alfabetización visual para el uso y distribución de fotografías: la epistemología visual en el núcleo de una corporación privada." Kepes 19, no. 25 (2022): 79–105. http://dx.doi.org/10.17151/kepes.2022.19.25.4.

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Este artículo estudia, desde una perspectiva histórica, el caso de un programa singular de alfabetización visual desarrollado por la Photographic Section de la compañía petrolera Standard Oil Company (New Jersey), entre 1943 y 1950. El objetivo principal es describir y analizar un conjunto de rasgos y características de ese proceso epistémico, partiendo del abordaje de las propias técnicas, reglas, instrucciones, recomendaciones y procedimientos de alfabetización visual para el uso de las fotografías, en el marco de un sofisticado sistema de distribución que se adecuó a una estrategia de comun
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Fallon, Kris. "Streams of the Self." Interactive Film and Media Journal 1, no. 2 (2021): 100–116. http://dx.doi.org/10.32920/ifmj.v1i2.1502.

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This article offers a working draft of a larger qualitative analysis of the popular smartphone application Instagram. It offers a reading of the ubiquitous contemporary form of self-portraiture, the selfie, locating its origin in the longer evolution of digital photography into a form of social media. Though its function as a basic self-portrait and signifier for our various social profiles appears straightforward, it has somehow become the ‘face’ of online sociality and subjectivity, a portrait of the promise and peril of our online existence. And yet, a closer look at the various feeds and s
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Pearson, P. N., and E. Thomas. "Drilling disturbance and constraints on the onset of the Paleocene–Eocene boundary carbon isotope excursion in New Jersey." Climate of the Past 11, no. 1 (2015): 95–104. http://dx.doi.org/10.5194/cp-11-95-2015.

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Abstract. The onset of the Paleocene–Eocene thermal maximum (PETM) and associated carbon isotope excursion (CIE; approx. 56 Mya) was geologically abrupt, but it is debated whether it took thousands of years or was effectively instantaneous. Wright and Schaller (2013) published a significant new record of the onset of the CIE, and claimed that it could be resolved across 13 annual layers in a drill core through the Marlboro clay at Millville, New Jersey (Ocean Drilling Program (ODP) Leg 174X). Supporting evidence for similar layering was reported from another New Jersey drill site, Wilson Lake
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Garland, Claire. "Indian Summer at Sand Hill: The Revey and Richardson Families at the New Jersey Shore." New Jersey Studies: An Interdisciplinary Journal 9, no. 1 (2023): 168–224. http://dx.doi.org/10.14713/njs.v9i1.312.

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This essay discusses the centuries-long history of Monmouth County’s Lenape-Delaware Revey clan and the Cherokee Richardson clan using historical records and photographs from Monmouth County and the States of New Jersey and New York – as well as from the Sand Hill Indian Historical Association and private family archives. Although much of the general public today persists in thinking that all Lenape have left the state, small communities continued to inhabit the northern shore area throughout the colonial period and to this day, as documented by land transactions, vital statistics, censuses, m
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Lee, Spears, and Kuehne William. "GEOLOGY AND PALEONTOLOGY OF A NEW UPPER CRETACEOUS (MAASTRICHTIAN) PALEOGENE TRANSITION SITE (K-Pg) DISCOVERED NEAR MULLICA HILL, GLOUCESTER COUNTY, NEW JERSEY." Mosasaur - The Journal of the Delaware Valley Paleontological Society 13, no. 1 (2024): 41–58. https://doi.org/10.5281/zenodo.11238691.

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The Turtle Creek tributary of Raccoon Creek near Mullica Hill, Gloucester County, New Jersey, exposes the contact between the Upper Cretaceous (Maastrichtian) Navesink Formation and the overlying Paleogene Hornerstown Formation, a nominal K-Pg transition site. The stratigraphy at Turtle Creek is disturbed. In some sections the Kirkwood makes an appearance, but the expected intermediate Vincentown Formation is entirely missing. Although the site is near the historic prolific Mullica Hill Pond site, fossils native to the same formations exposed at Turtle Creek are relatively sparse. <em>Cucullae
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McNeill, David. "`Black magic', nationalism and race in Australian football." Race & Class 49, no. 4 (2008): 22–37. http://dx.doi.org/10.1177/0306396808089285.

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In 1993, Aboriginal Australian rules footballer Nicky Winmar mounted a protest against racism in the game by approaching abusive supporters of an opposing team, lifting his jersey and pointing to his black skin. The now famous photograph which captured the incident condenses in a single image a key moment in the long history of struggle by Indigenous Australians for cultural recognition and economic equality. Taking the photograph as its cue, this article explores the ways in which Australia's residual white-settler culture continues to exclude certain groups from national belonging. In partic
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Nicholas P. Ciotola. "From Philadelphia to the Pinelands: The New Jersey Photographs of Lewis W. Hine." Pennsylvania Magazine of History and Biography 137, no. 2 (2013): 179. http://dx.doi.org/10.5215/pennmaghistbio.137.2.0179.

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Rhodes-Long, K., L. F. Campos-Chillon, M. Barceló-Fimbres, and J. L. Altermatt. "90 LIPID CONTENT OF IN VIVO- AND IN VITRO-PRODUCED JERSEY AND HOLSTEIN CATTLE EMBRYOS AND THE EFFECT OF FORSKOLIN ON EMBRYO LIPID REDUCTION." Reproduction, Fertility and Development 28, no. 2 (2016): 174. http://dx.doi.org/10.1071/rdv28n2ab90.

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Jersey embryos have been suggested to have higher lipid content and lower tolerance to cryopreservation. In addition, in vitro-produced (IVP) bovine embryos have darker cytoplasm as a consequence of higher lipid accumulation than in vivo-derived embryos, associated with impaired embryo quality and reduced cryotolerance. Forskolin is an adenylate cyclase activator that regulates cAMP levels in cells and has been shown to induce lipolysis in IVP embryos. We hypothesised that the lipid content of in vivo-produced and IVP Jersey embryos is higher than respective Holstein embryos and that forskolin
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Saretzky, Gary, and Joseph Bilby. "Ira G. Owen: US Civil War Era Photographer of Newton, New Jersey." New Jersey Studies: An Interdisciplinary Journal 10, no. 1 (2024): 23–45. http://dx.doi.org/10.14713/njs.v10i1.351.

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Like other studio photographers, Ira G. Owen, primarily active in Newton, New Jersey, in the 1860s, sought to profit from the strong demand for photographs so that he could have a comfortable middle-class life. Owen exemplifies the “you can make it if you try” kind of success story that came true for some able and motivated entrepreneurial Americans in a market economy in which small businesses could flourish under effective management. This article by Gary Saretzky traces the trajectory of Owen’s career, closely looking at his marketing and production methods, including posing styles employed
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Saretzky, Gary D. "Exceptional Cameraworkers: Early Black Photographers in New Jersey." New Jersey Studies: An Interdisciplinary Journal 9, no. 2 (2023): 196–254. http://dx.doi.org/10.14713/njs.v9i2.331.

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The few known African American photographers in the nineteenth and early twentieth centuries faced significant challenges, including racial prejudice and competition from white photographers for both white and the relatively few Black customers. The New Jersey photographers examined here were no exception and this may help explain why images by an artist with a long career, William M. Dutton, are so hard to find today and why others, like Isaiah Burton and Levi Bankson, worked only briefly in the medium before moving on to other, more remunerative occupations. Beginning his photographic career
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Gourgouris, Stathis. "Assembly Movements and the Deregulation of the Political." PMLA/Publications of the Modern Language Association of America 127, no. 4 (2012): 1001–5. http://dx.doi.org/10.1632/pmla.2012.127.4.1001.

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I remember the devastating irony of a new york times frontpage photograph on thanksgiving day 2011 depicting a row of people who had pitched tents outside a Best Buy department store in Mesquite, Texas. Alas, the campers were not staging an Occupy Best Buy but positioning themselves at the head of Black Friday's mad rush. At any other time, the photograph would have been unremarkable, perhaps not even newsworthy. This itself shows how extensively consumerist desire is internalized in the American psyche. Black Friday (what a cynical name!) is so ingrained in American life that it occupies its
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Giviskos, Christine. "Japonisme at the Zimmerli, 50 years on." Journal of Japonisme 10, no. 1-2 (2025): 99–101. https://doi.org/10.1163/24054992-10010209.

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Abstract The Curator of Prints, Drawings, and European Art at the Zimmerli Museum at Rutgers University in New Jersey reflects on the museum’s historical role in the 1975 exhibition Japonisme: Japanese Influence on French Art, 1854–1910 and its continued impact on museum collections and programming. The Japonisme exhibition ushered in more than two decades of acquisitions, primarily of prints, but including works in all media, of European and American objects created during the later nineteenth and early twentieth centuries. These works, along with Japanese prints and photographs, bolster the
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Druckenbrod, Daniel L. "Rediscovering Aldo Leopold’s Big Woods." New Jersey Studies: An Interdisciplinary Journal 3, no. 1 (2017): 47. http://dx.doi.org/10.14713/njs.v3i1.65.

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&lt;p&gt;&lt;em&gt;While much of Aldo Leopold’s life is associated with Wisconsin, where he wrote &lt;span style="text-decoration: underline;"&gt;A Sand County Almanac&lt;/span&gt;, his observations and letters as a high school student in Lawrenceville, New Jersey document his maturing insights into natural history and his eventual land ethic. This article frames Leopold’s experiences at the Lawrenceville School within the context of its surrounding environment in 1904-1905 by rediscovering the locations of forests he drew on a map in a letter to his mother. Notably, Leopold referred to the fo
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Barco, Susan G., William A. McLellan, Judith M. Allen, et al. "Population identity of humpback whales (Megaptera novaeangliae) in the waters of the US mid-Atlantic states." J. Cetacean Res. Manage. 4, no. 2 (2023): 135–41. http://dx.doi.org/10.47536/jcrm.v4i2.849.

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In recent years, humpback whales (Megaptera novaeangliae) have been observed in the waters of the US mid-Atlantic states (USMA; New Jersey to North Carolina), notably in winter. The level of the mortality in this area (52 recorded deaths from 1990-2000), makes it important to understand the nature and population identity of this aggregation. Of the approximately 100 humpback whales documented in this study, photographs of 41 (live or dead) were of sufficient quality to be compared to catalogues from the Gulf of Maine (GOM, the closest feeding ground) and elsewhere in the North Atlantic. Of 22
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Trabue, Sarah G., Melinda L. Rekdahl, and Howard C. Rosenbaum. "Photo-Identification and Skin Lesion Prevalence of Bottlenose Dolphins (Tursiops erebennus) in the Waters of New York and New Jersey." Aquatic Mammals 50, no. 2 (2024): 65–85. http://dx.doi.org/10.1578/am.50.2.2024.65.

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Cetaceans can serve as sentinel species in marine environments as long-lived, apex predators that can concentrate environmental contaminants with potential health consequences. Thus, monitoring the well-being of these species may provide an additional indicator of ecosystem health. In cetaceans, one method for assessing individual and population health is by examining skin conditions. For decades, skin lesions have been increasingly documented in coastal populations of bottlenose dolphins (Tursiops spp.) worldwide. Lesion presence can indicate diminished health and may reflect environmental st
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Miller, Warren. "A Photographic Comparison of Margarosanite from Franklin, New Jersey, and the Långban and Jakobsberg Mining District in Sweden." Rocks & Minerals 97, no. 1 (2021): 64–71. http://dx.doi.org/10.1080/00357529.2022.1989953.

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Bezsonov, Oleksandr, Oleh Lebediev, Valentyn Lebediev, Yuriy Megel, Dmytro Prochukhan, and Oleg Rudenko. "Breed recognition and estimation of live weight of cattle based on methods of machine learning and computer vision." Eastern-European Journal of Enterprise Technologies 6, no. 9 (114) (2021): 64–74. http://dx.doi.org/10.15587/1729-4061.2021.247648.

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A method of measuring cattle parameters using neural network methods of image processing was proposed. To this end, several neural network models were used: a convolutional artificial neural network and a multilayer perceptron. The first is used to recognize a cow in a photograph and identify its breed followed by determining its body dimensions using the stereopsis method. The perceptron was used to estimate the cow's weight based on its breed and size information. Mask RCNN (Mask Regions with CNNs) convolutional network was chosen as an artificial neural network. To clarify information on th
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Oleksandr, Bezsonov, Lebediev Oleh, Lebediev Valentyn, Megel Yuriy, Prochukhan Dmytro, and Rudenko Oleg. "Breed recognition and estimation of live weight of cattle based on methods of machine learning and computer vision." Eastern-European Journal of Enterprise Technologies 6, no. 9 (114) (2021): 64–74. https://doi.org/10.15587/1729-4061.2021.247648.

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A method of measuring cattle parameters using neural network methods of image processing was proposed. To this end, several neural network models were used: a convolutional artificial neural network and a multilayer perceptron. The first is used to recognize a cow in a photograph and identify its breed followed by determining its body dimensions using the stereopsis method. The perceptron was used to estimate the cow&#39;s weight based on its breed and size information. Mask RCNN (Mask Regions with CNNs) convolutional network was chosen as an artificial neural network. To clarify information o
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Berger, Edward. "Jazz Portraits: 2000–2010." Journal of Jazz Studies 7, no. 1 (2011): 77. http://dx.doi.org/10.14713/jjs.v7i1.10.

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Musicians featured in this collection of Ed Berger's photographs include Eric Alexander, Geri Allen, Billy Bang, Eddie Bert, Ray Bryant, Candido, Ron Carter, Marc Cary, Dave Douglas, Kurt Elling, Ned Goold, Wycliffe Gordon, Henry Grimes, Chico Hamilton, Roy Hargrove, Barry Harris, Jon Hendricks, Fred Hersch, Ingrid Jensen, Howard Johnson, Kidd Jordan, Teo Macero, Russell Malone, Branford Marsalis, Christian McBride, Grachan Moncur III, Paul Motian, Nicki Parrott, Les Paul, Jeremy Pelt, Houston Person, Riza Printup, Dizzy Reece, Eric Reed, Sam Rivers, Scott Robinson, Fred Staton, George Wein, F
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Butler, Rose. "Special Operations: Deploying artists’ methods in investigative practices." Open Research Europe 5 (April 3, 2025): 95. https://doi.org/10.12688/openreseurope.17402.1.

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This paper discusses two projects that illustrate arts research methods: 1. Doctoral research that commences with an observation at the Houses of Parliament, London, of the passage of the Investigatory Powers Act (2016), legislation that significantly extended the UK’s digital surveillance capabilities. The observation is followed by an analysis of archival film, video and photography from hidden cameras at the Stasi Records Agency, Berlin, that has failed, is sabotaged or misses its subject. Methods employ props, writing, performance-lectures, and exhibitions. Retro spyware is used covertly w
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Blumberg, Alan F., Nickitas Georgas, Larry Yin, Thomas O. Herrington, and Philip M. Orton. "Street-Scale Modeling of Storm Surge Inundation along the New Jersey Hudson River Waterfront." Journal of Atmospheric and Oceanic Technology 32, no. 8 (2015): 1486–97. http://dx.doi.org/10.1175/jtech-d-14-00213.1.

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AbstractA new, high-resolution, hydrodynamic model that encompasses the urban coastal waters of New Jersey along the Hudson River Waterfront opposite New York City, New York, has been developed and validated for simulating inundation during Hurricane Sandy. A 3.1-m-resolution square model grid combined with a high-resolution lidar elevation dataset permits a street-by-street focus to inundation modeling. The waterfront inundation model is a triple-nested Stevens Institute Estuarine and Coastal Ocean Hydrodynamic Model (sECOM) application; sECOM is a successor model to the Princeton Ocean Model
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Goldstein, Barry. "Small Hours in the Meatpacking District." Gastronomica 11, no. 4 (2011): 23–25. http://dx.doi.org/10.1525/gfc.2012.11.4.23.

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New York's Meatpacking District, on Manhattan's west side south of Fourteenth Street, has gone through several incarnations. In the early twentieth century, it was home to hundreds of butchers and processors. During the past decade, development exploded, and today, only seven meat wholesalers and distributers remain. The area was designated a historical district in 2003, and even this remnant will soon diminish, displaced by a new home for the Whitney Museum. But between the hours of 2:00 and 10:00 a.m., tractor-trailers still idle on Washington Street, whole carcasses are loaded into large re
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White, Clayton M. "Birds of Eastern North America: A Photographic Guide and Birds of Western North America: A Photographic GuideBirds of Eastern North America: A Photographic Guide.2009. Paul Sterry and Brian E. Small . Princeton University Press, Princeton, New Jersey. $18.95, paper, ISBN-13: 978-0-691-13426-0; $45.00, cloth, ISBN-13: 978-0-691-13425-3. 336 pages, 1118 color photographs, 405 maps.Birds of Western North America: A Photographic Guide.2009. Paul Sterry and Brian E. Small . Princeton University Press, Princeton, New Jersey. $18.95, paper, ISBN-13: 978-0-691-13428-4; $45.00, cloth, ISBN-13: 978-0-691-13427-7. 416 pages, 1314 color photographs, 443 maps." Western North American Naturalist 70, no. 3 (2010): 421–22. http://dx.doi.org/10.3398/064.070.0317.

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William, R. Kuehne, and J. Kuehne Ardis. "NEW BIOSTROMES DISCOVERED AT THE UPPER CRETACEOUS (CAMPANIAN) STONE BRIDGE FOSSIL SITE IN CAMDEN COUNTY, NEW JERSEY." Mosasaur 12 (July 1, 2022): 46–87. https://doi.org/10.5281/zenodo.8271558.

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This report describes and analyzes two newly discovered biostromes, one calcareous and the other concretions leached of calcareous content, found lower in section and downstream from the historic biostrome investigated by previous studies of this Upper Cretaceous (Campanian) Stone Bridge fossil site in Cherry Hill Township, Camden County, New Jersey. The paleontology, taphonomy and ecology of the overall site is reinterpreted and addresses the newly discovered biostromes. A faunal assemblage of 129, many new to the site, was recovered with 23 exotic Paleozoic fossils, mostly corals, collected
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Schmidt, Ryan, Brianna Casario, Pamela Zipse, and Jason Grabosky. "An Analysis of the Accuracy of Photo-Based Plant Identification Applications on Fifty-Five Tree Species." Arboriculture & Urban Forestry 48, no. 1 (2022): 27–43. http://dx.doi.org/10.48044/jauf.2022.003.

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Background: With the creation of photo-based plant identification applications (apps), the ability to attain basic identifications of plants in the field is seemingly available to anyone who has access to a smartphone. The use of such apps as an educational tool for students and as a major identification resource for some community science projects calls into question the accuracy of the identifications they provide. We created a study based on the context of local tree species in order to offer an informed response to students asking for guidance when choosing a tool for their support in clas
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Chanin, Natalie, Robert Rausch, Marquetta Dickens, et al. "Snapshot." Southern Cultures 29, no. 3 (2023): 11–129. http://dx.doi.org/10.1353/scu.2023.a904679.

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Abstract: The Snapshot: Climate issue of Southern Cultures includes photography and reflections on climate impacts across the southern states by Jenny Adler, Austin Anthony, Kate Auger, Arden Barnes, Monica Patrice Barra, Robin Boggs, Jared Bramblett, Lily Brooks, Hannah Brown, Becca Burton, Matthew Busch, Gordon Campbell, Natalie Chanin, Vanessa Charlot, Walter Coker, Justin Cook, Cameron Davidson, Marquetta Dickens, Brandon Dill, Benjamin Dimmitt, Rory Doyle, Ryan Emanuel, Cameron Evans, J Henry Fair, Megan Faust, Annie Flanagan, Kathleen Flynn, Jerod Foster, John Gaulden, Hermina Glass-Hill
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Earnshaw, Katie, and Carlos D. Torres. "Photographic Books of the Chiapas Photography Project Ixim-Maíz-Corn by Carlota Duarte and Emiliano Guzmán Meza Carnaval in Tenejapa: A Tzeltal Community in Chiapas by Carlota Duarte, Petul Hernández Guzmán, Luisa Maffi, and Jeroen van der Zalm Creencias." American Anthropologist 113, no. 1 (2011): 154–56. http://dx.doi.org/10.1111/j.1548-1433.2010.01316.x.

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Segler, Christopher P., Spencer Heninger, and David C. Seegmiller. "Comparison of Two Methods of Joint Distraction for Arthrodesis of the Foot." Journal of the American Podiatric Medical Association 96, no. 5 (2006): 423–27. http://dx.doi.org/10.7547/0960423.

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A study was conducted to compare the efficacy of two methods of obtaining the joint exposure needed to perform arthrodesis or exploration of various joints of the foot. The investigation was performed by means of simulated arthrodesis in a cadaveric model. On each specimen, a single investigator performed standard incisions and dissection as typically performed for surgical arthrodesis of the first metatarsocuneiform, naviculocuneiform, medial intercuneiform, talonavicular, calcaneocuboid, and subtalar joints. Each joint was exposed and distracted once using the Tarsal Joint Distractor (Orthov
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Werbner, R. P. "FERNANDEZ, James W., Bwiti - An Ethnography of the Religious Imagination in Africa - Princeton, New Jersey, Princeton University Press, 1982, xii, 731 pages, figures, photographs, cloth $110.50, paper $32.50." Numen 32, no. 1 (1985): 115–17. http://dx.doi.org/10.1163/156852785x00201.

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Linden, Diana L. "Modern? American? Jew? Museums and Exhibitions of Ben Shahn's Late Paintings." Prospects 30 (October 2005): 665–84. http://dx.doi.org/10.1017/s0361233300002222.

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The year 1998 marked the centennial of the birth of artist Ben Shahn (1898–1969). Coupled with the approach of the millennium, which many museums celebrated by surveying the cultural production of the 20th century, the centennial offered the perfect opportunity to mount a major exhibition of Shahn's work (the last comprehensive exhibition had taken place at the Jewish Museum in New York City in 1976). The moment was also propitious because a renewed interest in narrative, figurative art, and political art encouraged scholarly and popular appreciation of Ben Shahn, whose reputation within the h
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Mokoena, Hlonipha. "Jeremy Gordin. Zuma: A Biography. Johannesburg and Cape Town: Jonathan Ball Publishers, 2008. xix + 307. Photographs. Notes. Sources. Index. $20.95. Paper." African Studies Review 53, no. 2 (2010): 223–24. http://dx.doi.org/10.1353/arw.2010.0006.

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Gutiérrez, Eliécer E. "Lost Animals: Extinction and the Photographic Record. By Errol Fuller. Princeton (New Jersey): Princeton University Press. $29.95. 256 p.; ill.; index. ISBN: 978-0-691-16137-2. 2013." Quarterly Review of Biology 90, no. 2 (2015): 240–41. http://dx.doi.org/10.1086/681513.

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