Relevant bibliographies by topics / Jerusalem icon

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Academic literature on the topic 'Jerusalem icon'

Author: Grafiati
Published: 5 June 2025
Last updated: 1 August 2025

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Journal articles on the topic "Jerusalem icon"

1

Katić, Marko. "Depiction of the Church of the Holy Sepulchre on a Jerusalem icon from Ružica Church: An example of visual culture in the context of religious practice." Nasledje, no. 21 (2020): 191–207. http://dx.doi.org/10.5937/nasledje2021191k.

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Among but few icons brought back home by hajjis from their pilgrimage to Jerusalem (hence the name jerusalems) preserved in Belgrade, the one that stands out for its peculiarity and relatively early origin is the 1819 icon kept in Ružica Church in Kalemegdan. The most important element of the icon is the depiction of the Church of the Holy Sepulchre in Jerusalem. This paper presents and analyses numerous peculiarities of this depiction, before all by comparing its iconography and style with the usual kind of the Jerusalem pilgrimage icons of the same age. Th icon painter's method is additional
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Abd El Baky, Alyaa M. M., Emil Henin, and Nesrin M. N. El Hadidi. "A Jerusalem-style Icon from Delta, Egypt." مجلة الفنون والعلوم الانسانية 8, no. 15 (2025): 456–69. https://doi.org/10.21608/mjas.2025.381974.1317.

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Shapovalov, M. S. "New Jerusalem: A spatial iconin Belgorod region in the 21st century." Journal of Visual Theology 5, no. 2 (2023): 191–207. http://dx.doi.org/10.34680/vistheo-2023-5-2-191-207.

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The article discusses modern projects for creating architectural and landscape cop-ies of the Holy Land in Russia known as New Jerusalems. The author draws attention to the recent revival of such projects in the 21st century. This paper describes one project of this kind in the village of Sukharevo, Belgorod region, entitled ‘The City of Salvation New Jerusalem’. The author aims to analyze the process of re-creating the Holy Land toponymy in the layout of this New Jerusalem and to determine its intertextual connections with other similar pro-jects. The research relies on the methodological app
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Abou Ackl, Rand. "Kharetat al mousafer, an 18th-century proskynetarion of Jerusalem and The Holy Land from Saydnaia." Chronos 40 (January 6, 2020): 95–118. http://dx.doi.org/10.31377/chr.v40i.640.

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In this article, I discuss a proskynetarion icon of the Holy Land and Jerusalem, called the Kharetat al mousafer, located in Saydnaia Monastery in Syria. The relationship between pilgrimages and proskynetaria, which served as a tool of Christian propaganda, will be discussed with a focus on the Saydnaia proskynetarion as a case study, showing the way of the Melkite painter, Issa al-Qudsi depicted the Holy Land topography. In this icon, the Holy Sepulchre (Church of Resurrection) was also represented, opening a discussion around proskynetaria in Syria during the eighteenth century.
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Plamen, Sabev. "ЙЕРУСАЛИМИЯ ОТ ЦЪРКВАТА "СВ. ГЕОРГИ" В АРБАНАСИ/ A JERUSALEM ICON FROM THE CHURCH OF ST. GEORGE IN ARBANASY". EPOHI [EPOCHS] Edition of the Department of History of "St. Cyril and St. Methodius" University of Veliko Tarnovo Issue 2, XXIII, 2015 (2022): 419–27. https://doi.org/10.5281/zenodo.6590928.

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In 2011, I came across a Jerusalem type of icon in the chapel of the “St.  Demetrius” church in Arbanasy.  Due to the long-term exposure to humidity and dust, it needed an urgent restoration and conservation. However, in the museum data it was signed that the place of origin of the icon was the church of St. George in Arbanasy. After a research over older photographic documents, I’ve found that the icon was hang on the wall of the nave of this church, and eventually, due to the church’s closure for restoration, it was moved in the chapel of St. Demetrius churc
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Buko, Andrzej, Tomasz Dzieńkowski, Stanisław Gołub, et al. "Fragments of a steatite icon (diptych wing) with the Great Feasts cycle excavated in Chełm (eastern Poland)." Byzantinische Zeitschrift 114, no. 1 (2021): 111–38. http://dx.doi.org/10.1515/bz-2021-9005.

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Abstract The paper presents fragments of a Byzantine icon discovered in 2015 during regular archaeological excavations carried out in Chełm, eastern Poland. Iconographic analyses allow the nine surviving fragments to be interpreted as belonging to a diptych wing with the Great Feasts cycle. The icon represents archaic iconography of the subject, with the scene of Transfiguration placed after Entry into Jerusalem and before the Crucifixion. The artefact was created in the second half or at the close of the 12th century, and it was made from steatite, which has been confirmed by petrographic ana
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Jacobs, A. "De Icoon van de Intocht in Jeruzalem." Het Christelijk Oosten 50, no. 1-2 (1998): 89–108. http://dx.doi.org/10.1163/29497663-0500102006.

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The icon of the Entry into Jerusalem The first images of the Entry into Jerusalem are to be found on the sarcophagi dating back to the fourth and fifth centuries. The most famous sarcophagus is the one of Junius Bassus (fourth century). Christ is straddling on a donkey. Starting from the sixth century Christ is riding sidesaddle. Later on He is depicted looking back at his disciples. The Entry into Jerusalem develops gradually from an essential and elementary composition into a complete story of the Entry, containing many details from the Gospels. The iconography of the Entry is more or less c
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Kain, Kevin M. "Conceptualizing New Jerusalem." Canadian-American Slavic Studies 54, no. 1-3 (2020): 134–69. http://dx.doi.org/10.30965/22102396-05401008.

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Abstract This essay re-conceptualizes Muscovite notions of New Jerusalem, by considering the practice of historical replication, including hierotopy, as a religious-political ideology. It explains why and how Tsar Fedor Alekseevich adopted and advanced the replication of the Church of the Holy Sepulcher at the Resurrection “New Jerusalem” Monastery, founded by Patriarch Nikon and his father Tsar Aleksei Mikhailovich, despite the ecumenical patriarchs’ condemnation of Nikon and his monastery in 1666 and eschatological fears promoted by Old Believers. Fedor resurrected the New Jerusalem idea in
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Demchuk, Ruslana. "The Temple Consciousness and Iconic Mindset in the Dimension of Ancient Rus Culture." NaUKMA Research Papers. History and Theory of Culture 7 (August 7, 2024): 106–17. http://dx.doi.org/10.18523/2617-8907.2024.7.106-117.

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The article deals with the organisation of the sacred space of the temple-icon and the city as a temple on the example of ancient Rus monuments in the context of the Byzantine cultural and religious tradition. Previously, the positivist model of describing the world did not see the organisation of sacred space as a subject of research. However, in many cases, the analysis of theological concepts or visual forms is insufficient, because some phenomena can be understood only at the level of ideal images (eidos). The structural design of sacred space is a hierotopic project that encompasses all i
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Lidov, A. M. "Patriarch Nikon’s hierotopy. The New Jerusalem Hermitage as a seventeenth century spatial icon." Journal of Visual Theology 5, no. 1 (2023): 46–63. http://dx.doi.org/10.34680/vistheo-2023-5-1-46-63.

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In the context of hierotopy, a discipline that studies the creation of sacred spaces as a specific spiritual and artistic creative activity, two new research problems have been pos-tulated: sacred space creators as a phenomenon, and the Holy Land re-creation as the foun-dation of medieval Christian spiritual culture. These problems determine the content of this paper where we analyze one of the Patriarch Nikon’s most original and significant hierotopic projects, that we believe to be crucial for understanding Russian culture of the 17th century. We claim that the Nikon’s Hermitage (Otkhodnaia
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Books on the topic "Jerusalem icon"

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1965-, Neumann Pia, Lauter Rolf, and Museum für Moderne Kunst (Frankfurt am Main, Germany), eds. Skizzenbuch der Ikone "Einzug in Jerusalem" =: Sketchbook for the icon "Entry into Jerusalem". Cantz, 1996.

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2

A, Pi︠a︡tnit︠s︡kiĭ I︠U︡, ed. Pilgrim treasures from the Hermitage: Byzantium, Jerusalem. Waanders Publishers, 2005.

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3

Katić, Marko. Četiri Jerusalima: Hadžijske ikone iz Crkve Uspenija presvete Bogorodice u Livnu = Four Jerusalems : hajji icons from the Church of the Holy Virgin' Assumption in Livno. Muzej Republike Srpske, 2012.

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International Conference on Control and Applications (1st 1989 Jerusalem). ICCON '89: IEEE International Conference on Control and Applications, Jerusalem, April 3-6, 1989 : proceedings. IEEE Israeli Section, 1989.

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IEEE International Conference on Control and Applications. (1989 Jerusalem, Israel). ICCON '89: Proceedings : IEEE International Conference on Control Application, Hyatt Regency Hotel, Jerusalem, April 3-6, 1989. Institute of Electrical and Electronics Engineers, 1989.

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IEEE International Conference on Control and Applications (1989 Jerusalem). ICCON '89: IEEE International Conference on Control and Applications : proceedings, the Hyatt Regency Hotel, Jerusalem, April 3-6, 1989. Institute of Electrical and Electronics Engineers, 1989.

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Ronk-Vaandrager, Meta. Tabernacle, temple et Jérusalem céleste: "premier, deuxième et troisième temple?" : étude d'iconographie biblique de la peinture du IXe au XIIe siècle. 1996.

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Kuhnel, B. Jerusalem Icons in the European Space. Peeters Publishers & Booksellers, 2022.

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Jerusalem Icons in the European Space. Peeters Publishers & Booksellers, 2022.

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10

McCormick, Clifford Mark. Palace and Temple: A Study of Architectural and Verbal Icons. de Gruyter GmbH, Walter, 2012.

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Book chapters on the topic "Jerusalem icon"

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Vassilaki, Maria. "An Icon of the Entry into Jerusalem and a Question of Archetypes, Prototypes and Copies in Late and Post-Byzantine Icon-Painting." In The Painter Angelos and Icon-Painting in Venetian Crete. Routledge, 2023. http://dx.doi.org/10.4324/9781003417521-15.

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Buchthal, Hugo. "Who is this King of Glory? The Byzantine enamels of an icon frame and revetment in Jerusalem*." In Enamels, Crowns, Relics and Icons. Routledge, 2024. http://dx.doi.org/10.4324/9781003554059-12.

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Masciandaro, Nicola. "Half Dead." In Dark Chaucer. punctum books, 2012. https://doi.org/10.21983/p3.0018.1.08.

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St. Cecilia’s botched beheading in Chaucer’s Second Nun’s Tale masterfully sculpts the conundrum of life/death liminality into a horrific three-day dilation of the moment of martyrdom, opening the decollative blow that typically coincides with receiving its crown into a series of unfinished neck-cuts. Pinched between the cruelty of the headsman’s impotence, the idiotic inflexibility of the law, and her own sacred durability, Cecilia embodies the paradoxical idea of an unending, asymptotically inconclusive decapitation, an infinite series of beheading blows that never severs the head. Her hacke
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Tchekhanovets, Yana. "A Miniature Icon Diptych." In Jerusalem Excavations in the Tyropoeon Valley (Givati Parking Lot) Volume II: The Byzantine and Early Islamic Periods. Israel Antiquities Authority, 2020. http://dx.doi.org/10.2307/j.ctv1fkgc5q.12.

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Louth, Andrew. "Νά εὔχεσαι νά ᾽ναι μακρύς ὁ δρόμος." In Selected Essays, Volume II. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192882820.003.0007.

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Abstract Pilgrimage quickly became a feature of Christian devotion: the journey to, first of all, the Holy Land and the sites associated with Christ, or to places where saints had been martyred or made themselves manifest through miracles. Such sites were Jerusalem, Rome, and later Constantinople, New Rome; other centres of pilgrimage housed the relics of a saint or, like Thessaloniki, possessed a revered icon of their saint. Evidence for pilgrimage survives in pilgrims’ accounts of their journeys, as well as in tokens—oil lamps and pendants—purchased by the pilgrims. The words for pilgrimage
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Mahoney, Lisa. "The Frankish Icon: Art and Devotion in the Latin Kingdom of Jerusalem." In The Crusades and Visual Culture. Routledge, 2017. http://dx.doi.org/10.4324/9781315086828-2.

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Zelenskaya, Galina M. "Tale of the Consecration of the Great Stone Church in the Resurrection Monastery of New Jerusalem January 18, 1685." In Hermeneutics of Old Russian Literature. Issue 23. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2024. http://dx.doi.org/10.22455/horl.1607-6192-2024-23-518-568.

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The article examines the Tale about the consecration of the “great church” of the Resurrection of Christ, erected near Moscow in the image of the Church of the Holy Sepulchre in Jerusalem. This written source has never been the subject of special study; this work represents it in a church-historical and artistic context. The monastic buildings of the 1680s are characterized, the development of their semantics and symbolism is traced, the questions of the authorship of the Tale are touched upon. It is established that the creators of the decoration of the Resurrection Cathedral were carvers, ca
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"ICONS OF JERUSALEM." In Jerusalem Icons in the European Space. Peeters Publishers, 2022. http://dx.doi.org/10.2307/j.ctv2k057b5.6.

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"Canadian ICOR Branches: The First Decade." In Jerusalem on the Amur. McGill-Queen's University Press, 2008. http://dx.doi.org/10.1515/9780773575011-007.

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"ICOR as an “Inclusive” Organization, 1924–29." In Jerusalem on the Amur. McGill-Queen's University Press, 2008. http://dx.doi.org/10.1515/9780773575011-005.

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Conference papers on the topic "Jerusalem icon"

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Vogel, Joyce, and Dan Bouhnik. "A New Model for an Introduction to Computer Networking Course." In InSITE 2025: Informing Science + IT Education Conferences: Hiroshima. Informing Science Institute, 2025. https://doi.org/10.28945/5561.

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Aim/Purpose The Introduction to Computer Networking (ICN) course, which was once a course that was only included in computer networking programs, is now a critical component in most Computer Science and Software Engineering degrees. Given the widespread adaptation of the course, it is crucial to address its flaws, since these shortcomings result in high failure rates and inadequate understanding of network concepts even among students who pass. Background To address this issue, at the Jerusalem College of Technology (JCT), we suspended our ICN course for one year in order to research better me
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