Academic literature on the topic 'Jessuit'

Gryposuchus Gürich, 1912 is the most diverse genus within the Gavialoidea. However, the type species G. jessei Gürich, 1912 has been subject of controversy and was regarded conspecific with G. neogaeus (Burmeinster, 1885) or G. colombianus (Langston, 1965). Here we provide a revision of G. jessei to verify the conspecific hypothesis and the implications for the genus Gryposuchus. Our study shows that G. jessei is a valid species, and a new specimen was referred to this taxon. The comparisons with other Gavialoidea species enabled the proposition of three exclusive characters for the genus. We further advocate a sister affinity between G. jessei and G. pachakamue.

As a further tribute to feminist scholar Jessie Bernard, in this paper, we review the entire collection of the National Council on Family Relations’ Jessie Bernard Outstanding papers awarded to feminist junior scholars spanning from 1990 to 2018. In so doing, we showcase Jessie Bernard’s devotion to mentoring young scholars as we highlight evolving feminist family scholarship of student/new professionals. In this paper, we sought to:(a) honor Jessie Bernard’s intellectual legacy, (b) celebrate contributions of young feminist family scholar’s work, and (c) explore how the award collection maps on to wider feminist theoretical debates and empirical shifts within feminist family science over the past three decades.

Not having been privileged to study, or work more than fleetingly, with Philip Jessup, I write from a less informed and intimate perspective than his colleagues and, of course, his son. Not that Jessup was a distant figure, for he conveyed to all who knew him, or even encountered him, a warmth and sympathy that was exceptional. No man in the world of international law aroused more universal admiration and affection than did Philip Jessup.

Representations of Jessie Fremont, the wife of the Republican presidential candidate in 1856, had a prominent role in the campaign poetry of that year. The Jessie poems bind the period's cult of domesticity to the party's figurative anti-slavery system. According to these poems, Northerners intent on conciliating the Slave Power were spreading their own sterility, whereas men willing to make a home for Jessie in the White House were reproducing, through their own redemption, a future free West. The code of domesticity thus helped these poems to define collective political action as growing out of the strengths of free labor.

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The process of settling of Brazil IF gave Portugal after to consist as Kingdom and transforming into maritime country, searched the interests of the classrooms noble and members of the Church Catholic, transforming into a national Project with commercial impulses ando f religious mission. The entailing enters the Company of Jesus and Portugal is fact that if structure, then after its foundation for Inácio de Loyola, the Jesuits formed a religious corporation destined to constituent of the elite military service to be used in the Against-Reformation, in the fight in favor of the religion undertaken for the Pope. The sprouting of the Embu (M Boy), is atrelado in this interest, therefore we make na analvsis of the process f itssprouting. We search to understandthe paper of the missionaries, how much the ideal of the faith and the catequista settling, that the activity of the Company evidences, and the strategies articulated in promoting its facts to keep the cultural monopoly and to lead the sheep. The meeting between Jesuits and aboriginalds, was to sth by expectations and dicoveries in relation to the cultural process of universes that divergiam and ressignificavam, but that it was necessary for the social maintenance. The resulto of this meeting was, a popular religiousing marketing by a revealed religious sincretismo through religious parties. Therefore, the research object is the formation of Embu, city of the region metropolitan of São Paulo. We search the jesuítica action and the process of catequização of the guarani, and the cultural relations resultant of a religious ressignificação that resulted in the society of Embu a typically popular catolicismo. I Will be analyzing the colonial period, specifically that referring of São Paulo, even enter 1554 for 1700 return, in which if it consolidates the paper of the Pe. Belchior Pontes, then considered the founder of this city
O processo de colonização do Brasil se deu após Portugal constituir-se como Reino, cuja vocação para a expansão marítima, alinhada aos os interesses de nobres e membros da Igreja Católica, transformou a colonização em um projeto nacional, com impulsos comerciais e religiosos. O vínculo entre a Companhia de Jesus e Portugal é fato que se estrutura logo após a sua fundação por Inácio de Loyola. Os jesuítas formavam uma corporação religiosa destinada a constituir uma milícia de elite no combate à Contra-Reforma, na luta em prol da religião liderada pelo Papa. O surgimento do Embu (M Boy) está atrelado a esses interesses, por isso fazemos uma análise do processo de seu surgimento. Buscamos compreender o papel dos missionários quanto ao ideal de fé, à colonização catequista e às estratégias empregadas no processo de conversão dos nativos. O encontro entre jesuítas e indígenas foi cercado de expectativas e descobertas em relação ao processo cultural de universos que divergiam e se ressignificavam. O resultado deste encontro foi uma religiosidade popular marcada por um sincretismo, manifestado através de festas religiosas. Portanto, o objeto de pesquisa é a formação de Embu, município da região metropolitana de São Paulo. Pesquisamos a ação jesuítica, o processo de catequização dos guaranis e as relações culturais resultantes de uma ressignificação religiosa que produziram na sociedade de Embu um catolicismo tipicamente popular. Analisaremos o período colonial, especificamente aquele referente a São Paulo, entre 1554 e 1700, no qual se consolida o papel do padre Belchior Pontes, considerado então o fundador dessa cidade

Submitted in fulfillment of the requirement for the degree Master of Arts in the Department of African Languages at the University of Zululand, South Africa,1985.
In the first chapter we are given the biography of Joyce Jessie Gwayi, including a section on her domestic position, her present occupation and her state of health. It is her state of health that has made it impossible for her to undertake any further literary work. This has been the worst drawback to the budding Zulu historical novelist. Here also a few writers of various Zulu books are reviewed. Most of these books found their way into the classroom because there had been no Zulu literature except the Holy Bible. This was so chiefly because, for a long time, schools belonged to missionaries whose primary aim was to bring the Christian Gospel to the Black people. Moses Ngcobo, Gwayi's husband, inspired her because, as a novelist, he had already written the historical work on the Xhosa National Suicide. Gwayi wanted to write about Dingiswayo Mthethwa, her ancestor, after discovering through research that the names Gwayi and Mthethwa were synonymous, used in the Transkei and Natal respectively. She discovered that Shaka Zulu grew up under the guidance of Dingiswayo Mthethwa and that after uniting the Zulu and the Mthethwa Tribes, he initiated a period of conquest. Gwayi seems to have been interested in this period which is known as "Difaqane" and thus used the Tlokoa Tribe, with its 'warrior queen', as the subject of her first novel Bafa Baphela, It was after the completion of this novel that she wrote Shumpu after which she wrote the third book Yekanini. The theme, structure and plot in each novel conform to the pattern as has been diagrammatically represented in the dissertation. There is exhibited a very well developed sunrise, noontide and sunset trend in each novel. /To To achieve this the novel must have a variety of characters. We find Gwayi's heroes and heroines behaving realistically, especially in view of the fact that some of them are real historical people. Both her simple and complex characters behave very much like ourselves or our acquaintances. There are characters central to the plot and also those who are included simply to enrich the setting of the story. Gwayi even has characters who are ancestors of living people. In Chapter Four, the milieu of Gwayi's books is discussed. Ancient people have a different culture from modern people so that as her characters lived prior to westernization, they conform to their environment. This aspect is obtained from traditional and oral history because Zulus were, up to then, illiterate. Attire, food and religion, however, remained largely unchanged for a long period of time. Ancestor worship, it is true, has been disturbed by the introduction of Christianity. On the military side it was Dingiswayo Mthethwa who regimented his warriors and Shaka Zulu who revolutionized the method of fighting by introducing a short spear (Iklwa). It is the style, language and technique that disclose the fact that the novels have been written by two people. (Gwayi confirmed this fact to the author.) The language in the first two books leaves much to be desired. For example, some expressions are used in such a manner that a non-Zulu reader may be confused. This is regrettable since Gwayi cannot now do anything about it. The language of the third book is good. The structure could have been Gwayi's, but Ngcobo so deftly manipulated the language that this book proves to be the best of the three. Ngcobo ends the book so conveniently that the reader becomes anxious to know what happened to Zwide Ndwandwe and Shaka Zulu when Dingiswayo had gone. It leaves the reader with a wish to read his next book, which deals with the conflict between Zwide and Shaka. It is unfortunate that Gwayi and Ngcobo do not revise and edit the books to the advantage of the future Zulu reader.

Life for nineteenth century American women was full of restrictions and limitations. Frowned upon or simply not permitted to enter "male" spheres of activity such as professions, business and politics, many middle class women turned to philanthropy and reform work as the sole acceptable outlet for their energy, talents, and time. American Jews of German descent adopted the "Victorian ideal of womanhood" popular in the United States at this time, propelling many German-Jewish women to engage in charitable Zionist activity despite the general lack of support for Zionism in America earlier in this century. Among this group of bourgeois German-Jewish women involved in American Zionism was a poet, Jessie Ethel Sampter, whose contributions to the movement far exceeded those of the norm. Despite her limited Jewish education and upbringing, and extreme physical limitations, Sampter emerged as a pioneer feminist and Zionist, both in America and in her adopted country, Palestine.

Jessie Ackermann traveled throughout the world representing numerous American reformist organizations during the Progressive Era. Over the course of her lifetime, she promoted progressive reforms in foreign lands. This study examines Ackermann's career a progressive in an international context. The Jessie Ackermann Collection in the Archives of Appalachia holds various records that document Ackermann's career. Ackermann also authored three books during her lifetime. This thesis employs these primary materials along with other appropriate primary and secondary sources dealing with Ackermann and the Progressive Era. Several historical studies have surveyed Ackermann's work as a reformer; however, none have sought exclusively to place her within the context of the Progressive Movement. Ackermann's experiences reveal that progressives not only sought to change society in America, but that some carried progressivism abroad to transform foreign societies. This study contributes to the understanding of Ackermann's work as a reformer and the international nature of progressivism.

There is an abundance of historical and anecdotal material relating to the experiences of the Australian soldier during World War 1. These soldiers were conscious both during and after the war that their contribution was important and that it was recognised as such by Australian society at large. Conversely there is an almost total absence of historical or anecdotal material about the role of the Australian nurse who served during this same conflict. Whether these nurses had the same degree of consciousness, either during or after the war, that their contributions were valued or seen as important by Australian society remains, largely, unknown. This thesis attempts to redress, in part, this absence by telling the story of a nurse, Jessie Tomlins, who served in the Australian Army Nursing Service during this period. At the same time specific aspects of the historical events surrounding World War One will be explored. Jessie Tomlins served, first as a Staff Nurse and later as a Sister, in the 14th Australian General Hospital in Egypt during 1916. At the same time her brother, Fred Tomlins, was already serving in the 1st Australian Light Horse Regiment and spent the entire four years of World War 1 in Palestine and Egypt. At the end of 1916 their younger brother, Will Tomlins, also joined the Army and became a member of the Anzac Mounted Division. The letters, postcards and photographs that Jessie, Fred and Will sent home to their mother and family, as well as Fred's fourteen diaries, form the foundation of this thesis. This thesis provides a meaningful snapshot of one woman from rural Australia who completed her nurse training during the war and then served her country during one of the most brutal periods of humankind. Her own words clearly tell the story of her war time experiences whilst, at the same time, conveying her expectations, prior to, during and after, this event. The development of the Australian Army Nursing Service, as it affected Jessie, over this period is also considered. It will be demonstrated that whilst ordinary men, soldiers, were at the military front line so too were ordinary women, nurses. The thesis will provide support for the contention that the contribution of Australian nurses in World War One, especially that of the ordinary nurse caring for the ordinary soldier, has been poorly recorded and as a result remains under-valued.

This thesis examines the life and mystical theology of Jessie Penn-Lewis (1861-1927). While Penn-Lewis has been the subject of historical research, particularly by scholars of the evangelical movement of the late 19'h century, yet her theology has not received adequate assessment from the academic community. Therefore, this thesis undertakes an analysis of the mystical theology of Jessie Penn-Lewis whereby I demonstrate that Penn- Lewis was part of the classical mystical tradition, over and against the Quietism operative within the Keswick Conventions of her day. Following a brief summary of her life, international ministry, and mystical writings, I show that Penn-Lewis's mystical path engaged suffering in the soul's ascent to union with the Divine and this separated her from the Quietists who insisted upon the one-act of passivity in reaching the highest mystical states. I trace the Quietism within the early Keswick Conventions to a mishandling of the Prayer of Simple Regard by Quietists such as Madame Guyon and Thomas Upham. Upham's reshaping of Guyon's Quietism was readily assimilated by leaders within the early Keswick Conventions, excluding Mrs. Jessie Penn-Lewis who could not tolerate the passivity and absorption of the will demanded by Quietism. Penn- Lewis's mystical theology, also called Cross Theology, was nurtured by the Romantic mood of the day, and was thus rooted in personal religious experiences, including the experience of suffering. In this way Cross Theology combines the apophatic tradition of Bonaventure with an experience of suffering, in the soul's ascent, such that Cross Theology opposes the shallow mysticism of Keswick's Quietists who rejected effort and suffering in the path toward the unitive state. Penn-Lewis'ร mysticism also advances and the social ramifications of women's union with Christ. According to Penn-Lewis, women who are united with Christ bear the fruits and responsibilities of the highest mystical state, just as men. Cross Theology therefore had social consequences manifest in women’s equal service beside men in Christian work. Penn-Lewis's mysticism was central to her ministry, her interpretation of scripture and her activism on behalf of women. Thus, Penn-Lewis was a Protestant mystic whose mysticism gave shape to an egalitarian agenda that challenged the gender bias of the Church at the turn of the century.

Thesis (Ph. D.)--University of Sydney, 2001.
"... The letters, postcards and photographs that Jessie, Fred and Will sent home to their mother and family, as well as Fred's fourteen diaries, form the foundation of this thesis..." -- p. 2. Title from title screen (viewed Apr. 23, 2008). Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Dept. of Clinical Nursing, Faculty of Nursing. Includes bibliography. Also available in print form.

My doctoral thesis focuses on the twentieth-century Scottish writer, Jessie Kesson, examining the effects of the cultural construction of gender from a feminist psychoanalytic perspective. Although my primary focus is on the detrimental effects traditional gender roles have on girls and women, recently published studies claiming that 'masculinity' is in a state of crisis are of particular value to my work. The reasons contemporary critics offer for this 'crisis in masculinity' vary widely. There are those who are convinced that women are to blame for abandoning their traditional roles as wives and mothers and moving too far into areas of society that are traditionally 'male'. This, they believe, results in a 'feminised' society that has an adverse effect on the development and well-being of boys and men. Those who support this argument generally believe that social, emotional and psychological distinctions between the genders are biologically inherent rather than socially constructed, and would prefer to see gender positions polarised rather than assimilated. At the other end of the scale are those who believe that the behaviours associated with traditional 'masculinity' are outmoded, fostering a form of emotional distrophy that is responsible for the increase in male suicide and autistic-like behaviours. Those who support this argument believe that males should develop a new set of behavioural traits more closely aligned to those traditionally thought of as 'feminine': traits like spontaneity, expressiveness, empathy and compassion. I have found the latter arguments exciting on two counts: firstly because an increasing number of male critics are joining female critics in acknowledging that many of the traits and behaviours traditionally associated with 'masculinity' are life-denying for both sexes; secondly, and most importantly, because these critics are echoing the findings of the feminist psychoanalytic critic, Jessica Benjamin, whose work I have found so stimulating. But, where critics have pointed to the problem ('masculine' behaviour) and recommended that it be modified to something more closely resembling 'feminine' behaviour, Benjamin has not only identified the source of the problem, she has developed a revised theory of human development, 'Intersubjectivity', which offers a positive and transformative approach to human behaviour. I examine Benjamin�s theory closely in Chapter Two, and make use of it in succeeding chapters. In May 2000, financed by the Bamforth Scholarship fund (with help from the Humanities Division of the University of Otago), I attended a conference at the University of St Andrews entitled 'Scotland: The Gendered Nation', which gave me a wider view of the concerns of contemporary Scottish writers and scholars. The paper I presented at the conference, "That great brute of a bunion!": the construction of masculinity in Jessie Kesson�s Glitter of Mica�, was published in the Spring 2001 issue of Scottish Studies Review. Following the conference I spent the rest of May in Scotland finding out more about Kesson and her writing under the generous tutelage of Kesson�s biographer, Dr Isobel (Tait) Murray, from the University of Aberdeen. Kesson wrote many plays for the BBC, and I was able to read Dr Murray�s copies of some of these unpublished works in the security of the Kings College Library, along with back copies of North-East Review to which Kesson contributed. In Edinburgh I visited the National Library of Scotland which holds back copies of The Scots Magazine containing pertinent articles by Kesson and her contemporaries. Then I travelled to those parts of North-East Scotland which feature most precisely in Kesson�s life and writing. My Scottish month was invaluable for its insight into the critical literary climate of Scotland, and for allowing me to reach Jessie Kesson imaginatively: through the boarded-up windows of the Orphanage at Skene; by the ruined Cathedral at Elgin; at the top of Our Lady�s Lane; and on the steps of her cottar house at Westertown Farm. [SEE FOOTNOTE] It was a privilege to trace Kesson�s footsteps and then to return to the other side of the world with a much keener sense of her 'place'. I would like to think this has carried over into my work, the structure of which is as follows: Chapter One gives a brief history of Jessie Kesson�s life and writing. Chapter Two focuses on Jessica Benjamin the feminist psychoanalytic critic whose work provides the main theoretical framework for my thesis. Chapter Three considers the expression of female sexuality in the novella Where the Apple Ripens, and the way society conspires to have it diminish rather than enhance a sense of female self-hood. Where the Apple Ripens is not Kesson�s first published work but, because it introduces the central concerns of my thesis through the experiences of an adolescent girl, I have chosen to begin with it rather than with The White Bird Passes and to work towards increasingly complex gender relations in succeeding chapters. In Chapter Four, The White Bird Passes, I look at the way Kesson depicts girls and women as instruments of male sexuality, controlled by a nervous patriarchy whose institutions (family, education, church) take away the promise of her female characters. Chapter Five is centred on The Glitter of Mica, and considers the consequences of a masculinity constructed around the destruction of 'the Mother'. Chapter Six considers the fate of the anonymous young woman in Another Time, Another Place, and examines the conventions of the social order that deny her self-definition. Chapter Seven also examines the social conventions that shape and limit the lives of Kesson�s female characters - this time in a selection of Kesson�s short stories and poems. In Chapter Eight I look at selected writers from the eighteenth to the twentieth-century whose work, in diverse and often contradictory ways, has contributed to an interrogation of gender in Scottish literature. This is not an historical and systematic survey of gender relations in Scotland; it is not even an historical and systematic survey of gender questions in Scottish literature. Rather, it is an impressionistic account of such matters in some selected Scottish literature - selected in part to cover some highly influential figures, and in part from Jessie Kesson�s more immediate context: feminine, rural, the North East. There is a place for such historical and systematic work, of course, and I hope that someone will do it. All I can hope for is that I may have provided some beginning but more importantly, that my work in this chapter will sharpen, further, an understanding of Jessie Kesson. I begin with the life and work of the poet, Robert Burns. As well as featuring in Kesson�s Glitter of Mica, Burns and his legacy are matters of influence in the gendered ideal of 'Scottishness' for both laymen and writers at home and abroad. Following Burns, I contrast the unconscious gender ideology which permeates Neil Gunn�s writing with the progressive awareness of gender issues that characterises the work of Lewis Grassic Gibbon and aligns the latter with Kesson�s. I then examine the idealised landscapes and sentimentalised characters of the Kailyard era and the hostile response of the anti-Kailyard writers. This leads into an examination of Hugh MacDiarmid�s poem, A Drunk Man Looks at the Thistle. MacDiarmid, like Burns, was monumental on the Scottish literary scene and his efforts to rekindle the spirit of the primitive Scot through literature have made him influential with a smaller but equally significant group. What is of particular relevance to my work is that the ideal of 'Scottishness' fostered by writers such as Burns and MacDiarmid is heavily dependent on prescribed gender positions which promote the exploitation of women while rendering them subservient to men and politically powerless. It is from within this environment of gender-based Scottishness that Jessie Kesson and other women writers, were writing and arguing. Therefore, lastly, in Chapter Eight, I concentrate on those women writers whose work has the most relevance to the time, place and ideological content of Kesson�s writing: Violet Jacob, Catherine Carswell, Lorna Moon, Willa Muir and Nan Shepherd. The writing of all of these women is concerned with psychic well-being centred on human relations and/or self-determination and, of the five, the writings of Willa Muir and Nan Shepherd are considered more fully because of the particular contribution they make to my examination of Jessie Kesson: Willa Muir commented, both directly and indirectly, on gender matters. Nan Shepherd, quite apart from being a friend of many years to Jessie Kesson, wrote novels in which gender issues are entirely central. FOOTNOTE: I am indebted to Sir Maitland Mackie for giving me a guided tour of Westertown Farm, the setting for Darklands in The Glitter of Mica.

The 3D Interactive Panorama provides multiple views and zoom in details of a bias cut evening gown by Jessie Franklin Turner, an American woman designer in the 1930s. The gown is constructed from pink 100% silk charmeuse with piping along the bodice edges and design lines. It has soft tucks at the neckline and small of back, a unique strap detail in the back and a self belt. The Interactive is part of the Drexel Digital Museum, an online archive of fashion images. The original gown is part of the Fox Historic Costume, Drexel University, a Gift of Mrs. Lewis H. Pearson 64-59-7.