Academic literature on the topic 'Jesuit Church (Valletta, Malta)'

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Journal articles on the topic "Jesuit Church (Valletta, Malta)"

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Cassar, Carmel. "Malta and the study of Arabic in the sixteenth to the nineteenth centuries." Turkish Historical Review 2, no. 2 (2011): 125–54. http://dx.doi.org/10.1163/187754611x603083.

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AbstractThe Holy See became aware of the potential evangelising role of the Maltese in Ottoman lands at least from the mid-sixteenth century. This had much to do with Malta's geographical proximity to North Africa, coupled with the ability of the Maltese to speak a native Semitic language, believed to be close to Arabic, while at the same time being fervently Catholic Christians. Malta was singled out for this role mainly because the majority of Levantine Christian communities, then largely under Ottoman rule, were known to speak some form of Arabic. The combination of these factors appeared to be an excellent combination of circumstances to the Catholic Church authorities in Rome who believed that Malta was ideally suited for the teaching of Arabic. In Rome there was a general belief that the establishment of a school of Arabic in Malta, would help make the Catholic Church more accessible to the Christians of the Levant. However, despite continuous efforts, throughout the seventeenth and eighteenth centuries, by the Holy Congregation of Propaganda Fide, the teaching of Arabic never really took off in Malta. Under British colonial administration, in the early nineteenth century, Arabic remained on the list of subjects taught at the University of Malta and was later introduced at the Lyceum and the Valletta Government School. The British colonial authorities may even have encouraged its teaching and for a brief time, in the mid-nineteenth century, the well known Lebanese scholar Ahmad Faris al-Shidyaq, was lecturer of Arabic at Valletta. The end of Arabic teaching during World War One coincided with the emergence of the belief, pushed by Lord Gerald Strickland, that the Maltese descended from the Phoenicians. It was believed that the Maltese had preserved ancient Phoenician, rather than Arabic, over the millennia. By associating the Maltese with the ancient Phoenicians Strickland was simply saying that the Maltese might have had Semitic origins but that did not mean they were Arabs.
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Dixon, Nicholas. "Queen Adelaide and the Extension of Anglicanism in Malta." Studies in Church History 54 (May 14, 2018): 281–95. http://dx.doi.org/10.1017/stc.2017.15.

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On a visit to Malta in 1838, Queen Adelaide expressed severe disappointment that the British colony did not possess a purpose-built Anglican place of worship. She determined to fund the building of one at her personal expense and within six years the grandiose neoclassical church of St Paul's, Valletta, was completed. This imposing structure occupied an ambiguous position in a colony where the British government was pledged to maintain Roman Catholicism. St Paul's was ostensibly intended for the existing Anglican population in Malta. However, the church was perceived by both evangelicals and Roman Catholics as a potential instrument of propagating Protestantism. In examining the basis for these perceptions, this article suggests that St Paul's was part of a larger effort, driven by high church clergy connected with the Society for Promoting Christian Knowledge (SPCK), to influence the Maltese towards greater sympathy with the Anglican tradition, while avoiding overt proselytizing. The concomitant establishment of the diocese of Gibraltar in 1842 was, it is argued, key to this enterprise. The analysis advanced here has important implications for our understanding of Anglicanism in an imperial context, the contribution of royal patronage to this process and the conflict between religious and governmental imperatives.
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Buttigieg, Emanuel, and Franco Davies. "Santiago de Compostela: Aspects of a cult in Malta of the Knights of St John." Memoria y Civilización, June 16, 2021. http://dx.doi.org/10.15581/001.24.017.

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The cult of St James within the Order of St John was evident throughout its stay in Malta in the architectural fabric it left behind, particularly the fortified land-front of the city of Valletta, as well as in other notable buildings, namely the Auberge of Castile, León and Portugal, and its church of St James. While its architectural aspects have withstood the test of time, other social aspects of the cult of Santiago in Malta are evident through the religious art in the Conventual Church of the Order in Valletta, today St John’s co-cathedral, but also through religious rituals held on the island during the stay of the knights. This reflected a local cult which shows hints of being present also before the arrival of the Hospitaller Order to the Maltese shores.
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"ANTHONY HART writes:." Eighteenth Century Music 12, no. 2 (August 24, 2015): 259–60. http://dx.doi.org/10.1017/s1478570615000160.

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Early-music performances were a rarity in Malta until a few years ago. Slowly, over the years, harpsichords started to appear in concerts and a retired doctor began to build clavichords. During a series of fundraising concerts for the restoration of one of Valletta's oldest churches, a male-voice choir was formed to sing renaissance polyphony. This fervent activity led a local artist, Kenneth Zammit Tabona, to dream of a baroque music festival in the island's capital, Valletta. January 2013 saw the first Valletta International Baroque Festival, with concerts held in several of Valletta's baroque edifices, including the magnificent Manoel Theatre (built in 1731 and one of the oldest working theatres in Europe) and the awe-inspiring St John's Co-Cathedral, the church of the Knights of Malta. The first year was a resounding success and augured well for the future, as was confirmed in the second year of the festival.
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Bernabei, Mauro, Michele Brunetti, Nicola Macchioni, Michela Nocetti, and Michelangelo Micheloni. "Surveying and Dating the Wooden Roof Structure of St Francis of Assisi Church in Valletta, Malta." International Journal of Architectural Heritage, March 4, 2020, 1–9. http://dx.doi.org/10.1080/15583058.2020.1734688.

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Books on the topic "Jesuit Church (Valletta, Malta)"

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Attard, Christian. Taʼ Ġieżu crucifix: Faith · history · iconography · conservation. Valletta: Arċikonfraternità tas-Santissmu Kurċifiss, 2020.

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Ciarlo', John. The hidden gem: St. Paul's Shipwreck Collegiate Church, Valletta, Malta. 2nd ed. Valletta: Collegiate Chapter, St. Paul's Shipwreck, 1994.

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Cutajar, Dominic. Malta: History and works of art of St. John's Church, Valletta. Valletta, Malta: M.J. Publications, 1989.

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Cutajar, Dominic. Malta: History and works of art of St. John's Church, Valletta. Valletta, Malta: M.J. Publications, 1989.

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Cutajar, Dominic. Malta: History and works of art of St. John's Church, Valletta. Valletta, Malta: M.J. Publications, 1992.

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6

Boiardi, Luca, and Claudia De Lorenzi. Malta: La fabbrica delle mura. Bologna: CLUEB, 2004.

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7

Woven splendour: The tapestries at the Conventual Church of the Knights of Malta. Valletta, Malta: Midsea Books, 2017.

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8

1955-, Formica Enrico, ed. The Great Temple: The conventual church of the Knights of Malta, 360°. Sliema, Malta: Miranda, 2010.

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9

The Conventual Church of the Knights of Malta: Splendour, history and art of St John's Co-Cathedral, Valletta. Valletta, Malta: Midsea Books, 2010.

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10

Giuseppe, Mantella, Formica Enrico 1955-, and Preti Mattia 1613-1699, eds. Mattia Preti, 1613-2013: The masterpieces in the churches of Malta. Sliema, Malta: Miranda, 2012.

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Conference papers on the topic "Jesuit Church (Valletta, Malta)"

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Persico, R. P., S. D. D'Amico, L. P. Pajewski, and V. P. G. Perez Garcia. "Ground-penetrating Radar Prospection at the Jesuits' Church in Valletta, Malta." In Near Surface Geoscience 2016 - 22nd European Meeting of Environmental and Engineering Geophysics. Netherlands: EAGE Publications BV, 2016. http://dx.doi.org/10.3997/2214-4609.201602031.

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