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1

Lauber, David. "Response to Alyssa Lyra Pitstick,Light in Darkness." Scottish Journal of Theology 62, no. 2 (2009): 195–201. http://dx.doi.org/10.1017/s0036930609004682.

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In her remarkably forceful and learned book,Light in Darkness: Hans Urs von Balthasar and the Catholic Doctrine of Christ's Descent into Hell, Alyssa Lyra Pitstick offers a comprehensive critique of Hans Urs von Balthasar's theology of the descent into hell. Pitstick contributes to a sharpening of readings of Balthasar and forces one to make precise interpretative judgements. Clearly, she has produced a work with which anyone interested in Balthasar must engage, and the conversation and debate the book has started will, to be sure, continue for many years ahead. This said, I am afraid that Dr
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2

Białous, Mirosław. "Zmartwychwstanie Chrystusa w nauce Kościoła prawosławnego." Wrocławski Przegląd Teologiczny 22, no. 1 (2014): 7–20. https://doi.org/10.52097/wpt.2766.

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This article argues that in the thinking of the Orthodox Church, in spite of the simplified preconceptions, the kerygma of the resurrection is not limited to preach the theology of glory, but it covers the entire paschal mystery: the Cross of Christ, His descent into hell, His victory over death and the entrance to the glory of the Father. Such a way of seeing is a result of the biblical and patristic teachings. Its great importance lies in the fact that it takes into account the unity of the mystery of Jesus Christ, God and man. Therefore it assume the intrinsic unity of the cross and the inc
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Conti, Aidan. "In Search of a Harrowing Tale: Manuscripts of the Latin Translation of 'De Christi passione'." Interfaces: A Journal of Medieval European Literatures, no. 12 (December 7, 2024): 41–54. https://doi.org/10.54103/interfaces-12-04.

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This paper examines the manuscripts of the Latin translation of Eusebius of Alexandria's sermo 17 as evidence for medieval text searches. This homily, which treats the apprehension of Jesus, his trial and subsequent descent into hell, is found in four manuscripts (Oxford, Bodleian Library, Bodley 343; Cambridge, St John’s College, C. 12; München, Bayerische Staatsbibliothek, Clm14540; Salzburg, Stiftsbibliothek St Peter, a VII 5), which evince two distinct searches for the homily. In the English manuscripts, the homily fills a lacuna in Easter season within the Homiliary of Angers. In the earl
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Cahill, Jonathan. "The Descent into Solidarity." Journal of Reformed Theology 9, no. 3 (2015): 237–48. http://dx.doi.org/10.1163/15697312-00903015.

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In the Apostle’s Creed, undoubtedly the most enigmatic phrase is Christ “descendit ad inferos,” descended into hell. After surveying various interpretations of the doctrine, this paper seeks to integrate the Reformed tradition’s view of the descent as the subjective experience of God-forsakenness with Hans Urs von Balthasar’s proposal that Christ entered into solidarity with the dead in hell with no hope of being found by God. The paper then draws three ethical implications from this reading of the descent: the importance of self-surrender, the necessity of solidarity with the oppressed and a
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Bagchi, David. "Christ’s Descent into Hell in Reformation Controversy." Studies in Church History 45 (2009): 228–47. http://dx.doi.org/10.1017/s0424208400002539.

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By far the shortest of the Thirty-nine Articles of the Church of England is the third, ‘Of the going down of Christ into Hell’. In its entirety it reads: ‘As Christ died for us, and was buried, so also is it to be believed, that he went down into Hell’. One might be forgiven for thinking that the brevity of the article, together with the notable absence of polemic, indicates the doctrine’s relative unimportance amid the other great debates of the day. In fact, the descent of Christ into hell was one of the most controverted of all the creedal articles in the Reformation era. Article III is so
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Karpenko, Gennady. "THE ITALIAN-STYLE AL FRESCO PAINTING THE RESURRECTION OF CHRIST IN I. S. TURGENEV’S FATHERS AND CHILDREN." Проблемы исторической поэтики 19, no. 1 (2021): 140–72. http://dx.doi.org/10.15393/j9.art.2021.8922.

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The article focuses on the unsolved mystery of the novel by I. S. Turgenev Fathers and Children — the Italian-style al fresco painting The Resurrection of Christ, located above the entrance to the church at the entrance to the Odintsova estate. None of the researchers and commentators of Turgenev’s novel were puzzled by the question: what does “Italian-style” mean in the Easter image? Meanwhile, Turgenev directly points out that, instead of the gateway Orthodox icon, there is a religious painting The Resurrection of Christ (al fresco painting) in the church, where both the sacrament itself and
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Kuznetsova, Vera S. "Folklore Version of the “Biblical” Story about Solomon in Hell and Her Russian Siberian Texts." Studies in Theory of Literary Plot and Narratology, no. 1 (2024): 46–57. http://dx.doi.org/10.25205/2713-3133-2024-1-46-57.

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The main theme of folk stories about the biblical King Solomon is his wisdom, which allows him to solve difficult problems and find a way out of difficult situations. Such stories include stories about Solomon in hell: left in hell during the descent of Christ into hell, for the liberation of the souls of the Old Testament righteous languishing there, Solomon, thanks to his wisdom, finds a way to get out of there – he threatens the devils to build a church, for which he is expelled from hell and so freed; they are the subject of consideration in the article. Neither the Holy Scriptures nor the
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Jones, Mark. "John Calvin’s Reception at the Westminster Assembly (1643–1649)." Church History and Religious Culture 91, no. 1-2 (2011): 215–27. http://dx.doi.org/10.1163/187124111x557872.

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Of all the Reformation theologians, John Calvin exerted arguably the most influence on the English Puritans. That did not mean, however, that his theology was uncritically accepted. This chapter considers the reception of Calvin’s theology at the Westminster Assembly on two doctrines that were debated among the Westminster divines, namely, the eternal generation of the Son of God and the so-called descent of Christ into Hell. Calvin’s somewhat unique position on the Son’s aseity and his interpretation of Christ’s descent were considered by the Assembly, but ultimately rejected by the majority,
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9

Залесный, Иеромонах Серапион. "The theological Content of the Corpus of Holy Saturday Canons." Вопросы богословия, no. 2(10) (September 20, 2023): 25–40. http://dx.doi.org/10.31802/pwg.2023.10.2.002.

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В статье предпринят богословский анализ корпуса канонов Великой Субботы, который включает в себя 6 текстов. Из числа всех тем, отраженных в этих текстах, в статьерассматриваются 4: сошествие Христа во ад, мотив Христа-победителя, божество и человечество Христа во время страдания, покой Бога в седьмой день. В богослужении Великой Субботы мотив сошествия во ад является одним из центральных литургических воспоминаний этого дня. Наиболее восторженно тему разрушения ада воспевает преп. Косма Маюмский. При описании разрушения ада Христом мы встречаем яркий образ Христа-Победителя, одолевшего диавола
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Golikova, Maria. "The poem “The Heroic triumph of Christ” (Triumphus Christi heroicus)." St. Tikhons' University Review. Series III. Philology 82 (March 20, 2025): 57–72. https://doi.org/10.15382/sturiii202582.57-72.

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The publication presents a translation of the Latin poem "Triumphus Christi heroicus" (The Heroic Triumph of Christ), accompanied by an introductory article and commentary. The work describes Christ's descent into hell after his atoning sacrifice, his victory over Pluto, the pagan god of the underworld, and his minions, as well as his encounter with the dead Old Testament righteous and their deliverance from hell. The authorship of this work remains a matter of debate: for a long time it was attributed to the ancient Roman Christian writer of the 4th century Juvencus. However, Pseudo-Juvencus
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Munir, Tjerlang, and Johanes Lilik Susanto. "HE DID NOT DESCEND INTO HELL: An Appeal for Scripture Exegesis Karl Barth and Wayne Grudem." MAHABBAH: Journal of Religion and Education 4, no. 1 (2024): 70–84. https://doi.org/10.47135/mahabbah.v4i1.76.

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The theory of the descent into hell, which holds that after his crucifixion, Jesus went into the realm of the dead to free the souls of the righteous who died before his resurrection, has been a source of contention in Christian theology throughout history. Some theologians and researchers have recently questioned the conventional reading of the relevant scripture texts, claiming that the fall into hell is neither required nor true teaching. In this study, we will argue for a careful and responsible interpretation of the key biblical passages to discern the genuine meaning of the fall into hel
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Friedman, Jerome. "Christ' Descent into Hell and Redemption Through Evil. A Radical Reformation Perspective." Archiv für Reformationsgeschichte - Archive for Reformation History 76, jg (1985): 217–30. http://dx.doi.org/10.14315/arg-1985-jg09.

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13

Ivanova, Svetlana. "Iconography of the Resurrection in the Russian art of the 16th — 18th centuries: sources of formation of the new canon." St.Tikhons' University Review. Series V. Christian Art 45 (March 31, 2022): 28–44. http://dx.doi.org/10.15382/sturv202245.28-44.

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The article deals with the study of the development of the new iconography "Resurrection with the Descent into Hell", which appeared in Russian art in the 16th century. Variants of new iconography are considered on the examples of certain monuments. Iconographic types are distinguished by the arrangement of the two main plots, sequential or vertical. At the same time, in the first iconographic type, it is possible to see either a literal adherence to the Dutch engraving, or a rethinking: the placement of the image "Resurrection" below, under the main stage.The influence of the Old Believers' w
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14

Evlampiev, Igor I., and Vladimir N. Smirnov. "Dostoevsky's Christianity." RUDN Journal of Philosophy 25, no. 1 (2021): 44–58. http://dx.doi.org/10.22363/2313-2302-2021-25-1-44-58.

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The article refutes the widespread view that Dostoevsky's Christian beliefs were strictly Orthodox. It is proved that Dostoevsky's religious and philosophical searches' central tendency is the criticism of historical, ecclesiastical Christianity as a false, distorted form of the teaching of Jesus Christ and the desire to restore this teaching in its original purity. Modern researchers of the history of early Christianity find more and more arguments in favor of the fact that the actual teaching of Jesus Christ is contained in that religious movement, which the church called the Gnostic heresy.
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15

Kapic, Kelly M., and Wesley Vander Lugt. "The ascension of Jesus and the descent of the Holy Spirit in patristic perspective: a theological reading." Evangelical Quarterly 79, no. 1 (2007): 23–33. http://dx.doi.org/10.1163/27725472-07901002.

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Scripture is replete with the antithesis of descent and ascent, and the early Church Fathers often employed this framework for understanding the relationship between the ascension of Jesus and the sending (descent) of the Holy Spirit. This essay outlines how many of the early Fathers saw an inseparable connection between the bodily ascension of Christ and the gift of the Spirit at Pentecost. While not normally denying the historical reality of these events, their main emphasis was theological rather than merely historical. In this way the Fathers creatively attempted to relate their Christolog
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Smith, William E. "Unintended Bigamies: Holy Widowhood, Marriage, andSponsa Christiin Erasmus'sDe Vidua Christiana." Harvard Theological Review 110, no. 2 (2017): 241–64. http://dx.doi.org/10.1017/s0017816017000062.

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Christ's brides were hell bound by the end of the Middle Ages, when women—in the figure of the witch—were increasingly seen as Satan's spouses. Such is the narrative arc of Dyan Elliott's significant recent study ofsponsa Christi(bride of Christ),The Bride of Christ Goes to Hell. Elliott points toward the incarnational logic of Christianity in general and the type of physically immanent bridal mysticism that flourished among late medieval women in particular to locate some of the dynamic forces that helped make possible the theological ideas about witches that flourished from the fifteenth cen
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17

Blanco-Sarto, Pablo. "Dostoevsky overcomes Nihilism: Luigi Pareyson reads The Brothers Karamazov." Wrocławski Przegląd Teologiczny 29, no. 1 (2021): 393–411. http://dx.doi.org/10.52097/wpt.3533.

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“Dostoevsky’s novels are pure philosophy,” declared Luigi Pareyson (1918–1991), an Italian existentialist. He presents a Christian Dostoevsky capable of overcoming the nihilistic onslaught of a post-Christian culture, both in its harshest and “weaker” and postmodern versions. Nietzsche finds a good antagonist in Dostoevsky, who, being earlier in time, will be able to overcome Nihilism. Before being a Christian, the Russian novelist had already descended into hell out of nowhere, in his exile in Siberia. He survived this ordeal − which inevitably led him to nowhere − and paradoxically found Jes
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18

Wason, Dr Rebecca. "A COMPREHENSIVE EXAMINATION OF THE RELATIONSHIP BETWEEN PNEUMATOLOGY AND CHRISTOLOGY." Biblical Studies Journal 05, no. 03 (2023): 57–61. http://dx.doi.org/10.54513/bsj.2023.5305.

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The idea for this paper come from the writings of St. Irenaeus on the Holy Spirit and His relationship with Jesus of Nazareth to empower Him in His ministry and final sacrifice. While Irenaeus wrote of the descent of the Spirit on Jesus during the baptism, this paper discusses the idea that the Spirit was upon Him from the moment of the incarnation by the perichoresis or circumincession between the human and divine natures of Christ. While the author agrees with the Chalcedonian definition that the two natures exist in unity due to being instantiated in one hypostasis, this paper attempts to d
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19

O'Donnell, John. "God's Justice and Mercy: What Can We Hope for?" Pacifica: Australasian Theological Studies 5, no. 1 (1992): 84–95. http://dx.doi.org/10.1177/1030570x9200500108.

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Is the theology of universal salvation reconcilable with the New Testament warnings about the possibility of damnation and with the long-standing teaching of the Church on hell? Does it take into account the doctrine of the last judgement where the just God gives to each man and woman according to his or her deeds? How can God be both just and merciful? Did God punish Jesus for our sins? If the greatness of God's transcendence consists in the infinite quality of God's mercy and God's saving justice, may we not hope that God's love made visible in the cross of Christ will wear down the heart of
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20

Stanciu, Adriana. "Reflexe apocaliptice în opera lui Ion Heliade Rădulescu." Comunicare interculturală și literatură 27, no. 1 (2022): 203–18. https://doi.org/10.35219/cil.2020.1.21.

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In this chapter, I tried to summarize the Apocalyptic view of I. H. Rădulescu s opera. Anatolida is a complex poem , where I explained some biblical metaphors as Eve, Satan and Jesus Christ, as if they are some characters in the poem.The poem underlines some similitudes between the Bible and the Apocalyptic view in Anatolida. The lyrics of the poem are filled with metaphors and images that illustrate the ending view of the world. The romantism of the opera is reflected in romantic themes as the end of the world and the hell is illustrated in such various colours. The demons are such evil chara
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Keating, Daniel. "Christ the Conqueror of Hell: The Descent into Hades from an Orthodox Perspective by Hilarion Alfeyev." Thomist: A Speculative Quarterly Review 75, no. 2 (2011): 328–32. http://dx.doi.org/10.1353/tho.2011.0019.

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Falque, Emmanuel, and Jan Juhani Steinmann. "God Extra-Phenomenal." Journal for Continental Philosophy of Religion 4, no. 2 (2022): 190–217. http://dx.doi.org/10.1163/25889613-bja10035.

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Abstract What does God do with the “holes” or “troumatisms” that comprise the limits of our existence, that “original solitude” whereby we are confronted with the impending annihilation of all sense? Are we left enclosed in it or does God accompany us there? This essay considers to what extent Christ’s descent on Holy Saturday takes part in the extra-phenomenal “impossibility of possibility” of this original solitude. Such a consideration requires distinguishing between that “underworld” Christ descends to on the Second Day from the sin that is the proper domain of “hell.” Christ descending to
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Солонченко, А. А. "Eschatological Concept of H. U. von Balthasar: The Trinitarian Aspect." Theological Herald, no. 1(48) (March 15, 2023): 45–60. http://dx.doi.org/10.31802/gb.2023.48.1.003.

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В статье исследуется тринитарный аспект эсхатологической концепции Г. У. фон Бальтазара. Автор применяет «синхронический» подход к предмету исследования. В первой части статьи автор выявляет методологические особенности эсхатологической концепции Бальтазара, её теоцентричность и таинственность, а также особенности её описания, использование иносказаний и аналогий. Во второй части описываются тринитарные основания концепции. Далее автор приводит интерпретацию Бальтазара учения о сошествии Христа в ад, как солидарности с мёртвыми, и констатирует её отличие от существующей богословской традиции.
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Sprutta, Justyna. "Misyjny wymiar ikony Zesłanie Ducha Świętego." Annales Missiologici Posnanienses, no. 23 (January 5, 2019): 165–75. http://dx.doi.org/10.14746/amp.2018.23.11.

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The icon of The Descent of the Holy Spirit includes a mission message. The origins of the iconography of this mystery date back to the 6th century. The icon of Pentecost depicts the apostles, and an empty place between them, destined for the coming again of Jesus Christ. Adam was presented below, and then the pagans as representatives of the peoples and nations to whom the apostles are sent. Later in this place is presented Old King as a personifi cation of the Cosmos, that is here a personifi cation of all creatures. The apostles, as the fi rst missionaries, will proclaim the Gospel to this C
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Zecher, Jonathan L. "Christ the Conqueror of Hell: The Descent into Hades from an Orthodox Perspective - By Archbishop Hilarion Alfeyev." Reviews in Religion & Theology 18, no. 2 (2011): 317–20. http://dx.doi.org/10.1111/j.1467-9418.2011.00811.x.

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Franzmann, Majella. "The Concept of Rebirth as the Christ and the Initiatory Rituals of the Bridal Chamber in theGospel of Philip." Antichthon 30 (November 1996): 34–48. http://dx.doi.org/10.1017/s0066477400001003.

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In this article I begin with an outline of the connection between theological concepts related to the person of the Gnostic Christian Saviour and the ritual practice of Gnostic Christian groups. After setting the scene in this general way, I look specifically at theGospel of Philip, investigating the connection between the description of the rebirth of the Saviour at the Jordan and the rebirth of the Gnostic in the ritual of the bridal chamber.The Nag Hammadi corpus, to which theGospel of Philipbelongs, contains many texts which may be identified as Gnostic Christian, partly because of the fac
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Lawolo, Yarnia, Andianus Lawolo, Semita Lawolo, and Alvin Koswanto. "MEMAHAMI KONSEP KESELAMATAN DI LUAR KRISTEN BERDASARKAN 1 TIMOTIUS 2:5-6." CARAKA: Jurnal Teologi Biblika dan Praktika 5, no. 2 (2024): 296–315. http://dx.doi.org/10.46348/car.v5i2.286.

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One of the issues in Christianity that has become a problem and debate among Christian theologians to this day is the rejection of salvation outside of Christianity. They claim salvation can only be obtained through Christianity. Non-Christians do not get salvation to enter heaven, they automatically enter hellfire. The purpose of this study is to understand the concept of salvation outside Christianity correctly based on the analysis of 1 Timothy 2:5-6. The researcher used a qualitative method with a literature study approach through various relevant sources, such as the Bible, books, journal
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Giulea, Dragş-Andrei. "SEEKING TO SEE HIM AT THE FESTIVAL OF PASCHA: GLORY-SOTERIOLOGY IN EARLY CHRISTIAN PASCHAL MATERIALS AND RABBINIC LITERATURE." Scrinium 3, no. 1 (2007): 30–48. http://dx.doi.org/10.1163/18177565-90000149.

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Two of the oldest Christian Paschal homilies, one by Melito of Sardis and the other of unknown origin (preserved under the names of Hippolytus of Rome and John Chrysostom), testify to the expectation of the descent of the divine and salvific glory during the Paschal night. I would call the theological doctrine behind this liturgical practice glory-soteriology or kabod-soteriology. Rabbinic materials such as the targums Neofiti 1 and Pseudo-Jonathan attest to a similar expectation on the night of the festival of Pesach. The salvific power of this glory seems to constitute the first rationale fo
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imanikhoshkhoo, mohammadrasool. "Confirmation of Descent of Holy Spirit on Jesus Christ in the Holy Qur'an and Schleiermacher’s consciousness Christology." Mirror of Wisdom 22, no. 1 (2022): 65–86. http://dx.doi.org/10.52547/jipt.2022.224128.1171.

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Malyshev, Artem. "Dogmatic aspects of the Christologies of Kant and St Innocent (Borisov)." SHS Web of Conferences 161 (2023): 03003. http://dx.doi.org/10.1051/shsconf/202316103003.

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In his momentous writing Religion within the Bounds of Bare Reason, Kant attempted to conduct a complete rational-idealistic interpretation of traditional dogmatic Christology. The Son of God was represented by Kant as an idea of the good principle mystically existing in the human soul, and the Incarnation of the Son of God as a descent of the good principle into evil human nature. Therefore the Lord Jesus Christ, according to Kant’s representation, should be merely a simple man (an example for human beings) who realised the good principle in his life, becoming a model for us to copy and a pro
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Krawiec-Złotkowska, Krystyna. "Barokowe „wojny” (z) ciałem." Collectanea Philologica, no. 27 (October 30, 2024): 165–85. http://dx.doi.org/10.18778/1733-0319.27.12.

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The article presents the topic of the allegorical war against the body, which in the post-Tridentine culture was perceived in an ambivalent way: as sinful and evil and as good because it was the work of God. Allegorical battles were also presented, in which the body is a tool in battle. Attention was paid to the sources of this ambivalence – the dualistic nature of man. The different needs of the soul and body have the nature of a conflict. The fight for man is fought by: Amor Divinus and Amor profanus. The bodies of people who lived piously and wanted to achieve mystical union with Christ are
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Платова, И. А., and И. Ю. Прохин. "Investigations and Restoration of the Copy of Peter Paul Rubens’s Painting Descent from the Cross." Terra artis. Art and Design, no. 1 (April 26, 2024): 31–39. http://dx.doi.org/10.53273/27128768_2024_1_31.

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В 2023 г. в здании бывшей Англиканской церкви Иисуса Христа на Английской набережной в Санкт-Петербурге была начата масштабная реконструкция и приспособление здания для современного использования. В рамках этой работы с западной стены главного Церковного зала была снята картина «Снятие с Креста» — копия, выполненная специально для этого интерьера с одноименной работы П.П. Рубенса. В ходе реставрации было проведено исследование произведения, изучен состав материалов картины и предпринята попытка устранения изломов красочного слоя без дублирования на новое основание. In 2023, a large-scale recon
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Longosz, Stanisław. "Dramatyzowane homilie patrystyczne zalążkiem dramatu chrześcijańskiego." Vox Patrum 65 (July 15, 2016): 389–431. http://dx.doi.org/10.31743/vp.3508.

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The author of this paper tries to prove that the origins of Christian drama shouldn’t be sought in Latin liturgical drama crystalized in 9th and 10th century – as it is commonly accepted – but rather much earlier: in Eastern dramatized patristic homilies of 5th, 6th and 7th century. All fully dramatized homilies of those days are arranged in three groups: The homilies about John the Baptist and the Baptism of Jesus Christ; The homilies about descending of Jesus Christ into the abyss and libera­tion of those who are righteous from hell; Homilies about the Annunciation of Blessed Virgin Mary – m
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Napiórkowski, Andrzej. "The Ascension of Christ and Permanent Ecclesiogenesis: A Contribution to Pneumatological and Eschatological Ecclesiology." Collectanea Theologica 91, no. 3 (2021): 75–94. http://dx.doi.org/10.21697/ct.2021.91.3.03.

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What is the Ascension? Is it merely a narrative of a post-paschal community? In what spatio-temporal reality has it been fulfilled? How should we understand its placement in time: forty days after the Resurrection, and ten days prior to the Descent of the Holy Spirit? The Ascension should be analyzed integrally in connection with the mystery of death and the Resurrection. This paper presents an attempt at deepening New-Testament ecclesiogenesis while also moving away from the narrowed understanding that the Church emerged solely as a result of the words, deeds and person of Jesus Christ. On th
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Abdullah, Muhammad Farooq, and Zafar Iqbal. "The Impact of St. Paul's Personality on the Christian Religion: A Critical Overview." Al-Wifaq 5, no. 1 (2022): 25–40. http://dx.doi.org/10.55603/alwifaq.v5i1.e3.

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The modern Christianity that has been going on in the world for many centuries is not the initial Christianity that was brought by the Prophet Jesus (PBUH). Now it consisted on a pretended and mixed faith, which St. Paul's was invented for his popularity. In the life of Hazrat Eesa bin Maryam (PBUH), Paul was his staunch opponent and he had never met him. After Jesus was taken up to heaven, this man suddenly began to sing in sympathy and harmony, and began to show excessive devotion to Jesus. In order to spread his beliefs widely, Paul made a mixture of the fanatical beliefs of the Greeks, Chr
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Leverage, Megan. "Exalting Blackness in Wynetta Willis Martin's: Black Mormon Tells Her Story." Nova Religio 28, no. 1 (2024): 34–55. http://dx.doi.org/10.1353/nvr.2024.a935562.

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ABSTRACT: Black and Mormon were seemingly irreconcilable identities during the priesthood/temple ban against people of African descent (c. 1852–1978). But in 1966, Wynetta Willis Martin converted to the Church of Jesus Christ of Latter-day Saints. And in 1972, Martin published Black Mormon Tells Her Story . In this book, Martin interwove her African American and LDS identities in a powerful way. Challenging anti-Black racism in the LDS community, Martin produced a new story about Black Mormon identity: past, present, and future. Previously underestimated as a problematic book, this article ret
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Evseeva, L. M. "Movable icons and embroidery shrouds in services of dramatic character in Ancient Rus’." Journal of Visual Theology 5, no. 1 (2023): 22–45. http://dx.doi.org/10.34680/vistheo-2023-5-1-22-45.

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The Cycle of services of Novgorod Cathedral of the Holy Wisdom included sing-ing services (ᾀσματική ἀκολουθία) after the practice of the Hagia Sophia in Constantinople. Its description is known since the 13th century from the Novgorod liturgical manuscripts. Since the end of 15th century the double- sided proskynesis icons has been an important inte-gral part of singing service in Novgorod Cathedral. The unique complex of the images of the Saviour, Mother of God, saints, and the Bible scenes was created at this time. The complicated organization composition of the Novgorod series allowed to la
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Thodberg, Christian. "Den liturgiske eksegese og Grundtvig." Grundtvig-Studier 51, no. 1 (2000): 118–25. http://dx.doi.org/10.7146/grs.v51i1.16360.

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Grundtvig and Liturgical ExegesisBy Christian ThodbergLiturgical exegesis is defined as the way in which the Church re-actualised the words and deeds of Jesus in the service of worship in trying to answer the need of the congregation for being simultaneous with the biblical events. In the Western Church this liturgical exegesis received an emphatic exposition in connection with the old series of pericopes in the roman mass and in most of protestant churches as well.Many modem preachers do not like the old lectionary because it is crammed with the stories of Jesus’ miracles which - as they say
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Folgerø, Per Olav. "The Sistine Mosaics of S. Maria Maggiore in Rome: Christology and Mariology in the Interlude between the Councils of Ephesus and Chalcedon." Acta ad archaeologiam et artium historiam pertinentia 21 (September 21, 2017): 33–64. http://dx.doi.org/10.5617/acta.5530.

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In the present re-reading of the Sistine mosaics of S. Maria Maggiore, which embraces the Old and New Testament scenes in their totality, it will be argued that the iconography is a visual manifestation of the Christology predominating in the Roman Episcopate during the interlude between the Councils of Ephesus and Chalcedon (AD 431 to 451). The fact that the Old Testament narration opens with the Life of Abraham and concludes, on the opposite wall, with the Battles of Joshua, including a distinct pictorial indication of the position of Rahab, the harlot of Jericho, who became the great-great-
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Melo, Antonio Alves de. "O inferno. Questão ainda pertinente?" Revista Eclesiástica Brasileira 80, no. 315 (2020): 161. http://dx.doi.org/10.29386/reb.v80i315.2027.

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Por muito tempo a pregação em torno do inferno distorceu a compreensão e a vivência da fé, contribuindo assim para a pastoral do medo. Atualmente pesa quase um silêncio em torno do assunto. Não obstante os equívocos do passado apoiados na pastoral do medo, a questão não pode ser silenciada, embora não seja central no anúncio do Evangelho. As Sagradas Escrituras anunciam a vontade salvífica universal de Deus por meio de Jesus Cristo agindo no Espírito Santo, mas não escondem a misteriosa possibilidade de uma recusa por parte do ser humano. Na reflexão teológica foram influentes a apocatástase e
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Stasiak, Sławomir. "Niewystarczalność Prawa w wychowaniu według Listu do Galatów." Verbum Vitae 21 (January 14, 2012): 159–81. http://dx.doi.org/10.31743/vv.1541.

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St. Paul in his Letter to the Galatians does not criticise all the stipulations of Law. He pays attention only to the works required by the Law and rejects them as insufficient for the proper education of the Christians. Considering this insufficiency of the Law, St. Paul claims that it was based on inheritance and not on the promise given to Abraham (3:16). The Law was limited and served as an educator (3:24-25). So, the purpose and the way of education is the Gospel of Christ (1:6-9) which the Apostle received directly from the Resurrected (1:12) and then presented to the most influential pe
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Kulik, Bogdan. "Dobra śmierć – czyli jaka? Próba odpowiedzi na pytanie na podstawie nauczania K. Rahnera, H. U. von Balthasara i J. Ratzingera (Benedykta XVI)." Poznańskie Studia Teologiczne, no. 31 (September 14, 2018): 85–116. http://dx.doi.org/10.14746/pst.2017.31.05.

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On July 22, 1908, Pope Pius X established the Association of Our Lady of a Happy Death as universal for the whole Church. On May 1987, the Primate of Poland, Cardinal Joseph Glemp, approved the Polish Branch of the Association at the Shrine to the Virgin Mary in Górka Klasztorna. He also permitted the Missionaries of the Holy Family to carry out this work. The purpose of the Association is the propagation of prayer and preparation for a good death. The question is, however, can death be good? If so, what is a good death? The article titled „What makes a good death? An attempt to answer the que
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M. R. Pinheiro, M. R. Pinheiro. "WWI, WWII, Civil War, Vietnam War, Agent Orange and MKULTRA: Cooked in Hell, Served Cold by Satan." International Journal of Humanities and Social Science Invention 14, no. 5 (2025): 56–152. https://doi.org/10.35629/7722-140556152.

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In this piece, we study these remarkably historic events. We present evidence supporting the claim that they were all the result of actions by the satanic brotherhood/sisterhood, which means they were all caused by black African men and/or their black descendants, even though they may have sometimes looked white (change of skin color achieved through the mechanical soul/666) and/or like women (via surgery (the so-called satanic transgenders, members of the satanic sisterhood). We acknowledge the death by murder of the righteous owners of the IDs Kathryn Kuhlman, Gavrilo Princip, Nikola Pašić,
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Braginskaya, Nina V. "ANTHROPONYMY IN PASSIO PERPETUAE ET FELICITATIS: NAMES AND ANONYMS, SUBSTITUTE NAMES AND TABOO NAMES." Studia Religiosa Rossica: Russian Journal of Religion, no. 2 (2024): 12–41. http://dx.doi.org/10.28995/2658-4158-2024-2-12-41.

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In Passio Perpetuae et Felicitatis, some characters are referred to by their names, others by substitute names or descriptively, others only by function, office or kinship etc. The article explores names in their social aspect: what they say or can say us about their bearers, and the presumed perception of names by the anonymous Narrator, who generally gives the events a symbolic meaning, and imbues the common names with a providential sound. Special attention is paid to the name “Perpetua”. The name is put in connection with the Carthaginian family of high-ranking statesmen Perpetui, who at t
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Umud oğlu Əliyev, Əli. "Nizami creativity in the mirror of the XXI century." SCIENTIFIC WORK 70, no. 09 (2021): 26–39. http://dx.doi.org/10.36719/2663-4619/70/26-39.

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The naming of 2021 as the "Year of Nizami" is a manifestation of the high value given to our literature, language and culture by the President of the Republic of Azerbaijan Ilham Heydar oglu Aliyev. This article talks about the immortality of the world-famous great Azerbaijani philosopher and poet Nizami Ganjavi, the antiquity of the ethnic lineage of the Azerbaijani Turks and the formation of the Azerbaijani language on the basis of the ancient Turkic language. All this is substantiated by the example of Nizami's personality and creativity, and it is concluded that Nizami Ganjavi is an Azer T
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46

Shestakova, Elena Yu. "The image of the “living earth” in the chapter “The Trinity Day” of the novel by I. S. Shmelev The Summer of the Lord." Izvestiya of Saratov University. Philology. Journalism 23, no. 4 (2023): 387–91. http://dx.doi.org/10.18500/1817-7115-2023-23-4-387-391.

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This article reveals the features of the artistic embodiment of the image of the “living earth” in the chapter “The Trinity Day” of the novel The Summer of the Lord by the writer of the Russian émigré of the first half of the 20th century Ivan Sergeevich Shmelev. The Summer of the Lord is the pinnacle work in the author’s oeuvre. The book is based on the autobiographical material. In the chapter “The Trinity Day” the author depicted his own childhood memories of celebrating the Orthodox holiday of the Trinity. In the picture of the lush Russian summer nature shown in the chapter “The Trinity D
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Kuolys, Darius. "The Lithuanian Language and the Political Identity of the Grand Duchy of Lithuania: Experiences of the Sixteenth-Seventeenth Centuries." Senoji Lietuvos literatūra 57 (December 26, 2024): 135–78. https://doi.org/10.51554/sll.24.57.04.

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The article examines Lithuanian texts published in the Grand Duchy of Lithuania in the sixteenth and seventeenth centuries from the point of view of political awareness. It elucidates the kind of relationship between the Lithuanian-speaking and reading community and the Lithuanian state of that time. In order to do so, the political vocabulary of works in Lithuanian and the political ideas expressed in them are also examined. At the same time, it considers the political role given to the Lithuanian language by Lithuanian intellectuals writing in other languages and the image of the Lithuanian
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Antanavičius, Darius. "The First Author of a Printed Book from Kaunas." Senoji Lietuvos literatūra 45 (June 25, 2018): 39–79. https://doi.org/10.51554/sll.2018.28816.

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Very little is known about the contribution of the burghers of the Grand Duchyof Lithuania to old Lithuanian literature. The burghers were always pushedinto shadow by the representatives of the nobility. In this respect, the sixteenthcentury is especially poor and each new fact that adds to our knowledge aboutthe intellectual and creative potential of the townspeople of the Grand Duchyof Lithuania in the sixteenth century is significant. The aim of this paper is tointroduce and analyse a work written and published by one burgher of the GrandDuchy of Lithuania in the mid-sixteenth century.The o
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Kristensen, Bent. "Var Grundtvigs nyerkendelse i 1832 en tragisk hændelse?" Grundtvig-Studier 41, no. 1 (1989): 16–31. http://dx.doi.org/10.7146/grs.v41i1.16016.

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Was Grundtvig’s New Discovery in 1832 A Tragic Event?By Bent ChristensenThe title of this lecture for the Degree of Divinity has been given its provocative wording by the Faculty of Theology at the University of Copenhagen. In his thesis for the Degree of Divinity, published in 1987 and reviewed in Grundtvig Studies in 1988, Bent Christensen has described and evaluated Grundtvig’s attitude in the field of church policy over the years from 1824 to 1832, a critical period of time for himself, in such a way as to give the reader the impression that the writer regards the attitude taken by Grundtv
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Mortensen, Viggo. "Et rodfæstet menneske og en hellig digter." Grundtvig-Studier 49, no. 1 (1998): 268–72. http://dx.doi.org/10.7146/grs.v49i1.16282.

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A Rooted Man and a Sacred PoetBy Viggo MortensenA Review of A.M. Allchin: N.F.S. Grundtvig. An Introduction to his Life and Work. With an afterword by Nicholas Lossky. 338 pp. Writings published by the Grundtvig Society, Århus University Press, 1997.Canon Arthur Macdonald Allchin’s services to Grundtvig research are wellknown to the readers of Grundtvig Studier, so I shall not attempt to enumerate them. But he has now presented us and the world with a brilliant synthesis of his studies of Grundtvig, a comprehensive, thorough and fundamental introduction to Grundtvig, designed for the English-s
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