Log in

Relevant bibliographies by topics / Jewelery design / Journal articles

To see the other types of publications on this topic, follow the link: Jewelery design.

Journal articles on the topic 'Jewelery design'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Jewelery design.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Yang, Jia Peng, Chun Liang Zhang, and Hou Yao Zhu. "Finite Element Analysis of the Main Spindle of the Gold Ornaments Chain Forming Device." Key Engineering Materials 531-532 (December 2012): 703–6. http://dx.doi.org/10.4028/www.scientific.net/kem.531-532.703.

Full text

Abstract:

With China's rapid economic development, domestic jewelry consumption has maintained a high growth rate. Jewelery manufacturing equipment is always behind, seriously hampered the development of the industry. For this situation, the author carried out a series of gold automated processing equipment. In this paper, based on the design of a gold-decorated chain molding equipment, using ANSYS software to do finite element analysis on the spindle three-dimensional model of the gold ornaments chain forming equipment. Because the spindle have great impact in the gold processing accuracy for deformation and vibration.

APA, Harvard, Vancouver, ISO, and other styles

2

Pereira, Beulah, Kevin Teah, Billy Sung, and Min Teah. "Building blocks of the luxury jewellery industry: conversations with a CEO." Asia Pacific Journal of Marketing and Logistics 31, no. 4 (September 9, 2019): 817–29. http://dx.doi.org/10.1108/apjml-10-2018-0415.

Full text

Abstract:

Purpose The purpose of this paper is to conduct an in-depth interview with the Chief Executive Officer (CEO) of Larry Jewelry, a luxury jeweller with boutiques in Hong Kong and Singapore. Given the ever-evolving luxury jewellery market in South East Asia, it is paramount to understand the success factors of the luxury jewellery sector. Design/methodology/approach An in-depth interview approach is used to understand the antecedents of the success of the luxury jewellery sector. Specifically, this paper presents a complex business model of Larry Jewelry and an in-depth interview with the CEO of Larry Jewelry for current insights in the sector. Findings This paper highlights the history of Larry Jewelry, its product segments and the key elements of its business blueprint. Specifically, the success of Larry Jewelry is attributed to its business model and strong branding on quality, craftsmanship, rarity, human interaction and trust. Originality/value Despite the substantial growth in the luxury jewellery sector, there is relatively little research on the success factors of this industry, especially in South East Asia. The current research provides practical insights into business blueprint of a successful luxury jeweller in Hong Kong and Singapore.

APA, Harvard, Vancouver, ISO, and other styles

3

S. Gamov, E., S. B. Tonkovid, V. A. Kukushkina, and N. A. Nikulcheva. "A 3D Design Based on Jewelery Production Technology with Special Features." International Journal of Engineering & Technology 7, no. 3.5 (July 7, 2018): 10. http://dx.doi.org/10.14419/ijet.v7i3.5.15190.

Full text

Abstract:

This article shows the process of development and manufacturing of the exclusive "Ring" product with application of modern technologies of its manufacturing. The main stages of the process of designing, modeling and getting the finished product are presents. Recommendations for the selection of software are given. The advantages of application of additive technologies in jewelry production are shown.

APA, Harvard, Vancouver, ISO, and other styles

4

Baidoo, Mohammed Kwaku, Akosua Tachie-Menson, Nana Ama Pokua Arthur, and Eric Appau Asante. "Understanding informal jewellery apprenticeship in Ghana: Nature, processes and challanges." International Journal for Research in Vocational Education and Training 7, no. 1 (April 29, 2020): 45–66. http://dx.doi.org/10.13152/10.13152/ijrvet.7.1.3.

Full text

Abstract:

Context: The processes of acquiring education in jewellery in Ghana has been dominated by the informal apprenticeship system and it forms the backbone of the workforce of the jewellery industry in Ghana. However, the patronage of informal jewellery apprenticeship in Ghana in recent times has been on decline even though it has the potential of training human resources to transform Ghana’s precious mineral resources sector.This is based on the belief that jewellery trade and its training are shrouded in secrecy, in other words, the jewellery trade is considered to be a sacred profession where information on its operating systems are not allowed to be shared easily. It is believed to be associated with cult and magic, hence the reluctant to admit people who are from outside the family of particular jewellery enterprise. This study is sought to bring to fore the understanding nature, processes and challenges of the informal jewellery apprenticeship in Ghana. Approach: The study adopted the descriptive and phenomenology research designs (qualitative research methods). Jewellers who own a jewellery business and who are training other people through apprenticeships as well as people who are trained are observed and interviewed. A sample size was selected through purposive and convenience sampling techniques from four jewellery enterprises in Accra, Ghana. A thematic analysis plan was adopted to generate fndings of the study. Findings: The results show that for a person to train as a jeweller, s/he has to enrol by going through induction, futhremore fees (money and perishable items) are to be paid. The training content is driven by orders received by the master jeweller, thereby making it unstructured and lacking criteria for assessing the performance and progress of apprentice jewellers. Teaching and learning methods are usually on-the-job training that rely on demonstrations and observation.Conclusion: Informal jewellery apprenticeship in Ghana uses a fexible, cost-efective approach for transferring jewellery making skills from masters to apprentice jewellers, and it has substantial potential for improving skills training in the country. Sometimes the reluctant of some jeweller to train others is to keep the trade to family members only.

APA, Harvard, Vancouver, ISO, and other styles

5

Baidoo, Mohammed Kwaku, Akosua Tachie-Menson, Nana Ama Pokua Arthur, and Eric Appau Asante. "Understanding informal jewellery apprenticeship in Ghana: Nature, processes and challanges." International Journal for Research in Vocational Education and Training 7, no. 1 (April 29, 2020): 45–66. http://dx.doi.org/10.13152/ijrvet.7.1.3.

Full text

Abstract:

Context: The processes of acquiring education in jewellery in Ghana has been dominated by the informal apprenticeship system and it forms the backbone of the workforce of the jewellery industry in Ghana. However, the patronage of informal jewellery apprenticeship in Ghana in recent times has been on decline even though it has the potential of training human resources to transform Ghana’s precious mineral resources sector.This is based on the belief that jewellery trade and its training are shrouded in secrecy, in other words, the jewellery trade is considered to be a sacred profession where information on its operating systems are not allowed to be shared easily. It is believed to be associated with cult and magic, hence the reluctant to admit people who are from outside the family of particular jewellery enterprise. This study is sought to bring to fore the understanding nature, processes and challenges of the informal jewellery apprenticeship in Ghana. Approach: The study adopted the descriptive and phenomenology research designs (qualitative research methods). Jewellers who own a jewellery business and who are training other people through apprenticeships as well as people who are trained are observed and interviewed. A sample size was selected through purposive and convenience sampling techniques from four jewellery enterprises in Accra, Ghana. A thematic analysis plan was adopted to generate fndings of the study. Findings: The results show that for a person to train as a jeweller, s/he has to enrol by going through induction, futhremore fees (money and perishable items) are to be paid. The training content is driven by orders received by the master jeweller, thereby making it unstructured and lacking criteria for assessing the performance and progress of apprentice jewellers. Teaching and learning methods are usually on-the-job training that rely on demonstrations and observation.Conclusion: Informal jewellery apprenticeship in Ghana uses a fexible, cost-efective approach for transferring jewellery making skills from masters to apprentice jewellers, and it has substantial potential for improving skills training in the country. Sometimes the reluctant of some jeweller to train others is to keep the trade to family members only.

APA, Harvard, Vancouver, ISO, and other styles

6

Choi, Lee Ran, and Seung Wook Choi. "Development of Modular Jewelery Design Combined with Traditional Culture - Focused on Hunminjeongeum and traditional knot -." KOREA SCIENCE & ART FORUM 26 (December 31, 2016): 432. http://dx.doi.org/10.17548/ksaf.2016.12.26.432.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Fialko, O. Ye, and V. V. Neroda. "SCYTHIAN AMAZON BURIAL IN CHERKASY REGION." Archaeology and Early History of Ukraine 31, no. 2 (June 25, 2019): 364–74. http://dx.doi.org/10.37445/adiu.2019.02.29.

Full text

Abstract:

The burial complex of an armed woman was investigated in 1988 on the outskirts of the town Gorodyshche in Cherkasy region. The design of the burial complex combines features characteristic of both nomadic Scythians and the local forest-steppe population. The funeral inventory of the deceased is made up of objects typical of the Scythians: meat food on a wooden plate, two spears, a set of 11 arrows with bronze arrowheads; a bone cheek-piece and jewelery — gold earrings, a pendant and neck hryvnia tips. By all indications (a specially erected kurhan, the powerful wooden construction, the size and interior of the grave, decorations made of precious metal), the buried woman belonged to a small group of commanders or leaders of a certain fighting unit of the Scythians. It is possible that this Amazon could lead one of the Scythian squads that controlled certain sections of land communications through which trade flows took place. She could also lead a militarized unit of mercenaries who served the local aristocracy. In any case, she was buried as a Scythian warrior. This complex replenishes a small series of 27 graves of the Amazons in the forest-steppe Dnieper region and dates from the first half of the 4th century BC.

APA, Harvard, Vancouver, ISO, and other styles

8

NALÇACIGİL, Emre, and Ahmet Fatih ÖZYILMAZ. "A Research on Marketing and Consumer Habits in Konya Jewelry Sector." ISPEC International Journal of Social Sciences & Humanities 4, no. 4 (September 5, 2020): 350–86. http://dx.doi.org/10.46291/ispecijsshvol4iss4pp350-386.

Full text

Abstract:

More than 50 percent of the world's gold production and more than 90 percent in our country are used in jewelry making. Gold, which has been used for decoration and investment instrument for centuries, continues to be demanded by the people of our country in order to both decorate and saving with a habit stemming from our traditions. Turkey’s jewelry sector, which is in the top 5 in the world gold demand and ranked 2nd in gold jewelry exports, currently has 5500 jewelry shops, 20 large jewelry production complexes, 100 wholesale jewelry stores, 40 thousand jewelry shops and 250 thousand employees work in this sector. Jewelry sector has produced for many years with manual labor. Today, the sector has to keep up with the transition to technology-intensive production in order to operate in the world markets and to meet the increasing export demand. The problems of the sector, which has come to a certain place in the world markets and strives for first place, are dealing with greater attention than before. After 1990, the sector was put into a reform process. Necessary institutions for the development of the sector have been put into operation. On the other hand, the development of this industry; While it manifests itself in issues such as branding, product design, technological innovations, marketing strategies, deficiencies in legal regulations damage especially the small-scale jewelry traders. In this study, luxury consumption and hedonic shopping habits are examined by searching literature. In this respect, the phenomenon of consumption was first examined in detail. In the second part, the jewelry sector was explained in all aspects, and then a research was conducted on the consumer habits and the state of the sector with the support of the Konya Jewelers Association.

APA, Harvard, Vancouver, ISO, and other styles

9

Belko, Tatyana V., Tatyana V. Kozlova, and Svetlana Yu Osipova. "Role of jewelry and accessories in traditional women`s Russian costume of the 16th–17th centuries." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 59 (2021): 294–306. http://dx.doi.org/10.37816/2073-9567-2021-59-294-306.

Full text

Abstract:

The paper conducts analysis of decor, accessories and jewelry in the context of traditional Russian costume of the 16th–17th centuries; it consists of an introduction and two parts. In the introduction, the authors note the importance of preserving and structuring information about ancient Russian accessories and costume jewelry for modern creative activity. The paper identifies socio-cultural significance of the ensemble of jewelry and costume in traditional Russian society. It examines the clothing of the South Russian and North Russian women's clothing complex, reflecting the specifics of the regions of Russia-from the Volga region to Siberia. The second part addresses the examples of the use of accessories and jewelry in the structure of traditional folk women's costume, depending on the regions of Russia including the clothes of the Orel, Kursk, Voronezh, Ryazan, Tambov, Tula, and Kaluga provinces belonging to the South Russian complex. The North Russian complexes of women's Russian clothing reflect the specifics of the regions. Headdresses, which are traditionally an integral part of women's folk costume, are represented by kokoshniks, kichki, and crowns. Earrings, rings, and chains are introduced by various schools of master jewelers. The characterization of signs by purpose, materials and method of making jewelry, allowed to clarify the order of classification construction of the scheme of using jewelry in the costume system. The main sections of the paper are illustrated with photos depicting costumes and complementary accessories from various regions of Russia. The authors also display costume ornaments that have long been out of use, but are valuable for research. The paper is of interest to ones studying costume design, accessories, and jewelry. It allowed for concluding about the importance of studying the elements of the costume as artifacts made of natural materials that serve as a precious source of information about the unique Russian decorative and applied art and costume.

APA, Harvard, Vancouver, ISO, and other styles

10

Liu, Wen Ming, and Yu Pu. "Research on Creative Product Design of Jewelry Design." E3S Web of Conferences 236 (2021): 05018. http://dx.doi.org/10.1051/e3sconf/202123605018.

Full text

Abstract:

With the development of the times and the promotion of technology, people’s living standards and aesthetic requirements have also been continuously improved. Intelligent design enables jewelry to break through its position in the traditional sense It is no longer limited to the handmade production of precious metals. Intelligent design can also be applied to jewelry design. The unlimited choice of materials allows designers to have greater design space and imagination. With the development of fashion trends, jewelry as a kind of decoration, in another way shows the personal quality of life and life attitude. Therefore, the more diversified forms of jewelry design are eclectic, and the pursuit of higher levels and more comprehensive forms to create fashionable and personalized products.

APA, Harvard, Vancouver, ISO, and other styles

11

Miki, Minoru. "Jewelry Design and Metal." Journal of the Society of Mechanical Engineers 101, no. 958 (1998): 654–55. http://dx.doi.org/10.1299/jsmemag.101.958_654.

Full text

APA, Harvard, Vancouver, ISO, and other styles

12

Peng, Xinyu. "“A Bird’s Eye View” in Jewellery Design." Learning & Education 9, no. 3 (December 29, 2020): 139. http://dx.doi.org/10.18282/l-e.v9i3.1600.

Full text

Abstract:

The article focuses on exploring “bird’s eye view” theme in jewellery design. Writer describes the progress of how to get inspiration from the works of temari ball artist Tatiana Vigdorova and Korean contemporary jewellery artist Mi-sook Hur, and using those ideas to create personal jewellery series with “bird’s eye view” theme.

APA, Harvard, Vancouver, ISO, and other styles

13

Li, Jian Wen. "The Material Aesthetics Transformation of Jewelry Design." Advanced Materials Research 785-786 (September 2013): 1590–92. http://dx.doi.org/10.4028/www.scientific.net/amr.785-786.1590.

Full text

Abstract:

With the Value Change of Jewelry itself, Jewelry Culture has Become an Independent Art Discipline. Modern Jewelry has Widely Served as Expression Media of Information，and the Standard Judging the Value of Jewelry has Transferred from those Expensive Materials such as Gold, Silver and Jewel to those Cheap, Common Materials of Environmental Protection. in the Process of Redefining the Material, the Common Materials are Endowed with Rich Cultural Connotations through Design and Become the Carrier of the Multisense of Modern People.

APA, Harvard, Vancouver, ISO, and other styles

14

Ma, Jinjin, and Yue Hu. "Jewelry Design under Environmental Protection Concept." Journal of Arts and Humanities 6, no. 5 (May 11, 2017): 81. http://dx.doi.org/10.18533/journal.v6i5.1168.

Full text

Abstract:

<p>As people living standard unceasing enhancement, jewelry has been more and more into our modern life. Jewelry is not simply to use gold, platinum, silver and other precious metals as the material, but joined a variety of materials for production, to fully display the wearer's personality. Jewelry is not only a symbol of wealth, she has become us to highlight the carrier of its own unique personality and identity.</p>

APA, Harvard, Vancouver, ISO, and other styles

15

Del Curto, Barbara, Paola Garbagnoli, Valeria Masconale, Maria Vittoria Diamanti, and MariaPia Pedeferri. "Engineering Processes for Jewellery Design." International Journal of Designed Objects 7, no. 2 (2014): 1–8. http://dx.doi.org/10.18848/2325-1379/cgp/v07i02/38677.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

Xue, Hong Yan, and You Ya Jiang. "The Statement of Material Mix-Match in Jewelry Design." Advanced Materials Research 750-752 (August 2013): 2291–302. http://dx.doi.org/10.4028/www.scientific.net/amr.750-752.2291.

Full text

Abstract:

With the steps of the society moving forward, with the improvement of technology, with the residents material life becoming richer and richer, people start to pay more attention to enrich their spiritual life, rather than treat the jewelry simply as the symbol of wealth, moreover they are going to make it a way to show their personalities. Material mix-match, as one of the most important way of design, is also usually used in the field of jewelry design. Sequentially brings the new light spot for jewelry design on both visual and implicational hierarchies, and promotes the quality of jewelry. Thus human beings start to use material mix-match to define themselves. After many years of study of design, the authors gradually summarized the regular patterns/features/procedures of material mix-match for jewelry design.

APA, Harvard, Vancouver, ISO, and other styles

17

Yu, Qinqin, Kaining Meng, and Juanling Guo. "Research on innovative application of silver material in modern jewelry design." MATEC Web of Conferences 176 (2018): 02013. http://dx.doi.org/10.1051/matecconf/201817602013.

Full text

Abstract:

Based on the understanding of are used, the jewelry material, the method of modeling semantics is applied to know more about the application of traditional materials and modern materials in the jewelry design. The related design principle of the innovative combination of the silver material, traditional material and modern material in the jewelry design was analyzed, and the status quo of the modern silver jewelry design was solved, which is monotonous in the combination materials, old-fashioned in pattern and conservative in the creation style. Hence, the innovative application of materials, innovative expression of patterns, and the creation style that integrates culture and art was realized. The development trend of silver jewelry design was explored, which can provide more direction for the development of silver jewelry in the future.

APA, Harvard, Vancouver, ISO, and other styles

18

Бравина, Розалия Иннокентьевна, and Зинаида Ивановна Иванова-Унарова. "The Glow of Silver: The Traditional Ornaments of the Yakuts. From the Origins to the Present." ТРАДИЦИОННАЯ КУЛЬТУРА, no. 2 (June 25, 2020): 51–62. http://dx.doi.org/10.26158/tk.2020.21.2.005.

Full text

Abstract:

Ювелирное искусство народа саха исследуется в статье в междисциплинарном аспекте: изучаются истоки его возникновения, этнокультурные связи народов Евразии по материалам археологических памятников Позднего Средневековья, искусствоведческая характеристика украшений (традиции и новаторские черты в современном искусстве якутских ювелиров). В основу работы положен анализ находок из археологических раскопок якутских погребений XIV-XVIII вв., предметов из фондов музеев Республики Саха (Якутия) и Американского музея естественной истории в Нью-Йорке, а также авторских ювелирных изделий современных мастеров. Подробное изучение ансамбля якутских украшений и отдельных его частей содержится в трудах этнографов Ф. М. Зыкова, В. П. Дьяконовой и др. Классификация украшений, описание техники и способов обработки металла, к которым обращались эти авторы, не входят в задачи данной статьи. Металлические украшения древних якутов, найденные в археологических памятниках, рассматриваются нами в сравнительно-историческом аспекте и соотносятся с изделиями древних кочевников Центральной и Передней Азии, Китая и Южной Сибири. Якутское ювелирное искусство приобрело устойчивые формы, орнаментальный декор и национальное своеобразие в XVII-XIX вв. На современном этапе сохраняется многовековая традиция изготовления ансамбля украшений, но параллельно развивается творчество дизайнеров-ювелиров по созданию оригинальных художественных произведений, вырабатывающих неповторимый стиль этномодерна. The article examines the jewelry of the Sakha people from an interdisciplinary perspective. It examines its origins and sources; considers the ethno-cultural relations of the peoples of Eurasia, based on the materials of archaeological monuments from the late Middle Ages; and considers art history (traditions and innovative features in the modern art of Yakut jewelers). The work is based on archaeological excavations of Yakut burials of the 16th through 18th centuries, items from the collections of the museums of the Republic of Sakha (Yakutia), and the American Museum of Natural History in New York, as well as the author’s jewelry created by modern masters. A detailed study of Yakut jewelry and its individual parts is contained in the works of the ethnographers F. M. Zykov, V. P. Diakonova, and others, and the classification of jewelry and descriptions of the techniques and methods of metal processing that these scholars provided are not considered in this article. On the other hand, metal ornaments of ancient Yakuts found in archaeological sites are analyzed in a comparative historical context and correlated with the products of ancient nomads from Central and Western Asia, China and Southern Siberia. Yakut jewelry art acquired stable forms, ornamental design and national distinctiveness in the 17th - 19th centuries. The traditional Yakut way of making an ensemble of jewelry has been preserved, but at the same time, jewelry designers have also been creating original works of art that develop a unique “ethnomodern” style.

APA, Harvard, Vancouver, ISO, and other styles

19

Барбалат, О. В., and О. В. Школьна. "ВІЗАНТІЙСЬКО-КИЄВОРУСЬКІ ЕМАЛЬЄРНІ ТРАДИЦІЇ У ДИЗАЙНІ СУЧАСНИХ ЮВЕЛІРНИХ ВИРОБІВ УКРАЇНИ." Art and Design, no. 2 (September 21, 2020): 14–26. http://dx.doi.org/10.30857/2617-0272.2020.2.1.

Full text

Abstract:

The purpose of this research is to understand the integration of the Byzantium-Kyivan Rus enameling traditions in modern Ukrainian jewelry design. The research is applied historical-cultural and artistic-design scientific approaches in combination with comparative and presentation methods. The results of the research prove the influence of Byzantine and Kyivan Rus enamel traditions on modern Ukrainian jewelry. The stylistic and artistic features of the items were examined on example of outstanding enamel jewelry of Byzantine and Kyivan Rus time. As a result the main principles of design requirements and quality of hot enamel jewelry were defined. This research highlights the principles which elites, as bearers of the highest spiritual values, used as guide lines when choosing and ordering jewelry products in ancient times. In order to understand the manufacturing and producing ancient enamel jewelry pieces the ancient jewelry centers are being studied and characterized in this research. We have analyzed the influence of Byzantium and Kievan Rus enameling traditions on the modern Ukrainian jewelry design. Also we studied how it changed with changing the conditions and intensity of manufacturing. Thanks to this research it has been explained how the Byzantine and Kievan Rus enameling traditions influenced modern Ukrainian jewelry design. The researchers were determined to create a symbiosis of modern scientific and technical methods with the ancient hot enamel techniques. This way the research reveals the newest methods of working with hot enamel that are on their initial phase in modern Ukrainian jewelry industry. The material of this research can be used in development of academic disciplines related to enameling techniques and jewelry design. It can be used as a source of inspiration for creating new conceptual jewelry collections using hot enamel. This research can help influence modern jewelry design in Ukraine. Results of this research can be used not only to popularize the Byzantine-Kievan Rus jewelry traditions in Ukraine but also for quality representation of Ukrainian jewelry art in the world

APA, Harvard, Vancouver, ISO, and other styles

20

Vyas, Parag K., and V. P. Bapat. "Kundan jewellery and design - a research agenda for SME jewellery manufacturers." International Journal of Value Chain Management 6, no. 2 (2012): 169. http://dx.doi.org/10.1504/ijvcm.2012.048400.

Full text

APA, Harvard, Vancouver, ISO, and other styles

21

Ali, Ayisha, Manoj Soni, Mohd Javaid, and Abid Haleem. "A Comparative Analysis of Different Rapid Prototyping Techniques for Making Intricately Shaped Structure." Journal of Industrial Integration and Management 05, no. 03 (March 10, 2020): 393–407. http://dx.doi.org/10.1142/s2424862219500179.

Full text

Abstract:

Rapid Prototyping (RP) encompasses a group of technologies being used to produce a scaled model of a physical object using a three-dimensional (3D) computer-aided design (CAD) data. The objective of this paper is to see how the manufacturing productivity of intricately shaped jewelry designs is possible using different RP techniques. In this research, we have used RP techniques for the efficient development and production of an intricately shaped jewelry structure, which otherwise is difficult to produce with existing technologies. The primary purpose of this research is to find the economical and efficient method for three-dimensional printing of artificial jewelry structures. Stereolithography (SLA), fused deposition modeling (FDM) and Projet 3D printing technologies are used for the production of some intricate jewelry. By using RP, artificial jewelry makers can produce 3D printed parts quickly, and customize limited-edition jewelry as it enables the production of beautiful and colorful pieces that previously required large-scale, complex and expensive machinery.

APA, Harvard, Vancouver, ISO, and other styles

22

Gong, Bai-hui, and Rong Yuan. "Study of Contemporary Jewelry Design Emotional Expression Skills." Journal of Arts and Humanities 6, no. 2 (February 28, 2017): 57. http://dx.doi.org/10.18533/journal.v6i2.1113.

Full text

Abstract:

<p>With the development of the society, people gradually realize the importance of design, design also has played a more and more important role in the life.More and more people are willing to choose the design work with unique emotions.Designers gives the new concept of life into the jewelry through the material, color, craft technique, etc. Jewelry as emotional carrier, can better deliver humanistic ideas behind the design in silence.This paper studies the emotional expression skills of contemporary jewelry design.</p>

APA, Harvard, Vancouver, ISO, and other styles

23

Chuathong, Yauwalak, Niyom Wongpongkham, and Preechawut Apirating. "Development of Baan ChokKhwaoSinarin's Jewelry of Isan in Thailand." Journal of Social Sciences Research, no. 58 (August 25, 2019): 1286–92. http://dx.doi.org/10.32861/jssr.58.1286.1292.

Full text

Abstract:

This article is a part of dissertation on the topic of factors influencing development of jewelry in Isan region by Assoc. Prof. Dr. Niyom Wongpongkam and Dr. Preechawut Apirating. This research aimed to study the development of jewelry in Baan ChokKhwaoSinarin, Isan region, Thailand. The study was conducted using qualitative methods. The research instrument included survey, observation, interview, and group discussion. The studied samples included jewelry and the jewelry makers. The concept of cultural ecology was employed in the data analysis. The result showed that the development of Baan ChokKhwaoSinarin’s jewelry originated since prehistory period and inherited until today. The development was categorized into 6 areas which were 1) development in patterns; in the past, patterns were imitated from nature without cutting or trimming any parts, while at present, the patterns are partially cut and trimmed to make them more contemporaneous, 2) development in material; in the past, valuable materials such as gold, silver, semi-precious gemstone were used, while gemstones and synthetic sapphire are more commonly used now, 3) development in production; past production was done by melting, molding, trench welding, and polishing which required human labors, whereas the present production involves using machine and technology, 4) development in aesthetic design; the past designs were uniformly outlined, focused on relative geometric patterns, and left-right balanced design, while the present designs has been outlined to one side and trimmed out some parts, 5) development in utility; the jewelry in the past was used as a belief symbol, while at present it has been used as matching ornament for attires 6) development in belief symbolism; in the past, the jewelry was thought of related to amulets, while the present the belief has shifted to zodiac gemstones.

APA, Harvard, Vancouver, ISO, and other styles

24

Miao, Ya, Kai He, Hai Tao Fang, Zhi Min Zhou, and Ru Xu Du. "Development of Computer-Aided Manufacturing System for a Jewelry-Making CNC Machine." Applied Mechanics and Materials 596 (July 2014): 83–89. http://dx.doi.org/10.4028/www.scientific.net/amm.596.83.

Full text

Abstract:

Abstract. This paper designs a CAM system for a jewelry-making CNC machine. The CAM system not only provides a human-computer interface for setting machining parameters, but also can generate special NC programs automatically and realize the simulation for the machining process. In addition, the paper gives an efficient application for machining an ellipsoidal gold bead. The basic design of the jewelry-making CAM system and the experimental results are presented.

APA, Harvard, Vancouver, ISO, and other styles

25

Fedorova, Nadiia. "Foreing and domestic experience in protecting intellectual property right to jewelry and jewelry." Theory and Practice of Intellectual Property, no. 6 (June 16, 2021): 31–37. http://dx.doi.org/10.33731/62020.233886.

Full text

Abstract:

Key words: copyright, jewelry, bijouterie, unfair competition, trademark, litigation Fedorova N. Foreing and domestic experience in protecting intellectual property right to jewelry and jewelry. The article focuses on studying the issue of protecting the design of artistic jewelry and bijouterie. The concept of “functionality” for jewelry is analyzed, namely, it is determined that the «functionality» notion is the quality of servicing the useful purpose. For example, a chair manufacturer cannot claim the four legs of a chair as a copyright. These four legs are a useful and functional aspect of this chair. If a competitor also manufactures a chair with 4 legs, it does not infringe any manufacturer's right, since these legs are for functional purposes only. The concept of«functionality» in jewelry means that the last cannot be protected as a normal work, since it is purely utilitarian. For example, the hands or numbers on the dial of a watch are considered as functional because the exclusive use of these aspects seriously impedes healthy competition in the watch industry. On the other hand, unique jewelry design cannot be considered functional as it has the exclusive use of its particular elements’ combination.The analysis of European legislation and US judicial practice is carried out. Under applicable US copyright law, jewelry is a subject to copyright. Under normal circumstances, the law does not require prior registration of jewelry copyright. However, in order to protect jewelry or bijouterie under the US Law on Copyright, it must meet certain conditions. The complaining party must provide evidence of illegal copying of the work and prove copyright infringement. In case of violation of copyright for jewelry, the author or the jewelry house must prove:•the originality of design;•the uniqueness in the elements combination in the process of jewelry design development.The object of an industrial design can be a shape, pattern, color, or their combination that determines the appearance of an industrial product. The main criterion for the industrial design patentability is its novelty. However, in practice, an examination for novelty when registering a designation as an industrial design, according to Alexandra Odinets, is not carried out, and the patent is issued «under the responsibility of the applicant».With regard to unfair competition in the jewelry market, according to the US jurisprudence, it is more often an offense in this context than a violation of trademark rights or copyright infringement. It is unfair competition that misleads a consumer. A competitor, by assigning a good name and an reputation established, is trying to get profit. The definition of unfair competition is carried out in a comprehensive manner, here the court will not focus on one feature of a piece of jewelry but would consider all its inherent features. In particular, it is a combination of unique elements that provide the originality of the product.The article provides recommendations for jewelry and bijouterie authors on copyright protection. 1. Pro avtorski i sumizhni prava : Zakon Ukrainy. URL: https://zakon.rada.gov.ua/laws/show/3792-12#Text. 2. Tomarov I. Fashion Law: kopiiuvaty ne mozhna zaboronyty! Yurydychna hazeta Online. 2017. № 25(575). URL:https://yur-gazeta.com/publications/practice/zahist-intelektualnoyi-vlasnosti-avtorske-pravo/fashion-law-kopiyuvati-ne-mozhna-zaboroniti.html. 3. Herbert Rosenthal Jewelry Corp. v. Kalpakian, 446 F.2d 738 (9th Cir. 1971). 4. Dyrektyva Yevropeiskoho Soiuzu № 98/71. URL: https://zakon.rada.gov.ua/laws/show/994_a88#Text. 5. “Designer” Jewelry vs. “Inspired-by” Jewelry: Intellectual Property Infringement and Unfair Competition Considerations, 34. 6. Davis v. Gap, Inc. - 246 F.3d 152 (2d Cir. 2001). 7. Trifari, Krussman & Fishel, Inc. v Charel Co., 134 F Supp 551 (1955, DC NY). 8. Copyright Law of the United States §102, at 68 (2000). 9. Cprava Vacheron I Constantin-LeCoultreWatches, Inc. proty Benrus Watch Co., Inc. URL: http://saperlaw.com/blog/wp-content/uploads/2007/09/cba-fashion-presentation-final.pdf (last visited April 19th, 2008). 10. Cosmetic Ideas, Inc. v. IAC/Interactivecorp, CV08-02074 R (C.D. California); Los Angeles Copyright Attorneys File Jewelry Copyright Infringement Lawsuit Over Copying Protected Jewelry Design, available at: http://www.iptrademarkattorney.com/2008/04/copyright-attorneys-jewelry-los-angeles-protected-jewelry-design-lawsuit-copying-copyrights-la.html (last visited April 19th, 2008). 11. Saper Law. “Designer” Jewelry vs. “Inspired-by” Jewelry: Intellectual Property Infringement and Unfair Competition Considerations. 2008.

APA, Harvard, Vancouver, ISO, and other styles

26

Batista, Claudia Regina. "A contribution for Jewelry Design Teaching." Design Journal 20, sup1 (July 28, 2017): S4726—S4729. http://dx.doi.org/10.1080/14606925.2017.1352973.

Full text

APA, Harvard, Vancouver, ISO, and other styles

27

Denisova, E. V., O. I. Ilves, I. A. Gruzdeva, and S. O. Kalganova. "METHOD OF TRANSFORMATION IN JEWELRY DESIGN." Design. Materials. Technology, no. 2 (2021): 56–60. http://dx.doi.org/10.46418/1990-8997_2021_2(62)_56_60.

Full text

APA, Harvard, Vancouver, ISO, and other styles

28

Li, Min, and Xiaoyan Zhang. "Research on the Application of Traditional Embroidery Technology in Modern Jewelry Creation." Journal of Arts and Humanities 6, no. 10 (October 23, 2017): 07. http://dx.doi.org/10.18533/journal.v6i10.1274.

Full text

Abstract:

Tradition and modernity are the eternal topics of art, especially in the age of information.Efficient mechanical production methods to improve the traditional jewelry production process, which achieved the demand for mass production of jewelry.However, with the development of society and the progress of science and technology, many traditional arts and crafts are lost.From the traditional culture, this paper analyzes the work of embroidery jewelry by studying the traditional Chinese embroidery culture and technique, summarizes the traditional embroidery technology and modern jewelry design techniques combined approach to guide the creative practice.On the basis of studying the theoretical method of combining traditional embroidery technology with modern jewelry, this paper focuses on the application of traditional embroidery techniques in jewelry creation, inspire the potential of traditional craft, to provide reference for modern jewelry design rich Chinese characteristics and attract the attention of Chinese jewelry industry and inherit the traditional arts.

APA, Harvard, Vancouver, ISO, and other styles

29

Yeon, Hyun Joo. "Study on Design Strategy along with Jewelry Design Preference." KOREA SCIENCE & ART FORUM 17 (September 30, 2014): 261. http://dx.doi.org/10.17548/ksaf.2014.09.17.261.

Full text

APA, Harvard, Vancouver, ISO, and other styles

30

Hrušková, Kateřina, and Kateřina Nora Nováková. "Vzorkaři v rámci jabloneckého bižuterního průmyslu v letech 1958–1989." Fontes Nissae 21, no. 2 (June 2021): 48–63. http://dx.doi.org/10.15240/tul/007/2020-2-004.

Full text

Abstract:

The study contemplates the topic of fashion jewellery design in the period of forty years of existence of the nationalized Jablonec nad Nisou jewellery industry, specifically between 1948–1989. The text introduces important designers and the process of fashion jewellery design in the production companies in the field of jewellery. The authors discuss the political and economic influences on the process of creating new samples and subsequent production. They classify and document in detail the work, sources of inspiration as well as the achievements and awards of specialized jewellery designers. They were behind the creation of an inexhaustible number of new components and thousands of complete samples and final products for the serial production of jewellery made of glass, metal, plastics or wood. Despite many limitations, the creative and high-quality work of these designers at domestic and international presentations was afrequent pride of Czechoslovak industry and, especially in the field of foreign trade, brought considerable profits to Czechoslovakia.

APA, Harvard, Vancouver, ISO, and other styles

31

Hejzlarová, Tereza, Libor Dušek, Ján Vančo, Michal Čajan, and Zdeněk Trávníček. "Kuchi Jewellery." Annals of the Náprstek Museum 40, no. 2 (November 1, 2019): 27–48. http://dx.doi.org/10.2478/anpm-2019-0013.

Full text

Abstract:

Abstract This article focuses on jewellery made by the Kuchi people, which is still one of the marginalized topics. It presents the best-known types of Kuchi jewellery, the way it is worn, the most commonly used materials for its production and the most utilized jewellery techniques. With respect to the date of origin, the focus is mainly on the second half of the 20th century, but also on the present, with regard to the growing trade in these types of jewellery. For a more comprehensive illustration of design, material and jewellery techniques, a collection of jewellery from the 20th century and the present from the collections of the Náprstek Museum in Prague and a private collection was examined. The X-ray fluorescence (XRF) spectroscopy was used to find out the elemental composition of the materials used in the making of the jewellery.

APA, Harvard, Vancouver, ISO, and other styles

32

Ostapenko, N. V., V. O. Musienko, M. M. Rubanka, A. O. Avramenko, and V. I. Vlasenko. "THE USE OF SPECIAL PROPERTIES OF COLOR IN THE DESIGN-PROJECTING OF PRODUCTS." Art and Design, no. 4 (February 15, 2021): 41–50. http://dx.doi.org/10.30857/2617-0272.2020.4.2.

Full text

Abstract:

The purpose of the article is to analyze the influence of the properties of the range of colors (long-wave, medium-wave, and short-wave) on a person`s feelings, his or her psycho-emotional perception, and consider these features in the design-projecting of jewelry. Also, to create further prospects for expanding the consumption of such jewelry in both domestic and foreign markets. Methodology. To conduct research, a set of general scientific approaches was used, in particular: visual-analytical, system-informational, modern methods of analysis of mechanical systems, and the method of classifications. Results. The features of the influence of color properties on the psycho-emotional perception of every person have been revealed. The designs of jewelry have been developed using some specific color ranges that will create an attractive, festive atmosphere, to identify a wider and more effective application of these features. Scientific novelty. Specific features of the influence of color and a certain color range on the formation of the appropriate psycho-emotional mood of a person have been identified, which must be considered in the design-projecting of jewelry. The variants of effective use of special properties of the color range of an enamel covering have been proposed to increase the consumers` interest in new developments of jewelry in both domestic and foreign markets. Practical significance. Practical recommendations and options for using the appropriate color range of enamel covering that can create certain psycho-emotional feelings (good mood, creative inspiration, passivity, indifference, aggression, etc.) have been proposed to extend the application of enamel coverings in the creation and development of various types of jewelry.

APA, Harvard, Vancouver, ISO, and other styles

33

Pathirana, Hiranthi. "Design Inspirations Derived from Botanical Plants: Insights from Jewellery Design." Built-Environment Sri Lanka 11, no. 2 (March 17, 2015): 39. http://dx.doi.org/10.4038/besl.v11i2.7609.

Full text

APA, Harvard, Vancouver, ISO, and other styles

34

Tsolmonchimeg, Baasanjargal, and Soon Joo Ahn. "Fashion Jewelry Design Inspired by Batik Pattern." Journal of Korean Traditional Costume 22, no. 2 (June 30, 2019): 103–18. http://dx.doi.org/10.16885/jktc.2019.06.22.2.103.

Full text

APA, Harvard, Vancouver, ISO, and other styles

35

Voynich, Elena, and Olga Kaukina. "The Design of Jewelry with Transformation Element." Journal of Engineering and Applied Sciences 14, no. 3 (December 20, 2019): 780–84. http://dx.doi.org/10.36478/jeasci.2019.780.784.

Full text

APA, Harvard, Vancouver, ISO, and other styles

36

Christianna, Aniendya. "Preservation of Damar Kurung through jewelry design." Productum: Jurnal Desain Produk (Pengetahuan dan Perancangan Produk) 3, no. 7 (January 27, 2020): 247–54. http://dx.doi.org/10.24821/productum.v3i7.3343.

Full text

Abstract:

Revolusi industri 4.0 diperkirakan akan mengancam keberadaan manusia dalam dunia kerja. Ketika ancamannya semakin besar, manusia sebagai makhluk kreatif seharusnya menyadari bahwa mereka harus beradaptasi. Tantangan-tantangan ini dapat dijawab jika manusia sebagai sumber daya utama dapat memanfaatkan informasi yang ada untuk meningkatkan kapasitas, kreativitas, dan keterampilan diri. Kreativitas membuat manusia mampu menghasilkan karya seni yang belum tentu teknologi dan mesin mampu lakukan. Meskipun beberapa mesin dikatakan mampu melakukannya, manusia tetap adalah entitas yang memiliki rasa dan emosi, yang hingga kini belum dimiliki oleh teknologi. Menjelang kepunahan Damar Kurung sebagai tradisi cahaya khas derah pesisir Pulau Jawa, pada 4 Oktober 2017, Departemen Pendidikan dan Kebudayaan Republik Indonesia menetapkan Damar Kurung sebagai Warisan Budaya Takbenda Nasional. Ini adalah berita baik bagi individu/komunitas yang telah secara aktif melestarikan Damar Kurung, sehingga keberadaannya sebagai warisan kearifan lokal dapat ditemurunkan kepada generasi muda. Namun pertanyaannya adalah: apakah di era Revolusi Industri 4.0 pelestarian warisan budaya masih relevan? Berdasarkan uraian latar belakang, tim penulis mengimplementasikan alternatif pengembangan kreativitas yang terinspirasi oleh ragam hias Damar Kurung menjadi perhiasan yang bernilai jual dan terbuka untuk pangsa pasar yang lebih luas. Sejauh ini, ada banyak produk kreatif yang terinspirasi oleh Damar Kurung, tetapi hanya terbatas pada segmen ekonomi menengah (dan bawah). Berbagai lapisan masyarakat perlu mengapresiasi Damar Kurung sebagai warisan budaya tak bendawi. Dengan demikian, warisan masa lalu dapat dikenali dan dihargai oleh orang-orang dengan menyesuaikan kebutuhan masa kini. Pada akhirnya, upaya ini mendukung pengembangan industri kreatif berbasis kearifan lokal.Kata kunci: Damar Kurung, Perhiasan, Kreatif Industri, Revolusi Industri 4.0, dan Kreativitas

APA, Harvard, Vancouver, ISO, and other styles

37

KOROGLU, Bilge. "Istanbul Jewelry Cluster: Innovation and Design Capacity." Ekonomik Yaklasim 23, no. 84 (2012): 81. http://dx.doi.org/10.5455/ey.34107.

Full text

APA, Harvard, Vancouver, ISO, and other styles

38

Lucas, Andrew, Merilee Chapin, Moqing Lin, and Xiodan Jia. "The Chinese Soul in Contemporary Jewelry Design." Gems & Gemology 51, no. 1 (May 1, 2015): 18–30. http://dx.doi.org/10.5741/gems.51.1.18.

Full text

APA, Harvard, Vancouver, ISO, and other styles

39

Wannarumon, Somlak. "An Aesthetics Driven Approach to Jewelry Design." Computer-Aided Design and Applications 7, no. 4 (January 2010): 489–503. http://dx.doi.org/10.3722/cadaps.2010.489-503.

Full text

APA, Harvard, Vancouver, ISO, and other styles

40

Wannarumon, Somlak, Kittinan Unnanon, and Erik L. J. Bohez. "Intelligent Computer System for Jewelry Design Support." Computer-Aided Design and Applications 1, no. 1-4 (January 2004): 551–58. http://dx.doi.org/10.1080/16864360.2004.10738298.

Full text

APA, Harvard, Vancouver, ISO, and other styles

41

Voitiuk, A. A. "Non-traditional symbolism techniques in jewelry design." IOP Conference Series: Earth and Environmental Science 229 (March 25, 2019): 012003. http://dx.doi.org/10.1088/1755-1315/229/1/012003.

Full text

APA, Harvard, Vancouver, ISO, and other styles

42

Gerasimova, A. A., B. L. Kagan-Rosenzweig, and S. A. Gavritskov. "Design of Modern Jewelry Using Unconventional Materials." IOP Conference Series: Materials Science and Engineering 1079, no. 2 (March 1, 2021): 022049. http://dx.doi.org/10.1088/1757-899x/1079/2/022049.

Full text

APA, Harvard, Vancouver, ISO, and other styles

43

Kusumo, Pandansari. "Teknik Casting Pada Perhiasan Guna Menunjang Daya Beli." PRODUCTUM Jurnal Desain Produk (Pengetahuan dan Perancangan Produk) 1, no. 1 (October 31, 2015): 31. http://dx.doi.org/10.24821/productum.v1i1.1516.

Full text

Abstract:

Along with the development of jewelry in Indonesia, several techniques of making are used. in the design of industrial products, jewelry by casting tehcniques is one of the techniques of making jewelry of bulk; using several models of jewelry will obtain many products of casting at the same time. This casting technique is very supportive in the process of production, working efficiently and also cost efficient. But when the jewelry products are made manually, it will not achieve high productivity results as expected.Keyword: casting technique, efficently, high productivity

APA, Harvard, Vancouver, ISO, and other styles

44

Muhammad Ahsan Bilal and Sonia Nasir Khan. "Mughal Men’s Head Ornaments with an Emphasize on Turban Ornaments and their Connection with European Aigrette." PERENNIAL JOURNAL OF HISTORY 2, no. 1 (June 30, 2021): 1–16. http://dx.doi.org/10.52700/pjh.v2i1.36.

Full text

Abstract:

Jewelry is main aspect of dressing and Mughal Jewelry is a fascinating theme to explore. Its styles can be traced through the paintings that clearly give accurate information of the style and variety of ornaments that were used during the seventeenth and eighteenth centuries. Jewelry is considered the feminine adornment part but miniature shows the beautiful ornamentation of Mughal emperors also with variation in sizes and design. This article discusses the Mughal male head ornaments and study is focused on the turban ornamentations. As man’s turban is his sacrosanct property and variety of turban ornaments were used by Mughals. This paper is an attempt to understand and examine that how the Mughal turban ornament develops from simple feather to piece of complex jewelry designs and how other culture helps in its development. Why Mughal emperors worn such gemstones in headdress and which techniques were used for its decoration? Is there any specific reason of using such gemstones or just for ornamentations purposes? In the end it concludes that sarpech shapes helps in the development of European aigrette and became a part of European jewelry that later helped in the modification of turban ornaments and Euro-Indian sarpech-aigrette appeared with more delicate style.

APA, Harvard, Vancouver, ISO, and other styles

45

Jin, Cuiling, and Jiapei Li. "Application of VR Technology in Jewelry Display." Mathematical Problems in Engineering 2021 (May 15, 2021): 1–9. http://dx.doi.org/10.1155/2021/5516156.

Full text

Abstract:

As a special symbolic cultural carrier that reflects people’s material life and spiritual state, jewelry plays an increasingly important role in life. How can we accelerate brand promotion, promote jewelry product sales, and establish a rapid market response mechanism? High efficiency, high quality, and low cost to meet consumers’ increasingly personalized and diversified needs are the problems we currently need to solve. The purpose of this article is to explore the application of VR technology in jewelry displays and provide a brand new idea for jewelry display. In order to realize the virtualization of the jewelry design process, this article uses the Cult 3D VR platform to complete the design and realization of the interactive function of the jewelry virtual model, uses the Photoshop software to design the jewelry virtual display system interface, and finally completes the jewelry virtual display system in the Dreamweaver software integration and release. Through detailed example application, the feasibility of the viewpoint of this subject was effectively verified. In this paper, the two algorithms BRSK and SURF are used in conjunction, and the multiscale expression characteristics of BRISK in space and the rotation-invariant characteristics of SURF are used. Studies have shown that the experimental results of the rotation performance of the method in this paper show that the accuracy is improved by 60%, and the time-consuming is relatively less. Therefore, under the premise of ensuring the rapidity, the method in this paper can guarantee the accuracy and time cost of control matching.

APA, Harvard, Vancouver, ISO, and other styles

46

Dadamukhamedov, Bobir. "Jewellery Of Uzbekistan: Equipment And Technology." American Journal of Social Science and Education Innovations 03, no. 03 (March 25, 2021): 212–17. http://dx.doi.org/10.37547/tajssei/volume03issue03-29.

Full text

Abstract:

This article examines the origins of origin, the development of technology and technology, as well as various jewelry materials distributed among the local population as gold, silver, copper for the manufacture and design of jewelry of Uzbekistan in the period of the XIX-XX centuries.

APA, Harvard, Vancouver, ISO, and other styles

47

Shin, Seung Hun. "Development of the Design data system of jewelry design Industrial." KOREA SCIENCE & ART FORUM 9 (December 31, 2011): 151. http://dx.doi.org/10.17548/ksaf.2011.12.9.151.

Full text

APA, Harvard, Vancouver, ISO, and other styles

48

Salam, Junaidi, Ariani Wardhani, and Sopyan Tri Atmaja. "TRAINING PROGRAM FOR DESIGNING WOOD AND RESIN-BASED JEWELLERY IN SATRIA SRENGSENG VOCATIONAL HIGH SCHOOL WEST JAKARTA." ICCD 2, no. 1 (November 25, 2019): 159–66. http://dx.doi.org/10.33068/iccd.vol2.iss1.158.

Full text

Abstract:

Jewellery craft is a business with promising opportunity since nowadays numerous materials might be processed into wonderful jewellery as long as the aspects of aesthetic in the jewellery draw the interest of the potential customers and possess the values of beauty and uniqueness. Therefore, rather than being a part of individual collection, jewellery offers good business potentials. In relation to the statement, simple material design in the form of wood waste in combination with resin starts to be an excellent alternative both in the domestic and in the foreign market. In the same time, many designers and also businessmen start to pay attention to market potentials of the products that have been the combination of the two materials. Based on the consideration toward the simple design yet special skills and high level of creativity, the combination of wood waste and resin should be introduced to the public, especially to the students or the teenagers, so that the spirit of creativity altogether with the business potentials might be a role model of entrepreneurship in the future. For ensuring the achievement ofthis end, a training program in the form of practical materials for the designing process should be designed altogether with the creativity development and the marketing initiatives with low budget. Thereby, the participants of the training program might design jewellery with high sale value yet low budget. Departing from this elaboration, the researcher would like to implement such training program into the community directly. Through the implementation of such program, it is expected that the given community might develop their marketing potentials and business quality. Furthermore, through the implementation of such program, it is also expected that the young designers within the given community becomes well-trained to design the export-scale products to meet both the domestic market and the foreign market. The researcher believes that by introducing the design skills to the young generation, especially to the students, the business spirit and interest might be developed. Then, the training program of designing wood and resin-based jewellery offer good aspects in directing the active business potentials and the positive creativity within the community. One of the efforts that might be pursued in achieving this objective is introducing the design of such jewellery altogether with the practice of jewellery design in the senior and vocational high schools located throughout West Jakarta. Withinthis initiative, the focus of the study, as part of Community Service Program, is one of the vocational high schools in West Jakarta namely Satria Jakarta Vocational High Schools located in Srengseng 26A RT 5/RW 6, Srengseng, Kembangan, West Jakarta.

APA, Harvard, Vancouver, ISO, and other styles

49

Masood, S. H. "Development of a CAD-based jewellery design system." Chinese Journal of Mechanical Engineering (English Edition) 15, supp (2002): 79. http://dx.doi.org/10.3901/cjme.2002.supp.079.

Full text

APA, Harvard, Vancouver, ISO, and other styles

50

Zhang, X. J., K. K. Tong, R. Chan, and M. Tan. "Gold jewellery casting: Technology design and defects elimination." Journal of Materials Processing Technology 48, no. 1-4 (January 1995): 603–9. http://dx.doi.org/10.1016/0924-0136(94)01699-2.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!