Relevant bibliographies by topics / Jewelry design

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Jewelry design'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 January 2023

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Journal articles on the topic "Jewelry design"

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Li, Jian Wen. "The Material Aesthetics Transformation of Jewelry Design." Advanced Materials Research 785-786 (September 2013): 1590–92. http://dx.doi.org/10.4028/www.scientific.net/amr.785-786.1590.

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With the Value Change of Jewelry itself, Jewelry Culture has Become an Independent Art Discipline. Modern Jewelry has Widely Served as Expression Media of Information，and the Standard Judging the Value of Jewelry has Transferred from those Expensive Materials such as Gold, Silver and Jewel to those Cheap, Common Materials of Environmental Protection. in the Process of Redefining the Material, the Common Materials are Endowed with Rich Cultural Connotations through Design and Become the Carrier of the Multisense of Modern People.
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Pereira, Beulah, Kevin Teah, Billy Sung, and Min Teah. "Building blocks of the luxury jewellery industry: conversations with a CEO." Asia Pacific Journal of Marketing and Logistics 31, no. 4 (September 9, 2019): 817–29. http://dx.doi.org/10.1108/apjml-10-2018-0415.

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Purpose The purpose of this paper is to conduct an in-depth interview with the Chief Executive Officer (CEO) of Larry Jewelry, a luxury jeweller with boutiques in Hong Kong and Singapore. Given the ever-evolving luxury jewellery market in South East Asia, it is paramount to understand the success factors of the luxury jewellery sector. Design/methodology/approach An in-depth interview approach is used to understand the antecedents of the success of the luxury jewellery sector. Specifically, this paper presents a complex business model of Larry Jewelry and an in-depth interview with the CEO of Larry Jewelry for current insights in the sector. Findings This paper highlights the history of Larry Jewelry, its product segments and the key elements of its business blueprint. Specifically, the success of Larry Jewelry is attributed to its business model and strong branding on quality, craftsmanship, rarity, human interaction and trust. Originality/value Despite the substantial growth in the luxury jewellery sector, there is relatively little research on the success factors of this industry, especially in South East Asia. The current research provides practical insights into business blueprint of a successful luxury jeweller in Hong Kong and Singapore.
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Liu, Wen Ming, and Yu Pu. "Research on Creative Product Design of Jewelry Design." E3S Web of Conferences 236 (2021): 05018. http://dx.doi.org/10.1051/e3sconf/202123605018.

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With the development of the times and the promotion of technology, people’s living standards and aesthetic requirements have also been continuously improved. Intelligent design enables jewelry to break through its position in the traditional sense It is no longer limited to the handmade production of precious metals. Intelligent design can also be applied to jewelry design. The unlimited choice of materials allows designers to have greater design space and imagination. With the development of fashion trends, jewelry as a kind of decoration, in another way shows the personal quality of life and life attitude. Therefore, the more diversified forms of jewelry design are eclectic, and the pursuit of higher levels and more comprehensive forms to create fashionable and personalized products.
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Miki, Minoru. "Jewelry Design and Metal." Journal of the Society of Mechanical Engineers 101, no. 958 (1998): 654–55. http://dx.doi.org/10.1299/jsmemag.101.958_654.

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Chen, Ziyu. "Research on Brand Design of GUCCI Jewelry Packaging." Highlights in Art and Design 1, no. 3 (December 28, 2022): 110–14. http://dx.doi.org/10.54097/hiaad.v1i3.4055.

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In today's mature development of commodity economy, people's demand for jewelry increases and they have more choices in product brands. Jewelry packaging design and the combination of its brand core value embodiment and product connotation have become the focus of jewelry packaging design. The article takes branding as the starting point, and analyzes the importance of brand core value and brand positioning to jewelry packaging design by studying the core value of the product, and the strategy of branding to shape jewelry packaging design. GUCCI brand packaging design as an example, the branding packaging design on the development of the brand and the embodiment of the core value, so as to explore the branding of jewelry packaging design methods, design jewelry packaging in line with the public aesthetic, demand.
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Ma, Jinjin, and Yue Hu. "Jewelry Design under Environmental Protection Concept." Journal of Arts and Humanities 6, no. 5 (May 11, 2017): 81. http://dx.doi.org/10.18533/journal.v6i5.1168.

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<p>As people living standard unceasing enhancement, jewelry has been more and more into our modern life. Jewelry is not simply to use gold, platinum, silver and other precious metals as the material, but joined a variety of materials for production, to fully display the wearer's personality. Jewelry is not only a symbol of wealth, she has become us to highlight the carrier of its own unique personality and identity.</p>
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KOLOSNICHENKO, М. V., T. F. KROTOVA, T. V. REMENEVA, І. A. PRYKHODKO-KONONENKO, and A. R. CHETVERIK. "SALVADOR DALI’S ARTISTIC EXPERIMENTS IN THE ART OF JEWELRY AND THEIR IMPACT ON CONTEMPORARY DESIGN." Art and Design, no. 4 (February 10, 2022): 9–19. http://dx.doi.org/10.30857/2617-0272.2021.4.1.

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The purpose: to analyze the specifics of Dali's creative search for figurative solutions in jewelry; to present a project of jewelry based on the works of S. Dali. Methodology. Historical-typological, analytical, comparative, iconographic methods were applied; during the analysis of Dali’s jewelry works, the methods of formal and figurative-stylistic analysis were applied. Results. The specifics of S. Dali's heritage in jewelry art and its influence on the works of modern masters are analyzed. The specifics of the transformation of a picturesque image into a jewelry work of S. Dali are considered, their material and symbolic features are given. The modern jewelry created on the motives of S. Dali's creativity is considered. The jewelry project "Perfect Speed of Dali" is presented. Scientific novelty. The connection between S. Dali’s works of art and jewelry is revealed and analyzed, the sequence of the artist’s creative search is investigated. The peculiarities of the influence of S. Dali's jewelry projects on the production of modern jewelry are established. Modern jewelry works based on the works of S. Dali have been put into scientific circulation. Practical significance. The materials of this study can be reflected in lecture courses in the disciplines of "Art and Material Culture", "History of Jewelry", and can be a practical basis for the jewelry production.
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Chu, Hongxia. "Research on 3D Jewelry Design Based on Virtual Reality Technology." Wireless Communications and Mobile Computing 2022 (August 31, 2022): 1–8. http://dx.doi.org/10.1155/2022/3119037.

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The existing three-dimensional jewelry design method has the problem of imperfect three-dimensional display model, which leads to a high product wastage rate. A three-dimensional jewelry design method based on virtual reality technology is designed. From the perspective of diversified production needs, the jewelry production and processing process is obtained. CNC plate making is adopted to identify the technological characteristics of plane elements. The digital three-dimensional model is taken as the design carrier, and the three-dimensional display model is constructed by virtual reality technology. Experimental Results. The average product loss rate of the three-dimensional jewelry design method in this paper and the other two three-dimensional jewelry design methods were 5.523%, 8.043%, and 8.237%, respectively, indicating that the performance of three-dimensional jewelry design method is more perfect after the combination of virtual reality technology.
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Irawati, Rahmita An’nur, and Dedy Ismail. "PERANCANGAN PERHIASAN BERBAHAN KUNINGAN UNTUK PENGANTIN WANITA DENGAN INSPIRASI BUNGA KAMPERFULI." Jurnal Kreatif : Desain Produk Industri dan Arsitektur 10, no. 1 (March 21, 2022): 7. http://dx.doi.org/10.46964/jkdpia.v10i1.208.

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This paper discusses the design of jewelry for the bride, to answer the needs due to the shift in cultural values ​​in the way of dressing (outfit) at the wedding. In contrast to the traditional wedding attire, which had a 'grip' and a large number of objects, nowadays the procession and wedding accessories are carried out more simply, among others, by reducing the number or type of accessories, leaving some such as the main clothes, hair and facial makeup, and some jewelry. This change can be seen from the tendency of users to modify wedding clothes according to their character without referring to customs or cultural 'standards'. The design objective set out in this paper is to produce a jewelery design that facilitates the bride and groom against the above phenomena. This design process begins with identifying, analyzing, concluding, and then solving problems using a design by doing approach. To get the quality of the form used a visual approach by using the inspiration of Kamperfuli flowers. Kamperfuli flowers are an inspiration because they have a meaning that is in line with marriage. At the end of the process, a design work is obtained in the form of a prototype of a jewelry set that offers a novelty shape based on the stylized Kamperfuli flower.
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Hu, Zhanmei. "Jewelry Packaging User Demand Analysis Based on Fuzzy Kano Model." Advances in Mathematical Physics 2022 (August 13, 2022): 1–12. http://dx.doi.org/10.1155/2022/1776150.

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China’s jewelry sales maintain a good momentum of annual growth, and consumption potential is huge. However, jewelry packaging design faced many problems. Even through China has many jewelry brands, the packaging is poorly designed. The fundamental reason lies in the lack of targeted design of jewelry packaging and the lack of detailed analysis and research, only to meet the functional use. Fuzzy front-end is suitable for the initial stage of product design and determines the success or failure of product design. In view of the uncertain factors, such as consumer demand, technical characteristics, and competitive environment that need to be considered in jewelry packaging design, this paper takes jewelry packaging products, jewelry brands, and fuzzy front-end as research objects, analyzes the existing problems, and makes quantitative analysis by using methods such as questionnaire survey, brainstorming, and scenario analysis. Rough set theory and Kano Model are used to classify and analyze user demand information and determine the realization opportunity. Finally, the research ideas of this topic are formed, and the corresponding research methods and models for ring packaging in jewelry are put forward and verified by examples, so as to form a research method suitable for fuzzy front-end design of jewelry packaging and improve the quality of jewelry packaging design.
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Dissertations / Theses on the topic "Jewelry design"

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Voirol, Mary Agnes. "Interactive mechanized fairytale jewelry." Virtual Press, 2000. http://liblink.bsu.edu/uhtbin/catkey/1178353.

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The Primary objectives of this creative project were the exploration of well-known fairy tales (such as Snow White), and the process of creating interactive jewelry based on my own personal interpretation of these stories. I designed and constructed seven jewelry pieces using traditional metal working techniques along with innovative contemporary surface treatments such as etching, sandblasting and colored pencil decoration. Each piece contained a "surprise" interactive element - some pieces contain moving parts, while others contain small pieces of fabric tape on which sentences are written. These tapes are mechanized to wind up into the ring or pendant.This body of work required a variety of metalsmithing techniques including complex constructions, copper forming, casting, lathe turning, and stone setting.
Department of Art
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Glover, Benjamin A. "The element of line in jewelery design /." Online version of thesis, 1990. http://hdl.handle.net/1850/10974.

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Dunder, Mikaela. "Marketing Plan for Design Jewelry : Case Anniina Dunder." Thesis, Uppsala University, Department of Business Studies, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-8877.

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Jewelry designers might not be as customer-centered as Kotler recommend. Additionally, they are not constantly seeking to grow and make the most profit out of satisfying consumer needs better than competitors. However, it is imperative even for an individual designer to examine what the customers want and demand as well as think of a plan to satisfy this demand. Consequently, the purpose of this study is to create a guideline for a marketing plan for a beginning jewelry designers using jewelry designer Anniina Dunder as an example. A qualitative method was chosen for this study in form of interviews and observation. Moreover, secondary data was collected in order to gain a wider and clearer picture of the subject.

Based on this study an individual actor has every possibility to reach the desired level of profit in the jewelry market in Helsinki by designing and producing jewelry. Reaching this level of profit requires activeness, customer-centered view and productivity from the designer. Consequently, individual designers should start paying more attention to potential customers’ needs and wants even when designing collection jewelry and be constantly aware of changes in these wants in order to satisfy customers even in the future.

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Takahashi, Shinya. "Infusing machine made objects into traditional metal working." Virtual Press, 2005. http://liblink.bsu.edu/uhtbin/catkey/1313951.

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Living in this high-technology era, the computer is pervasive item in modern life. The creation of jewelry pieces has also been affected by machines controlled by computers. If machines create millions of identical jewelry pieces, what will make the difference between creative and mundane pieces? This creative project is to pursue the use of machine-made objects and produce creative pieces of jewelry. Also, in order to gain practical skills and enhance my design skills, I designed many pieces of jewelry with 3-D software.
Department of Art
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Skoda, Sonia Maria de Oliveira Gonçalves. "Evolução da arte da joalheria e a tendência da joia contemporânea brasileira." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/93/93131/tde-27012016-134500/.

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A presente dissertação se baseou no percurso da história da arte, para compreender as manifestações da história da joalheria, pois a joia com seu valor material é um patrimônio impregnado de simbologias e de significados estéticos. Este trabalho utilizou a pesquisa histórica, baseada na pesquisa bibliográfica ou de fontes secundárias. Estabeleceu-se um painel cronológico do caminho percorrido pela humanidade para desenvolver a arte da joalheria, desde o seu surgimento, procurando fazer relação entre suas descobertas, necessidades de novos materiais, o aprimoramento de técnicas ou ainda a capacidade de desenvolver habilidades para executá-las. A sua relação com as artes plásticas, que nas últimas décadas levaram a arte e a joia a romper paradigmas. Atualmente, a joia é mais despojada, enfrenta novos desafios como a preocupação com o meio ambiente e a utilização de sementes, madeiras, entre outros materiais naturais, criando objetos com design diferenciado e contemporâneo.
This dissertation is based on the course of art history, to understand the manifestations of the history of jewelry, as the jewel in its material value is a heritage steeped in symbolism and aesthetic meanings. This study used historical research, based on literature or secondary sources. Established a panel chronological path for humanity to develop the art of jewelry, from its inception, seeking to make the relationship between their findings, need for new materials, improvement of techniques or even the ability to develop skills to execute them. His relationship with the arts, which in recent decades have led to art and jewelry to break paradigms. Currently, the jewel is more casual, faces new challenges such as concern for the environment and use of seeds, wood, and other natural materials, creating objects with different design and contemporary.
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BENZ, IDA ELISABETH. "PROCESS INNOVATION ON JEWELRY DESIGN THROUGH 3D MODELING AND RAPID PROTOTYPING." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2009. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=14760@1.

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As tecnologias de modelagem 3D e a prototipagem rápida começam a ser muito utilizadas pelas grandes indústrias do setor joalheiro brasileiro. Porém, a reatividade do setor joalheiro brasileiro prejudica a inovação do design de produto para o mercado. Buscando entender como a introdução destas duas tecnologias influencia e transforma o processo de design de joias, esta dissertação tem como objetivo avaliar as inovações que a modelagem 3D e a prototipagem rápida trazem para as empresas e os designers de joias que fazem uso dessas tecnologias. Através de pesquisa bibliográfica e de uma pesquisa-ação - dividida entre entrevistas com profissionais que fazem uso há mais de dois anos das duas tecnologias e uma pesquisa empírica da introdução dessas tecnologias pela equipe de pesquisadores do Projeto INOTEC em parceria com designer de cinco empresas do setor de joias e afins carioca - procurou-se um entendimento das principais vantagens e desvantagens que a difusão destas duas tecnologias podem trazer para o setor.
The technologies of 3D modeling and rapid prototyping are beginning to be widely used by the biggest industries of the Brazilian jewelry sector. However, the reactivity of this sector affects the search for product design innovations. Seeking to understand how the introduction of these technologies and processes influence the process of jewelry design, this dissertation aims to evaluate the innovations that 3D modeling and rapid prototyping bring to the industries and the jewelry designers who uses these technologies. Through literature review and action-research - divided in interviews with professionals who had worked with the technologies for more than two years and an empirical research of the introduction of these technologies by the team of researchers from the project INOTEC in partnership with five designers from jewelry and related companies from Rio de Janeiro – this dissertation sought an understanding of the main advantages and disadvantages that the diffusion of these technologies can bring to the jewelry sector.
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Liyawarakhun, Vorapoj. "The online marketing plan for Indra Jewelry Company, Thailand." CSUSB ScholarWorks, 2005. https://scholarworks.lib.csusb.edu/etd-project/2937.

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The purpose of this project is to apply marketing tactics in the form of website and online services. The goal of this plan is to improve company image and customer service and relationships, Moreover, website and online service can also increase the sales and profits of the company and expand its market.
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LLABERIA, Engracia Maria Loureiro da Costa. "O desenho como ferramenta do projeto de design de joias." Universidade Anhembi Morumbi, 2016. http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1695.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
This thesis presented to the PhD Program of Design at Anhembi Morumbi University, deals with the importance of drawing as a tool for jewelry design, considering its typology applied to different stages of development process, from creation to production, in the jeweler sector, devoting special attention to the industrial segment. This study analyzes the different activities related to the creation of the jewel, such as the High Jewelry and the Contemporary Jewelry, in relation to the use of drawing in different moments. Searching for basis in the drawings of Architecture as reference to studies of forms, volumes and spatial vision development, in the transposition of mental images of three-dimensional objects to the two-dimensional representation. It presents the works of designers and jewelers/artists through interviews and visits to their ateliers as a way of illustrating, also with their drawings, the relevance of this technique representing their ideas. Those professionals were selected for the relevance of theirs works and the attention dedicated to the form research through drawing, since roughs and sketches. Their production and reports are inserted through the chapters, to clarify the approach of each subject. It aims, therefore, to enhance and encourage the teaching of drawing in the training of design professionals and others who dedicate themselves to the production of jewelry in Brazil.
Esta tese apresentada para o Doutorado em Design da Universidade Anhembi Morumbi, no Programa de Pós-Graduação em Design, trata da importância do desenho como ferramenta do projeto de design de joias, considerando sua tipologia aplicada a diferentes etapas do desenvolvimento do processo, da criação à produção, no setor joalheiro, dedicando especial atenção ao segmento industrial na contemporaneidade. Além deste, analisa as distintas atividades relacionadas à criação da joia, como a Alta Joalheria e a Joalheria Contemporânea, em relação ao uso do desenho em diferentes momentos. Buscou embasamento nos desenhos da Arquitetura como referência de estudos da forma e volumetria, além do desenvolvimento de visão espacial, na transposição de imagens mentais para a representação bidimensional de objetos tridimensionais. No percurso, apresenta os trabalhos de designers e artistas/joalheiros por meio de entrevistas e visitas realizadas a seus ateliês como forma de exemplificar, também com seus desenhos, a importância desta técnica como meio de representação de suas ideias. Os profissionais aqui apresentados foram selecionados pela relevância de seu trabalho nos diferentes segmentos, bem como por se dedicarem ao ensino do desenho de joias e da joalheria artesanal, em alguns casos, além da importância que dedicam no percurso de seu próprio processo de elaboração da forma através do desenho, desde os estudos iniciais, através de rascunhos, até os esboços ou croquis nos seus processos criativos. Suas produções e relatos estão inseridos nos diferentes capítulos, oportunamente, de modo a esclarecer as questões ali abordadas. Objetiva, dessa forma, a valorização e o incentivo ao ensino do desenho na formação dos profissionais de design e outros que se dediquem à produção de joias no Brasil.
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Marais, Inge. "Juwelierskuns en transformasie." Thesis, Link to the online version, 2008. http://hdl.handle.net/10019/871.

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Ferreira, Marcia Oliveira. "Perfil e processo criativo de autores de joias em Porto Alegre." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2015. http://hdl.handle.net/10183/142730.

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A partir do século passado a joalheria sofreu uma grande transformação nos valores construídos em torno da joia comumente entendida como ornamento confeccionado em material precioso. O objetivo desta pesquisa foi descrever o perfil de autores de joias de Porto Alegre e seus processos criativos, posicionando seus campos de atuação dentro de categorias da joalheria (Alta Joalheria, Joalheria de Autor, Joalheria de Arte). Na revisão de literatura são descritas as dinâmicas da joalheria a partir do século XX e uma abordagem sobre processos criativos referindo-se a requisitos e fenômenos necessários para a ocorrência da criatividade. Foram entrevistados dez autores reconhecidos na área da joia, sobre suas trajetórias profissionais, seus processos de trabalho e sua visão sobre os seus campos de atuação. Observou-se que os processos criativos entre os autores entrevistados se assemelham na prática entre o campo do design e o das artes. Por outro lado, o uso da nomenclatura “design” foi considerado pelos entrevistados com certa ressalva pelo fato de não possuírem graduação nesse campo. Ficou a percepção de que o produto joia ainda não recebe um claro entendimento como sendo um produto de design. Os campos de atuação que os entrevistados foram classificados neste trabalho diferiram dos campos expressados pelos mesmos. Entretanto, é indiscutível a expressão pessoal observada em seus produtos, característica do campo das artes, mesmo naqueles não inseridos nesse campo. Neste aspecto fica também fortemente identificada a aproximação dos campos da arte e do design na criação da joia.
From the last century jewelry has undergone a major transformation in the values built around the jewel commonly perceived as ornaments made of precious material. The aim of this study was describe the profile of authors of jewels of Porto Alegre and their creative processes analyzing their expertise fields within categories of jewelry (High Jewelry, Author Jewelry, Art Jewelry). On literature review are described the dynamics of jewelry from the twentieth century and an approach to creative process in relation to the requirements and necessary phenomena to the creativity occurrence. Ten recognized authors in jewels were interviewed, about their careers, their work processes and its self-definition of their expertise field. It was observed that the creative processes among the interviewed authors were similar between the field of design and of arts. On the other hand, the use of the nomenclature "design" was regarded by interviewed with certain safeguard because they have no degree in this field. Remains the perception that product jewel does not receive a clear understanding as being a product of design. The fields of action that the interviewed were classified in this study differed from the fields expressed by them. However, it is certain the personal expression observed in its products, a characteristic of the field of the arts, even in those not entered into this field. This aspect is also strongly identified the approximation of the fields of art and design in the creation of the jewel.
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Books on the topic "Jewelry design"

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Krupenia, Deborah, and Boo Poulin. Art of Jewelry Design. North Light Books, 1997.

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Puman, Li. Contemporary Jewelry Design. CYPI Press, 2014.

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Design Resin Jewelry. C & T Publishing, 2021.

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(Editor), Silvana Annicchiarico, ed. Jewelry And Design. Charta/Triennale di Milano, 2005.

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Publishing, Rogue Plus. Jewelry Design Sketchbook: Wristwear Design. Independently published, 2019.

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Publishing, Rogue Plus. Jewelry Design Sketchbook: Wristwear Design. Independently published, 2019.

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Publishing, Rogue Plus. Jewelry Design Sketchbook: Neckwear Design. Independently published, 2019.

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Publishing, Rogue Plus. Jewelry Design Sketchbook: Wristwear Design. Independently Published, 2019.

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Publishing, Rogue Plus. Jewelry Design Sketchbook: Wristwear Design. Independently published, 2019.

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Publishing, Rogue Plus. Jewelry Design Sketchbook: Wristwear Design. Independently published, 2019.

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Book chapters on the topic "Jewelry design"

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Strasser, Monika. "Bijoux Schmuck Jewelry." In Bourses fédérales de design Eidgenössische Förderpreise für Design Swiss Federal Design Grants 2007, 13–15. Basel: Birkhäuser Basel, 2008. http://dx.doi.org/10.1007/978-3-7643-8450-0_1.

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Blauer, Ettagale. "Introduction." In Contemporary American Jewelry Design, 1–8. Boston, MA: Springer US, 1991. http://dx.doi.org/10.1007/978-1-4757-4854-3_1.

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Blauer, Ettagale. "Surfaces." In Contemporary American Jewelry Design, 157–68. Boston, MA: Springer US, 1991. http://dx.doi.org/10.1007/978-1-4757-4854-3_10.

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Blauer, Ettagale. "Patterns." In Contemporary American Jewelry Design, 169–84. Boston, MA: Springer US, 1991. http://dx.doi.org/10.1007/978-1-4757-4854-3_11.

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Blauer, Ettagale. "Epilogue." In Contemporary American Jewelry Design, 185. Boston, MA: Springer US, 1991. http://dx.doi.org/10.1007/978-1-4757-4854-3_12.

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Blauer, Ettagale. "Craft Shows." In Contemporary American Jewelry Design, 9–32. Boston, MA: Springer US, 1991. http://dx.doi.org/10.1007/978-1-4757-4854-3_2.

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Blauer, Ettagale. "Craft Galleries." In Contemporary American Jewelry Design, 33–44. Boston, MA: Springer US, 1991. http://dx.doi.org/10.1007/978-1-4757-4854-3_3.

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Blauer, Ettagale. "Teachers." In Contemporary American Jewelry Design, 45–64. Boston, MA: Springer US, 1991. http://dx.doi.org/10.1007/978-1-4757-4854-3_4.

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Blauer, Ettagale. "Craft and Commercial." In Contemporary American Jewelry Design, 65–74. Boston, MA: Springer US, 1991. http://dx.doi.org/10.1007/978-1-4757-4854-3_5.

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Blauer, Ettagale. "Studio Goldsmithing." In Contemporary American Jewelry Design, 75–118. Boston, MA: Springer US, 1991. http://dx.doi.org/10.1007/978-1-4757-4854-3_6.

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Conference papers on the topic "Jewelry design"

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Li shaobin. "Design elements in jewelry design." In 2010 IEEE 11th International Conference on Computer-Aided Industrial Design & Conceptual Design 1. IEEE, 2010. http://dx.doi.org/10.1109/caidcd.2010.5681359.

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Efkolidis, Nikolaos, Prodromos Minaoglou, Kyriaki Aidinli, and Panagiotis Kyratsis. "Computational design used for jewelry." In 10th International Symposium on Graphic Engineering and Design. University of Novi Sad, Faculty of technical sciences, Department of graphic engineering and design,, 2020. http://dx.doi.org/10.24867/grid-2020-p60.

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Nowadays more and more computer-aided technologies and computational techniques are applied to product design. Jewelry belongs to those products. Jewelry is considered as part of human civilization and adopted to human’s needs. In recent years, computational design is applied in order to overcome the limitations of traditional CAD systems, when reaching an increased level of complexity and geometrical controls. Computational design supports the evolution of creative design and develops models as a form of the computational exploration. Furthermore, additive manufacturing (AM) pieces of equipment are widely used to create models and prototype parts in various applications. AM plays an important role, when developing jewelry models, as it is utilized with an aim to produce high-quality models in rather reduced numbers and complex shapes. In the current paper, a computer-based design tool was applied in order to develop algorithms for the generation of new artistic forms for the design of a set of jewelry. Then, Stereolithography (SLA) technique is chosen for the prototype models construction.
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Orlov, I. I., S. A. Shennikov, O. S. Pavlova, and A. V. Martinova. "Historiography of the problem of jewelry design of the 20-th century." In Global science. Development and novelty. НИЦ "LJournal", 2022. http://dx.doi.org/10.18411/gsdn-03-2022-07.

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Abstract: Jewelry is one of the most sought after destinations since ancient times. The article provides a brief overview of the historiography of the jewelry design problem of the second half of the 20th century. The search and development of technology that will allow you to create jewelry with elements of exact copies of plant material in metal is relevant in modern jewelry design.
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XinWang and Kailing Zhang. "Forms and material of modern jewelry." In 2010 IEEE 11th International Conference on Computer-Aided Industrial Design & Conceptual Design 1. IEEE, 2010. http://dx.doi.org/10.1109/caidcd.2010.5681933.

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Сергей Ильич, Галанин,, and Шорохов, Сергей Александрович. "MODERN 3D TECHNOLOGIES AND DESIGN OF JEWELRY." In Прогрессивное развитие как следствие научно-технических исследований: сборник статей международной научной конференции (Новосибирск, Ноябрь 2022). Crossref, 2022. http://dx.doi.org/10.37539/221128.2022.83.38.002.

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В статье рассмотрены основные области использования 3D технологий при проектировании и изготовлении ювелирных изделий. Показано, что их использование наряду с решением ряда технологических задач значительно расширяет возможности дизайна ювелирных изделий. The article considers the main areas of 3D technologies in the design and manufacture of jewelry. It is shown that their use, along with the solution of a number of technological problems, significantly expands the possibilities of jewelry design.
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Rudzite, Inita. "ECOLOGICAL ISSUES IN LATVIAN JEWELRY DESIGN." In 17th International Multidisciplinary Scientific GeoConference SGEM2017. Stef92 Technology, 2017. http://dx.doi.org/10.5593/sgem2017/42/s17.027.

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Rudzite, Inita. "SYSTEM FOR INFORMATION ON JEWELRY DESIGN." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/5.3/s21.071.

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Орлов, Игорь Иванович, and Сергей Анатольевич Щенников. "A BRIEF HISTORIOGRAPHY OF THE PROBLEM OF JEWELRY DESIGN OF THE 20TH CENTURY." In Образование. Культура. Общество: сборник избранных статей по материалам Международной научной конференции (Санкт-Петербург, Апрель 2021). Crossref, 2021. http://dx.doi.org/10.37539/ecs296.2021.21.58.003.

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Ювелирные украшения является одним из самых востребованных направлений с давних времен. В статье делается краткий обзор историографии проблемы ювелирного дизайна второй половины 20 столетия. Поиск и разработка технологии, которая позволят создавать ювелирные изделия с элементами точных копий растительного материала в металле является актуальной в современном дизайне ювелирных изделий. Jewelry is one of the most sought after destinations since ancient times. The article provides a brief overview of the historiography of the jewelry design problem of the second half of the 20th century. The search and development of technology that will allow you to create jewelry with elements of exact copies of plant material in metal is relevant in modern jewelry design.
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Kielarova, S. W., P. Pradujphongphet, and I. L. J. Bohez. "An approach of generative design system: Jewelry design application." In 2013 IEEE International Conference on Industrial Engineering and Engineering Management (IEEM). IEEE, 2013. http://dx.doi.org/10.1109/ieem.2013.6962626.

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Skjerven, Astrid. "Norwegian rural jewelry traditions in the era of globalization." In 9th Conference of the International Committee for Design History and Design Studies. São Paulo: Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/despro-icdhs2014-0055.

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