Dissertations / Theses on the topic 'Jewelry design'
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Voirol, Mary Agnes. "Interactive mechanized fairytale jewelry." Virtual Press, 2000. http://liblink.bsu.edu/uhtbin/catkey/1178353.
Full textDepartment of Art
Glover, Benjamin A. "The element of line in jewelery design /." Online version of thesis, 1990. http://hdl.handle.net/1850/10974.
Full textDunder, Mikaela. "Marketing Plan for Design Jewelry : Case Anniina Dunder." Thesis, Uppsala University, Department of Business Studies, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-8877.
Full textJewelry designers might not be as customer-centered as Kotler recommend. Additionally, they are not constantly seeking to grow and make the most profit out of satisfying consumer needs better than competitors. However, it is imperative even for an individual designer to examine what the customers want and demand as well as think of a plan to satisfy this demand. Consequently, the purpose of this study is to create a guideline for a marketing plan for a beginning jewelry designers using jewelry designer Anniina Dunder as an example. A qualitative method was chosen for this study in form of interviews and observation. Moreover, secondary data was collected in order to gain a wider and clearer picture of the subject.
Based on this study an individual actor has every possibility to reach the desired level of profit in the jewelry market in Helsinki by designing and producing jewelry. Reaching this level of profit requires activeness, customer-centered view and productivity from the designer. Consequently, individual designers should start paying more attention to potential customers’ needs and wants even when designing collection jewelry and be constantly aware of changes in these wants in order to satisfy customers even in the future.
Takahashi, Shinya. "Infusing machine made objects into traditional metal working." Virtual Press, 2005. http://liblink.bsu.edu/uhtbin/catkey/1313951.
Full textDepartment of Art
Skoda, Sonia Maria de Oliveira Gonçalves. "Evolução da arte da joalheria e a tendência da joia contemporânea brasileira." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/93/93131/tde-27012016-134500/.
Full textThis dissertation is based on the course of art history, to understand the manifestations of the history of jewelry, as the jewel in its material value is a heritage steeped in symbolism and aesthetic meanings. This study used historical research, based on literature or secondary sources. Established a panel chronological path for humanity to develop the art of jewelry, from its inception, seeking to make the relationship between their findings, need for new materials, improvement of techniques or even the ability to develop skills to execute them. His relationship with the arts, which in recent decades have led to art and jewelry to break paradigms. Currently, the jewel is more casual, faces new challenges such as concern for the environment and use of seeds, wood, and other natural materials, creating objects with different design and contemporary.
BENZ, IDA ELISABETH. "PROCESS INNOVATION ON JEWELRY DESIGN THROUGH 3D MODELING AND RAPID PROTOTYPING." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2009. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=14760@1.
Full textThe technologies of 3D modeling and rapid prototyping are beginning to be widely used by the biggest industries of the Brazilian jewelry sector. However, the reactivity of this sector affects the search for product design innovations. Seeking to understand how the introduction of these technologies and processes influence the process of jewelry design, this dissertation aims to evaluate the innovations that 3D modeling and rapid prototyping bring to the industries and the jewelry designers who uses these technologies. Through literature review and action-research - divided in interviews with professionals who had worked with the technologies for more than two years and an empirical research of the introduction of these technologies by the team of researchers from the project INOTEC in partnership with five designers from jewelry and related companies from Rio de Janeiro – this dissertation sought an understanding of the main advantages and disadvantages that the diffusion of these technologies can bring to the jewelry sector.
Liyawarakhun, Vorapoj. "The online marketing plan for Indra Jewelry Company, Thailand." CSUSB ScholarWorks, 2005. https://scholarworks.lib.csusb.edu/etd-project/2937.
Full textLLABERIA, Engracia Maria Loureiro da Costa. "O desenho como ferramenta do projeto de design de joias." Universidade Anhembi Morumbi, 2016. http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1695.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
This thesis presented to the PhD Program of Design at Anhembi Morumbi University, deals with the importance of drawing as a tool for jewelry design, considering its typology applied to different stages of development process, from creation to production, in the jeweler sector, devoting special attention to the industrial segment. This study analyzes the different activities related to the creation of the jewel, such as the High Jewelry and the Contemporary Jewelry, in relation to the use of drawing in different moments. Searching for basis in the drawings of Architecture as reference to studies of forms, volumes and spatial vision development, in the transposition of mental images of three-dimensional objects to the two-dimensional representation. It presents the works of designers and jewelers/artists through interviews and visits to their ateliers as a way of illustrating, also with their drawings, the relevance of this technique representing their ideas. Those professionals were selected for the relevance of theirs works and the attention dedicated to the form research through drawing, since roughs and sketches. Their production and reports are inserted through the chapters, to clarify the approach of each subject. It aims, therefore, to enhance and encourage the teaching of drawing in the training of design professionals and others who dedicate themselves to the production of jewelry in Brazil.
Esta tese apresentada para o Doutorado em Design da Universidade Anhembi Morumbi, no Programa de Pós-Graduação em Design, trata da importância do desenho como ferramenta do projeto de design de joias, considerando sua tipologia aplicada a diferentes etapas do desenvolvimento do processo, da criação à produção, no setor joalheiro, dedicando especial atenção ao segmento industrial na contemporaneidade. Além deste, analisa as distintas atividades relacionadas à criação da joia, como a Alta Joalheria e a Joalheria Contemporânea, em relação ao uso do desenho em diferentes momentos. Buscou embasamento nos desenhos da Arquitetura como referência de estudos da forma e volumetria, além do desenvolvimento de visão espacial, na transposição de imagens mentais para a representação bidimensional de objetos tridimensionais. No percurso, apresenta os trabalhos de designers e artistas/joalheiros por meio de entrevistas e visitas realizadas a seus ateliês como forma de exemplificar, também com seus desenhos, a importância desta técnica como meio de representação de suas ideias. Os profissionais aqui apresentados foram selecionados pela relevância de seu trabalho nos diferentes segmentos, bem como por se dedicarem ao ensino do desenho de joias e da joalheria artesanal, em alguns casos, além da importância que dedicam no percurso de seu próprio processo de elaboração da forma através do desenho, desde os estudos iniciais, através de rascunhos, até os esboços ou croquis nos seus processos criativos. Suas produções e relatos estão inseridos nos diferentes capítulos, oportunamente, de modo a esclarecer as questões ali abordadas. Objetiva, dessa forma, a valorização e o incentivo ao ensino do desenho na formação dos profissionais de design e outros que se dediquem à produção de joias no Brasil.
Marais, Inge. "Juwelierskuns en transformasie." Thesis, Link to the online version, 2008. http://hdl.handle.net/10019/871.
Full textFerreira, Marcia Oliveira. "Perfil e processo criativo de autores de joias em Porto Alegre." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2015. http://hdl.handle.net/10183/142730.
Full textFrom the last century jewelry has undergone a major transformation in the values built around the jewel commonly perceived as ornaments made of precious material. The aim of this study was describe the profile of authors of jewels of Porto Alegre and their creative processes analyzing their expertise fields within categories of jewelry (High Jewelry, Author Jewelry, Art Jewelry). On literature review are described the dynamics of jewelry from the twentieth century and an approach to creative process in relation to the requirements and necessary phenomena to the creativity occurrence. Ten recognized authors in jewels were interviewed, about their careers, their work processes and its self-definition of their expertise field. It was observed that the creative processes among the interviewed authors were similar between the field of design and of arts. On the other hand, the use of the nomenclature "design" was regarded by interviewed with certain safeguard because they have no degree in this field. Remains the perception that product jewel does not receive a clear understanding as being a product of design. The fields of action that the interviewed were classified in this study differed from the fields expressed by them. However, it is certain the personal expression observed in its products, a characteristic of the field of the arts, even in those not entered into this field. This aspect is also strongly identified the approximation of the fields of art and design in the creation of the jewel.
FEIJO, ANA PAULA VALLADARES. "THE PRACTICE OF DESIGN AND ITS CONTRIBUTION TO THE JEWELRY FIELD IN RIO DE JANEIRO." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2017. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=32542@1.
Full textCOORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR
PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO
O campo joalheiro do Rio de Janeiro vivencia uma realidade impulsionada pela profissionalização de vários setores envolvidos principalmente com as etapas de criação, produção, comercialização e divulgação de novos produtos no mercado. Este cenário vem se configurando desde os anos 1990, quando o design do produto joia passa a ser trabalhado com a intenção de proporcionar novas experiências de consumo, reafirmando sobre seus usuários um encantamento pelo objeto que pode ir além do valor financeiro de sua matéria-prima, tão estimado pelas tradicionais gerações de joalheiros, e que ainda é tida como o argumento número 1 na criação de uma joia. Os cursos superiores, tecnólogos e de aprimoramento no setor, em conjunto com as novas tecnologias fabris, também trouxeram oportunidades para o campo e hoje dividem espaço com as técnicas artesanais de produção de joias. Estas, ainda muito utilizadas, resgatam as origens históricas desse objeto, que é trabalhado pelos designers sob uma nova leitura. Esta pesquisa apresenta uma breve reflexão sobre a importância da prática do design e sua atual contribuição para o campo presente no estado do Rio de Janeiro.
The jewelry field in Rio de Janeiro has showed a reality driven by the professionalization of several sectors, committed mainly with the steps of creation, production, commercialization and marketing of new products. This scenery has been outlined since the 1990 s, when the design of the product jewelry started to be worked out with the intention of offer new consumer experiences, confirming on its wearers an enchantment by the object beyond the financial value of its raw material, so appreciated by the traditional generations of jewelers, and which still is considered the argument number one for the creation of jewelry. Undergraduate courses offered by universities, technical courses and any other formation to improve professionals of this sector, together with new technologies for the textile industry, have also brought opportunities for the field, and today they share this space with the artisanal techniques for the production of jewelry. Still quite used, they bring back the historical origins of this object, which has been revisited by the designers. This research presents a brief reflection about the importance of the design and its current contribution to the field in the Rio de Janeiro state.
Головчанська, Є. О., І. О. Приходько-Кононенко, Н. В. Остапенко, and М. В. Колосніченко. "Дизайн ювелірних виробів: сучасні матеріали та технології." Thesis, Херсонський національний технічний університет, 2021. https://er.knutd.edu.ua/handle/123456789/18564.
Full textHijazi, Nourbanu Feras. "ANXIOUS?: Re-designing Women’s Jewelry to Help Manage Symptoms of Anxiety Disorders." VCU Scholars Compass, 2018. https://scholarscompass.vcu.edu/etd/5467.
Full textVIDELA, Ana Neuza Botelho. "Joalheria, arte ou design?" Universidade Federal de Pernambuco, 2016. https://repositorio.ufpe.br/handle/123456789/18521.
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A proposta do estudo visou comparar duas formas de fazer joalheria, uma mais próxima dos paradigmas da arte e outra com um viés mais comercial para, dessa forma, entender os processos que condicionam a atuação dos produtores das duas categorias. Neste sentido, o objetivo da pesquisa foi identificar em quais circunstâncias a joalheria é considerada arte, por ser uma categoria orientada para a produção de trabalhos mais experimentais, os quais podem ter a intenção de problematizar a ornamentação corporal ou a linguagem da joalheria ou, ao contrário, em que contexto é compreendido como uma atividade fruto do processo de design, adotando, porém, os pressupostos da joalheria para atender ao mercado. Do ponto de vista metodológico, distinguir as características dos produtos gerados a partir da influência dos dois campos de atuação implicou no acompanhamento das práticas de produção, comercialização, eventos de divulgação dos segmentos e lançamentos de coleções, tanto das joias produzidas por designers de joias, quanto das joias produzidas por artistas joalheiros. A construção teórica da pesquisa objetivou abarcar o ponto de vista do sujeito e seu contexto, além da agência do objeto resultante da formação de coletivos produtores de joias. O estudo também abarcou a reflexão sobre corpo artefatual, não só em referência a um corpo fabricado, mas no intuito de entender o corpo como feito por artefatos. Neste sentido, a obra de Bruno Latour serviu como ferramenta para se pensar o corpo como constitutivamente sendo feito a partir da composição dos atores humano e atores não-humanos. Assim, um dos aspectos que se discute são as redes entre sujeitos e seus objetos. Como resultados, observamos que os joalheiros, por se situarem entre os dois campos de práticas, parecem se encontrar em um espaço liminar. De um lado, afirmam que o que os diferenciam das outras formas de produzir joalheria é a exploração ou experimentação do objeto associado ao corpo, o qual é dotado de intencionalidade, ao manifestar o pensamento de quem o fez. De outro lado, têm-se os produtores que se identificam com o campo do design, para quem todos os aspectos do comércio joalheiro devem estar cuidadosamente em consonância com a proposta do produto.
The purpose of the study was to compare two ways to make jewelry, one closer of art paradigms and the other with a more commercial bias to thus understand the processes that affect the way producers of the two categories act. In this sense, the objective of the research was to identify under what circumstances jewelry is considered art for being a category targeted on production of more experimental works, which may be intended to problematize the body ornamentation or the jewelry language or, otherwise, in which context is understood as a result of an activity design process, adopting, however, the jewelry assumptions to meet the market. From a methodological point of view, distinguishing the characteristics of products generated by the influence of the two fields of activity, involved the monitoring of production practices, marketing, dissemination events of the segments and collections launches of both the jewelry produced by jewelry designers, as the jewelry produced by artists jewelers. The theoretical construction of the research aimed to encompass the subject's point of view and its context, in addition to the object's agency resulting of the formation of jewelry producers collectives. The study also encompassed reflection on artifactual body, not only in reference to a manufactured body, but in order to understand the body as made by artifacts. n this sense, the work of Bruno Latour served as a tool for thinking about the body as constitutively made from the composition of human actors and non-human actors. Thus, one of the aspects discussed are the networks between subjects and their objects. As results, we noticed that jewelers, because they are located between the two camps practices, seem to find themselves in a liminal space. On one hand, they claim that what differentiate them from other forms of producing jewelry is the exploration or experimentation of the object associated with the body, which is endowed with intentionality, to express the thought of who did it. On the other hand, there are the producers who identify themselves with the design field, for whom all aspects of the jewelry trade must be carefully in line with the proposal of the product.
Rice, Paula Neale. "Earth, sea and sky : natural forces as a design source in metalwork." Virtual Press, 1991. http://liblink.bsu.edu/uhtbin/catkey/770942.
Full textDepartment of Art
Straliotto, Luiz Marcelo. "Ciclos : estudo de casos de ecodesign de jóias." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2009. http://hdl.handle.net/10183/18600.
Full textThis dissertation demonstrates the possibility of application of ecological principles on the jewelry design of with the aim to contribute to knowledge systematization about jewelry eco-design. Initially, the theoretical foundation came from exploratory and descriptive research, supported by review and discussion of technical and scientific literature on jewelry, jewelry design and product eco-design. This step provided subsidies for the development of ecological jewels made by the author between 2007 and 2009, constituting the three cases studied. A review of the literature, as opposed to the author experience on jewelry design, drove the construction of the instrument to ecological analysis on jewelry products. After a description of the cases, they were analysed from the perspective of theoretical knowledge on eco-design jewelry, by applying the analysis tool built in order to check the score and the ecological limits and environmental benefits observed in the development products, beyond the level of effectiveness, efficiency and ecoefficiency of jewelry, proving the real possibility of jewelry eco-design. As a result, the research found three different sets of ecological jewels, processed with recycled metal and industrial solid waste; a proposed concept of jewelry in contemporary society; the analysis of specific life cycle of jewelry product and systematic knowledge about jewelry design in relation to the professional profile, the design specificities, the means of production and environmental impacts involved. Research has indicated possible ways to develop ecological jewels, specifying the criteria and requirements that the jewelry product eco-friendly design must meet.
Pichler, Rosimeri Franck. "Design, tecnologia e valorização local : estudo de técnicas de beneficiamento em serpentinito para uso como material gemológico aplicado ao design de joias." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2014. http://hdl.handle.net/10183/118900.
Full textDesign as an activity for developing material goods, has been adding cultural characteristics and local knowledge in the development of products. The interest in cultural products brings progress for the producing regions, reflecting in different areas of social life, promoting and increasing the competitiveness of the local market. For this reason technologies are very important, to promote innovations in products, to enable the production process and new applications. So, the union of these two factors, technologies and valorization of cultural products, providing products with a bigger added value, may result in improvement for the producing region and also for its Country. Serpentinite, a rock used as a rare ornamental gemstone occurs in Rio Grande do Sul State (Brazil) and currently does not have commercial use. The main mineral of this rocks are of serpentine group, that may occur as massive and lamelar aggregates (antigorite and lizardite) and as fibrous crystals (chrysotile). This research aims to study processing techniques to apply in this serpentinite, in order to increase its use as gemological material for use in jewelry. The mineralogical characterization of serpentinite were done with a stereoscopic loupe, X-ray diffraction and with petrographic microscopy. The processing techniques tested were cut by water jet, laser engraving, polishing and resin coating. To analyze the interactions of this techniques with the serpentinite, it was used a stereoscopic loupe, a Scanning Electron Microscope (SEM) and a gloss meter. The results obtained with the application of the processing techniques in serpentinite are good, but vary according to the texture of the rock. In rocks with predominance of antigorite and lizardite, is recommend the use of cutting by water jet and the use of filled shapes laser engraving to obtain surface textures. In rocks with chrysotile, it is recommended to use precision cut diamond saw and the use of laser engraving lines and fill shapes to create graphics of medium complexity. To obtain a good polishment, the use of silicon carbide (carborundum) sandpaper is recommended, with the grit of 180 until 2000, for rocks with predominance of antigorite, and the grit of 320 until 2000, for rocks with predominance of chrysotile. The sanding time for each step is 2 minutes with a speed around 300 rpm. To protect the material and to obtain a better luster, is recommend the application of an acrylic resin as a final step of the improvemente process.
Alvares, Fabiano da Costa. "VALORIZAÇÃO DOS ASPECTOS FORMAIS DOS ARTEFATOS CONFECCIONADOS POR GUASQUEIROS DO PAMPA GAÚCHO APLICADOS À JOALHERIA." Universidade Federal de Santa Maria, 2015. http://repositorio.ufsm.br/handle/1/11056.
Full textPela constatação, através de pesquisa, da gradual diminuição do ofício de guasqueiro (artesãos que usam como principal matéria prima o couro cru), atividade que se desenvolveu junto à formação do povo gaúcho. O presente trabalho pretende estudar e colocar em evidência os aspectos formais dos utensílios de couro cru, transferindo os seus valores culturais e estéticos para a joalheria, utilizando gemas nativas do Rio Grande do Sul, promovendo a retomada e valorização desse patrimônio cultural e material. Ao mesmo tempo em que se estabelece uma nova proposta, incentiva-se a comunidade a retomar os valores do passado, perpetuando sua atividade de origem. Deseja-se, então, aprimorar o saber profissional, prático e teórico, contribuindo para o desenvolvimento de novas pesquisas.
Lago, Tatiana Eder da Rocha. "Caracterização e impregnação polimérica do porongo (Lagenaria siceraria) visando a aplicação no design de biojoias." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2013. http://hdl.handle.net/10183/96467.
Full textNatural materials are restrictivly applied on jewelry because they are easily degraded and change their aesthetic characteristics due to ambient conditions. The gourd is a fruit that has a symbolic link with the “gaúcho” culture because it is widely used as a container (“cuia”) to drink the “chimarrão”. In the manufacture process of “cuias” it is utilized about 50% of the fruit, generating a large volume of wastes, which can be applied in products of higher earned value. Thus, this research aims to study and implement methods for the gourd improvement to enable the use of this natural material in jewelry design, through improvements of its physical and chemical integrity, in order to valorize artifacts and customs of the “gaúcho” culture. Accordingly, first the gourd characterization is performed through techniques such as scanning electron microscopy, stereoscopic microscopy, thermal analysis and computed microtomography. Moreover, in the present research will be studied treatment techniques that seeks to prolong durability and improve the physical-mechanical properties of other natural materials, such as polymer impregnation of wood. Probably, this technique can be successfully applied to gourd due to similarities in the composition and structure of both materials. Based on the theoretical approach developed, improvement methods to the gourd will be selected and adapted. Furthermore, it will be presented some preliminary results of impregnation. The present research also foresees the design biojewels collection using gourd treated. From the hypothesis that similar techniques could be applied to succeed gourd, due to similarities in the composition and structure of both materials, methods of improvement to the gourd were selected and adapted. The Micro-CT results indicate that the gourd has 54% of porous volume, whereas the great majority of the pores are connected by configuring permeability. Thus, it was decided by impregnation polymer as a method of improvement and were tested three concentrations of solutions containing: methyl methacrylate (MMA), methanol (MeOH) and benzoyl peroxide (PBO) in three conditions impregnation: 30 min vacuum + 30min immersion, 30min vacuum + 30 min 24h of immersion and immersion simple. The best results were obtained at 30 minutes + vacuum 24h of immersion. Statistically, different proportions of MMA/MeOH do not influence the levels of impregnation. The samples were tested for water absorption to evaluate the impregnation, indicating that those containing more polymerized material, therefore, absorbed less water. Finally, the gourd was again analyzed by microtomography and its porosity was reduced from 54% to approximately 39% indicating a method for improvement of potentially efficient gourd.
Takamitsu, Helen Tatiana [UNESP]. "O uso de bambu e metal clay no design de jóias de arte." Universidade Estadual Paulista (UNESP), 2011. http://hdl.handle.net/11449/89735.
Full textCoordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Esta dissertação teve como objetivo desenvolver processos de confecção de Jóias de Arte ecologicamente corretas em bambu e metal clay. Para tanto foram projetados e confeccionados alguns protótipos de jóias com estes materiais, aliando o material renovável bambu e o metal clay, que é proveniente da reciclagem de chapas fotográficas e outros resíduos industriais. Foram confeccionados um anel, uma pulseira e um pingente, com partes de colmos de bambu devidamente secos, da espécie Dendrocalamus giganteus, fornecidos pelo Laboratório de Bambu do Cmpus da UNESP de Bauru, e a Prata metal clay, da marca Mitsubishi materials. As jóias foram produzidas de acordo com o instrumento de análise ecológica de produtos joalheiros. Foram avaliados parâmetros como: custo, tempo de feitio, treinamento, ferramentas e maquinários utilizados, durabilidade da peça e resíduos gerados. No final foram propostas as etapas necessárias para a confecção de jóias em bambu e metal clay, associando o design a processos mais enxutos, eficazes e seguros na produção artesanal destas
This study aimed to develop eco-friendly art jewelry in precious metal clay and bamboo. Therefore, it was designed and made some art jewelry prototypes with these materials, combining renewable bamboo material and metal clay that comes from the recycling of photographic plates and others industrials wastes. Initially, a ring, a bracelet and a pendant were made using wastes of dried culms of Dendrocalamus giganteus bamboo and silver metal clay of Mitsubishi materials. The pieces were produced according produced according to the analysis chart of ecological products jewelry. The evaluated parameters were: cost, producing time, necessary training, used tools and machinery, durability and generated waste. As a result, proposals were made for the necessary procedures to make jewerly with bamboo and metal clay, combining design with streamlined, efficient and safe processes to make those pieces
Takamitsu, Helen Tatiana. "O uso de bambu e metal clay no design de jóias de arte /." Bauru : [s.n.], 2011. http://hdl.handle.net/11449/89735.
Full textBanca: Marizilda dos Santos Menezes
Banca: Antonio Ludovico Beraldo
Resumo: Esta dissertação teve como objetivo desenvolver processos de confecção de Jóias de Arte ecologicamente corretas em bambu e metal clay. Para tanto foram projetados e confeccionados alguns protótipos de jóias com estes materiais, aliando o material renovável bambu e o metal clay, que é proveniente da reciclagem de chapas fotográficas e outros resíduos industriais. Foram confeccionados um anel, uma pulseira e um pingente, com partes de colmos de bambu devidamente secos, da espécie Dendrocalamus giganteus, fornecidos pelo Laboratório de Bambu do Cmpus da UNESP de Bauru, e a Prata metal clay, da marca Mitsubishi materials. As jóias foram produzidas de acordo com o instrumento de análise ecológica de produtos joalheiros. Foram avaliados parâmetros como: custo, tempo de feitio, treinamento, ferramentas e maquinários utilizados, durabilidade da peça e resíduos gerados. No final foram propostas as etapas necessárias para a confecção de jóias em bambu e metal clay, associando o design a processos mais enxutos, eficazes e seguros na produção artesanal destas
Abstract: This study aimed to develop eco-friendly art jewelry in precious metal clay and bamboo. Therefore, it was designed and made some art jewelry prototypes with these materials, combining renewable bamboo material and metal clay that comes from the recycling of photographic plates and others industrials wastes. Initially, a ring, a bracelet and a pendant were made using wastes of dried culms of Dendrocalamus giganteus bamboo and silver metal clay of Mitsubishi materials. The pieces were produced according produced according to the analysis chart of ecological products jewelry. The evaluated parameters were: cost, producing time, necessary training, used tools and machinery, durability and generated waste. As a result, proposals were made for the necessary procedures to make jewerly with bamboo and metal clay, combining design with streamlined, efficient and safe processes to make those pieces
Mestre
Stürmer, Patrícia Gabert dos Santos. "Materiais naturais : design e tecnologia no desenvolvimento de joias inspiradas na cultura gaúcha." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2010. http://hdl.handle.net/10183/28806.
Full textThis work combines design and technology fields with the development of jewelry, specifically ornaments which pursuit using raw materials (leather, bone and horn) found in abundance in the Rio Grande do Sul state. Using elements related with clothing and ornaments from the gaucho culture as referential, the aim is analyze these elements, identifying its origins and influences. Through the development of product design and application of surface design principles, the main objective of this work is implementing the formal elements in materials used in jewelry, using technologies, such as 3D laser scanner, CNC milling and laser cutting and engraving equipments. Literature review and field research was conducted in order to lift the gaucho utensils images. This allowed the development of an image database which correlates the formal elements of this culture, through drawings and scanning of the pieces. These identified and described forms enabled developing modules and patterns to be applied on materials surface. The results show that 3D laser scanning equipment, CNC milling and the use of laser cutting on selected materials, are important tools to innovation, creating products where design, technology and culture are highlighted.
Souza, Eduardo Presser de. "Contribuição ao estudo da aplicação da digitalização tridimensional para o design e a lapidação de gemas." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2010. http://hdl.handle.net/10183/32602.
Full textRio Grande do Sul has a huge potential regarding gemological material exploration. Municipalities as Ametista do Sul and Salto Jacuí extract more than half of the volume of agate and amethyst sold worldwide. In this context the town of Soledade is consolidated as a Commercial Polo of the material and there are companies (in the research done were found about 180) related with exporting and processing gemological material. However most of these companies export this material with little improvement, not valuing the parts, which are benefit in foreign countries, often returning to Brazil to be marketed with a high added value due to the applied design and technology. Investments in research, technology and design, as well as training of manpower can be achieved in Brazil benefit from quality, create differentiated products that can be exported or commercialized internally at an appropriate price and competitive. In this sense the objective of this research is to show the application of threedimensional scanning technology to gems design and polishing, getting the maximum utilization and valuing to the material in its extraction region. In the Technology Center of Rocks, Gems and Jewelry of Rio Grande do Sul (CTPedras), tests were performed with Handyscan scanner, obtaining virtual models of hammered amethyst and citrines gems with plenty of accuracy. The results show the great potential of this tool to provide virtual models of gems, enabling the calculation and project of gemcut before its cut, reducing losses and errors in gemcut process.
Bader, Angela. "A personal exploration of the creative process." Thesis, Link to the online version, 2006. http://hdl.handle.net/10019/960.
Full textCidade, Mariana Kuhl. "Caracterização e padronização do processo de gravação a laser em ágata aplicado ao design de joias." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2012. http://hdl.handle.net/10183/61063.
Full textThe main goal of this study was to characterize laser engraving process in agate, standardizing the use of equipment in order to assist product development in the field of jewelry, ornaments and artifacts. Agate, a variety of chalcedony, is highly valued by foreign markets. One of the focuses of this study is the lack of improvement and innovation given to this material nowadays. In recent decades, the search for technological innovations that can help the process of industrial production has become an important tool to keep companies competitive and active front of their markets. The standardization of laser engraving technique can add value to the creation of new products in agate, creating a differential for the jewelry pieces and being easily applied on an industrial scale. The analysis of these highly qualified engraving parameters was aided by scanning electron microscopy images, once high magnification of images presents a better definition of the interaction zone between the material and the laser bean in a micrometer precision; stereoscopic microscope; and visual and tactile perception. The results obtained from the use of equipment located in LdSM / UFRGS and CTPedras / Soledade with their respective lenses, power and speed are of great value for the development of quantitative and qualitative analysis of the interaction of the laser beam with agate. The study of the interaction between laser and materials is still a vast field to be explored. This masters dissertation provides innovative results compared to laser engraving type CO2 in gemological materials, providing standardization of the ideal parameters for the equipment and for developing jewelry creations.
Колосніченко, Марина, Наталія Остапенко, Ірина Приходько-Кононенко, and Марія Шевченко. "Інформаційні дизайн-технології при візуалізації ювелірних виробів." Thesis, Київський національний університет технологій та дизайну, 2021. https://er.knutd.edu.ua/handle/123456789/17967.
Full textThe main methods of visualization during the design of new jewelry are considered. The main software options used to create sketches in the jewelry industry are identified. Examples of sketches created with the help of various graphic editors are given. Recommendations of computer programs that should be used in jewelry design are given.
Campos, Ana Paula de. "Arte-joalheria = uma cartografia pessoal." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284376.
Full textAcompanhado de 2 CD-ROM: Material de Apoio (Mídia Digital) ; Anexos (Mídia Digital)
Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes
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Resumo: Ao tomar a joia como assunto, inscrevendo-a no território da arte, essa tese apresenta o campo da arte-joalheria como possibilidade de produzir e pensar esse objeto de modo poético, desobrigando-o de seu vínculo com materiais preciosos e de sua função decorativa. Nesse sentido aborda o fazer artístico em joalheria a partir de alguns pressupostos extraídos da teoria das multiplicidades de Deleuze e Guattari, desenvolvendo-os nesse território. Para isso empresta desses filósofos referências conceituais e procedimentos de pesquisa que permitem realizar um percurso que articula os conteúdos teóricos e práticos apresentados, construindo transversalidades. Sob a ótica da arte-joalheria, a pesquisa aborda questões relativas ao desejo, corpo e materialidade, entendidas como elementos intrínsecos a joia e, tomando o modelo rizomático do pensamento proposto por Deleuze e Guattari, discute-as a partir das dimensões presentes: pensar, fazer, sentir e propor, considerando-as como em constante estado de fluxo. Como recurso para essa investigação utiliza-se uma cartografia também ancorada no pensamento desses autores, que consideram a realidade contemporânea uma paisagem dinâmica, na qual se articulam contextos individuais e sociais. O caráter do procedimento de pesquisa proposto distingue-se daquele no qual os mapas são registros de uma paisagem fixa. Trata-se de uma cartografia configurada como performance, a qual pressupõe seguir as transformações à partir da experiência do real, acompanhar os acontecimentos sendo parte deles. Portanto workshops realizados com artistas e produção de peças dentro desse território são tomados como fundamentais recursos de investigação e articulados a conteúdos extraídos de entrevistas e palestras, além do material bibliográfico. A partir das experiências vivenciadas foram identificadas conexões que possibilitaram a construção e organização dos capítulos. Neles agenciam-se conceitos oriundos do pensamento de Deleuze e Guattari e o território da arte-joalheria, tanto em sua dimensão teórica quanto pratica. Desse modo as ideias apresentadas são articulações derivadas de uma leitura da experiência como possibilidade de refletir conceitos
Abstract: By taking the jewel as a theme and considering it within the realm of art, this thesis presents the field of art jewelry as a possibility of producing and contemplating an object in a poetic manner, devoid of its link to precious materials and to any decorative function. In this sense, the artistic jewelry production is approached from some assumptions selected from Deleuze and Guattari's theory of multiplicities and is developed accordingly. Conceptual frameworks and research procedures, borrowed from these philosophers, link theory and practical content through cartography, in order to build transverses. Through the art-jewelry perspective, the research addresses issues relating to desire, body and materiality, defined as intrinsic elements of the jewel. The research takes the Rhizome concept proposed by Deleuze and Guattari, and discusses these issues according to the apparent dimensions: think, do, perceive and propose, considering them in a constant state of flux. As a research procedure the study uses a cartography also anchored in these authors thinking, who consider the contemporary reality as a dynamic landscape in which individual and social contexts occur. The cartography procedure adopted here differs from that whose maps are records of a fixed landscape. Instead, this one is a "performance cartography", which requires following the transformations by empirical experience, assumed that one would accompany events, taking part in them. Therefore, workshops with artists and jewelry production within this environment are considered as fundamental resources for investigation, and were related to the information which was taken from interviews, lectures and library materials. From these experiences, connections were identified which enabled the construction and organization of presented contents. This content was a result of the connections between the art jewelry territory and concepts arising from the thought of Deleuze which exist in both practical and theoretical dimensions. Thus, the ideas presented are derived from a reading of experience as a chance to reflect concepts
Doutorado
Artes Visuais
Doutor em Artes
Приходько-Кононенко, Ірина, Анастасія Матвєєва, and Християн Бєлоусов. "Аналіз ринку мас-маркету та дизайнерських прикрас." Thesis, Київський національний університет технологій та дизайну, 2021. https://er.knutd.edu.ua/handle/123456789/18188.
Full textThe results of the research of the peculiarities of the market jewelry and individual design works are presented. Recommendations for diversifying the range of products on store shelves are offered.
Schwab, Felipe André. "Mecânica das joias : estudo estrutural aplicado à concepção e ao desenvolvimento." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2016. http://hdl.handle.net/10183/152711.
Full textThe creation and production of jewelry, adornment objects, refers to the beginnings of humanity. Throughout the history, the construction techniques were improved, however the production methods of the jewelry industry today still have a strong empirical development and production. With this premise, the present research explores the possibility of simulation and evaluation of mechanical behavior for jewelry, in stages that are prior to production. With the application of external loads, the behavior of the jewelry through situations that may occur during the daily use can be analyzed. To create the study object it is used the software Rhinoceros 3D for make the virtual models. In the simulations the most used materials in the jewelry segment are analyzed, as gold, silver and brass. The Finite Element software Abaqus CAE is used for the structural analysis. The results show that the method is an important tool to provide data about the development of each project. These data give an analytical perception in which companies can define projects priorities through precise indexes, reducing error rates, helping in a suitable consumption of raw materials, saving time and money.
Патик, Роксолана. "Дизайн прикрас в Україні останньої третини ХХ – початку ХХІ століття: практика, ідеї та засоби виконання." Thesis, Київський національний університет технологій та дизайну, 2021. https://er.knutd.edu.ua/handle/123456789/17911.
Full textThe experience of Ukrainian jewelry designers of the last third of the XX – beginning of the XXI century is described; characteristic tendencies concerning experiment of manufacturing of ornaments from alternative materials are allocated; the ideas and creative approaches of the representatives of the constellation of young artists who interpret jewelry in a new way and have taken an important place in the European art space are characterized.
Приходько-Кононенко, Ірина, Анастасія Четверик, and Єлізавета Полевська. "Дизайн-проектування сучасних жіночих браслетів." Thesis, Київський національний університет технологій та дизайну, 2021. https://er.knutd.edu.ua/handle/123456789/17975.
Full textThe characteristic of the assortment of modern women's bracelets is given. On the basis of theoretical researches the assortment of the specified accessory is systematized. Insufficient level of quality of ergonomic and aesthetic indicators is revealed. The basic model for further development of assortment series of sets with improved quality indicators is singled out.
Колосніченко, Марина, Наталія Остапенко, Дмитро Видолоб, Ірина Приходько-Кононенко, Наталія Подковиря, and Маретта Казазян. "Гарячі емалі у ювелірному мистецтві: естетичні та технічні аспекти." Thesis, Київський національний університет технологій та дизайну, 2021. https://er.knutd.edu.ua/handle/123456789/17966.
Full textThe evolution of the development of hot enamels in the creation of products is highlighted. The main factors influencing the design and manufacture of jewelry using hot enamels are listed. Based on the analysis of the types of jewelry, the techniques, technologies and areas of application of hot enamels are summarized on various grounds. The essence and stages of designing jewelry with hot enamels are revealed. The main characteristics of the materials used in the development of these products are determined. The influence of different types of techniques, technologies of hot enamel application on aesthetic indicators in the design and manufacture of jewelry has been established.
Isbell, Anna Luella. "Broaching the subject: the geometry of Anglo-Saxon composite brooches." Thesis, University of Iowa, 2015. https://ir.uiowa.edu/etd/1641.
Full textOtt, Tabitha E. "PLASTICOUTURE." Kent State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=kent1343058175.
Full textBujold, Anne. "Edgelands." VCU Scholars Compass, 2018. https://scholarscompass.vcu.edu/etd/5502.
Full textOliveira, Mariana Pohlmann de. "Contribuição ao estudo de materiais, processos e modelos utilizados na fabricação de joias em larga escala." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2012. http://hdl.handle.net/10183/67834.
Full textGiven significant gains in innovation and competitiveness, the national jewelry sector constantly seeks to incorporate new features, in order to eliminate errors and streamline the manufacturing of models. Among the various technologies that can be used to produce jewelry, CNC machining, is widely used by businesses of all sizes. Machining process associated with casting, improves the large-scale production of jewelry, because it reduces the rework rate, material loss and ensures higher quality and productivity while maintaining the formal expressiveness of the original part. This research proposes a study about modeling technologies of the jewelry industry, giving focus to milling processes. Aided by three-dimensional scanning, it was performed a comparative analysis of the involved steps in the manufacturing process of jewelry. Based on obtained results, it was possible to verify the influence of feed speed in the finishing of parts: lower feed speeds resulted in surfaces with roughness less apparent and allowed to obtain narrower sections. Moreover, the tests enabled the definition of appropriated feed speeds to the ratio productivity versus finishing. Relationship between mechanical properties and tested parameters was determined, proving that among the studied waxes, the hardest one (63 in Shore D scale) results in better finish. This study indicates the optimization feasibility of jewelry manufacturing process, once it evaluates the machining conditions in relation to time, as well as the possibility of reducing the finishing operations carried out after obtaining models by machining. Analyses performed by three-dimensional scanning indicate that the greater dimensional loss is in the steps of silicon rubber mold production and wax injection, followed by the machining process of models. However, if this significant deviation from production of molds and injection is corrected, the surface quality of models obtained by CNC machining becomes crucial. Therefore, these processes must be reevaluated in order to reduce errors generated in intermediate stages on large-scale production of jewelry.
Swartz, Natasja Alexandria. "Rational Design of Materials for the Protection of Outdoor Metalworks." PDXScholar, 2015. https://pdxscholar.library.pdx.edu/open_access_etds/2488.
Full textStrobel, Elisa. "Percepção de desconforto no uso de brincos : relação das característica sociodemográficas, morfoantropométricas, dos hábitos relacionados ao uso e da preferência quanto ao tipo de produto." Universidade do Estado de Santa Catarina, 2014. http://tede.udesc.br/handle/handle/2024.
Full textCoordenação de Aperfeiçoamento de Pessoal de Nível Superior
Surveying sociodemographic, morpho-anthropometric characteristics in women, related to their habits and product preferences wearing earrings, aiming to verify the relationship of these domains with the perception of discomfort. Discomfort was assessed using descriptors. The earlobe thickness and earring dimensions used by the participant on the day of data collection were measured with a digital micrometer, universal caliper and a digital scale. The ear and earlobe shape and the earring hole were classified according to the literature. 208 adult women, were surveyed separated by age groups. Parametric data are presented as mean and standard deviation and non-parametric as frequency distributions. The correlations between the variables were then verified. 80.3% women answered that they wear earrings on a daily-basis and all individuals reported some degree of discomfort, from slight (13.6%), to moderate (26.9%) or severe (59.1%). The average earlobe thickness was 5.80 ± 0.83 mm (left). 58% of the lobules were classified as dettached, and 42% as attached (left). The most widely used type of earring was the stud type, followed by the dangling type and at last the hoop. 77.7% wore earrings that weighed between 0.1 g to 2.5 g on the day of data collection. We conclude that for this sample, the discomfort in the use of earrings is mainly related to product characteristics. The mass and then the material were more associated with discomfort in the use of earrings. Ergonomic recommendations and opportunities for improvement are then presented.
O objetivo deste estudo foi avaliar a relação das características sociodemográficas, morfoantropométricas, dos hábitos relacionados ao uso e da preferência quanto ao tipo de produto com a percepção de desconforto no uso de brincos em mulheres. O desconforto foi avaliado por meio de descritores. A espessura dos lóbulos, e dimensões do brinco utilizado pela participante na data da coleta foram medidos com mícrômetro digital, paquímetro universal e balança digital. A forma geral da orelha externa, do lóbulo e o furo foram aferidos de acordo com a literatura. Foram pesquisadas 208 mulheres maiores de idade, separadas por faixa etária. Os dados paramétricos foram descritos por média e desvio padrão, os não-paramétricos por distribuições de frequências. Foram ainda testadas as correlações entre as variáveis. 80,3% da amostra usa brincos todos os dias e todos os indivíduos se enquadraram em algum nível de desconforto leve (13,6%), moderado (26,9%) ou grave (59,1%). A média da espessura do lóbulo foi 5,80±0,83mm (esquerdo). 58% dos lóbulos foi aferida como solto, e 42% como preso (esquerdo). O tipo de brinco mais usado foi o inteiro, seguido do pêndulo e argola. 77,7% usava brincos que pesavam entre 0,1g a 2,5g na data da coleta. Conclui-se que para esta amostra, as questões quanto ao desconforto no uso de brincos são principalmente relacionados às características do produto. A massa do brinco seguida do material foram os aspectos mais associadas ao desconforto no uso de brincos. Por fim são apresentadas recomendações ergonômicas e oportunidades de melhoria.
Makhlouf, Mona Mahmoud. "Sound Perception:Encapsulating Intangible Voice Memories in a Physical Memento." VCU Scholars Compass, 2017. http://scholarscompass.vcu.edu/etd/4837.
Full textТовмасян, А. М. "Дослідження художньо-композиційних характеристик костюма стилю "бідермейєр" з метою вдосконалення форм сучасного костюма у розробці колекції жіночого одягу." Магістерська робота, Київський національний університет технологій та дизайну, 2021. https://er.knutd.edu.ua/handle/123456789/19296.
Full textThe master's thesis is devoted to the study of the "Biedermeier" style costume and the substantiation of practical directions of improving the forms of the costume for designing a modern women's clothing. The purpose of this research is to identify and systematize the main trends, the development of the shape of the costume, silhouettes. Analysis of the design and decorative features of the Biedermeier’s style costume for the purpose of designing a women's clothing collection. Recommendations for creating a collection of clothes of modern forms by applying the principle of morphological transformation and structural and decorative features of the costume of the studied style have been developed.
Cuvaca, Ana Maria Dores Bernardo. "Estudo exploratório da lixiviação simulada de Cd e Pb presentes em bijuterias." Universidade Federal de Juiz de Fora (UFJF), 2017. https://repositorio.ufjf.br/jspui/handle/ufjf/5498.
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Este trabalho teve como objetivo avaliar, usando técnicas espectrométricas a lixiviação de metais de bijuterias em diferentes soluções extratoras. A técnica de espectrometria de massas com fonte de plasma acoplado indutivamente (ICP-MS) foi usada inicialmente para fazer uma varredura nos extratos de quatro soluções para verificar os metais que estavam sendo lixiviados. O planejamento 23 com triplicata no ponto central foi empregado de modo a estudar os parâmetros de lixiviação. Os parâmetros escolhidos foram temperatura (26º C), tempo de 24 h, pH 5,0 (solução 3) e pH 7,5 (solução 1). Após isto, os parâmetros escolhidos foram aplicados para a lixiviação de Cd e Pb em cinco amostras de bijuterias. Amostras de bijuterias de mesmo lote também foram digeridas para a determinação do teor total de Cd e Pb. As soluções resultantes da lixiviação e da digestão das cinco amostras de bijuterias foram analisadas utilizando a técnica de espectrometria de absorção atômica com forno de grafite (GF AAS). As amostras de bijuterias digeridas continham de 1,96 x 10-6 a 3,74 x 10-6 % m/m de Cd e 1,24 x 10-6 a 1,60 x 10-6 % m/m de Pb. Os extratos lixiviados continham de 9,96 x 10-8 a 1,48 x 10-6 % m/m de Cd e
Остапенко, Наталія, Володимир Мусієнко, and Микола Рубанка. "Ефективне використання особливих властивостей колірної гами емалевих покриттів при дизайн-проектуванні ювелірних виробів." Thesis, Київський національний університет технологій та дизайну, 2021. https://er.knutd.edu.ua/handle/123456789/17972.
Full textThe purpose of this work is to analyze the influence of the properties of the range of colors (longwave, medium-wave, and short-wave) on a person`s feelings, his or her psycho-emotional perception, and consider these features in the design-projecting of jewelry. Also, to create further prospects for expanding the consumption of such jewelry in both domestic and foreign markets.
Hoffman, Everett. "Converging Objects of the Universe." VCU Scholars Compass, 2018. https://scholarscompass.vcu.edu/etd/5501.
Full textMaclennan, Maria. "Forensic jewellery : a design-led approach to exploring jewellery in forensic human identification." Thesis, University of Dundee, 2018. https://discovery.dundee.ac.uk/en/studentTheses/58ace496-6d42-4ea1-966e-a89080e69d6f.
Full textSmurthwaite, Kathryn C. "Using Contemporary Art to Guide Curriculum Design:A Contemporary Jewelry Workshop." BYU ScholarsArchive, 2013. https://scholarsarchive.byu.edu/etd/3903.
Full textCAMPOS, MARIA APARECIDA DE MORAES SIQUEIRA. "TRENDS FORECASTING: STRATEGIC ORIENTATION IN JEWELLERY DESIGN." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2007. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=10365@1.
Full textO mundo dos produtos, como as jóias, perfumes, alimentos ou automóveis, não escapa da necessidade de uma contínua renovação e antecipação. A pesquisa de tendências, enquanto observadora da sociedade e seu contexto econômico-político-cultural, torna-se essencial para o design no desenvolvimento de produtos. Esta dissertação propõe a construção de uma fundamentação teórica para a conceituação das tendências de moda e design, a atuação do pesquisador, a prática das pesquisas de tendências e sua relevância na orientação estratégica do design. Apresenta, também, a importância do design dentro do gerenciamento estratégico das empresas e algumas iniciativas que contribuíram para a consolidação do design de jóias brasileiro e suas mudanças de paradigmas, como o impacto da industrialização, a valorização do conteúdo simbólico na concepção e consumo das jóias, a aproximação das jóias com a moda e o fortalecimento da joalheria de arte. Por último, apresenta a contribuição do Caderno de Tendências de Jóias para a atualização e sucesso do design de jóias brasileiro no Mundo.
The world of products, as jewels, perfums, foods or automobiles, doesn´t escape of a continuous renovation and anticipation necessity. Trends forecast while observing of the society and its economic-political- cultural context becomes essential for design in the products development. This dissertation considers the construction of a theoretical fundamentation for the fashion and design trends conceptualization, the forecaster´s performance, the trends forecasts practice and its relevance in design strategical orientation. It also presents the importance of design inside the strategical management of the companies and some initiatives that had contributed to the consolidation of the brazilian jewellery design and its paradigms changes, as the impact of industrialization, the symbolic content valuation in the jewels conception and consumption, the approach of jewels and fashion and the strengthening of art´s jewellery. Finally, presents the brazilian Jewellery Trendsbook contribution for the update and success of brazilian jewellery design in the World.
Segal, Marcelle. "Street art commentary as inspiration for jewellery design." Thesis, Cape Peninsula University of Technology, 2010. http://hdl.handle.net/20.500.11838/1442.
Full textThe purpose of this research is to investigate whether street artists make statements about current socia-political affairs as a form of popular protest and whether those statements can be reflected in another design discipline. such as jewellery design. while reflecting upon the work of Faith47. a South African social commentator. Cultural studies has been referenced as a theoretical framework in relation to cultural sup-groups and. a historic context is provided in order to better understand the significance of social commentary in graffiti, a form of street art produced by social sub-qroup, and made during a period known as Apartheid and currently. in Post-Apartheid South Africa. A range of jewellery then emerged from the research. dealing with the aspects of social-political commentary. as an interpretation of a form of protest art and applied to wearable jewellery. The products incorporate word and images that are provocative and invite the viewer to question and reflect upon what in my view was a contentions and significant period in the history of South Africa.
Lin, Shu-ya, and 林淑雅. "Paragraphs-Mechanices in Jewelry Design." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/80320436280528189578.
Full text臺南藝術學院
應用藝術研究所
91
A life journey as a delicate jewelry was combined with different paragraphs. Every small contains intersection and split.This article was the description of my works.All creations were hidden with my life''s inspiration and moving.In this report the background of each idea,sketch development,structure of general-eral ornaments switch and the design of new connection medium were included. Applying creative jointer on classic jewelry,owners have more freedom to dominate their ornament. Each piece of jewelry has more shapes and wearing selection.
Ching-Yi, Huang, and 黃淨儀. "Expectation Of Life - Metal Jewelry Design." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/46407675833660746969.
Full text華梵大學
工業設計學系碩士班
101
Everyone is in pursuit of a successful life. In the process of pursuit, there are different views. And at different stages of growth, a different definition of life will also be given. Every stage of schooling, work, leisure and health has a close relationship with future life planning. Human life is limited. To find a source of happiness in life, one needs to reach the power of self-understanding and self-realization, so one can make the most of one’s life. Life is a series of decisions and choices. At different times there is only the present decision that can be made. People must focus on their own personality traits, interests, and abilities to find a suitable path of their own. The career development scholar Super (1990) divided lifetime career development into five stages: growth, exploration, establishment, maintenance, and decline, which also represent infancy, childhood, adolescence, adulthood, and middle-aged period. From the five periods, the small objects representative of each of the five periods are identified in the creations. This thesis would like to apply Super’s views of life’s five stages to metal jewelry for creation and use the spoon as the starting point for the design of life’s expectations in five stages. In the Chinese saying, “Born with a golden spoon in the mouth,” the spoon symbolizes the good or bad of a person’s background at birth. According to the Super’s career development theory, every stage of life stories and expectations echoes all those living in this world and their own hopes given in each period. There are many stages in life, and different stages have different encounters. This creation represents some of the small things in every stage of their expectations in life. And it is hoped through these images will make people think and attract the public to a better life in the planning study and blessing of every life process.
Yan-Ting, Lu, and 呂燕婷. "Technology And Nature- Metal Jewelry Design." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/36159791710740927849.
Full text華梵大學
工業設計學系碩士班
101
In the 21st century, technological development has become the focus of society. In such an era, the development of Internet, IT, and electronics has become a target valued by the people. In such a background, science and technology bring to people a convenient life, in addition to letting people live more enriched lives filled with brilliant colors. But when people enjoy better lives, they forget about a lot of things. That is, the development of technology is built on nature that people rely on for subsistence. The natural environment was damaged by science and technology, ecology was seriously contaminated, and the nature that gave birth to life began to wither and become neglected by the majority. In view of this, as the objectives of the study, I hope to use the metal jewelry that has a feel of technology that will re-evoke people’s concerns about nature, and use the wonder of technology built on the destruction and rebirth of the ecology as the two themes. The idea echoes metal jewelry creations as the objects most close to people to remind people the importance of nature. This research will be using technology and nature as two design themes. Through technology, the things destroyed under the beautiful surface are expressed, and the beauty of nature itself given to people as interpretation. Thus, the jewelry pairs are made up of two themes to achieve a contrast effect. And finally, the TOPSIS expert questionnaire was used to do validation analysis, to understand which of the two jewelry sets has the highest appraisal, and further analysis and resolution of this outcome were conducted to understand the advantageous and disadvantageous factors of the research work. Keywords: technology, nature, metal jewelry