Academic literature on the topic 'Jewelry, Indic'

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Journal articles on the topic "Jewelry, Indic"

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G, Indhumathi, and Devika R. "A study on work life of goldsmith after the influence of modern technology in jewel making with the special reference to coimbatore city." Journal of Management and Science 9, no. 4 (2019): 216–21. http://dx.doi.org/10.26524/jms.2019.27.

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Coimbatore is one of the major gold jewellery manufacturing hubs in India, renowned for making cast jewellery and machine made jewellery. The city is home to about 3000 jewellery manufacturing companies and to over 40,000 goldsmiths. With the highly skilled traditional gold-smiths being available at hand, a strong jewellery manufacturing base evolved to cater to the large purchasing power and habit of buying jewellery in this region. Jewellry manufacture was also fuelled by the newly enriched Keralites through gulf employment in the last 30 years.
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Morawski, Krzysztof. "O roli krisów w kulturze Indonezji i teoriach dotyczących ich powstania." Art of the Orient 1, no. 1 (2012): 181–200. http://dx.doi.org/10.15804/aoto201211.

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As the dagger kris is bound with many beliefs, myths, rituals and customs that are typical of Nusantara (Indonesia, Malaysia and the Philippines), it belongs to the symbols of the region. The kris is present on the majority of bigger islands of the Malay Archipelago and has many regional versions. It has a double-edged blade, straight or wavy, and dissymmetrical in the upper part. On both flats of the blade there is a bright, decorative pattern called the pamor (it contains some nickel), which is produced in a process similar to damascening. The hilt is figural or geometrical or sometimes of p
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Schimmel, Annemarie, and Oppi Untracht. "Traditional Jewelry of India." Journal of the American Oriental Society 119, no. 4 (1999): 726. http://dx.doi.org/10.2307/604878.

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Dr., S. Aishwariya. "A REVIEW ON CRAFTMANSHIP AND DIVERSITY IN INDIAN JEWELLERY." INTERNATIONAL JOURNAL OF ENGINEERING SCIENCES & RESEARCH TECHNOLOGY 8, no. 7 (2019): 60–67. https://doi.org/10.5281/zenodo.3269738.

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This paper explains the different traditions amalgamated into the art of making jewellery in India. One will be astonished to see varied cultures in each regions of the country with a unique piece and technique that caters to the local fashion. The accessories are not just pieces for beautifying but stood as master pieces to show the skill and labour that existed in India. It is interesting to know the different types of jewellery that are native to India and are explained here. 
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Jain, Dr Neeru, and Ms Shipra Agrawal. "M-commerce: New Business Opportunities in the Jewellery Industry." MET Management Review 08, no. 02 (2021): 19–24. http://dx.doi.org/10.34047/mmr.2020.8202.

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Mobile phones, or more accurately, smartphones, have revolutionized the diamond industry. To gain a competitive edge in India, diamond and jewelry producers, master diamond cutters, and graduate gemmologists specializing in diamonds are using M-commerce to deliver novel customer service choices to their clientele.Electronic commerce, also known as E-commerce, has revolutionized the way people do business. Through electronic systems such as the Internet and other computer networks, traders may buy and sell goods from anywhere in the globe. Many Indian diamantaires and jewellery manufacturers ad
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Patni, Ity, and Somya Choubey. "ARTHASHASTRA V/S GRAHASHASTRA- A CRITICAL ANALYSIS OF GOLD MONETISATION SCHEME (GMS) IN INDIA." International Journal of Research -GRANTHAALAYAH 4, no. 11 (2016): 37–43. http://dx.doi.org/10.29121/granthaalayah.v4.i11.2016.2418.

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Indian people treasure investment in Gold. The quantum of perceived value weighs more as emotional quotient is higher for this yellow metal. Families in India think that ‘gold brings good fortune’. This inclination can be observed with the supporting fact that India has outshined itself as the largest gold consumer with 703 tons of gold jewelry in the year 2015. The summative demand of gold jewelry and investment has risen by 6% through which the demand has surged to 890 tons in this year (Shawn, 2016). Phenomenon for investment in gold in India and China is inelastic, despite of price fluctua
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Pranakusuma Sudhana. "DETERMINING NEW EXPORT GOALS AND COMPETITIVE STRATEGIES FOR THE JEWELRY INDUSTRY IN EAST JAVA IN A GLOBAL VALUE CHAIN PERSPECTIVE." East Java Economic Journal 2, no. 1 (2018): 61–74. http://dx.doi.org/10.53572/ejavec.v2i1.13.

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Global Value Chain (GVC) is a relatively new concept where the process to produce goods or services occurs across countries. Previous research has concluded that integrating in GVC is important for a region to promote its economic growth. One indicator of a region's involvement in GVC is its export value at which in the Province of East Java, the jewelry industry (HS code 71) is the largest export contributor. This study aims to identify new export destinations based on trade data and to analyze internal factors of strength and weakness as well as external factors of opportunity and threat to
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Ashra, Sunil. "Emerging Indian Industries: The Case of Gems & Jewellery Sector Impending Constraints and Future Prospects." Asia Pacific Business Review 1, no. 2 (2005): 129–39. http://dx.doi.org/10.1177/097324700500100213.

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In the Indian gems and jewellery industry, the cottage industry-based diamonds-processing and jewellery-making units compete with modern factories which use state-of-the-art machinery and computerized operations. The Indian gems and jewellery units have set up a worldwide network of offices in every hotspot on the diamond industry map. The phenomenal growth in gems and jewellery exports is a record among the large Indian export sectors. In fact, the gems and jewellery industry presents itself as a perfect case study for discussing how to build competitiveness of Indian industries. This sector
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Phophalia, Ms Swati, Dr M. K. Sharma, and Dr Shweta Kastiya. "Emerging Trends in Online Jewellery Retail." MET Management Review 08, no. 02 (2021): 25–28. http://dx.doi.org/10.34047/mmr.2020.8203.

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Online jewellery retailing has caught on in India as E-Commerce has passed its inflexion point in India. Although most of us like to shop jewellery in-store due to the impact of COVID 19, the pandemic emphasized the importance of the digital presence of jewellery stores. Before the pandemic, the website of the jewellers are not on top priority and focus on their physical stores.Gold jewellery, diamonds, and other valuable stones were once only purchased from the trusted family jeweller. The trend is shifting now, with more consumers willing to buy jewellery online. In India, online jewellery r
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Nithisathian, Kittichok. "Comparative Study between the Thai and Hong Kong Fine Gold Jewelry Export Industries." Information Management and Business Review 3, no. 3 (2011): 139–47. http://dx.doi.org/10.22610/imbr.v3i3.927.

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The Thai fine gold jewelry export industry is a subsector of the gem and jewelry industry that is Thailand’s third most important export category and the leading sector of the creative industry. This industry creates little pollution, is in line with the nature of the Thai people, brings foreign currency into Thailand and creates both high value added and much employment. The growth rate for exports in this sector has decreased due to the economic downturn, fluctuating raw material costs, the unstable political situation in Thailand, lack of investment in technology by Thai manufacturers and
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Dissertations / Theses on the topic "Jewelry, Indic"

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Soni-Sinha, Urvashi. "Gendered labour process and flexibility : a study of jewellery production in India." Thesis, University of Warwick, 2000. http://wrap.warwick.ac.uk/4382/.

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This study focuses on the production of handmade and machinemade jewellery in three sites in India: Noida Export Processing Zone (NEPZ), Delhi and Medinipur. It draws from and contributes to two strands of literature and extends them. One is the gendered literature on export processing zones (EPZs) and export oriented industries (EOIs). The other is the literature on globalisation, feminisation and flexibility. The thesis poses two major research questions. First, how are jobs in jewellery production constituted as masculine or feminine? Second, how do masculinised and feminised jobs relate to
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Anderson, Tracy Jane. "The crown and the jewel : images of royalty and viceroyalty in the making of imperial India and Britain." Thesis, University of Sussex, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.429736.

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Books on the topic "Jewelry, Indic"

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Bahadur, Mutua. Jewelleries of Manipur. Mutua Museum, 1988.

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K, Chaturvedi B. Jewelry of India. Diamond Pocket Books Pvt., 1991.

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Bhandari, Vandana. Costume, textiles and jewellery [i.e. jewelry] of India: Traditions in Rajasthan. Mercury Books, 2005.

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Padma, B. Sree. Costume, coiffure, and ornaments in the temple sculpture of northern Andhra. Agam Kala Prakashan, 1991.

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Untracht, Oppi. Traditional jewelry of India. Harry N. Abrams, Inc., 1997.

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1941-, Keene Manuel, Kaoukji Salam, and Al-Sabah Collection, eds. Treasury of the world: Jewelled arts of India in the age of the Mughals. Thames & Hudson in association with the al-Sabah Collection, Dar al-Athar al-Islamiyyah, Kuwait National Museum, 2001.

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Joanna, Whalley, and Ferrari Anna, eds. Bejewelled Treasures: The Al-Thani collection. V & A Publishing, 2015.

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Meera, Sushil Kumar, and Ramamrutham Bharath, eds. Dance of the peacock: Jewellery traditions of India. India Book House, 1999.

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Schiffer, Nancy. Masters of contemporary Indian jewelry. Schiffer Pub., 2009.

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Schiffer, Nancy. Masters of contemporary Indian jewelry. Schiffer Pub., 2009.

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Book chapters on the topic "Jewelry, Indic"

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Raha, Sylvia. "Gold Jewellery Industry in India." In Indian Gold Jewellery Industry. Routledge, 2024. http://dx.doi.org/10.4324/9781032717951-3.

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Linder, Silvia Schwarz. "The Island of Jewels and the Śrīcakra." In Goddess Traditions in India. Routledge, 2022. http://dx.doi.org/10.4324/9780429297380-6.

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Cadène, Philippe. "Cultural Embeddedness of Gems and Jewellery Entrepreneurs in Jaipur." In Creative Industries in India. Routledge India, 2022. http://dx.doi.org/10.4324/9781003129370-20.

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Jain, Anil, Nahar Singh, Shanay Rab, and Sanjay Yadav. "Role of Accreditation and Conformity Assessment in Glassware and Jewelry Industry in India." In Handbook of Quality System, Accreditation and Conformity Assessment. Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-4637-2_4-1.

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Jain, Anil, Nahar Singh, Shanay Rab, and Sanjay Yadav. "Role of Accreditation and Conformity Assessment in Glassware and Jewelry Industry in India." In Handbook of Quality System, Accreditation and Conformity Assessment. Springer Nature Singapore, 2024. https://doi.org/10.1007/978-981-97-5750-3_4.

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Lo, Betty. "Decorative Techniques in Oriental Swords: Savoir Faire in Craftsmanship and Artistry." In Martial Culture and Historical Martial Arts in Europe and Asia. Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-2037-0_8.

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AbstractOne important aspect in the study and appreciation of arms is the techniques and methods for their decoration. The wide range of materials and techniques used in the creation of swords and daggers were intended to add to the aesthetic qualities of functional items, either for everyday or ceremonial use. Throughout the ages, beautiful swords and daggers were worn by the elite and were presented to warriors and courtiers as gifts to symbolize victory, honor, virility, and to reinforce the bond of loyalty. They were also worn by men as jewelry of prestige and status. Techniques used by ar
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Winius, George D. "Jewel Trading in Portuguese India in the XVI and XVII Centuries." In Studies on Portuguese Asia, 1495-1689. Routledge, 2024. http://dx.doi.org/10.4324/9781003555322-6.

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Dmello, Jared Romeo. "Dacoity in India: Investigating Thievery and Banditry in the British Raj’s Jewel." In Advanced Sciences and Technologies for Security Applications. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-61729-9_13.

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Vinayak, Vandana, P. V. Bhaskar, Lalit Kumar Pandey, and Mohd Jahir Khan. "Diatoms: the Living Jewels and their Biodiversity, Phycosphere and Associated Phenotypic Plasticity: A Lesson to Learn from the Current Pandemic of Coronavirus." In Biodiversity in India: Status, Issues and Challenges. Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-16-9777-7_16.

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De, Supriyo. "Old Jewels in New Boxes? India’s Major Public Sector Petroleum and Natural Gas Exploration and Production Enterprises." In The Political Economy of State-owned Enterprises in China and India. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137271655_5.

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Conference papers on the topic "Jewelry, Indic"

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Vimala, Dr S. M. "HARAPPA ARCHITECTURE – HUB OF ART AND CULTURE." In Transforming Knowledge: A Multidisciplinary Research on Integrative Learning Across Disciplines. The Bhopal School of Social Sciences, 2025. https://doi.org/10.51767/ic250301.

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India is a multicultural subcontinent resulting from a history of migrations of diverse peoples and establishment of new communities. The newcomers, often arriving as invaders, carrying their cultural baggage with them, were gradually absorbed into Indian culture. Art generally means sculpture and painting and often includes architecture, but human artefacts may embrace a wider category of material remains that includes the decorative and minor arts such as jewellery, pottery, metal, wooden utensils and even toys. The artefacts of the earliest inhabitants of India, the Stone Age societies, go
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