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Dissertations / Theses on the topic 'Jewish composers Choral music'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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1

CHOI, YOUNG JU. "SURVEY OF CHORAL MUSIC BY SELECTED TWENTIETH-CENTURY KOREAN COMPOSERS." University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1116369655.

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2

Soderberg, Karen Amelia Phillips. "A survey of selected contemporary Swedish choral composers and literature." Diss., The University of Arizona, 1991. http://hdl.handle.net/10150/185410.

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This study presents a survey of selected Contemporary Swedish Choral Composers and Literature representative of the trends in contemporary Swedish choral music. The varied compositional styles and techniques of composers Sven-David Sandstrom, Thomas Jennefelt, Karin Rehnqvist and Andres Hillborg exemplify these trends. Little information is readily available about the current generation of choral composers outside of Sweden. Most of the available materials concentrate on the music of composers of the 1940s Monday Group such as Sven-Erik Back and Ingvar Lidholm and Karl-Birger Blomdahl, the wor

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3

Strommen, Campbell Jonathan Daniel. "The Choral Music of Frederick Delius (1862-1934) and its Influence on the Choral Music of Early Twentieth-Century British Composers." Diss., North Dakota State University, 2015. https://hdl.handle.net/10365/27840.

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The composer Frederick Delius wrote a large body of choral music including choral/orchestral works and part songs. This body of choral music had an important influence on the younger generation of British choral composers, including Philip Heseltine (Peter Warlock) (1894-1930), E. J. Moeran (1894-1950), Constant Lambert (1905-1951), and Patrick Hadley (1899-1973). To date, only one dissertation in the United States has been devoted to the choral music of Delius. While several books have been published on Heseltine (Warlock), the others?Moeran, Lambert, and Hadley?are underrepresented in schola

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4

Grases, Cristian. "Nine Venezuelan Composers and a Catalogue of their Choral Works." Scholarly Repository, 2009. http://scholarlyrepository.miami.edu/oa_dissertations/215.

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This document represents an initial endeavor in a long-lasting aspiration to pursue the study and collection of Latin American choral literature. This essay compiles the most complete and current catalogue possible of choral works written by nine Venezuelan composers born in the twentieth century and presents it in a simple and accessible format so it can be used by a variety of school teachers, choral conductors, church musicians, college directors, and professional musicians. Each composer entry presents a brief biographical note and a list of works organized in alphabetical order. The annot

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5

Bauchspies, Cynthia. "Teaching high school students the best choral repertoire from the great composers| Masterworks available for immediate, free access from the choral public domain library." Thesis, University of Maryland, College Park, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3712082.

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<p> Studying the choral works of the great composers of the past is always a worthy endeavor. For those aspiring to create an excellent high school choral program, it is critical to a student's musical foundation and heritage. Choral educators who teach high school are often bombarded with the most recently published new choral works, when they have a trove of excellent pieces right at their fingertips through websites like the Choral Public Domain Library (CPDL), all available at no cost. This project will explore the pedagogical reasons why this canon of public domain choral music should be

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6

Speer, Randall C. "THE AMERICAN COMPOSERS FORUM AND ITS IMPACT ON CHORAL MUSIC IN THE UNITED STATES." University of Cincinnati / OhioLINK, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=ucin991236396.

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7

Haecker, Allyss Angela. "Post-Apartheid South African choral music: an analysis of integrated musical styles with specific examples by contemporary South African composers." Diss., University of Iowa, 2012. https://ir.uiowa.edu/etd/3461.

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8

Barber, Holly. "Women in the Spotlight| A Survey of Female Choral Composers for Middle and High School Choirs." Thesis, California State University, Los Angeles, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10618445.

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<p> This project report presents a set of criteria for choosing a balanced program of repertoire for choirs, specifically focusing on increasing the representation of female composers in programming for middle and high school choirs. The recital given in conjunction with this report represents these criteria in action.</p><p> In addition to providing a biography of each composer and analyzing the text and musical structure of each song, the author includes her rationale for choosing each piece based on the criteria, as well as teaching strategies and conducting techniques employed. The proje

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9

Wahl, Shelbie L. "By women, for women choral works for women's voices composed and texted by women, with an annotated repertoire list /." Muncie, Ind. : Ball State University, 2009. http://cardinalscholar.bsu.edu/788.

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10

Dungee, Jason A., and Jason A. Dungee. "A Socio-Pedagogical Analysis of Five Short Choral Works by Adolphus Hailstork." Diss., The University of Arizona, 2016. http://hdl.handle.net/10150/621093.

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The focus of the present research is to examine the socio-pedagogical aspects of Adolphus Hailstork's Five Short Choral Works. The socio-pedagogical benefits of these and similar compositions stem from their potential to encourage more critical cultural engagement of the choral contributions of Black composers in both the classroom and rehearsal hall. While the music on its own merit is worthy of deeper study and analysis, the added benefit to students, teachers and conductors is that the inclusion of diverse groups in music education has proven sociological benefits. Therefore, these five

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11

Jutsum, Ross F. (Ross Frederick). "An examination of musical-textual relationships in the choral music of Colin Brumby: a lecture recital, with three recitals of selected works by Bartók, Duruflé-Chevalier, Duson, Mendelssohn, Poulenc, Sallinen, and Schoenberg." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc332780/.

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The purpose of this study is to investigate the choral works of Colin Brumby, with a special focus on the musical-textual relationships of selected works from his body of choral compositions, which number more than one hundred and twenty. This investigation includes information gathered in Australia at the University of Sydney, the University of Queensland, and the Australian Music Centre, as well as information furnished in a personal interview with the composer in Brisbane, Australia, in June 1994, in addition to an August 1994 telephone interview cnducted with Thomas Shapcott, the Australia

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12

Hathaway, Christopher M. "Themes of Social Justice in the Choral Music of Jake Runestad." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1248404/.

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With his thought-provoking and socially relevant music, American composer Jake Runestad has quickly become one of the most performed choral composers of the 21st century. Although music and social justice have been tied together for centuries, there is a new movement bringing social justice to American choral music in a noticeably increased manor, and Jake Runestad is a leading composer in this movement. In this paper, I provide a detailed analysis into the social justice themes employed by Runestad, interviews with him and several well-respected American choral directors programming and commi

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13

Mensel, Robert. "A music of their own : the impact of affinity compositions on the singers, composers, and conductors of selected gay, lesbian, and feminist choruses /." view abstract or download file of text, 2007. http://proquest.umi.com/pqdweb?did=1331405811&sid=2&Fmt=2&clientId=11238&RQT=309&VName=PQD.

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Thesis (Ph. D.)--University of Oregon, 2007.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 309-313). Also available for download via the World Wide Web; free to University of Oregon users.

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14

Tasher, Cara Suzanne. "A Conductor’s Guide to the Choral Works of Lili Boulanger (1893-1918)." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1148303598.

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15

Schuppener, James Gregory. "Felix Mendelssohn-Bartholdy, director of music for the Berlin Court: Influences upon his unaccompanied compositions written for the Berlin "Domchor"." Diss., The University of Arizona, 1991. http://hdl.handle.net/10150/185735.

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This study discusses Felix Mendelssohn-Bartholdy's appointment to the Prussian Court of King Friedrich Wilhelm IV, Mendelssohn's relationship with the Court (both personal and professional) and the numerous difficulties encountered with this appointment. In addition, Mendelssohn's musical responsibilities and personal feelings toward the cities of Leipzig and Berlin, Berlin's choral traditions (including a brief history of the Berlin Domchor) will also be discussed. Mendelssohn's op. 78, op. 79 and Die deutsche Liturgie written for the Berlin Domchor reflect the sometimes competing demands of

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16

MacNay, Regan Arlene. "A CHORAL CONDUCTOR’S APPROACH TO CHRISTOPHER THEOFANIDIS’S THE HERE AND NOW." UKnowledge, 2018. https://uknowledge.uky.edu/music_etds/124.

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American composer Christopher Theofanidis’s choral-orchestral work The Here and Now (2005) is a setting of Jalal ad-Din Rumi’s thirteenth-century poetry as translated by Coleman Barks. Theofanidis employs a cappella sonic contrasts, silence, rhythmic text setting, and a libretto based on fragments of Rumi’s poems to tell a story about the search for love, longing, joy, and gratitude. While rooted in traditional Western composition methods, this twenty-first-century work uses musical elements like color chords (bichords), cluster chords, changing meters, and modality, as well as imitative polyp

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17

Alban, Jeffrey M. "A Survey of the Sacred Choral Works of Joseph Jongen with a Conductor's Analysis of the Mass, Op. 130." Scholarly Repository, 2008. http://scholarlyrepository.miami.edu/oa_dissertations/150.

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The manuscripts and published editions of the sacred choral works by Belgian composer Joseph Jongen sacred choral music were collected and listed, detailing the discernable pertinent characteristics of each work. Jongen is predominantly known for his organ works, but his choral works constituent a worthy contribution to the vocal music repertoire, especially his Mass, Op. 130. Jongen's music reflects the Impressionistic style while stemming from the school of César Franck. Choral directors and other musicians interested in Jongen's sacred choral works can use this work when exploring new rep

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18

Guy, Todd W. "Compositional process of Rene Clausen as demonstrated in selected choral works." Virtual Press, 1998. http://liblink.bsu.edu/uhtbin/catkey/1118236.

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The purpose of this study was to document the compositional process of the American composer, Rene Clausen (b. 1953). The writer conducted three days of interviews with Dr. Clausen to discuss his compositional process in selected choral works. The discussion included Clausen's "creative impetus," and "compositional approach" to the elements of text, harmony, rhythm, melody and texture.The writer examined Clausen's thirty-three published choral works. Three works representative of his choral output were selected: "All That Hath Life and Breath Praise Ye the Lord" (1981); "0 Vos Omnes" (1986); a

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19

Ryu, Hanpil. "A Conductor's Guide to Un-Yung La's Choral Music as Reflected in Easter Cantata." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc862841/.

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Un-Yung La was one of the first Korean composers of Western style choral music who used Korean folk elements in his composers. According to Un-Yung La's musical theory, which he demonstrated in Easter Cantata. Korean-style melody and rhythm were created based on Korean traditional scales and he also used Western-style harmonization. He attempted a new Korean style of expression through Sikimsae technique in Korean traditional vocal music genres: Pansori and Sijo. The purpose of this paepr is to discuss traditional Korean performance elements related to melody, harmony, and rhythm as employed i

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20

Armendarez, Christina Marie. "The influence of Fredrik Melius Christiansen on six Minnesota conductor-composers." Thesis, connect to online resource, 2006. http://www.unt.edu/etd/all/May2006/armendarez%5Fchristina%5Fmarie/index.htm.

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21

Culloton, Michael Patrick. "Jocelyn Hagen and Timothy Takach: An Introduction to their Choral Music and a Study of their Positions within a Lineage of Minnesota-Based Composers." Diss., North Dakota State University, 2013. https://hdl.handle.net/10365/27231.

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Document incorrectly classified as a thesis on title page (decision to classify as a dissertation from NDSU Graduate School)<br>This study serves as an introduction to the choral music of Jocelyn Hagen and Timothy Takach. It also examines their positions within a lineage that includes three generations of successful Minnesota-based composers. It begins with Dominick Argento as the key figure in the first generation. The second group includes Stephen Paulus, Libby Larsen, Carol Barnett, and Craig Carnahan. Hagen, Takach, and Abbie Betinis have emerged as leaders of the third generation, and are

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22

Phelps, Matthew. "A Critical Edition of Amy Beach’s Mass In E-Flat Major for Chorus, Solo Quartet, and Orchestra." University of Cincinnati / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1397735032.

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23

Galentine, Shane Nelson. "The life and piano works of Alexander Tikhonovich Gretchaninoff (1864-1956)." Kansas State University, 2013. http://hdl.handle.net/2097/15769.

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Master of Music<br>School of Music, Theater, and Dance<br>Virginia Houser<br>Alexander Tikhonovich Gretchaninoff (1864-1956) was a prolific composer from Russia’s Romantic age who explored the art of musical writing within an extensive number of genres and forms and showed an unusually strong interest in the creation of solo piano pieces for and about children. It is important that musicians in general and pianists in particular investigate his compositions and gain an understanding of their nature and potential usefulness as teaching pieces and as works worthy of public performance. My rese

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24

Wallace, Alicia. "Do You Know the Storm?: The Forgotten Lieder of Franz Schreker." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849748/.

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Franz Schreker (1878-1934) was a Jewish-Austrian composer of great success during the first decades of the twentieth century. Schreker’s reputation diminished after 1933 when Hitler came to power and, in 1938, his compositions were labeled Entartete Musik (“degenerate music”) by the Nazis in a public display in Düsseldorf. The Third Reich and post-war Germany saw Schreker as a decadent outcast, misunderstanding his unique style that combined elements of romanticism, expressionism, impressionism, symbolism, and atonality. This study of Schreker’s Lieder will pursue two goals. First, it will ana

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25

Friedman, Allan Mitchell. "The sacred choral works of three composers of the St. Petersburg Society for Jewish Folk Music : theoretical analysis and historical context /." 2005. http://wwwlib.umi.com/dissertations/fullcit/3171145.

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Thesis (D.M.A.)--Boston University, 2005.<br>"The focus of this dissertation is the sacred choral compositions of three of the composers active in the St. Petersburg Society for Jewish Folk Music ... Lazare Saminsky, Joseph Achron, and Moses Milner"--p. v. "Included in the appendices [p. 72-329] are new editions of Unsane Tojkef by Moses Milner, the Sabbath Evening Service and Sabbath Morning Service by Lazare Saminsky and the Evening Service for the Sabbath by Joseph Achron"--p. vi. Includes bibliographical references (p. 330-332). Also available on the Internet.

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26

Mugovhani, Ndwamato George. "Venda choral music: compositional styles." Diss., 2007. http://hdl.handle.net/10500/1202.

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Black choral music composers in South Africa, inspired by the few opportunities available to them until recent times, have nonetheless attempted to establish, perhaps subconsciously, some choral tradition and, in doing so, incorporate African musical elements in their works. My research traces the foundations and historical development of choral music as an art amongst Vhavenda, and the contributions made thereto by a number of past and present Venda composers that this researcher could manage to identify and trace, to the music of the people. The selected composers are Stephen Maimela Dziv

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27

Weber, Roselyn Marie Hanson. "Beyond Saul : a survey and analysis of Egil Hovland's mature choral works." 2009. http://hdl.handle.net/2152/10640.

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Egil Hovland is one of Scandavia’s most predominant living composers, having created a massive opus of works that encompasses nearly every genre and performing medium. Yet despite the many contributions he has made to the international community, his name and works remain virtually unknown outside of Scandinavia. For many years, the exposure to Hovland’s works in the United States has unfortunately been very limited. Most choral musicians have long had only one (if any) association with Hovland’s name, that being the 1971 motet, Saul. In recent years, however, a few select mature works by Ho

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28

Roma, Catherine. "The choral music of twentieth-century composers Elisabeth Lutyens, Elizabeth Maconchy, and Thea Musgrave." 1989. http://catalog.hathitrust.org/api/volumes/oclc/24507864.html.

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29

Ames, Jeffery La'Moun Thomas André J. "A pioneering twentieth century African-American musician The choral works of George T. Walker /." Diss., 2005. http://etd.lib.fsu.edu/theses/available/etd-04112005-175424.

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Dissertation (PhD) Florida State University, 2005.<br>Advisor: André J. Thomas, Florida State University, College of Music. Title and description from dissertation home page (viewed 5-14-2007). Document formatted into pages; contains 187 pages. Includes biographical sketch. Includes musical examples. Includes bibliographical references.

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30

Wood, Callie. "Portfolio of compositions and exegesis: composing for a choral spectrum." 2008. http://hdl.handle.net/2440/54229.

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This portfolio of compositions and exegesis submitted for the degree of Master of Music in Composition, at the Elder Conservatorium of Music, comprises original creative works supported by a detailed commentary. The creative investigation has focused on ‘Composing for a Choral Spectrum.’ This was investigated through practical experiments in choral composition, designed to test the compositional limitations of the choral spectrum, and resulted in a portfolio of choral works. The portfolio includes: simple choral works for young children in one part; choral works for children in two parts; chor

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