Academic literature on the topic 'Jewish Culture'

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Journal articles on the topic "Jewish Culture"

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Shneer, David. "A Study in Red: Jewish Scholarship in the 1920s Soviet Union." Science in Context 20, no. 2 (June 2007): 197–213. http://dx.doi.org/10.1017/s026988970700124x.

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ArgumentIn the 1920s the Soviet Union invested a group of talented, mostly socialist, occasionally Communist, Jewish writers and thinkers to use the power of the state to remake Jewish culture and identity. The Communist state had inherited a multiethnic empire from its tsarist predecessors and supported the creation of secular cultures for each ethnicity. These cultures would be based not on religion, but on language and culture. Soviet Jews had many languages from which to choose to be their official Soviet language, but Yiddish, the vernacular of eastern European Jewry, won the battle and served as the basis of secular Soviet Jewish culture. Soviet Jewish scholars, writers, and other cultural activists remade Jewish culture by creating a usable Jewish past that fit the socialist present, reforming the “wild” vernacular of Yiddish into a modern language worthy of high culture, and transforming Jews into secular Soviet citizens.
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Muszkalska, Bożena. "Music as an expression of Jewishness in contemporary Poland." Puls - musik- och dansetnologisk tidskrift 8 (May 1, 2023): 57–71. http://dx.doi.org/10.62779/puls.v8i.19231.

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Over half a century after the Holocaust, in Eastern European countries where the Jewish community remained only a small part of the population, products of Jewish culture (or what is perceived as Jewish culture), including music, have become vital components of the popular public domain. In Poland, there are festivals and concerts of Jewish music, more and more records with this music, Jewish museums, and renovated Jewish districts, with Jewish cuisine, and music that are offered to tourists visiting Poland as the main attractions. They attract enthusiastic – and often non-Jewish – crowds. I consider how non-Jews involved in this movement in Poland perceive and implement Jewish culture, why they do it, how much it involves the recovery of Jewish heritage, and how this represents the musical culture of Jews in museums and at events organized for tourists. I also consider the relation of non-Jews as a majority group to Jews as a minority group, as well as the impact of the musical actions of the former on the musical culture of the latter. The article is based on field research and observations I have made during more than twenty years, both among the remaining Jews in Poland and in mixed or non-Jewish communities where music perceived as Jewish is promoted.
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L’Hommedieu, Jonathan H. "Lithuanian Jewish Culture." Journal of Baltic Studies 43, no. 1 (March 2012): 137–39. http://dx.doi.org/10.1080/01629778.2012.651317.

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Young, James E., and David Roskies. "Modern Jewish Culture." Contemporary Literature 28, no. 2 (1987): 278. http://dx.doi.org/10.2307/1208393.

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Chen, Tianyu. "Space and Politics of Identity in “Eli, the Fanatic”." Theory and Practice in Language Studies 10, no. 8 (August 1, 2020): 977. http://dx.doi.org/10.17507/tpls.1008.17.

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In Philip Roth’s short story “Eli, the Fanatic”, the construction of Eli’s cultural identity is interwoven with the game of space. Space not only represents the change of Eli’s cultural identity, but also participates in its constitution as dynamics. Eli, representing the Americanized Jews of Woodenton, tried to marginalize the Jewish culture through isolating and encoding the physical space where the displaced persons temporarily dwelt. Shuttling between Woodenton and the Yeshivah, Eli was caught between American culture and Jewish culture. He was trapped into a liminal space full of cultural collision, which caused him to reconsider his location of culture. The implosion of liminal space triggered by Eli’s ambivalence about two cultures urged him to conduct spatial practice on his body, which indicated his embrace of Jewish identity. The fluidity of Eli’s cultural identity reflects Roth’s nonessential thought on cultural identity.
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Kushner, Tony. "Virtually Jewish: Reinventing Jewish Culture in Europe." Journal of Jewish Studies 55, no. 1 (April 1, 2004): 157–62. http://dx.doi.org/10.18647/2528/jjs-2004.

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Xiang, Fang. "Defending Jewish Identity and Culture in Malamud’s Three Novels." English Language and Literature Studies 8, no. 4 (November 28, 2018): 66. http://dx.doi.org/10.5539/ells.v8n4p66.

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Malamud’s novels are featured by the Jewishness. This thesis tries to analyse three characters’ deviation from Jewish identity and culture, and their returning to the Jews or their awakening of Jewishness after they underwent despair and frustration in their life. This thesis also reveals Malamud’s sarcasm toward those who betrayed Jews and his effort to defend Jewish identity.
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Davis, Joseph M. "Philosophy, Dogma, and Exegesis in Medieval Ashkenazic Judaism: The Evidence of Sefer Hadrat Qodesh." AJS Review 18, no. 2 (November 1993): 195–222. http://dx.doi.org/10.1017/s036400940000489x.

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During the Middle Ages, each Mediterranean land, from one end of the sea to the other, had its Jewish philosophers. There was one region and one Jewish culture, however, that made no contribution at all to the writing of medieval Jewish philosophy. That was Ashkenazic or Northern European Judaism, the culture of the Jews of England, Northern France, Germany, and Eastern Europe north of the Balkans.
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Safran, Gabriella. "Dancing with Death and Salvaging Jewish Culture inAusteriaandThe Dybbuk." Slavic Review 59, no. 4 (2000): 761–81. http://dx.doi.org/10.2307/2697418.

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Jerzy Kawalerowicz told reporters that he made his 1982 film,Austeria(The inn) to commemorate the Polish-Jewish people and culture destroyed in the Holocaust. This non-Jewish Polish director, known best in the west for hisMother Joanna of the Angels(a depiction of death and possession at a medieval French convent), grew up among Jews in the eastern part of Poland. He had been struck by the Polish-Jewish author Julian Stryjkowski's 1966 novella,Austeria,a haunting depiction of Jewish life in Galicia at the beginning of the twentieth century. Kawalerowicz—with Stryjkowski—immediately decided to turn the book into a movie. After the Six-Day War in 1967 sparked an “anti-Zionist campaign” in Poland, however, the Polish government found the Jewish topic of their screenplay “politically unacceptable.” In 1981, the film was granted permission and funding. It was completed in 1982, following the crackdown on Solidarity and the imposition of martial law. The authorities allowed its distribution, having determined that it displayed “humanitarian values” and that it did not represent a political threat. In the capacity of a quasiofficial expression of Polish regret at the passing of the Jews, and perhaps as a demonstration of liberalism aimed at the western critics of the new regime,Austeriawas widely promoted and exported to film festivals abroad.
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Hussein, Mostafa. "Intertwined Landscape." Israel Studies Review 33, no. 2 (September 1, 2018): 51–65. http://dx.doi.org/10.3167/isr.2018.330204.

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This article examines the ways in which Zionist intellectuals interacted with Arabo-Islamic culture in the Yishuv by looking into the cultivation of Islamicate knowledge pertinent to land and nature and its impact on the construction of the Jewish cultural landscape. I argue that in establishing a connection between Jews and the natural landscape of Palestine/ Israel, Jewish intellectuals relied on Arabo Islamic culture and its centuries of knowledge about the flora and the land itself. In their search to comprehend the flora and place names of the land of the Bible, Jewish individuals consulted Arabo-Islamic sources, finding them instrumental to their national enterprise. The culmination of these endeavors is that, in addition to Jewish and Western sources, Islamicate culture was one of the wellsprings from which Jewish intellectuals drew in shaping the emergent culture in the Yishuv and the early decades of the State of Israel.
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Dissertations / Theses on the topic "Jewish Culture"

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Goldberg, Adam M. "Jewish culture and the American military." Thesis, Monterey, California. Naval Postgraduate School, 2006. http://hdl.handle.net/10945/2581.

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This study explores the Jewish experience within the American military. Information sources include a review of literature, interviews with nineteen Jewish service members, and data files of officers and enlisted personnel who were on active duty as of October 2005. Data files were provided by the Defense Manpower Data Center in Monterey, California. The history of military service by persons of the Jewish faith corresponds roughly to that of persons from many other ethnic or religious groups: military service has been a patriotic calling, especially in periods of war, as well as a path during earlier times toward full assimilation into American society. This study concludes that Jewish military personnel, overall, have consistently performed well in service, given current measures of success; and, this trend is likely to continue. Further research should seek to examine additional measures of success in the military for Jewish personnel. More generally, research should examine the possible relationship between military performance and a person's religious faith, since religion is such an important part of individual identity. This information would add to existing knowledge of the various background and demographic factors of military members that help to shape a diverse and highly effective force.
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Rebiger, Bill. "Judaistische Anmerkungen zu John Zorns Radical Jewish Culture." Universität Potsdam, 2014. http://opus.kobv.de/ubp/volltexte/2014/7170/.

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Der Musiker, Komponist, Produzent und Labeleigner John Zorn ist eine der einflussreichsten Persönlichkeiten der New Yorker Downtown-Szene. Seit Anfang der 1990er Jahre verleiht er seiner jüdischen Identität mit dem von ihm initiierten Programm einer „Radical Jewish Culture“ einen künstlerisch und diskursiv wirkmächtigen Ausdruck. In diesem Artikel werden einige Gestaltungsmerkmale der produzierten CDs, die darin abgedruckten Zitate und liner notes sowie die Bandnamen und Titel der Stücke näher betrachtet und mit judaistischem Hintergrundwissen kommentiert. Zwei Quellen, die Zorn für die hebräischen Titelbezeichnungen herangezogen hat, konnten verifiziert werden: „Oedipus Judaicus“ von William Drummond und „Sefer Yetzirah“ von Aryeh Kaplan.
The musician, composer, producer, and label owner John Zorn is one of the most influential figures in New York’s downtown scene. Since the early 1990s he embodies his Jewish identity with the help of his platform of the ‘Radical Jewish Culture’ in an artistically and discursively powerful way. In this article some design elements of the produced CDs, the quotations and liner notes therein as well as the names of the bands and the titles of the tracks will be considered and commented on with Judaic knowledge. Two sources used by Zorn in order to find Hebrew titles could be verified: ‘Oedipus Judaicus’ by William Drummond and ‘Sefer Yetzirah’ by Aryeh Kaplan.
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Godley, Andrew C. "Enterprise and culture : Jewish immigrants in London and New York, 1880-1914." Thesis, London School of Economics and Political Science (University of London), 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.243871.

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Guttman, Rebecca. "Jewish law, Jewish ethics and Quebec's culture: potential influences on the experience of infertility for Hasidic women in Quebec." Thesis, McGill University, 2013. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=119397.

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The aim of this thesis is to examine reproductive technologies and infertility from the perspective of Orthodox Jewish ethics, law and culture. Treating infertility is a complex process; individuals vary in their course of treatment, taking into account their medical situation, religious beliefs, prevailing cultural norms, reproductive policy in their jurisdiction, financial constraints, and their community context. For Orthodox and ultra-Orthodox Jews, this context includes a religious and cultural imperative to procreate, as well as religious law and social preference dictating the most preferred types of family. Judaism is a particularly pronatalist religion, and has a large body of halakhic text on reproductive technologies. Jewish people living in North America may also be influenced in their infertility experience by the policies and cultural norms of the society in which they live. This thesis examines the aspects of halakha (Jewish law), Quebec policy, Orthodox Jewish ethics, and ultra-Orthodox and Hasidic Jewish culture that are likely to influence the experience of infertility for Hasidic Jewish women in Quebec. Orthodox Judaism has a strong legacy of opinion defining the nature of family and the importance of genetics. This paper examines the aspects of Judaism and Hasidic culture that might strongly influence this experience, and also examines aspects of Quebec's history and current policy that may also influence this experience, albeit from a different angle.
L'objectif de cette thèse est d'examiner les technologies de reproduction et de traitement de l'infertilité au point de vue de l'éthique, du droit et de la culture juive orthodoxe. Le traitement de l'infertilité est un processus complexe; les individus changent en cours de traitement. On doit tenir compte de leur dossier médical, de leur croyance religieuse, des normes culturelles en vigueur, de la politique de la reproduction dans leur juridiction, des contraintes financières et du contexte de leur communauté. Pour les juifs orthodoxes et ultraorthodoxes, ce contexte comprend un impératif religieux et culturel de procréer. Aussi, la loi religieuse et la préférence sociale dictent les types de familles les plus privilégiées. Le judaïsme est une religion prônant la natalité, et qui possède un grand corps de texte halakhique sur les technologies de reproduction. Les Juifs vivant en Amérique du Nord peuvent également être influencés dans leur expérience de l'infertilité par les politiques et les normes culturelles de la société dans laquelle ils vivent. Cette thèse examine les aspects de la Halakha (loi juive), la politique du Québec, l'éthique juive orthodoxe, et les cultures juives ultraorthodoxes et hassidiques qui sont susceptibles d'avoir une influence sur l'expérience de l'infertilité pour les femmes juives hassidiques au Québec. Le judaïsme orthodoxe possède un fort héritage quant à l'opinion qui définit la nature de la famille et l'importance de la génétique. Ce document examine les aspects du judaïsme hassidique et la culture qui pourraient influencer fortement cette expérience, et étudie également les aspects de l'histoire du Québec et de la politique actuelle qui peuvent aussi influer sur cette expérience, mais à partir d'un angle différent.
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Kavanaugh, Sarah. "The Jewish leadership of the Theresienstadt ghetto : culture, identity and politics." Thesis, University of Southampton, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.400544.

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Hahn, Hans-Joachim. "Leslie Morris: The Translated Jew. German Jewish Culture outside the Margins." HATiKVA e.V. – Die Hoffnung Bildungs- und Begegnungsstätte für Jüdische Geschichte und Kultur Sachsen, 2020. https://slub.qucosa.de/id/qucosa%3A71011.

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Leslie Morris: The Translated Jew. German Jewish Culture outside the Margins (=Cultural Expressions of World War II). Evanston, Ill.: Northwestern University Press 2018, 235 S., ISBN: 978-0-8101-3763-9 (paper), 34,95 $. Besprochen von Hans-Joachim Hahn.
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Shawyer, Sarah Rose Violet. "The imperial patriarchal discourse : British Jewish culture, identity and the Palestine Mandate." Thesis, University of Southampton, 2017. https://eprints.soton.ac.uk/415883/.

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This thesis explores the interplay between British Jewish culture and identity in relation to contemporary perceptions and collective memories of the Palestine Mandate. It begins with a historical examination of the British Jewish press, Mass Observers, and communal and personal correspondence regarding British Jews and the Palestine Mandate from 1944 to 1948. The thesis then devotes a chapter each to discussion of three modern British Jewish texts that provide insight into communal and personal responses to both the end of the Palestine Mandate and the subsequent establishment of the state of Israel: Linda Grant’s When I Lived in Modern Times; Peter Kosminsky’s The Promise; and Howard Jacobson’s The Finkler Question. Throughout all four chapters, issues of age, gender, and the use of specific terminology along with features of recent British Jewish history, such as Zionism, the Holocaust and the Second World War, will be fully explored. The unique socio-political orientation of Grant, Kosminsky and Jacobson as British Jews will be examined, with the differences and similarities noted accordingly. The subsequent findings of this analysis argue that each of the three texts discussed employ an overarching framework, the imperial patriarchal discourse, in which retrospective perceptions of the Palestine Mandate exist. Furthermore, the origins of this narrative can be evidenced in the historical study of press, communal and individual responses to the Palestine Mandate and British Jews between 1944 and 1948, suggesting the modification of an already existing pattern of understandings among British Jews. This framework is adaptable in nature and inclusive in scope. The use of the imperial patriarchal discourse thus demonstrates that British Jews formed their response to the Palestine Mandate, Zionism and Israel from within the specific socio-cultural milieu in which they operated – and continue to do so.
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Saposnik, Arieh Bruce. "Becoming Hebrew : the creation of a Jewish national culture in Ottoman Palestine /." Oxford ; New York : Oxford university press, 2008. http://catalogue.bnf.fr/ark:/12148/cb41274041z.

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Alfonso, Esperanza. "Islamic culture through Jewish eyes : al-Andalus from the tenth to twelfth century /." London ; New York ; Milton Park : Abingdon, Oxon : Routledge, 2008. http://catalogue.bnf.fr/ark:/12148/cb410814269.

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Fuhr, Christina. "Jewish identity construction and perpetuation in contemporary Britain." Thesis, University of Oxford, 2017. http://ora.ox.ac.uk/objects/uuid:3f96cb8b-ad6a-4797-849f-edb9f5a4ce02.

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This thesis attends to the major question ‘how is Jewish identity created and maintained in contemporary Britain?’ To answer this question, I have done one year of ethnographic fieldwork in Britain, which included 121 interviews with Jewish people of various ages and across different religious as well as non-religious denominations. This thesis identifies four major elements informing the creation and perpetuation of Jewish identity: One, a sense of difference from the majority population creates and maintains the identity. Jews can perceive themselves to be different religiously, nationally, ethnically and/or culturally from white Christian British people. Two, trauma memory has an impact on the creation and sustenance of this identity. Vicarious group trauma, meaning trauma experienced by proxy of previous generations, can inform identity through its influence on everyday experiences. Three, community affiliation plays a role in creating and particularly reinforcing the identification. The Jewish community provides resources, social interaction and thus signalled attention, and regard; all of them respond to innate human needs that a person aims to have satisfied. Four, a group norm of continuity is important in the perpetuation of this identity within and across generations. This norm is created and sustained by its members through their focus on endogamy. Wanting to have a partner from one’s own group, have Jewish children and raise them in a Jewish lifestyle can, thereby, reinforce and maintain a sense of Jewishness (inter-) generationally. Without members marrying within the faith and having children that are raised with Judaism, it would be difficult to preserve Jewish identity in a country where the group does not constitute the majority. The thesis concludes that there are two reasons why Jews in diaspora have been able to sustain as a group and maintain their identity over time. Firstly, the multi-dimensionality of the Jewish group and respective affiliation platforms have allowed its members to create a multi-faceted meaning of being Jewish, and, secondly, continuous external challenges to the group’s security together with constant reminders of those challenges; both have prevented the group from assimilating into mainstream society.
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Books on the topic "Jewish Culture"

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Ferro, Jennifer. Jewish foods & culture. Vero Beach, FL: Rourke Press, 1999.

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Deutsch, Jonathan. Jewish American food culture. University of Nebraska Press: Lincoln, Neb., 2008.

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Deutsch, Jonathan. Jewish American food culture. Westport, Conn: Greenwood Press, 2008.

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Deutsch, Jonathan. Jewish American food culture. Lincoln: University of Nebraska Press, 2008.

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Deutsch, Jonathan. Jewish American food culture. Westport, Conn: Greenwood Press, 2008.

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Deutsch, Jonathan. Jewish American food culture. Lincoln: University of Nebraska Press, 2008.

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Reisman, Rosemary M. Canfield. Poets of Jewish culture. Ipswich, Mass: Salem Press, 2012.

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Deutsch, Jonathan. Jewish American food culture. Westport, Conn: Greenwood Press, 2008.

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D, Saks Rachel, ed. Jewish American food culture. Westport, Conn: Greenwood Press, 2008.

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Jacob, Golomb, ed. Nietzsche and Jewish culture. New York: Routledge, 1997.

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Book chapters on the topic "Jewish Culture"

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Bekerman, Zvi, and Sue Rosenfeld. "Culture: Restoring Culture to Jewish Cultural Education." In International Handbooks of Religion and Education, 47–62. Dordrecht: Springer Netherlands, 2011. http://dx.doi.org/10.1007/978-94-007-0354-4_4.

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Caffiero, Marina. "Jewish Culture and Christian Culture." In The History of the Jews in Early Modern Italy, 99–133. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003188445-9.

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Merwin, Ted. "Contemporary American Jewish Culture." In The Wiley-Blackwell History of Jews and Judaism, 529–47. Chichester, UK: John Wiley & Sons, Ltd, 2012. http://dx.doi.org/10.1002/9781118232897.ch31.

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Aitken, James K. "Jewish Tradition and Culture." In The Early Christian World, 73–93. Second edition. | New York : Routledge, 2017. | Series: Routledge worlds: Routledge, 2017. http://dx.doi.org/10.4324/9781315165837-4.

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Spiekermann, Uwe, Paul Lerner, and Anne Schenderlein. "Jews, Consumer Culture, and Jewish Consumer Cultures: An Introduction." In Jewish Consumer Cultures in Nineteenth and Twentieth-Century Europe and North America, 1–39. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-88960-9_1.

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Brann, Ross. "Translingualism in Medieval Jewish Culture." In The Routledge Handbook of Literary Translingualism, 85–96. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429298745-10.

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"Jewish Culture." In Encyclopedia of Sciences and Religions, 1089. Dordrecht: Springer Netherlands, 2013. http://dx.doi.org/10.1007/978-1-4020-8265-8_100563.

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Rosman, Moshe. "Hybrid with What? The Relationship between Jewish Culture and Other People’s Cultures." In How Jewish is Jewish History?, 82–110. Liverpool University Press, 2007. http://dx.doi.org/10.3828/liverpool/9781904113348.003.0004.

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This chapter examines some problems posed by the Jewish pluralism paradigm. With regard to the metasolution of influence, there is a firm article of faith shared by practically all of today's Judaica scholars that, in all times and places, pre-modern or ‘traditional’ Jews lived in intimate interaction with surrounding cultures to the point where they may be considered to be embedded in them and, consequently, indebted to them in terms of culture. This contrasts with an older conception of Jewish culture which represented Jews as living in at least semi-isolation from the non-Jewish world. The chapter thus demonstrates that there are more than these two possible approaches to the history of Jewish culture, and that these two themselves should be understood in a more sophisticated way. It asserts that the first approach (universal cultural influence, in its incarnation as hybridity theory), when applied mechanically, unimaginatively, and uncritically can be as ideological, dogmatic, and inappropriate as the second (Jewish cultural autonomy) often has been. The chapter next contemplates the metahistories implied by the various approaches to Jewish cultural history and their relationship to intellectual presuppositions for engaging in Jewish studies in the academy.
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CLARK, DAVID. "Jewish Museums:." In Framing Jewish Culture, 271–92. The Littman Library of Jewish Civilization, 2014. http://dx.doi.org/10.2307/j.ctv1kwxf9t.14.

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Plotnicov, Leonard, and Myrna Silverman. "Jewish Ethnic Signalling:." In American Culture, 89–110. University of Pittsburgh Press, 1990. http://dx.doi.org/10.2307/jj.12728451.11.

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Conference papers on the topic "Jewish Culture"

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Nita-Cocieru, Mariana. "Digitization and preservation of archival material on the historical and cultural evolution of jews in Bessarabia." In Simpozion Național de Studii Culturale, dedicat Zilelor Europene ale Patrimoniului. Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/sc21.22.

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In the present paper, the author refers to the importance of applying measures to safeguard the cultural heritage of the Jewish community in Bessarabia, to the good practices achieved in this field, as well as to the advantages and disadvantages of information technology on capitalizing cultural memory artifacts. Digitization has been a priority for cultural heritage institutions around the world for more than 15 years. Lately, this technological process has also become an opportunity for the „Itzik Mangher” Jewish Library. The impact is major as since the last decade of the previous century, this institution has been meant to gather and preserve the cultural memory of the Jewish people living on the territory of the Republic of Moldova; to educate the younger generation in the spirit of forming a clear vision of the historical and literary heritage of the Jews within the general history of this European region; to permanently develop the museum collections of the library and to set up a Museum-Cognitive Bibliological Complex of Literature and Culture of the Jews of Moldova.
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Vileikis, Ona, Nargiz Aituganova, Sukhrob Babaev, and Javier Ors Ausín. "Traditional Bukharian Houses and Mahallas: A Shared Vernacular Heritage at Risk." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Valencia: Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15605.

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Beyond being a form of community expression, the traditional Bukharian houses and mahallas – neighborhoods - illustrate a close relationship with the environment as the use of earthen materials and the design of its urban fabric respond to the harsh desert climate. This World Heritage listed vernacular architecture and mahallas in Uzbekistan are a vulnerable and rapidly changing heritage. Traditional techniques and know-how are getting lost and replaced by new construction techniques that most of the time are causing irreversible changes. In addition, their special attributes that make them unique are also disappearing due to changes of ownership, alterations, and adaptive reuse. In this context, a fragment of this heritage, the Traditional Bukharian Jewish Houses, was identified and included on the 2020 World Monuments Watch program to advocate for their preservation while maintaining the diversity and livelihood of the communities. Since the Watch inclusion, the World Monuments Fund (WMF) and International Institute for Central Asian Studies (IICAS), in partnership with the Bukhara State University and other local partners, have been working on the Documentation and Conservation project. The team assembled for this project is carrying out an updated inventory of the three Jewish mahallas using digital technologies and documenting and assessing the physical conditions of the houses. Ultimately, the project seeks to create best practice conservation guidelines not only for the Jewish houses, but also for all the traditional Bukharian houses that will foster community awareness of traditional construction techniques. This paper presents the process, challenges, and preliminary results of the project contributing to the protection of this outstanding Bukharian vernacular and shared heritage.
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Xin, Quanmin, and Yumeng Xin. "The Jewish Spirit of Contract and Its Implications on Chinese Education." In 2nd International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/iccese-18.2018.26.

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Zhang, CaiYun. "Study on The Catcher in the Rye from the perspective of Jewish culture." In 2015 3rd International Conference on Education, Management, Arts, Economics and Social Science. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icemaess-15.2016.58.

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Abdurazakova, Elena R. "The History Of The Jewish Culture Formation In The Far East Of Russia." In International Scientific Conference. European Publisher, 2022. http://dx.doi.org/10.15405/epsbs.2022.06.1.

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Witriani. "The Construction of Jewish Cultural Identity in The Ten Commandments Movie." In Proceedings of the 2nd Internasional Conference on Culture and Language in Southeast Asia (ICCLAS 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icclas-18.2019.36.

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Adelgeym, Irina. "The Polish-Jewish past and its representation in the young Polish prose of the 2010s. (P. Paziński, S. Chutnik, I. Ostachowicz)." In Slavic collection: language, literature, culture. LLC MAKS Press, 2019. http://dx.doi.org/10.29003/m.slavcol-2018/329-336.

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Brener, I. S. "BIROBIDZHAN PROJECT IN PLANS AND DECISIONS FOR THE KIEV INSTITUTE OF JEWISH PROLETARIAN CULTURE." In Современные проблемы регионального развития. ИКАРП ДВО РАН – ФГБОУ ВО «ПГУ им. Шолом-Алейхема», 2018. http://dx.doi.org/10.31433/978-5-904121-22-8-2018-414-419.

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Dziahel, H. V. "Generic Thinking and Ideology of Purity in the Worldview of the Jewish Community in the Persian Period (6th – 4th centuries BC)." In Preislamic Near East: History, Religion, Culture. A.Yu. Krymskyi Institute of Oriental Studies of the NAS of Ukraine, 2021. http://dx.doi.org/10.15407/preislamic2021.02.047.

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Kalinin, Validemar. "The Bear’s Academy in the Care of the Romani Kings." In Conferinţă ştiinţifică naţională "Salvgardarea şi conservarea digitală a patrimoniului etnografic din Republica Moldova". Institute of Cultural Heritage, Republic of Moldova, 2023. http://dx.doi.org/10.52603/9789975841856.10.

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On the basis of archives, fieldwork and manuscripts, the author tries to show the history of the Bear Academy in Smorgon (Belarus) in its development of events and culture. The chronology of the publications dates back to the 15th century when Smorgon belonged to the Zenovichs clan, who might have acquired the Bear school from the Jewish community. As a marriage dowry, the Zenovichs gave an ordinary Bear school to the well-known landowners and politicians Radziwills, whose initiative turned the LITTLE KNOWN ELSEWHERE activity of catching bears and further trade with them into the famous Bear Academy. This happened before the fall and partition of the Polish-Lithuania Commonwealth in 1795. Three sources, namely, publications, archives and travellers’ notes, Jewish manuscripts and the Romani verbal folklore give us ground and reason to state, that regardless of the lack of the municipal and state archives the Academy functioned in reality for more than 170 years. It became a symbol of the joint Belarusian/Polish/ Lithuanian collaboration with the Jewish society and the Gypsy (Romani) community
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Reports on the topic "Jewish Culture"

1

Yilmaz, Ihsan, and Nicholas Morieson. Nationalism, Religion, and Archaeology: The Civilizational Populism of Benjamin Netanyahu and Likud. European Center for Populism Studies (ECPS), October 2022. http://dx.doi.org/10.55271/pp0015.

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This paper examines civilizational populism in Israel and focuses on the largest and most powerful party in Israel since the 1980s, National Liberal Movement (Likud), and its most significant leader of the past twenty years, the populist politician Benjamin Netanyahu. We show how Netanyahu incorporates ‘civilizationism’ into his populist discourses by, first, using the notion that Jewish civilization predates all others in the region to establish the legitimacy of the state of Israel, the hegemony of Jewish culture within Israel, and at times his own political decisions. Second, through his portrayal of the Arab-Muslim world as an antisemitic and barbaric bloc that, far from being a civilization, threatens Western civilization through its barbarism. Equally, this paper shows how Netanyahu argues that Israel is akin to protective wall that protects Western Civilization from the Islamist barbarians who wish to destroy it, and therefore on this basis calls for Europeans and North Americans to support Israel in its battle for civilization and against “the forces of barbarism.”
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Yilmaz, Ihsan, and Nicholas Morieson. Religious populism in Israel: The case of Shas. European Center for Populism Studies (ECPS), March 2022. http://dx.doi.org/10.55271/pp0011.

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Since the 1990s, populism has become increasingly prevalent in Israeli politics. While scholars and commentators have often focused on the populist rhetoric used by Benjamin Netanyahu, his is hardly the only manifestation of populism within Israel. For example, Shas, a right-wing populist party which seeks to represent Sephardic and Haredi interests within Israel, emerged in the 1980s and swiftly became the third largest party in the country, a position it has maintained since the mid 1990s. Shas is unique insofar as it merges religion, populism, and Sephardic and Haredi Jewish identity and culture. Indeed, Shas is not merely a political party, but a religious movement with its own schools and religious network, and it possesses both secular and religious leaders. In this article, we examine the religious populism of Shas and investigate both the manner in which the party constructs Israeli national identity and the rhetoric used by its secular and religious leadership to generate demand for the party’s religious and populist solutions to Israel’s social and economic problems. We show how the party instrumentalizes Sephardic ethnicity and culture and Haredi religious identity, belief, and practice, by first highlighting the relative disadvantages experienced by these communities and positing that Israeli “elites” are the cause of this disadvantaged position. We also show how Shas elevates Sephardic and Haredi identity above all others and claims that the party will restore Sephardic culture to its rightful and privileged place in Israel.
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3

Radonić, Ljiljana. Genocide Remembrance Cultures in a European Comparison. Verlag der Österreichischen Akademie der Wissenschaften, January 2023. http://dx.doi.org/10.1553/0x003dfcbd.

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Much has been written about Holocaust museums and memorials. Ljiljana Radonić focuses in this text[1] to the way the Shoah is exhibited in national museums (especially in Central and Eastern Europe) yet devoted to other tragic events. But why? It is not so much a matter of repairing an omission as of evoking Jewish suffering as a model. In many cases, the message to be understood: “Our” victims suffered “like the Jews”.
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4

Kenes, Bulent. Richard B. Spencer: The founder of alt-right presents racism in a chic new outfit. European Center for Populism Studies (ECPS), June 2021. http://dx.doi.org/10.55271/lp0010.

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Richard Bertrand Spencer is a well-groomed, well-educated advocate for the creation of a “white ethno-state” in North America for a “dispossessed white race.” He has also called for “peaceful ethnic cleansing” to halt the “deconstruction” of what he describes as “white culture” and to achieve a “white homeland.” Spencer has become the most recognizable public face of the white supremacist and nationalist movements. As an ardent white supremacist and ethnonationalist, Spencer says America belongs to white people, who he claims have higher average IQs than Hispanics and African Americans, and that the latter are genetically predisposed to crime. In Spencer’s “America,” Asians, Muslims, and Jews don’t qualify as “white” either.
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Velychko, Zoriana, and Roman Sotnyk. LINGUISTIC PRESENTATION AND TERMINOLOGICAL ASPECTS OF THE HOLODOMOR OF THE 1920s AND 1930s. Ivan Franko National University of Lviv, March 2024. http://dx.doi.org/10.30970/vjo.2024.54-55.12166.

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The article reveals and analyses a wide range of terms for the Holodomor of the 1920s and 1930s in Ukraine. The main objectives of the study are to find out the peculiarities of the linguistic presentation of the Holodomor phenomenon in scientific, popular science, and journalistic discourses, and to reveal semantic differences in the use of various terms for the Holodomor used in different languages. The main methodological bases of the study are linguistic analysis, socio-cultural method, qualitative content analysis, comparative method, etc. The method of retrospection must be used to substantiate the hypothesis. Thus, the reasons for the formation of the semantic contours of the terms “Holodomor”, “Famine”, “Great Famine”, “Terror by Famine”, “Big Hunger”, etc. were clarified. At the same time, the semantic nuances of word use are identified. As a conclusion, the authors substantiate the fundamental importance of using the term “Holodomor-genocide” in scientific circulation as the one that most accurately represents the essence of the historical phenomenon of the Holodomor. Based on the analysis of the documents, the content of the term “genocide” is formulated. It is explained that the Holodomor is genocide of the Ukrainian people, just as the Holocaust is genocide of the Jewish people. The authors prove the anti-Ukrainian orientation of the consistent and deliberate policy of Stalin and his followers against the Ukrainian nation, which culminated in the murder by starvation. These research findings are significant not only for the development of Ukrainian terminology or international terminology. They are also of great importance for modern politics, political science and historiography, and jurisprudence, especially in the context of a new genocide – the Russian Federation’s full-scale war of aggression against Ukraine. Keywords: Holodomor; genocide; Ukraine; Stalin’s terror; terminology.
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In Search of Memory: Seventeen Contemporary Artists from Suriname. Inter-American Development Bank, June 1998. http://dx.doi.org/10.18235/0006411.

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Forty-five works by Surinamese painters, sculptors, draftsmen, printmakers and ceramicists, representing an eclectic artistic community comprising Amerindian, African, Indian, Indonesian, Jewish, Dutch and other European cultures, concentrated mainly in the Surinamese capital of Paramaribo. Works were drawn from public and private collections, including Suriname's State Collection, the Suriname Bank, the Suriname Museum Foundation, and the EBS Power Company, among others. The show was reenacted upon its return to Suriname.
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