Academic literature on the topic 'Jewish Historical Museum (Amsterdam, Netherlands)'

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Journal articles on the topic "Jewish Historical Museum (Amsterdam, Netherlands)"

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van Voolen, E., I. Faber, and A. Weber. "Jewish Ceremonial Silver from Germany in the Jewish Historical Museum, Amsterdam." Leo Baeck Institute Yearbook 40, no. 1 (1995): 265–88. http://dx.doi.org/10.1093/leobaeck/40.1.265.

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van Boxtel, Erik. "Larger museum libraries in the Netherlands." Art Libraries Journal 34, no. 4 (2009): 14–18. http://dx.doi.org/10.1017/s0307472200016096.

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Particular attention has been paid to the large museum library in the Netherlands in recent years. Two new large museum libraries came into existence not long ago, in Eindhoven and Rotterdam. And at the beginning of 2010 another one will open its doors in Amsterdam, that of the Stedelijk Museum. The importance of good art historical libraries for the dissemination of information and research is increasingly being recognized by their parent institutions, and is as a result being communicated to a broader audience. That there are sometimes great differences in the way each operates within its in
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Gawronski, Jerzy, and Ranjith Jayasena. "A mid-18th-centurymikvehunearthed in the Jewish Historical Museum in Amsterdam." Post-Medieval Archaeology 41, no. 2 (2007): 213–21. http://dx.doi.org/10.1179/174581307x318985.

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Santos, Raquel, Ana Claro, Ana Serrano, Maria João Ferreira, and Jessica Hallett. "Textiles, Trade & Taste—Portugal and the World: A Project on the Global Circulation of Textiles and Dyes." Textile Museum Journal 47, no. 1 (2020): 187–95. http://dx.doi.org/10.1353/tmj.2020.a932820.

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Abstract: Textiles, Trade & Taste: Portugal and the World (TTT) is a project that aspires to bring new synergies to the field of textile studies by promoting different connections and interdisciplinary approaches involving art history, materials science, and conservation. The TTT research network is based at the Center for Humanities in the School of Social Sciences and Humanities at the Universidade NOVA de Lisboa and organizes workshops, conferences, tours, and lectures in museums and research institutions. The network’s artistic and historical research has ranged from collating archival
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Kamardeen, Naazima, and Jos van Beurden. "Law, Provenance Research, and Restitution of Colonial Cultural Property: Reflections on (In)Equality and a Sri Lankan Object in the Netherlands." Santander Art and Culture Law Review 8, no. 2 (2023): 181–206. http://dx.doi.org/10.4467/2450050xsnr.22.028.17041.

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The status of colonial objects in European museums touches upon a matrix of legal and historical issues. This article engages with some of them, while referring to the case of a Sri Lankan object in the possession of the Rijksmuseum Amsterdam (RMA) in the Netherlands: a ceremonial cannon looted by the Dutch from the King of Kandy in 1765. The article offers a historical overview of the European colonial domination of Ceylon, distinguishing between the Portuguese, Dutch, and British periods, and for each period distinguishes the nature and the size of the confiscated heritage. It also analyses
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Goriacheva, I. A., I. F. Hendriks, F. Boer, D. A. Zhuravlev, and I. V. Gaivoronskii. "The rediscovered unknown “small Ruijsch collection” of dry and wet anatomical specimens." Journal of Anatomy and Histopathology 14, no. 1 (2025): 95–106. https://doi.org/10.18499/2225-7357-2025-14-1-95-106.

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Peter the Great (1672–1725) – the Russian emperor travelled through Europe during the so-called “Great Embassies” to acquire knowledge in the field of science and industrial production. In Amsterdam (Netherlands), he received as a gift from Frederik Ruijsch samples of dried and wet anatomical specimens, consisting of objects of both natural history and human origin, and currently called the “small collection”. The anatomical part of the collection consisted of 11 dry and 13 wet specimens, parts of the human body. The authors rediscovered this collection in 2016 among the exhibits of the fundam
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Bossema, Francien G., Marta Domínguez-Delmás, Willem Jan Palenstijn, et al. "A novel method for dendrochronology of large historical wooden objects using line trajectory X-ray tomography." Scientific Reports 11, no. 1 (2021). http://dx.doi.org/10.1038/s41598-021-90135-4.

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AbstractDendrochronology is an essential tool to determine the date and provenance of wood from historical art objects. As standard methods to access the tree rings are invasive, X-ray computed tomography (CT) has been proposed for non-invasive dendrochronological investigation. While traditional CT can provide clear images of the inner structure of wooden objects, it requires their full rotation, imposing strong limitations on the size of the object. These limitations have previously encouraged investigations into alternative acquisition trajectories, including trajectories with only linear m
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Ariese, Paul. "Interpreting Religion with Cultural Heritage Students." Museum & Society, March 8, 2021, 1–16. http://dx.doi.org/10.29311/mas.v19i1.3430.

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The issue of exhibiting religious objects exemplifies challenges faced by heritage professionals today: How can various ways of appreciating cultural heritage be facilitated? How to support different forms of interpretation and learning? Furthermore, how to create empathy for people in other times, other places and other cultures? The elective course Cultural Heritage & Religion introduces students of the Reinwardt Academy (Amsterdam University of the Arts) to the material culture of Judaism, Christianity and Islam, and stimulates them to formulate a stance regarding the potential as well
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Arlind, Kasa. "The return of historical monuments removed from the territory of Ukraine after 2014. Problems of archaeological research in times of war." Foreign Affairs, 2023, 17–27. http://dx.doi.org/10.46493/2663-2675.33(3).2023.17-27.

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The relevance of the research is conditioned upon the increase in the national consciousness of the Ukrainian nation, a new stage of the national revival of the Ukrainian state and consolidation of the Ukrainian people against the background of the full-scale invasion and occupation of Ukrainian territories. The purpose of this research is to explore the level of threat to the national historical and cultural heritage in Ukraine, including the temporarily occupied territories. The research methodology used in this work is a comprehensive combination of quantitative and qualitative analysis of
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Mahon, Elaine. "Ireland on a Plate: Curating the 2011 State Banquet for Queen Elizabeth II." M/C Journal 18, no. 4 (2015). http://dx.doi.org/10.5204/mcj.1011.

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IntroductionFirmly located within the discourse of visible culture as the lofty preserve of art exhibitions and museum artefacts, the noun “curate” has gradually transformed into the verb “to curate”. Williams writes that “curate” has become a fashionable code word among the aesthetically minded to describe a creative activity. Designers no longer simply sell clothes; they “curate” merchandise. Chefs no longer only make food; they also “curate” meals. Chosen for their keen eye for a particular style or a precise shade, it is their knowledge of their craft, their reputation, and their sheer abi
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Books on the topic "Jewish Historical Museum (Amsterdam, Netherlands)"

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Belinfante, Judith C. E. Gids = Guide: Joods Historisch Museum = Jewish Historical Museum. Joods Historisch Museum, 1995.

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Duindam, David. Fragments of the Holocaust. Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462986886.

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Why do we attach so much value to sites of Holocaust memory, if all we ever encounter are fragments of a past that can never be fully comprehended? David Duindam examines how the Hollandsche Schouwburg, a former theater in Amsterdam used for the registration and deportation of nearly 50,000 Jews, fell into disrepair after World War II before it became the first Holocaust memorial museum of the Netherlands. Fragments of the Holocaust: The Amsterdam Hollandsche Schouwburg as a Site of Memory combines a detailed historical study of the postwar period of this site with a critical analysis of its c
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van, Voolen Edward, and Joods Historisch Museum (Amsterdam, Netherlands), eds. Gids van het Joods Historisch Museum Amsterdam =: Guide to the Jewish Historical Museum Amsterdam. SDU, 1988.

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Joods Historisch Museum (Amsterdam, Netherlands), ed. Highlights: From the collection of the Jewish Cultural Quarter. WalburgPers, 2017.

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Julie-Marthe, Cohen, Kröger Jelka, Schrijver Emile G. L, and Alexander-Knotter Mirjam, eds. Gifts from the heart: Ceremonial objects from the Jewish Historical Museum, Amsterdam. Uitgeverij Waanders, 2004.

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Swetschanski, Daniel. Orphan objects: Facets of the textile collection of the Joods Historisch Museum, Amsterdam. Joods Historisch Museum ; Zwolle : Waanders, 1997.

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1877-1942, Berg Else, and Schwarz Samuel 1876-1942, eds. Else Berg en Mommie Schwarz: Kunstenaarspaar in Amsterdam, 1910-1942. Uitgeverij de Kunst, 2012.

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Swetschinski, Daniel. Orphan objects: Facets of the Textiles Collection of the Joods Historisch Museum, Amsterdam. Joods Historisch Museum, 1997.

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Becker, Tamara. Op de foto in oorlogstijd: Studio Wolff, 1943. Lecturis, 2017.

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Jelka, Kröger, Tas Sara, Joods Historisch Museum (Amsterdam, Netherlands), and Musée d'Orsay, eds. A master revealed: Meijer de Haan. Hazan, 2009.

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Book chapters on the topic "Jewish Historical Museum (Amsterdam, Netherlands)"

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Campbell, Elizabeth. "Nazi Art Plunder in Western Europe." In Museum Worthy. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780190051983.003.0002.

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Abstract This chapter provides an overview of Nazi looting operations in France, Belgium, and the Netherlands, illustrating differences in occupation institutions, German and collaborationist antisemitic persecution, and the extent of cultural plunder. Despite contrasting trends and circumstances, the Nazis and their agents employed similar plundering mechanisms in the three countries. They drew on existing bureaucracies to seize items from Jewish homes, galleries, bank vaults, and repositories, and dominated a booming art market. While benefiting from a skewed exchange rate favoring the Third
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Macfarlane, Kirsten. "Jewish Conversion in Europe and Constantinople." In Biblical Scholarship in an Age of Controversy. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192898821.003.0005.

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This chapter examines Broughton’s engagements with early modern Jewish communities which, like the rest of his interactions, were fraught with polemic, tension, and controversy. It starts with Broughton’s excitement at receiving a letter from an Abraham Reuben of Constantinople, whom Broughton believed to be a learned and authoritative Rabbi; whom Broughton’s enemies believed to be a convenient fiction of his own making; and who was in fact a minor poet with no religious authority. Despite the rumours of its forgery, Reuben’s letter pushed Broughton into a spree of missionary activity, leading
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Gerber, Jane S. "Jewish Life in Amsterdam and the Formation of the Western Sephardi Diaspora 1579–1700." In Cities of Splendour in the Shaping of Sephardi History. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781904113300.003.0007.

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This chapter illustrates a twofold journey of Conversos, a physical trek northward to freedom and a spiritual journey to the practice of Judaism, throughout the sixteenth and seventeenth centuries. They had no personal experience of life in a Jewish community after the Expulsion from Spain. What united them was a sense of shared oppression at the hands of the Inquisition in Portugal and the collective memory, however faint, of being portugueses de la nación hebrea, homens de nação, or simply members of the nação, the 'Nation'. The chapter explores a distinctive social unit that Conversos forme
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