Relevant bibliographies by topics / Jewish poetry

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Jewish poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Jewish poetry"

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Perry, T. Anthony (Theodore Anthony). "Jewish Metaphysical Poetry?" Prooftexts 25, no. 1 (2005): 210–16. http://dx.doi.org/10.1353/ptx.2006.0013.

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Lieber, Laura S. "With One Voice: Elements of Acclamation in Early Jewish Liturgical Poetry." Harvard Theological Review 111, no. 3 (July 2018): 401–24. http://dx.doi.org/10.1017/s0017816018000172.

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AbstractIn this essay, the Rosh Hashanah Shofar service poems by the Jewish poet Yose ben Yose (fourth or fifth century CE, Land of Israel) are read through the lens of the Late Antique practice of acclamation. Yose's surviving body of works is limited, but he was influential within the Jewish tradition, and his poems have long been noted for their use of formal features such as fixed-word repetitions and refrains—features which align not only with poetic norms from the biblical period to Late Antiquity but also with the practice of acclamation. Jews attended (and performed in) the theater and games; they were familiar with rhetorical and oratorical training and related literary norms; and they were integrated socially, commercially, and politically into diverse and varied communities. The affinity of Jewish liturgical poetry from antiquity for other forms of poetic composition reflects Jews’ general embeddedness in Late Ancient culture. Reading Yose's poetry as shaped by the conventions of acclamation highlights how Yose and his congregants were not only distinctly Jewish but also thoroughly Roman.
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Sol, Adam, David S. Koffman, Gary Barwin, Michael Greenstein, Ruth Panofsky, Lisa Richter, Emily Robins Sharpe, and Rhea Tregebov. "Canadian Jewish Poetry: A Roundtable." Canadian Jewish Studies / Études juives canadiennes 34 (December 20, 2022): 142–71. http://dx.doi.org/10.25071/1916-0925.40296.

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Is Canadian Jewish Poetry a meaningful category of study? Are there particular traits that differentiate Canadian Jewish poets from poets of other countries, or from writers in other genres? How do contemporary poets confront the looming legacy of Irving Layton, Leonard Cohen, and A.M. Klein? Six prominent poets and scholars conduct a roundtable discussion to articulate recent developments in the field.
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Spinner, Samuel J. "“We Are All Endangered Species”: Jerome Rothenberg’s Jewish Primitivism." Comparative Literature 76, no. 2 (June 1, 2024): 220–39. http://dx.doi.org/10.1215/00104124-11060575.

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Abstract Jerome Rothenberg’s poetry brings together a group of major—seemingly disparate—topics: the Holocaust; ecological crisis; Yiddish culture; and what he terms ethnopoetics, a poetic primitivism centered largely on the culture of Indigenous Americans. This article shows how genocide, both of Native Americans and of European Jews, becomes in Rothenberg’s poetry the catalyst for a new purpose for primitivism—resisting ecological and cultural devastation. Rothenberg’s reactivation of Jewish primitivism follows two paths: first, an insistence on understanding the destruction of Jewish culture in conjunction with the destruction of Indigenous peoples and cultures globally. Second, he links these genocides to the scope and consequences of environmental destruction, which he recognizes as an integral part of the threat to minority cultures and to humanity in general. Rothenberg’s primitivist poetry seeks to resist extinction. This is a striking attempt to negate the association of primitivism with colonial domination and violence and create a poetry of survival in the face of genocide and environmental destruction.
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Malachi, Zvi. "Christian and Jewish Liturgical Poetry." Augustinianum 28, no. 1 (1988): 237–48. http://dx.doi.org/10.5840/agstm1988281/212.

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Nowicka, Daria. ""Słowa nawracające" – somantyczność w poezji Jerzego Ficowskiego. Pisane pożydowskim oksymoronem." Annales Universitatis Paedagogicae Cracoviensis | Studia Historicolitteraria 16 (December 11, 2017): 107–20. http://dx.doi.org/10.24917/20811853.16.8.

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Words returning ‒ soma and semantics in the poetry of Jerzy Ficowski. Writing in post-Jewish oxymoron The work of Jerzy Ficowski, the author of Odczytanie popiołów, Ptak poza ptakiem, Amulety i definicje, raises the problem of postmemory and re-tale. This is self-contained intimate poetry that witnessed historic and aesthetic changes after the Holocaust. This problem, in soma-semantic context, is presented through the interpretation of selected poems, which combines an aspect of body and meaning. The essence of Jerzy Ficowski’s poems is bordeland language which is visible in the poems concerning the memory of the Jews and Roma. It is in these poems that Ficowski expands the semantic and social limits of ‘post-Jewish’ category by using various memory formulas such as transformation and repetition.Key words: post-war poetry; memory; post-memory; borderland language; Extermination; testimony; empathy;
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Decter, Jonathan. "The Jewish Ahl al-Adab of al-Andalus." Journal of Arabic Literature 50, no. 3-4 (November 11, 2019): 325–41. http://dx.doi.org/10.1163/1570064x-12341390.

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Abstract This article studies the use of adab and related terminology among medieval Jewish authors with particular attention to shifts in cultural and religious sensibilities, matters of group cohesion and self-definition, and the contours of adab discourse across religious boundaries. The article demonstrates that, although Jews in the Islamic East in the tenth century internalized adab as a cultural concept, it was in al-Andalus that Jews first self-consciously presented themselves as udabā. The article focuses on works of Judeo-Arabic biblical exegesis, grammar, and poetics as well as Hebrew poetry composed after the style of Arabic poetry.
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Edzard, Alexandra. "A Judeo-French Wedding Song from the Mid-13th Century: Literary Contacts between Jews and Christians." Journal of Jewish Languages 2, no. 1 (June 9, 2014): 78–98. http://dx.doi.org/10.1163/22134638-12340022.

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The subject of this article is a bilingual Judeo-French wedding song, edited by David Simon Blondheim in 1927. It is studied in its linguistic (Hebrew and French) and cultural (Jewish and Christian France) context. In the Jewish tradition, the song belongs to a widely used form of poetry in which two or more languages alternate. A similar bi- and multilingualism can also be found in medieval Christian poetry in France and in Muslim poetry in Moorish Spain. The present study concentrates on poems in which French can be found together with other languages. The article demonstrates influence from Christian multilingual poetry on the Judeo-French wedding song. In addition, it discusses how Jewish and Christian poets proceed when using more than one language and what reasons there are for the use of multiple languages within a single text.
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Azarova, N. M. "ADVENTURES OF THE SOUL: TRANSMISSION OF THE SYSTEM OF MYSTICAL POETRY IN THE LANGUAGE OF VENIAMIN BLAZHENNY." VESTNIK IKBFU PHILOLOGY PEDAGOGY AND PSYCHOLOGY, no. 1 (2023): 50–60. http://dx.doi.org/10.5922/pikbfu-2023-1-5.

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The poetry of Veniamin Blazhenny (the Blessed) can be seen as a vivid example of the translation of the typological properties of the language of mysticism in late 20th century poetry. The artistic nature of the work of the Blessed during this time did not receive a fundamental analysis. The soul, a key concept of Blazhenny’s poetry, reveals undoubted similarities with the conceptualization of the soul and the idea of metempsychosis in Jewish and Judeo-­Christian mysticism. This study focuses on grammatical elements, and in particular the system of pronouns and negative poetics, the way the subject is constructed and the strategy of anti-discursiveness. The key word and concept of Blazhenny’s poetry is the Soul which reveals an undoubted similarity with the conceptualization of the soul and the idea of metempsychosis in Jewish and Jewish-­Christian mysticism.
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Shepkaru, Shmuel. "Susan L. Einbinder. Beautiful Death: Jewish Poetry and Martyrdom in Medieval France. Princeton and Oxford: Princeton University Press, 2002. x, 219 pp." AJS Review 28, no. 2 (November 2004): 371–73. http://dx.doi.org/10.1017/s0364009404290213.

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Can medieval Jewish poetry teach us history? Asked differently, can scholars draw on medieval poetry (piyyutim) to reconstruct historical events? In Beautiful Death, Einbinder narrows down this matter to the case of Ashkenazic martyrological poetry. To answer this question, Einbinder has analyzed over seventy Hebrew poems from northern France, England, and Germany; they span the period following the First Crusade (1096), ending with the Rindfleisch massacres of 1298 in Germany and King Philip IV's expulsion of the French Jews in 1306.
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Dissertations / Theses on the topic "Jewish poetry"

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Meir, Amira. "Medieval Jewish interpretation of pentateuchal poetry." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=28842.

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This dissertation studies parts of six medieval Jewish Torah commentaries in order to examine how they related to what we call Pentateuchal poetry. It examines their general approaches to Bible interpretation and their treatments of all Pentateuchal poems. It focusses on qualities we associate with poetry--parallelism, structure, metaphor, and syntax--and explores the extent to which they treated poems differently from prose.
The effort begins by defining Pentateuchal poetry and discussing a range of its presentations by various ancient writers. Subsequent chapters examine its treatment by Rabbi Saadia Gaon of Baghdad (882-942), Abraham Ibn Ezra of Spain (1089-1164), Samuel Ben Meir (1080-1160) and Joseph Bekhor Shor (12th century) of Northern France, David Kimhi of Provence (1160-1235), and Obadiah Sforno of Italy (1470-1550).
While all of these commentators wrote on the poetic passages, none differentiated systematically between Pentateuchal prose and poetry or treated them in substantially different ways. Samuel Ben Meir, Ibn Ezra, Bekhor Shor, and Kimhi did discuss some poetic features of these texts. The other two men were far less inclined to do so, but occasionally recognized some differences between prose and poetry and some phenomena unique to the latter.
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Costello, James Patrick. "A journey inside the writer's mind: a Jewish poet's perspective." Thesis, Boston University, 1998. https://hdl.handle.net/2144/27626.

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Boston University. University Professors Program Senior theses.
PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.
2031-01-02
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Jacobson, Anna L. "Besamim: Exploring Jewish identity, mental illness and gender in poetry." Thesis, Queensland University of Technology, 2018. https://eprints.qut.edu.au/118756/1/Anna_Jacobson_Thesis.pdf.

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This practice-led thesis in the field of creative writing asks: how can poetry act as a vehicle to explore tensions I feel as a Jewish Australian woman, who has experienced mental illness and associated memory loss? Together, my poetry manuscript Besamim and my accompanying exegesis argue that everyday and cultural objects can act as aide-mémoires for memory recovery. My exegesis also contextualises and situates my own creative practice by examining the works of significant Jewish Australian poets, Fay Zwicky and Marietta Elliott-Kleerkoper.
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Pager, Chet Kelii-Wallraff. "Verses on Auschwitz : images of the Holocaust in modern American poetry." Master's thesis, University of Cape Town, 1995. http://hdl.handle.net/11427/18875.

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This thesis examines how poetic responses to the Holocaust in America, when they emerged, have differed from the novels addressing the same subject; how the Second World War has challenged, in a way the First World War did not, basic humanistic assumptions regarding the image of man, the role of God, the benefits of civilisation & culture, and the humanising power of art or reason; and how this impact has influenced modern trends in poetry. After an extensive background section documenting the impact the Holocaust and Second World War have made upon the literary imagination, an extensive review is conducted of the varied critical positions and criteria, both aesthetic and ethical, from which American literary responses have been evaluated. Among the major critical positions is the belief that there should be no literary response to the Holocaust; that this literary response must primarily serve to document and testify; that the Holocaust should not be addressed imaginatively by non-victims; and that the Holocaust should not be used as a metaphor to convey some other subject or theme. These and other critical standpoints are discussed in relation to works by ten American poets whose poetry is representative of the ways in which the Holocaust has impacted on the poetic imagination, the breadth of poetic responses to this atrocity, and the range of difficulties and corresponding criticisms which are associated with almost all attempts to respond creatively to the Holocaust. The poets examined are Sylvia Plath, Anne Sexton, Maxine Kumin, Adrienne Rich, Denise Levertov, Stephen Berg, Van Brock, W.D. Snodgrass, William Heyen and Charles Reznikoff. Where illustrative, comparisons to relevant European poets have been made, including Nellie Sachs and Paul Celan. It was concluded that certain poets (Levertov, Rich, Heyen), as well as certain critical standpoints (Ezrahi, Langer, James Young) did more justice to the reality of the Holocaust and the challenges it poses to the literary and poetic imagination. Bibliography: p. 135-140.
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Lawson, Peter Jonathan. "Otherness and affiliation : Anglo-Jewish poetry from Isaac Rosenberg to Elaine Feinstein." Thesis, University of Southampton, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.268844.

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Mackman, Whitney. "Coyote Made Me." ScholarWorks@UNO, 2013. http://scholarworks.uno.edu/td/1648.

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Mayk-Hai, Liati. "Towards a Poetics of I/Eye-Witness| Documentary Expression and Jewish American Poetry of the 1930s." Thesis, The Jewish Theological Seminary of America, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3738079.

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This dissertation, “Towards a Poetics of I/Eye-Witness: Documentary Expression and Jewish American Poetry of the 1930s,” explores the ways in which a lens of witnessing can shed light on the ethical and aesthetic concerns embedded in the work of three Jewish-American poets. The study begins with the English writing and verse of Charles Reznikoff (1894-1976) and Muriel Rukeyser (1913-1980), and continues to the Yiddish poetry of Berish Weinstein (1905-1967). It situates their poetry and ancillary writings from the early thirties within the culture of documentary expression that permeated artistic creation, social action and public discourse throughout the Depression era. By focusing on poetry that deals with human catastrophe, including historical and contemporary contexts of racial injustice, Jewish persecution, personal loss and animal slaughter, my analysis weighs the burden of representation on personal and universal levels. Transcending the visual and moral divide between the “eye” and the “I,” the poets in this study use verse to document the memories, experiences, histories and testimonies of Others; in doing so, they uphold their own ethical ideals of reparation, truth and justice. In the prologue, I set the stage for the dissertation by examining the link between lynching photography and Jewish poetry embodied by the famous Jazz song “Strange Fruit.” The introduction presents the theoretical framework and historical background central to the literary analysis of the dissertation. I offer an overview of the Great Depression and the American documentary scene and demonstrate how the visual and ethical ideas of “documentary” and “witness” have been utilized in various contexts. Chapter One builds a case for a Jewish poetics of I/eye-witness in the work of Objectivist poet Charles Reznikoff. I trace the intersections of documentary form, historical consciousness, personal rectitude and justice through a selection of poetic texts and archival materials, including two long works published by The Objectivist Press in 1934, Testimony and In Memoriam: 1933. Chapter Two reflects on the emerging sense of poetic witness in Muriel Rukeyser’s early poetry and documentary writing. I locate her ideas about responsibility, utility and truth in her Jewish upbringing and education at the Ethical Culture-Fieldston School. I then offer a comparative reading of the three genres Rukeyser utilized to represent her experiences as a witness to the second Scottsboro Trial: diary entry, reportage and poetry. Chapter Three contributes new translations and an in-depth analysis of a selection of Yiddish poems from Berish Weinstein’s first published collection, Brukhvarg (1936). I focus on Weinstein’s representation of the slaughterhouse as the symbolic locus of modern suffering, and the relevance of such a trope for the historical barbarism against African Americans, as well as Jews.

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Dennett-Thorpe, Ivy Garlitz. "The old country : an experiment in modes of writing on the Jewish-American experience in poetry, fiction and popular culture." Thesis, University of East Anglia, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.297480.

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Vesselova, Natalia. "“The Past is Perfect”: Leonard Cohen’s Philosophy of Time." Thèse, Université d'Ottawa / University of Ottawa, 2014. http://hdl.handle.net/10393/31065.

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ABSTRACT This dissertation, “The Past is Perfect”: Leonard Cohen’s Philosophy of Time, analyzes the concept of time and aspects of temporality in Leonard Cohen’s poetry and prose, both published and unpublished. Through imagination and memory, Cohen continuously explores his past as a man, a member of a family, and a representative of a culture. The complex interconnection of individual and collective pasts constitutes the core of Cohen’s philosophy informed by his Jewish heritage, while its artistic expression is indebted to the literary past. The poet/novelist/songwriter was famously designated as “the father of melancholy”; it is his focus on the past that makes his works appear pessimistic. Cohen pays less attention to the other two temporal aspects, present and future, which are seen in a generally negative light until his most recent publication. The study suggests that although Cohen’s attitude to the past has not changed radically from Let Us Compare Mythologies (1956) to Book of Longing (2006), his views have changed from bitterness prompted by time’s destructive force to acceptance of its work and the assertion of the power of poetry/art to withstand it; there is neither discontent with the present nor prediction of a catastrophic future. Time remains a metaphysical category and subject to mythologizing, temporal linearity often being disregarded. Although Cohen’s spiritual search has extended throughout his life, his essential outlook on time and the past is already expressed in the early books; his latest publications combine new pieces and selections from previous books of poetry and prose works, confirming the continuity of ideas and general consistency of his vision.
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Rosen, Yosef. "Acres of Flesh." Bowling Green State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1429113819.

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Books on the topic "Jewish poetry"

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Shlomo, Yosef Ben. Poetry of being. Tel-Aviv: MOD Books, 1990.

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1954-, Guetta Alessandro, and Itzhaki Masha, eds. Studies in medieval Jewish poetry. Leiden: Brill, 2008.

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Hilda, Schiff, ed. Holocaust poetry. New York: St. Martin's Press, 1995.

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Adele, Berlin, ed. Biblical poetry through Medieval Jewish eyes. Bloomington: Indiana University Press, 1991.

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1951-, Amsel Philip. Jewish soup kitchen. Montreal, QC: Services Philip Amsel, 2010.

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Cohn, Livingston Myra, and Bloom Lloyd ill, eds. Poems for Jewish holidays. New York: Holiday House, 1986.

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Rouss, Sylvia A. Fun with Jewish holiday rhymes. New York, N.Y: UAHC Press, 1992.

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1944-, Mayne Seymour, and Rotchin Glen, eds. Jerusalem: An anthology of Jewish Canadian poetry. Montréal: Véhicule Press, 1996.

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N, Barron Jonathan, and Selinger Eric Murphy, eds. Jewish American poetry: Poems, commentary, and reflections. Hanover, NH: University Press of New England, 2000.

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1947-, Logghe Joan, and Sagan Miriam 1954-, eds. Another desert: Jewish poetry of New Mexico. Santa Fe, NM: Sherman Asher Pub., 1998.

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Book chapters on the topic "Jewish poetry"

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Weisman, Karen. "Anglo-Jewish Romantic Poetry." In A Companion to Romantic Poetry, 268–84. Oxford, UK: Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781444390650.ch16.

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Wolosky, Shira. "Emma Lazarus’ American-Jewish Prophetics." In Poetry and Public Discourse in Nineteenth-Century America, 139–52. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230113008_10.

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Pastan, Linda. "At The Jewish Museum." In Contemporary Poetry: A Retrospective from the "Quarterly Review of Literature", edited by Theodore Russell Weiss, 495–96. Princeton: Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400871728-162.

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Mann, Barbara E. "Jewish Imagism." In The Object of Jewish Literature, 19–50. Yale University Press, 2022. http://dx.doi.org/10.12987/yale/9780300234114.003.0002.

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This chapter discusses “Jewish imagism,” a term for poetry in an imagist vein that also engages some kind of expressly Jewish theme or situation. “Imagism” refers to the broad set of poetic trends emerging in the early twentieth century in mostly urban, cosmopolitan settings. This poetry aspired to a visual or material quality and sought to recast poetry's stylistic, formal properties to fit the tempo and contours of the modern age. The chapter focuses on a paradigmatic group of Jewish poets: David Fogel, working mostly in Hebrew in European settings; the Hebrew poet Esther Raab; the Yiddish poet Anna Margolin; and Charles Reznikoff. The work of these poets is linked by a materialist concern for language as such; a devotion to minimalist form, precise descriptive terms, and the sparest of syntax; an interest in made objects and visual forms, especially the plastic arts of painting and sculpture; and a reverence for the essential “itness” of the material world. For each poet, the chapter considers exemplary poems in relation to contemporaneous manifestos and other documents that specifically address questions of poetic form in “Jewish” languages.
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"31. Poetry." In Jewish Arabic Literature, 282–87. Piscataway, NJ, USA: Gorgias Press, 2008. http://dx.doi.org/10.31826/9781463213589-031.

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Shreiber, Maeera Y. "Jewish American poetry." In The Cambridge Companion to Jewish American Literature, 149–69. Cambridge University Press, 2003. http://dx.doi.org/10.1017/ccol0521792932.009.

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"Jewish Kingdoms." In American Yiddish Poetry, 247. University of California Press, 2023. http://dx.doi.org/10.2307/jj.5973112.100.

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"Dubno’s poetry." In Shaping the Jewish Enlightenment, 160–75. Academic Studies Press, 2023. http://dx.doi.org/10.1515/9798887193922-033.

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"41. I. Poetry." In Jewish Arabic Literature, 329–30. Piscataway, NJ, USA: Gorgias Press, 2008. http://dx.doi.org/10.31826/9781463213589-041.

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"JEWISH METRICAL EPITAPHS." In Early Christian Poetry, 1–13. BRILL, 1993. http://dx.doi.org/10.1163/9789004312890_002.

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Conference papers on the topic "Jewish poetry"

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Jasim MOHAMMED, Ahmed, and Hussein Ismael KADHIM. "THE IMPACT OF THE JEWISH FAITH IN MODERN HEBREW POETRY "SHABBAT FOR EXAMPLE." In I V . I N T E R N A T I O N A L C O N G R E S S O F L A N G U A G E A N D L I T E R A T U R E. Rimar Academy, 2022. http://dx.doi.org/10.47832/lan.con4-14.

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This study is an attempt to shed light on a central and important issue in the lives of any nation or society or group of people, and it is the issue of "faith". One of the most important foundations in the Jewish faith is the "Sabbath" or day of rest for the Jews, which they respect and sanctify from all the other six days of the week. This study discusses the different representations of Saturday in Hebrew poetry. This study examined different representations of the theme of Saturday in Hebrew poetry with special emphasis on the significance of these representations shaped their worldview of the Jews on the topic flowing. Saturday is a day of rest and weekly holy people of Israel, the first deadline dates prescribed in the Torah. When there was a regular basis every seven days, on the seventh day a week. Saturday is the start of Friday's end, a little before sunset - the time called "Saturday Night", and tip the next day, with nightfall - long known as "Saturday". Jewish Saturday is considered the most sacred date. Saturday observance is one of the central commandments in Judaism; According to Judaism, this is the first commandment given to man, on the day he removed and weighed against all the commandments of the Torah. Judaism Saturday symbolizes the creation of the world by God and the holiness constant since the world was created by God. Reasons for the mitzvot and customs specific biblical command to sit origin consecrate this day and strike him from work, God's act of creation after the completion of the six days of creation. Saturday is used only for rest and refraining from doing work, and has been caught during today's Bible Holiness, pleasure, study Torah and elation. Observance of the Saturday, according to Judaism, is a practical admission creation of the world, reinforces the belief and non-observance leads to weakening of the Jewish faith, as well as keeping the Saturday brings a person to the Creator and secrete more physical nuns. Israel was set Saturday to officially rest. Sanctity of "on Saturday" is based - according to tradition - the thinking that thought that the God who created the heavens and the earth in six days, and Ahri-cc, he rested on the seventh day his work which he worked it, and he ordered them to stop all this day according craft books mentioned several books of the Bible. At the beginning of this study will be discussed at the origin of the word "Sabbath" (Saturday) in the Hebrew language, and the meaning of the word "Sabbath" in the Bible, Then, will be discussed on the types Saturday among the Jews, except they have a regular Sabbath day three ten types of Saturdays, expressing the various events and occasions and have various rituals and special customs. Too, will be discussed on the customs and rituals that the Jews do them during the entry to his departure on Saturday. Even so, it is during this study for some changes in different terms to Saturday, which the Jews call them the Sabbath. These names were used most by the Hebrew writers in modern times in their songs and stories that written in honor of this day, and Hebrew poets wrote poetry on Saturday: Bialik wrote the song "Saturday queen", poet Amir Gilboa wrote the song "Cch Cmo Sani the up" and others. By analysis of these literary works can be seen that the authors of these works depict through which all customs and ceremonies on Saturday in detail from beginning to end, especially the poet Bialik's poem "Saturday queen". And the end of the study conclusions and sources will come
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Pilar, Martin. "EWALD MURRER AND HIS POETRY ABOUT A DISAPPEARING CULTURAL REGION IN CENTRAL EUROPE." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/s28.06.

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The contemporary Czech poet using the pseudonym Ewald Murrer (born in 1964 in Prague) used to be a representative of Czech underground literature before 1989. Then he became one of the most specific and original artists of his generation. The present essay deals with his very successful collection of poetry called The Diary of Mr. Pinke (1991, English translation published in 2022). Between the world wars, the most Eastern part of Czechoslovakia was so-called Subcarpathian Ruthenia (or Karpatenukraine in German). This rural and somewhat secluded region neighbouring Austrian Galicia (or Galizien in German) in the very West of Ukraine and the South- East of Poland used to be a centre of Jewish culture using mainly Yiddish and inspired by local folklore. The poems of Ewald Murrer are deeply rooted in the imagery of Jewish and Rusyn fairy tales and folk songs. While Marc Chagall, the famous French painter (coming from today�s Byelorussia), discovered these old sources of Jewish art for European Modernism, Ewald Murrer uses the same sources but his approach to literary creation can be seen as much more post-modern: he uses but at the same time also re-evaluates old myths and archetypes of this region with both a lovely kind of humour and more serious visions of Kafkaesque absurdity that are probably unavoidable in Central Europe. The fictional and highly poetic diary of Mr. Pinke is highly significant as a sophisticated revival of the almost forgotten culture of a Central European region that almost definitely stopped existing after the tragic times of the Holocaust and Stalinism.
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3

Pilar, Martin. "EWALD MURRER AND HIS POETRY ABOUT A DISAPPEARING CULTURAL REGION IN CENTRAL EUROPE." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/s10.06.

Full text
Abstract:
The contemporary Czech poet using the pseudonym Ewald Murrer (born in 1964 in Prague) used to be a representative of Czech underground literature before 1989. Then he became one of the most specific and original artists of his generation. The present essay deals with his very successful collection of poetry called The Diary of Mr. Pinke (1991, English translation published in 2022). Between the world wars, the most Eastern part of Czechoslovakia was so-called Subcarpathian Ruthenia (or Karpatenukraine in German). This rural and somewhat secluded region neighbouring Austrian Galicia (or Galizien in German) in the very West of Ukraine and the South- East of Poland used to be a centre of Jewish culture using mainly Yiddish and inspired by local folklore. The poems of Ewald Murrer are deeply rooted in the imagery of Jewish and Rusyn fairy tales and folk songs. While Marc Chagall, the famous French painter (coming from today�s Byelorussia), discovered these old sources of Jewish art for European Modernism, Ewald Murrer uses the same sources but his approach to literary creation can be seen as much more post-modern: he uses but at the same time also re-evaluates old myths and archetypes of this region with both a lovely kind of humour and more serious visions of Kafkaesque absurdity that are probably unavoidable in Central Europe. The fictional and highly poetic diary of Mr. Pinke is highly significant as a sophisticated revival of the almost forgotten culture of a Central European region that almost definitely stopped existing after the tragic times of the Holocaust and Stalinism.
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4

Rotaru, Ioan-Gheorghe. "Sabbatarian Literature from the 17th Century and the Contribution of Simon Pechi." In Filologia modernă: realizări şi perspective în context european. “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2021. http://dx.doi.org/10.52505/filomod.2021.15.38.

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Abstract:
Both Sabbatarianism and its poetic creation from this period were under the influence of Simon Péchi. Most of the poetic creations of the Sabbatarians came from the pen of Péchi, who also outlined the future direction regarding this kind of creation. The concern of the Sabbatarians was for the translation of Jewish religious hymns, as well as for their processing. And the literature which emerged, and which until now is an almost unknown poetic literature, which is not even very wide and which has come to us with many shortcomings, in one respect is unmatched and especially full of teachings as regarding that radical change, through which Sabbatarianism has passed from the moment Simon Péchi has reached to lead it.
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