Relevant bibliographies by topics / Jewish writers

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Jewish writers'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2024

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Journal articles on the topic "Jewish writers"

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Ivanauskas, Vilius. "Lithuanian Jewish Writers’ Career Paths During the Soviet Period: Between Adapting Within the Republic and Participating in the Empire." Colloquia 35 (December 28, 2015): 89–108. http://dx.doi.org/10.51554/col.2015.29033.

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The author of this article analyzes how Soviet national policy and Jewish culture’s lack of legitimacy impacted the career paths of Jewish writers living in Lithuania and their relationship with the Lithuanian literary field. The article examines the careers of five Jewish writers – Hiršas Ošerovičius, Jokūbas Josadė, Ichokas Meras, Mykolas Sluckis, and Grigorijus Kanovičius – and their different relationships to the Lithuanian literary field. The author applies an interdisciplinary approach, examining these writers’ strategies within the contexts of Soviet ethnic policy and national processes. Building on previous studies, the article opens up a broader perspective on Jewish writers’ options, constraints, and choices both within Lithuania and at the union level.These examples of Soviet-era Jewish writers’ career paths reflect the considerable tensions felt by writers not belonging to the dominant culture when experiencing Soviet ethnopolitics. Writers experiencing a lack of cultural legitimacy had to maneuver: they had to blend into the Lithuanian literary field, participate in it episodically, or be involved in several literary fields simultaneously. It is possible to single out writers’ participation only within the Lithuanian literary field (Meras, Sluckis); their totally or partially articulated strategies of assimilation; their participation within the Lithuanian literary field and within rather fragmented “islands” of Yiddish literature (Josadė, Ošerovičius); as well as (drawing increasingly on the thematics of Jewish history) their active maneuvering between the Lithuanian and Russian literary fields (Kanovičius), which offered artists greater possibilities for recognition. Kanovičius’s model of the Jewish writer/artist’s participation in the empire is the most marked embodiment of the Soviet-era Jewish intellectual’s multi-layered identity.
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Karasik-Updike, Olga B. "Contemporary Jewish Prose in the USA." Literature of the Americas, no. 10 (2021): 100–134. http://dx.doi.org/10.22455/2541-7894-2021-10-100-134.

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The essay presents an overview of Jewish American prose of the second half of the 20th — first two decades of the 21st century within the context of multicultural literature of the USA. The definition of Jewish literature remains a matter of debate. The author of the essay based on the opinions of critics concludes on the criterion for assigning a writer to Jewish literature. It is the artistic embodiment of the personal Jewish experience and identity in the works of literature, the view “from inside,” the perspective of collective memory and the connection to history and culture. Jewish literature today is one of the most developed ethnic segments of multicultural American literature. Writers under study are recognized throughout the world, their works have been translated into many languages, including Russian, they are known to readers and have already become the subject of study by literary scholars. Today, Jewish American literature is represented by two generations of writers. “Senior” generation includes the authors born in the 1920s–30s who began their literary careers in the 60s when there was a generational change in national literature. “Young” generation is represented by the writers who began their literary careers in the 2000s. On the example of the works of the most famous authors of both generations, the author of the essay talks about the factors determining the specific features of Jewish American prose and its characteristic themes, problems, and motives: the search for identity and roots, the representation and rethinking of the Holocaust, ethnic stereotypes, the image of the Jewish family, and the traditions of Jewish humor. The study of the works of modern Jewish writers in the United States allows us to draw conclusions about the display of border consciousness, national and ethnic identity, and collective memory in fiction.
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Bunis, David M. "Writing More and Less ‘Jewishly’ in Judezmo and Yiddish." Journal of Jewish Languages 1, no. 1 (2013): 9–75. http://dx.doi.org/10.1163/22134638-12340005.

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Abstract Max Weinreich used the term yídishlekh to describe the traditional, ‘Jewishly patterned’ style of writing in Yiddish. Weinreich illustrated this style by comparing Mendele Moykher Sforim’s ‘Jewishly-styled’ 1884 Yiddish translation of Leo Pinsker’s Autoemanzipation (Berlin 1882) with the original German-language text. The present article demonstrates that in Judezmo as well as Yiddish, writers have consciously used ‘Jewish styling,’ and its converse, in the diverse literary genres they cultivated from the Middle Ages into the early twentieth century. However, as a result of somewhat divergent social, political, and ideological trends in the Judezmo as opposed to Yiddish speech communities later in the twentieth century, Yiddish writers today prefer to incorporate features of ‘Jewish styling’ in their writing, while Judezmo writers tend to reject them.
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Shneer, David. "A Study in Red: Jewish Scholarship in the 1920s Soviet Union." Science in Context 20, no. 2 (June 2007): 197–213. http://dx.doi.org/10.1017/s026988970700124x.

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ArgumentIn the 1920s the Soviet Union invested a group of talented, mostly socialist, occasionally Communist, Jewish writers and thinkers to use the power of the state to remake Jewish culture and identity. The Communist state had inherited a multiethnic empire from its tsarist predecessors and supported the creation of secular cultures for each ethnicity. These cultures would be based not on religion, but on language and culture. Soviet Jews had many languages from which to choose to be their official Soviet language, but Yiddish, the vernacular of eastern European Jewry, won the battle and served as the basis of secular Soviet Jewish culture. Soviet Jewish scholars, writers, and other cultural activists remade Jewish culture by creating a usable Jewish past that fit the socialist present, reforming the “wild” vernacular of Yiddish into a modern language worthy of high culture, and transforming Jews into secular Soviet citizens.
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Hand, Seán. "Francophone Jewish writers: Imagining Israel." Modern & Contemporary France 24, no. 4 (July 28, 2016): 445–46. http://dx.doi.org/10.1080/09639489.2016.1209467.

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Reiter, Andrea. "Jewish women writers in Britain." Journal of Modern Jewish Studies 17, no. 4 (August 3, 2018): 514–15. http://dx.doi.org/10.1080/14725886.2018.1504872.

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Astro, Alan. "Francophone Jewish Writers: Imagining Israel." Journal of Israeli History 36, no. 1 (January 2, 2017): 99–101. http://dx.doi.org/10.1080/13531042.2017.1294524.

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Prokop-Janiec, Eugenia. "Jewish Writers in Polish Literature." Polin: Studies in Polish Jewry 15, no. 1 (January 2002): 359–81. http://dx.doi.org/10.3828/polin.2002.15.359.

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Rethelyi, Mari. "A Place of Pretense and Escapism: The Coffeehouse in Early 20th Century Budapest Jewish Literature." Religions 9, no. 10 (October 18, 2018): 320. http://dx.doi.org/10.3390/rel9100320.

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In Budapest, going to the coffeehouiennese Café and Fin-De-Siecle Cultuse was the quintessential urban habit. The coffeehouse, a Judaized urban space, although devoid of any religious overtones, was Jewish in that most of the owners and significant majority of the intellectual clientele were Jewish—secular and non-affiliated—but Jewish. The writers’ Jewishness was not a confessed faith or identity, but a lens on the experience of life that stemmed from their origins, whether they were affiliated with a Jewish institution or not, and whether they identified as Jews or not. The coffeehouse enabled Jews to create and participate in the culture that replaced traditional ethnic and religious affiliations. The new secular urban Jew needed a place to express and practice this new identity, and going to the coffeehouse was an important part of that identity. Hungarian Jewish literature centered in Budapest contains a significant amount of material on the coffeehouse. Literature provided a non-constrained and unfiltered venue for the secular Jewish urban intellectuals to voice freely and directly their opinions on Jewish life at the time. In the article I examine what the Jewish writers of the early 20th century wrote about Budapest’s coffeehouses and how their experience of them is connected to their being Jewish.
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Klor, Sebastian. "Zionism and the New Left: The Mordechai Anielewicz Brigade In Argentina in the 1960s." Hebrew Union College Annual 93 (June 1, 2023): 265–92. http://dx.doi.org/10.15650/hebruniocollannu.93.2022/0265.

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The New Left challenged Argentina’s Jews, both young and old, who in the 1960s numbered more than 300,000. It compelled them to reexamine and redefine ethnic-Jewish, national, and transnational elements of their collective identity. On the theoretical level, the New Left raised intriguing questions that have been a focus of attention for scholars of Latin American Jewry in general and Argentinian Jewry in particular, as well as for writers on hyphenated identities. The scholarly debate revolves around the relative weights of the ethnic-Jewish and general-national civic components of the collective identities of Jews of each specific country. Are they Latin-American Jews or Jewish Latin-Americans?1 The question has been the impetus for a historiographical debate between scholars in two different fields – Jewish studies and Latin-American studies. The former stress the particularistic aspects of the Jewish experience in Latin America. The latter, in contrast, seek to understand the Jewish experience in this region from a Latin-American standpoint. The different approaches taken by these writers and the resulting debate have, over the last three decades, produced a wide-ranging and rich research literature on issues such as ethnicity, identity, and diaspora.
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Dissertations / Theses on the topic "Jewish writers"

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Cohen, Stephanie B. "Four contemporary Jewish women writers from Argentina." Thesis, Boston University, 2000. https://hdl.handle.net/2144/38020.

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Thesis (Ph.D.)--Boston University
PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis or dissertation. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.
Until recently little attention has been paid to Latin American women writers and even less to those of them who are Jewish. This dissertation is an attempt to remedy that situation through the study of four contemporary Argentine Jewish women writers. My introduction explores theoretical issues relating to the specificity of both Jewish and women's writing. Chapter One considers the work of Alejandra Pizarnik (1936-1972). Although a Jew by birth, she shows very little overt Jewish influence in her work because she did not acknowledge her heritage. However, her background appears obliquely throughout her writing, for example, in many biblical references. Pizarnik's perspective on women is equally elusive, but nonetheless can be traced in her treatment of love and loss. Ana Maria Shua (1951- ), whose writing is the subject of the second chapter, is openly Jewish and unavowedly feminist. I study those aspects of her work that can be considered Jewish, such as her interest in the immigrant experience and her recounting of traditional Jewish folk tales. Although Shua does not admit to being a feminist, her books portray female dominance over men, particularly in El marido argentino promedio. Chapter Three centers on the writings of Manuela Fingueret (1945- ). Traditional customs, the Yiddish language and biblical references appear in her fiction and poetry. She depicts her female characters as strong and independent. Her poetry contains an element of eroticism, which she presents from a distinctively feminine perspective. The final chapter studies the work of Alicia Steimberg (1933- ). Steimberg's characters indicate contradictory feelings about being Jewish. Steimberg, like Shua, deals with the Jewish immigrant experience; she focuses on women, many of whom work outside the home. Steimberg's treatment of eroticism is idiosyncratically straightforward in its emphases. The dissertation's epilogue summarizes its conclusions and points the way for additional work to be done on Latin-American Jewish women writers.
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Soloway, Jason A. "Negotiating a hyphenated identity, three Jewish-Canadian writers." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ39887.pdf.

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Banauch, Eugen. "Fluid exile Jewish exile writers in Canada 1940 - 2006." Heidelberg Winter, 2007. http://d-nb.info/992549302/04.

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Spergel, Julie. "Canada's "second history": the fiction of Jewish Canadian women writers." Hamburg Kovač, 2009. http://d-nb.info/997540079/04.

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Burdekin, Hannah. "The ambivalent author : five German writers and their Jewish characters ; 1848 - 1914 /." Oxford [u.a.] : Lang, 2002. http://www.gbv.de/dms/bs/toc/356518051.pdf.

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Ross, Jonathan Maurice. "'Anti-Fascist' literature and writers of Jewish origin in the early German Democratic Republic." Thesis, King's College London (University of London), 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.397396.

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Weingarten, Laura Suzanne. "Homelands in exile : three contemporary Latin American Jewish women writers create a literary homeland /." College Park, Md. : University of Maryland, 2004. http://hdl.handle.net/1903/2316.

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Dauber, Jeremy Asher. "Antonio's devils : writers of the Jewish Enlightenment and the birth of modern Hebrew and Yiddish literature /." Stanford (Calif.) : Stanford university press, 2004. http://catalogue.bnf.fr/ark:/12148/cb39214879m.

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Strongson, Julie. "(Re)constructing a homeland reflective nostalgia in the works of contemporary Francophone North African Jewish women writers /." College Park, Md. : University of Maryland, 2007. http://hdl.handle.net/1903/6775.

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Thesis (Ph. D.) -- University of Maryland, College Park, 2007.
Thesis research directed by: Comparative Literature. Title from t.p. of PDF. Includes bibliographical references. Also available in paper. Published by UMI Dissertation Services, Ann Arbor, Mich.
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Morse, Daniel Lee. "Not quite white : Jewish literary identity, new immigration and otherness in America, 1890-1930." Thesis, University of Edinburgh, 2012. http://hdl.handle.net/1842/9564.

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America’s ‘long early twentieth century’ (1890-1945) was a period of intense industrialization, urbanization, and immigration which fundamentally altered the character of the nation. Between 1900 and 1924, which saw the curtailing of immigration from southern and eastern Europe via the passage of the Johnson-Reed Immigration Act (successor to 1921’s stop-gap Emergency Quota Act), more than 14 million people flocked to the U.S. in search of economic opportunity, social equality, and freedom from religious and political oppression. Descendants of these ‘new immigrants,’ as they were called, were by the late twentieth century a staple of white American suburbia, but their progenitors were variously considered ‘off-white,’ ‘dark-white,’ or non-white, with attendant connotations of mental, physical, and moral inferiority. This research examines texts, authored by Jewish immigrants such as Abraham Cahan, Anzia Yezierska, Rose Cohen, and Mary Antin, which were published between 1890 and 1930, when the onset of the Great Depression saw a rise in anti-Semitism that contributed to the decline in popularity of ‘up by the bootstraps’ Americana whose narratives chronicled, ostensibly, social assimilation and cultural integration; it considers the ramifications of writing in English for a native audience, which frequently alienated Jewish immigrants from their peers, and analyzes the manner in which the United States’ shifting social mores coincided with—and facilitated—new immigrants’ reappraisal of religion, education, commerce, and family life in the ‘new world’ of the west. It argues that the ambivalence contained within many of these texts was both a reaction to nativist prejudices and an effort to expose misconceptions present on both sides of the wildly popular Americanization movement, as well as exploring the way that such narratives attempted the redefinition of American philanthropic, educational and civic paradigms—the preponderance of which passionately espoused rhetoric of equality while reinforcing the stratification of the United States’ class system—into modes of interaction that accommodated difference while seeking to establish common ground upon which could be built a more inclusive, multiethnic future. Finally, it addresses the continuing relevance of these works as texts which both predict and presage modern modes of social interaction and discusses their future in an evolving literary canon that has, historically speaking, been an agent of western patriarchal hegemony.
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Books on the topic "Jewish writers"

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Morganroth, Schneider Judith, and State University of New York College at Brockport. Dept. of Foreign Languages., eds. Latin American Jewish writers. Brockport, N.Y: Dept. of Foreign Languages, State University of New York, 1987.

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Harold, Bloom. Jewish women fiction writers. Philadelphia: Chelsea House Publishers, 1998.

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Gardiol, Rita Mazzetti. Argentina's Jewish short story writers. Muncie, Ind: Ball State University, 1986.

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Horn, Pierre L. Modern Jewish writers of France. Lewiston [N.Y.]: E. Mellen Press, 1997.

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Gardiol, Rita Mazzetti. Argentina's Jewish short story writers. Muncie, Ind. (Ball State University, Muncie 47306): Ball State University, 1986.

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Jewish writers in Serbian literature. London: ASWA, 2003.

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Jules, Bukiet Melvin, ed. Neurotica: Jewish writers on sex. New York: W.W. Norton, 1999.

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Jules, Bukiet Melvin, ed. Neurotica: Jewish writers on sex. New York: Broadway Books, 2000.

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Argentina's Jewish short story writers. Muncie, Ind: Ball State University, 1986.

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Avery, Evelyn, ed. Modern Jewish Women Writers in America. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230604841.

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Book chapters on the topic "Jewish writers"

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Shapiro, Ann. "Norma Rosen’s Jewish Journey." In Modern Jewish Women Writers in America, 111–27. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230604841_8.

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Oparnica, Željka. "Writers of the Sephardi Past." In Jewish Literatures and Cultures in Southeastern Europe, 115–28. Wien: Böhlau Verlag, 2021. http://dx.doi.org/10.7767/9783205212904.115.

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Klingenstein, Susanne. "Failed Conquests: Jews and Germans in Fictions and Memoirs by American Jewish Women." In Modern Jewish Women Writers in America, 215–39. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230604841_13.

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Watts, Eileen H. "Edna Ferber, Jewish American Writer: Who Knew?" In Modern Jewish Women Writers in America, 41–63. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230604841_4.

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Avery, Evelyn. "Modern Jewish Women Writers in America: An Introduction." In Modern Jewish Women Writers in America, 1–14. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230604841_1.

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Ronell, Anna P. "Rebecca Goldstein: Tension and Ambivalence." In Modern Jewish Women Writers in America, 151–71. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230604841_10.

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Glazer, Miriyam. "Kei’tsad Mirakdim Lifnei HaKalah: How Do You Dance before the Bride?" In Modern Jewish Women Writers in America, 173–97. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230604841_11.

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Aarons, Victoria. "Anxieties in the “Modern Context”: Fantasies of Change in Allegra Goodman’s Fiction." In Modern Jewish Women Writers in America, 199–212. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230604841_12.

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Mirvis, Tova. "“Writing between Worlds”." In Modern Jewish Women Writers in America, 241–47. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230604841_14.

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Wohlgelernter, Maurice. "Between My Finger and My Thumb, or, Text and Context." In Jewish Writers/Irish Writers:, 1–9. Routledge, 2017. http://dx.doi.org/10.4324/9780203787977-1.

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Conference papers on the topic "Jewish writers"

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Jasim MOHAMMED, Ahmed, and Hussein Ismael KADHIM. "THE IMPACT OF THE JEWISH FAITH IN MODERN HEBREW POETRY "SHABBAT FOR EXAMPLE." In I V . I N T E R N A T I O N A L C O N G R E S S O F L A N G U A G E A N D L I T E R A T U R E. Rimar Academy, 2022. http://dx.doi.org/10.47832/lan.con4-14.

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This study is an attempt to shed light on a central and important issue in the lives of any nation or society or group of people, and it is the issue of "faith". One of the most important foundations in the Jewish faith is the "Sabbath" or day of rest for the Jews, which they respect and sanctify from all the other six days of the week. This study discusses the different representations of Saturday in Hebrew poetry. This study examined different representations of the theme of Saturday in Hebrew poetry with special emphasis on the significance of these representations shaped their worldview of the Jews on the topic flowing. Saturday is a day of rest and weekly holy people of Israel, the first deadline dates prescribed in the Torah. When there was a regular basis every seven days, on the seventh day a week. Saturday is the start of Friday's end, a little before sunset - the time called "Saturday Night", and tip the next day, with nightfall - long known as "Saturday". Jewish Saturday is considered the most sacred date. Saturday observance is one of the central commandments in Judaism; According to Judaism, this is the first commandment given to man, on the day he removed and weighed against all the commandments of the Torah. Judaism Saturday symbolizes the creation of the world by God and the holiness constant since the world was created by God. Reasons for the mitzvot and customs specific biblical command to sit origin consecrate this day and strike him from work, God's act of creation after the completion of the six days of creation. Saturday is used only for rest and refraining from doing work, and has been caught during today's Bible Holiness, pleasure, study Torah and elation. Observance of the Saturday, according to Judaism, is a practical admission creation of the world, reinforces the belief and non-observance leads to weakening of the Jewish faith, as well as keeping the Saturday brings a person to the Creator and secrete more physical nuns. Israel was set Saturday to officially rest. Sanctity of "on Saturday" is based - according to tradition - the thinking that thought that the God who created the heavens and the earth in six days, and Ahri-cc, he rested on the seventh day his work which he worked it, and he ordered them to stop all this day according craft books mentioned several books of the Bible. At the beginning of this study will be discussed at the origin of the word "Sabbath" (Saturday) in the Hebrew language, and the meaning of the word "Sabbath" in the Bible, Then, will be discussed on the types Saturday among the Jews, except they have a regular Sabbath day three ten types of Saturdays, expressing the various events and occasions and have various rituals and special customs. Too, will be discussed on the customs and rituals that the Jews do them during the entry to his departure on Saturday. Even so, it is during this study for some changes in different terms to Saturday, which the Jews call them the Sabbath. These names were used most by the Hebrew writers in modern times in their songs and stories that written in honor of this day, and Hebrew poets wrote poetry on Saturday: Bialik wrote the song "Saturday queen", poet Amir Gilboa wrote the song "Cch Cmo Sani the up" and others. By analysis of these literary works can be seen that the authors of these works depict through which all customs and ceremonies on Saturday in detail from beginning to end, especially the poet Bialik's poem "Saturday queen". And the end of the study conclusions and sources will come
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Abbas ALI, Baydaa. "Jewish self-hatred in the play "A Jewish Soul" by the Israeli writer Yehoshua Sobol." In VI. International Congress of Humanities and Educational Research. Rimar Academy, 2023. http://dx.doi.org/10.47832/ijhercongress6-9.

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This study deals with the topic of Jewish self-hatred in the play "Jewish Soul: Otto Wenninger's Last Night" by Joshua Sobol. The play belongs to the type of autobiographical plays, by presenting the ideas of the Austrian-Jewish philosopher Otto Wenninger during the last night of his life before his suicide, which are ideas related to the relationship between feminism and Judaism on the one hand and masculinity and the Aryan race on the other hand, as well as his ideas about the negative impact of Judaism on the Zionist movement that He feared that Judaism would eliminate it and drown it like a stone in a quagmire, and he is the one who views it - that is, Zionism - as the last remnants of the nobility in Judaism
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Лабынцев, Ю. А., and Л. Л. Щавинская. "Между Шкловом и Витебском: первое внутриимперское еврейско-русское литературно-издательское делание." In Межкультурное и межъязыковое взаимодействие в пространстве Славии (к 110-летию со дня рождения С. Б. Бернштейна). Институт славяноведения РАН, 2021. http://dx.doi.org/10.31168/0459-6.36.

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The authors present and analyze the phenomenal fact of the joint literary and publishing work of the famous Russian writer Senator G. Derzhavin and a group of Jewish intellectuals, which took place in the summer of 1799 in the town of Shklov.
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