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Books on the topic 'Jews, Caucasian'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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1

Murzakhanov, I︠U︡ I. Ocherk istorii ėtnograficheskogo izuchenii︠a︡ gorskikh evreev: XVIII-nachalo XX v. Moskva: Izd-vo "Choro", 1994.

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2

Bram, Chen. Yehude Ḳaṿḳaz be-Dagesṭan: Zehut ḳoleḳṭivit ṿe-hiśardut ḳehilatit. Ramat-Gan: Merkaz Rapaporṭ le-ḥeḳer ha-hitbolelut ule-ḥizuḳ ha-ḥiyuniyut ha-Yehudit, Universiṭat Bar-Ilan, ha-Faḳulṭah le-madaʻe ha-Yahadut, 2006.

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3

Mgaloblishvili, Tamila. Kʻartʻuli ebraelebi: Georgian Jews = Yahadut Geʼorgyah : istoria da kultura. Tʻbilisi: Sakʻartʻvelos erovnuli muzeumi, 2010.

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4

Murzakhanov, I︠U︡ I. Gorskie evrei: Annotirovannyĭ bibliograficheskiĭ ukazatelʹ. Moskva: Choro, 1994.

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5

Metreveli, Roin. Ebraelebi Sakʻartʻveloši. Tʻbilisi: "Poligrap'i", 2002.

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6

Ebraelebi Sakʻartʻveloši. Tʻbilisi: "Poligrap'i", 2002.

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7

Komaxiże, Tʻeimuraz. Żala ertʻobašia. Batʻumi: S.S. "Gamomcʻemloba Ačara", 2000.

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8

Kukullu, Amaldan. Ėkho minuvshikh i zov gri͡a︡dushchikh ėpokh. Moskva: Amaldanik, 1997.

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9

Slaṿin, Yiśraʼel. Sefer Bet Yiśraʼel: Toldot ṿe-ḳorot ḥayim : yovel shanim be-erets ha-ḳodesh, maḥatsit ha-yovel me-aḥore masakh ha-barzel. Yerushalayim: Y.N. Slaṿin, 2000.

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10

Mardi, Shalva. Zhiznʹ skvozʹ smekh i slëzy. Tel-Aviv: [s.n.], 1995.

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11

Slaṿin, Yiśraʼel. Sefer Bet Yiśraʼel: Toldot ṿe-ḳorot ḥayim : yovel shanim be-erets ha-ḳodesh, maḥatsit ha-yovel me-aḥore masakh ha-barzel. Yerushalayim: Y.N. Slaṿin, 2000.

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12

Cʻicʻiašvili, Abon. Ebraelebi da Sakʻartʻvelo: Evrei i Gruzii︠a︡ : 2600 celi ertʻad. Tʻbilisi: "Respublika", 2003.

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13

Atanelov, Yitzhak. ha-Maḥol ha-Geʼorgi be-Yiśraʼel. Lod: Agudat "Neṭaʻ", 1990.

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14

Śalman-Rozenberg, Mikhal. Be-maʻaleh ha-har: Ḳeliṭatam shel ha-Yehudim ha-harhariyim yotsʼe Ḳaṿḳaz be-Yiśraʼel. [Jerusalem]: ha-Miśrad li-ḳeliṭat ha-ʻaliyah, 2002.

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15

Ebraeltʻa sakitʻxi da kʻartʻuli sinamdvile, 1921-1940. Tʻbilisi: "Mematiane", 2005.

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16

Hasan-Rokem, Galit. Adam le-adam gesher: Pitgamim shel Yehude Gorgiyah be-Yiśraʾel. Yerushalayim: Mekhon Ben-Tsevi le-ḥeḳer ḳehilot Yiśraʾel ba-Mizraḥ, 1993.

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17

Gagulashṿili, Yaʻaḳov. Hagadat Yahadut Geʼorgyah Śiaḥ Yaʻaḳov: Beʼurim u-ferushim ʻal derekh ha-pardes. Hagadah shel Pesaḥ. Shir ha-shirim. [Ashdod: Yaʻaḳov Gagulashṿili], 2012.

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18

Jewish Russians: Upheavals in a Moscow synagogue. Philadelphia: University of Pennsylvania Press, 2003.

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19

Vinson, Irmin. Some thoughts on Hitler and other essays. San Francisco, CA: Counter-Currents Pub., 2011.

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20

Vinson, Irmin. Some thoughts on Hitler and other essays. San Francisco, CA: Counter-Currents Pub., 2011.

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21

D. Baazovis saxelobis Sakʻartʻvelos ebraeltʻa istoriul-etʻnograpʻiuli muzeumi. Kʻartʻvel ebraeltʻa kulturuli memkvidreoba: Sakʻartʻvelos erovnuli muzeumis kolekʻcʻiebidan. Edited by Cicuašvili Lela, Jiqašvili Lela, Sakharova Ana, and Sakʻartʻvelos erovnuli muzeumi. Tʻbilisi: Sakʻartʻvelos erovnuli muzeumi, 2013.

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22

Europe, United States Congress Commission on Security and Cooperation in. Implementation of the Helsinki accords: Hearing before the Commission on Security and Cooperation in Europe, One Hundred Third Congress, first session, ethnic violence in Trans-caucasia, March 8, 1993. Washington: U.S. G.P.O., 1993.

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23

United States. Congress. Commission on Security and Cooperation in Europe. Implementation of the Helsinki accords: Hearing before the Commission on Security and Cooperation in Europe, One Hundred Third Congress, first session, ethnic violence in Trans-caucasia, March 8, 1993. Washington: U.S. G.P.O., 1993.

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24

Hasan-Rokem, Galit. Adam le-adam gesher: Pitgamim shel Yehude Gorgiyah be-Yisrael. Mekhon Ben-Tsevi le-heker kehilot Yisrael ba-Mizrah, 1993.

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25

Guram, Batʻiašvili, and Abašiże Irma, eds. Menora 15. Tʻbilisi: "Menora", 2008.

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26

Kosstrin, Hannah. White Rooms, Red Scare. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199396924.003.0005.

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Abstract:
Anna Sokolow’s early Cold War choreography cloaked social(ist) challenges to the status quo under the façade of American modernism. Lyric Suite (1953) laid bare sexual discontent in the guise of universal abstraction; Rooms (1954) portrayed gay people’s and Jews’ experiences among those of society’s untouchables in tenement houses; and the Opus series (1958–1965) cemented the political significance of the Old Left meeting the New Left through ironic uses of musical and movement elements drawn from jazz, as Africanist elements like these signaled a generalized Americanness. Sokolow’s assimilation into concert dance whiteness through these works’ critical reception and Israeli Bonds festivals reflected the American Jewish community’s postwar assimilation from racially marked to Caucasian. Sokolow’s work evidences roles played by leftist Jews in crafting definitive images of midcentury Americana as they publicly rewrote their 1930s leftist actions into normative postwar American activities in the wake of the Second Red Scare.
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