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1

Martino, Andrew. "Ties by Jhumpa Lahiri." World Literature Today 91, no. 5 (2017): 75–76. http://dx.doi.org/10.1353/wlt.2017.0153.

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Basu, Lopamudra. "Whereabouts by Jhumpa Lahiri." World Literature Today 95, no. 3 (2021): 90. http://dx.doi.org/10.1353/wlt.2021.0060.

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3

Kellman, Steven G. "Jhumpa Lahiri Goes Italian." New England Review 38, no. 2 (2017): 121–26. http://dx.doi.org/10.1353/ner.2017.0046.

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4

Poulami, Malakar, and Prajna Paramita Panigrahi Dr. "Cultural and Personal Isolation in Jhumpa Lahiri's Novels." Criterion: An International Journal in English 15, no. 3 (2024): 86–93. https://doi.org/10.5281/zenodo.12671150.

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Jhumpa Lahiri is one of the most influential Indo-American writers. She is the child of an immigrant and multiculturalism. Jhumpa Lahiri represents the female quandary in diaspora. She is also explores the ideas of cultural isolations, personal isolations and identities. This paper aims to identify the aspects of Indian diasporic feminism and highlights the double marginalization, patriarchal dominance, sexuality, sacrifice, tolerance, acceptance, agonize ,hardship, trauma, affliction, dolour, forgiveness, courage, love and care, passive suffering, displacement, migration, cultural resilience
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5

Jacobs, Rita D. "The Lowland by Jhumpa Lahiri." World Literature Today 88, no. 1 (2014): 58–59. http://dx.doi.org/10.1353/wlt.2014.0099.

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6

Rendón, Catherine. "Unaccustomed Earth by Jhumpa Lahiri." World Literature Today 83, no. 1 (2009): 68. http://dx.doi.org/10.1353/wlt.2009.0206.

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7

Leyda, J. "An Interview with Jhumpa Lahiri." Contemporary Women's Writing 5, no. 1 (2010): 66–83. http://dx.doi.org/10.1093/cwwrit/vpq006.

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8

Frigeni, Veronica. "L’italiano perturbante di Jhumpa Lahiri." Italian Studies 75, no. 1 (2019): 99–110. http://dx.doi.org/10.1080/00751634.2020.1688521.

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9

Cussen, John. "The People Jhumpa Lahiri Little Likes." Theory in Action 16, no. 1 (2023): 100–132. http://dx.doi.org/10.3798/tia.1937-0237.2304.

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This paper makes the claim that despite the culture-page and scholar classes' favorable reception of just about everything she offers, Bengali-American writer Jhumpa Lahiri thinks meanly of them and of their progressive mindsets. Telling in the second's regard are her counter-normative usages of their favored tropes--of, for example, the madwoman-in-the-attic trope. Telling in the first's regard are the literary academics who appear in her fictions. Nine for nine, they are shallow, feckless, and bullying sorts. Yes, literary academics--they are the people Jhumpa Lahiri little likes. In its lat
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10

P.Nainar, Sumathi. "Immigrant Experience in Jhumpa Lahiri's The Namesake." RESEARCH REVIEW International Journal of Multidisciplinary 4, no. 2 (2019): 631–32. https://doi.org/10.5281/zenodo.2582037.

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Jumpha Lahiri is one of the recent second generation expatriate writer, born in London in 1967 to Bengali parents. Jhumpha Lahiri"s stories tells lives of the Indian in exile, of people navigating between the strict traditions they"ve inherited and the baffling new world they must encounter every day. Lahiri"s characters located in the diasporic space encounter the sense of identity crisis, alienation and exile.
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11

Chiarini, Ana Maria. "Jhumpa Lahiri: Mulher traduzida, escritora italiana." Revista da Anpoll 1, no. 47 (2018): 68–75. http://dx.doi.org/10.18309/anp.v47i1.1197.

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Jhumpa Lahiri, que obteve sucesso e prestígio escrevendo romances e contossobre a experiência de indianos e seus descendentes nos Estados Unidos, fez sua primeira experiência de escritora em língua italiana com In altre parole, no ano de 2015. A esse volume composto de textos curtos – relatos pessoais de sua aprendizagem do italiano –, vieram se somar um outro volume sobre as capas de livros, Il vestito dei libri, e Dove mi trovo, um romance. Este trabalho se propõe a traçar algumas considerações sobre a relação de Lahiri, escritora deslocada e mulher traduzida, com as línguas inglesa e italia
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12

Blair, Jen Rickard. "In Other Words by Jhumpa Lahiri." World Literature Today 91, no. 6 (2017): 21. http://dx.doi.org/10.1353/wlt.2017.0001.

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13

Butler, Catherine. "Roman Stories by Jhumpa Lahiri (review)." Rocky Mountain Review 78, no. 1 (2024): 106–8. http://dx.doi.org/10.1353/rmr.2024.a937355.

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14

Basu, Lopamudra. "Roman Stories by Jhumpa Lahiri (review)." World Literature Today 98, no. 1 (2024): 57–58. http://dx.doi.org/10.1353/wlt.2024.a916078.

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15

Begum, Khaja. "Culture and Identity in Jhumpa Lahiri's 'Unaccustomed Earth'." International Journal of Research 11, no. 8 (2024): 297–308. https://doi.org/10.5281/zenodo.13340878.

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<em>Jhumpa Lahiri (1967- ), born in England to Bengali parents and raised in America, has been categorised as an Indian-American, post-modern, post-colonial, and Indian writer. The process of naming Lahiri has been protracted and complex. Nevertheless, the identity she selects for herself is distinct. She desires to be acknowledged solely as an American writer. Lahiri employs Russian literature as a means to build an identity for her main character. In her second collection of short stories, titled Unaccustomed Earth (2008), Lahiri utilises the American writer Nathaniel Hawthorne not only to p
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16

Shah, Pratima. "Jhumpa Lahiri’s World of Fiction." SMART MOVES JOURNAL IJELLH 8, no. 2 (2020): 11. http://dx.doi.org/10.24113/ijellh.v8i2.10418.

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Jhumpa Lahiri is one of the most dynamic and enthusiastic writers among her contemporaries, She is definitely blessed with rare kind of art which she has achieved by virtue of her incessant labour and courage. Although she was born and brought up in the foreign countries, her attachment with India and the Indians became indispensable, which can easily be noticed all through her work. Lahiri subsequently developed her own technicalities, which she deployed in her fictional works. She is heartily associated with Indian culture and traditions, and this is the real cause for her huge popularity an
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17

Basu, Lopamudra. "Translating Myself and Others by Jhumpa Lahiri." World Literature Today 96, no. 5 (2022): 57–58. http://dx.doi.org/10.1353/wlt.2022.0220.

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18

Prerana, Singh, and Rakesh Kumar Dr. "Displacement and the Quest for Identity in Jhumpa Lahiri's Unaccustomed Earth." International Journal of Social Science and Humanities Research 13, no. 2 (2025): 251–55. https://doi.org/10.5281/zenodo.15378685.

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<strong>Abstract:</strong> Jhumpa Lahiri&rsquo;s Unaccustomed Earth is a powerful exploration of the experiences of displacement and the resulting identity crises faced by immigrant individuals and their descendants. The theme of displacement plays a pivotal role in shaping the characters' quest for identity, highlighting the challenges faced by immigrants and their descendants. Set in both India and the United States, the stories explore the nuances of cultural alienation, the longing for belonging, and the tension between past and present. Lahiri's protagonists often find themselves in a sta
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19

Khette, Kiran. "IMMIGRANT IDENTITY AND DIASPORIC CONSCIOUSNESS IN JHUMPA LAHIRI'S THE NAMESAKE." Research Nebula 2, no. 4 (2014): 84–89. https://doi.org/10.5281/zenodo.14552919.

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In the second half of the 20th century, popularly known as post-colonial period, theexperiences of migrants or diasporic people have become an integral part of discussion inmodern literary intelligentsia and contemporary societies. We can say that the writings ofdiasporic writers have been at the forefront of recent literary discussion seeking to articulatethe experiences of expatriated people. Diasporic writing has raised questions regarding thedefinitions of 'home' and 'nation'. The Indian diasporic writings have become a distinctiveclass with the arrival of such writers as V.S. Naipaul, Sal
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20

Yalovenko, Olha. "Specificity of Understanding the Problem of Gender Relations in Jhumpa Lahiri`s Writing." Fìlologìčnì traktati 12, no. 2 (2020): 136–43. http://dx.doi.org/10.21272/ftrk.2020.12(2)-15.

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The article deals with the specificity of understanding the problem of gender relations in Jhumpa Lahiri`s writing (the American writer of Bengali origin). The article`s aim is to explore the peculiarities of gender relations in the context of the transculture paradigm in Jhumpa Lahiri`s writing. Research methods: historical and typological (determining the specifics of themes, motifs, images, story features of the writer`s works), hermeneutic (interpretation of various aspects of the literary text), narratological analysis (specifics` analysis of J. Lahiri`s narrative manner). It is indicated
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21

Kumari, Ranjeeta. "The Theme of Diaspora in the Novel of Jhumpa Lahiri." SMART MOVES JOURNAL IJELLH 9, no. 1 (2021): 67–75. http://dx.doi.org/10.24113/ijellh.v9i1.10879.

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The paper on the Indian Diaspora, discussion of multiculturalism in relation to the theme of alienation, identity and multiculturalism in the novel of Jhumpa Lahiri. The term of “Diaspora” is used to refer such people or population to leave their own homeland and settled down to another place which is so far from their own traditional homeland. Jhumpa Lahiri writes about Diaspora and alienation and between the memory of homeland and the new land, the immigrants are in a permanent mental and emotional war between the myth and customs of the old world and; freedom of the new one. In her novel, “
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22

Parmod. "INDIAN DIASPORA: A CRITICAL EXAMINATION OF JHUMPA LAHIRI'S NAMESAKE." International Journal of Multidisciplinary Research and Modern Education (IJMRME) 9, no. 1 (2023): 170–72. https://doi.org/10.5281/zenodo.8287710.

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Jhumpa Lahiri&#39;s novel <em>Namesake</em> follows the life of an American born to Indian immigrant parents. The conflict begins with the name &quot;Gogol,&quot; which was inspired by an author who was a favorite of the immigrant Indian Father. While the story progresses through the subtle tenacious attitude of Ashima, Gogol&#39;s mother, who refuses to let go of her Indian influence by continuing to read Indian languages until the day Gogol begins to identify as an Indian. Jhumpa Lahiri depicts the life of a first generation Indian immigrant family and the difficulties they confront as immig
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23

Bee, Shaista, and Kavita Agnihotri. "Cultural Crossroads: Indian and Global Perspectives in Jhumpa Lahiri’s Novels." REVIEW JOURNAL PHILOSOPHY & SOCIAL SCIENCE L, no. 1 (2025): 154–62. https://doi.org/10.31995/rjpss.2025.v50i01.021.

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The writer Jhumpa Lahiri from an Indian background has used her powerful storytelling to create substantial changes in present-day literature because she examines immigrant life along with cultural differences. Interpreter of Maladies (1999) established Lahiri’s career as a writer because she won the Pulitzer Prize for Fiction in 2000 for this short story collection which gained worldwide recognition. The Namesake added to her literary body of work by presenting the themes of cultural assimilation alongside dual heritage alongside personal identity struggles. Through her writings Lahiri focuse
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24

Costa, Andréa Moraes da. "De Dove mi Trovo a Whereabouts: Jhumpa Lahiri e a Autotradução." Revista Brasileira de Literatura Comparada 24, no. 47 (2022): 75–84. http://dx.doi.org/10.1590/2596-304x20222447amc.

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RESUMO Este artigo discute a autotradução, centrando-se na escritora Jhumpa Lahiri, enquanto autotradutora de Dove mi Trovo (2018) - obra escrita pela autora em italiano e traduzida por ela para a língua inglesa, cuja publicação foi intitulada Whereabouts (2021a). A discussão destaca essa particularidade que recobre tal prática de Lahiri, isto é, o fato de que a referida autotradução deu-se a partir da língua italiana para a língua inglesa, embora a autora, sendo inglesa, de descendência indiana e naturalizada norte-americana, tenha durante muitos anos escrito exclusivamente em inglês. Conside
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25

Alhat, Dr. Namrata Suresh. "The Namesake by Jhumpa Lahiri - A Thematic study of a Diasporic novel." International Journal of Advance and Applied Research 10, no. 2 (2022): 597–98. https://doi.org/10.5281/zenodo.13738773.

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<strong>Introduction: </strong> The Namesake (2003) known as a famous diasporic novel belongs with Indian and western culture. Diaspora is a word of Greek origin meaning &lsquo;to sow over or scatter&rsquo;. Diaspora has become a term of self-identification among many varied groups who migrated or whose forbearer migrated from one place to another or several other places. The Namesake is a novel, deals with multiple themes like search for identity, cross cultural conflict in migrated world etc. The central character Gogol have multiple identities as the novel progresses. Ashok Ganguli the fath
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26

Pireddu, Nicoletta. "Review Essay—Jhumpa Lahiri: Between Longing and Belonging." Comparative Literature Studies 58, no. 4 (2021): 891–907. http://dx.doi.org/10.5325/complitstudies.58.4.0891.

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27

Jen Rickard Blair. "In Other Words by Jhumpa Lahiri." World Literature Today 91, no. 6 (2017): 21. http://dx.doi.org/10.7588/worllitetoda.91.6.0021.

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28

Caesar, Judith. "American Spaces in the Fiction of Jhumpa Lahiri." ESC: English Studies in Canada 31, no. 1 (2005): 50–68. http://dx.doi.org/10.1353/esc.2007.0002.

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29

Wanjari, Priya D., and Vandana Lyte. "Identifying hybridity in the fiction of Jhumpa Lahiri." ACADEMICIA: An International Multidisciplinary Research Journal 12, no. 11 (2022): 239–44. http://dx.doi.org/10.5958/2249-7137.2022.00879.5.

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30

Dr., N. Priyadarshini. "FEMINISM, WOMANHOOD AND MOTHERHOOD IN THE WORKS OF JHUMPA LAHIRI." International Journal of Interdisciplinary Research in Arts and Humanities 1, no. 1 (2016): 51–57. https://doi.org/10.5281/zenodo.161597.

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The present paper aims at identifying the aspects of Indian diasporic womanism in the selected works of Jhumpa Lahiri, a Bengali-American woman writer. It borrows the term “womanism” from Alice Walker and focuses on the three key aspects of womanism: feminism, womanhood and motherhood. The study analyses the three major works of Jhumpa Lahiri, The Interpreter of Maladies, a collection of nine short stories, which got her the Pulitzer Prize,The Namesake, a novel, which was made into a film, and the Unaccustomed Earth, a collection of eight short stories, which won her the Frank O’ Conner Prize,
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31

Kaur, Paramjit. "CULTURAL CONNOTATIONS IN JHUMPA LAHIRI’S THE NAMESAKE." International Journal of Research -GRANTHAALAYAH 5, no. 1 (2017): 442–48. https://doi.org/10.29121/granthaalayah.v5.i1.2017.5966.

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Jhumpa Lahiri’s novel The Namesake intricately explores themes of identity, cultural dislocation, and assimilation in a diasporic context. This paper critically analyzes the cultural connotations embedded within the novel, focusing on the immigrant experience, generational conflicts, and the significance of names and identity. Through a close reading of the text and secondary sources, this research seeks to unravel how Lahiri portrays cultural hybridity and the challenges of maintaining one's heritage while adapting to a new society. The novel highlights the struggles of first- and second-gene
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32

1Ms, S. Nandhini. "Cultural Hybridity in Jhumpa Lahiri's Unaccustomed Earth." Literary Druid 3, Special Issue 1 (2021): 103–10. https://doi.org/10.5281/zenodo.5203211.

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&ldquo;Unaccustomed Earth&rdquo; is short story collection deals with the lives of immigrants by Jhumpa Lahiri. Immigrants are the ones who have taken residence in any other country of the world other than their native. These immigrants find it difficult to mingle with the host country and its culture. Many of them often face the challenges of exile, loneliness, constant search for identity and cultural dilemmas. The first-generation immigrants undergo all those issues and long to return to their homeland. Whereas, second-generation immigrants feel alienated from their own parents (first-gener
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33

Chandorkar, Leena. "The Indian Diaspora in America as Reflected in Jhumpa Lahiri’s Fiction." History and Sociology of South Asia 11, no. 2 (2017): 204–11. http://dx.doi.org/10.1177/2230807517701862.

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Over the last 20 years, the Indian diaspora in the USA has suddenly come of age, numerically as well as economically. This growing confidence can be seen in the literature written by writers of Indian origin settled in the USA. Shunning sentimentality and overt nostalgia, this latter-day diasporic writing is laced with humour and a critical though affectionate tone directed towards their Indianness. Foremost among these voices is Jhumpa Lahiri. Pulitzer Prize winner Lahiri is the author of two novels and two short story collections. Deeply attached to her Indian heritage, yet wanting desperate
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34

M., Sundaram. "Diasporic Elements in Jumpa Lahiri's The Namesake." Shanlax International Journal of English 7, S1 (2019): 58–62. https://doi.org/10.5281/zenodo.3467333.

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In the fast globalized world, Diaspora issues, cultural identity, are enriching&nbsp; the Diaspora literature in the twenty- first century. The Diaspora elements are recurrent themes in the writings of Salman Rushdie, Amitav Ghosh, V.S. Naipaul, Kiran Desai, Bharati Mukherjee, Jhumpa Lahiri and many others. Diasporic fiction lingers over alienation, loneliness, rootlessness, homelessness, nostalgia, protest, assertions and quest for identity. It also addresses issues related to amalgamation or disintegration of cultures, discriminating margins of two different social milieus, internalizing lon
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35

Kumar, Tribhuwan. "Semiotic Analysis of Train in Jhumpa Lahiri’s The Namesake." World Journal of English Language 12, no. 2 (2022): 169. http://dx.doi.org/10.5430/wjel.v12n2p169.

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This paper makes a semiotic analysis of train in The Namesake, a novel by Jhumpa Lahiri who has been marked as a crafty painter of the sensibilities of Indian diaspora. The paper objectifies the thoughtful and vivid use of train by the novelist to match the emotional aspects involved with the plot. Lahiri has just not used trains as a means of transport but as a symbol to the sensibilities of diaspora. The paper commences with a small discussion on general purposes for which writers use trains in their works to project different concerns and later projects the vivid usage of train in the novel
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36

De Balsi, Sara. "Une femme dépaysée. Dove mi trovo de Jhumpa Lahiri." Textures, no. 24-25 (January 1, 2018): 253–63. http://dx.doi.org/10.35562/textures.273.

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Dans Dove mi trovo (Guanda, 2018), premier roman en italien de l’écrivaine américaine Jhumpa Lahiri, déjà autrice d’une autobiographie translingue au titre parlant (In altre parole, Guanda 2014 / En d’autres mots, traduction française publiée par Actes Sud en 2015), une femme dont ne sont donnés ni le prénom ni la nationalité, évolue dans une ville non précisée d’Italie. Seule, sans enfants, âgée d’une quarantaine d’années, elle vit dans un appartement qui ne lui appartient pas. Au cours du roman, pour son travail de chercheuse, elle est amenée à participer à une conférence où elle croise un h
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37

Dr., Vandana Sharma. "Ambivalence Over Identities in Jhumpa Lahiri's The Namesake." Criterion: An International Journal in English 15, no. 2 (2024): 25–33. https://doi.org/10.5281/zenodo.11103274.

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Indian Diasporic literature reflects the dilemma of Indian immigrants who are searching for their identity in an unknown country far away from their homeland. There have been many writers of Indian origin who have made the Indians, who are troubled by the clash of cultures and trying to establish their roots in a foreign land, the subject of their novels. Some of the most prominent names among them are V.S. Naipaul, Salman Rushdie, Rohinton Mistry, Kiran Desai, Cyril Dabydeen, Shani Muthoo, M. G. Vasanji, Ved Mehta, Kamala Markandaya, Chitra Banerjee Divakaruni, Jhumpa Lahiri, etc. Jhumpa Lahi
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38

Arianto, Tomi, and Ambalegin Ambalegin. "Indoctrination Against Women in "The Lowland" by Jhumpa Lahiri." OKARA: Jurnal Bahasa dan Sastra 12, no. 2 (2018): 153. http://dx.doi.org/10.19105/ojbs.v12i2.1935.

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39

Munos, Delphine. "The Namesake by Jhumpa Lahiri: The Accident of Inheritance." Commonwealth Essays and Studies 30, no. 2 (2008): 107–18. http://dx.doi.org/10.4000/ces.12322.

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Dr. Neeta Pandey, Dr Neeta Pandey. "Jhumpa Lahiri: Inspiring Assimilation of Cultures in The Namesake." IOSR Journal of Humanities and Social Science 9, no. 1 (2013): 1–4. http://dx.doi.org/10.9790/0837-0910104.

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Dennihy, Melissa. "Naming Jhumpa Lahiri: Canons and Controversies (review)." MELUS: Multi-Ethnic Literature of the U.S. 37, no. 3 (2012): 239–41. http://dx.doi.org/10.1353/mel.2012.0045.

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42

Ricorda, Ricciarda. "Dimorare altrove : il viaggio in Italia di Jhumpa Lahiri." Transalpina 27 (2024): 133–48. http://dx.doi.org/10.4000/12kp6.

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Il viaggio in Italia attiva per Jhumpa Lahiri, di famiglia bengalese immigrata negli Stati Uniti, una svolta transculturale che si manifesta nella scelta dell’italiano come lingua per la scrittura letteraria. Nei libri che pubblica in italiano tra il 2015 e il 2022, la dimensione spaziale è centrale : la lingua stessa è una dimora che la accoglie, mentre Roma è il luogo in cui si sente insieme radicata e spaesata. Si analizza come la scrittrice rappresenti la città, nei suoi contradditori aspetti, tra bellezza e violenza, riuscendo a restituirne un’immagine realistica e metaforica al tempo ste
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43

Badjak, Miya Gina Fatah, Bakhtiar Majid, and Sulmi Magfirah. "Hybridity in the Novel “The Lowland” by Jhumpa Lahiri." Jurnal Sinestesia 12, no. 2 (2022): 627–36. http://dx.doi.org/10.53696/27219283.223.

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This research discuss about the Hybridity in the novel “The Lowland” by Jhumpa Lahiri viewed from Postcolonial Theory. The research focused on the hybridity culture in the novel and the impact of hybridity culture that reflected to the character in the novel. The method of this research used descriptive analysis method to describe problems in the forms of narration and analysis. This research used postcolonial theory of Hommi Bhaba hybridity to help on understanding the hybridity, or mix of two or more culture in the primary data, then to match with the real condition in India from the library
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44

Rani, Ashu, and Dr Garima. "Problematic Identity in the diasporic writings of Jhumpa Lahiri." International Journal of Research in English 4, no. 2 (2022): 30–32. http://dx.doi.org/10.33545/26648717.2022.v4.i2a.87.

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45

AHMAD, WAHAJUDDIN. "ALIENATION’S PERFECT EXAMPLE “THE NAMESAKE,” NOVEL BY JHUMPA LAHIRI." IJRDO- Journal of Educational Research 9, no. 5 (2023): 1–6. http://dx.doi.org/10.53555/er.v9i5.5690.

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Jhumpa Lahiri's “The Namesake” tells the story of the Ganguli family including Ashima, Ashoke, Gogol and Sonia. Most of the novel revolves around Gogol and his life, as he tries to come to terms with his identity. During most of his childhood and adolescence, he had trouble accepting his name. In his novel “The Namesake,” Lahiri talks about the alienation, fear and disillusionment his characters face after moving abroad. In “The Namesake,” Ashima and Ashoke emigrate to the United States. Two characters emigrate to the United States due to socioeconomic factors.
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46

Ganduri, Srikanth. "Jhumpa lahiri: The chronicles of identity, exile, and belon’ging." Motifs : A Peer Reviewed International Journal of English Studies 10, no. 1 (2024): 57–69. https://doi.org/10.5958/2454-1753.2024.00006.7.

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47

Prity, Kumari Choudhary. "Cosmopolitan Approaches in the Two Short Stories of Jhumpa Lahiri." Cosmopolitan Approaches in the Two Short Stories of Jhumpa Lahiri 9, no. 2 (2024): 27–33. https://doi.org/10.36993/ RJOE.2024.9.2.33.

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Jhumpa Lahiri is the daughter of Indian Bengali immigrants to America. Born in London,&nbsp;England in 1967 as Nilanjana Sudeshna. Her parents moved to the United States when she was&nbsp;three. Jhumpa is her nickname given by her school teacher. Interpreter of Maladies (1999), her&nbsp;debut short story collection won the Pulitzer Prize for Fiction in 2000, also the&nbsp;PEN/Hemingway Award for Debut Fiction in the same year respectively. Her first novel, The&nbsp;Namesake (2003), was adapted into a popular film of the same name in 2006. A few other&nbsp;works written by her are: Unaccustomed
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Dr. Padmini Sahu. "Merging Identities: A Study of Jhumpa Lahiri’s Interpreter of Maladies." Creative Launcher 6, no. 3 (2021): 60–65. http://dx.doi.org/10.53032/tcl.2021.6.3.12.

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Jhumpa Lahiri’s characters in her short story collection Interpreter of Maladies keep wandering between the two worlds- one in their homeland and the other in the country where they choose to live and die. Lahiri records the emotional journey of characters seeking love and searching their identity beyond the barricade of nations, cultures, religions and generations. Mr. Kapasi is an interpreter of maladies and the malady of Mrs. Das is to be an unfamiliar person to her family’s culture, as Lahiri herself is an erudite interpreter of maladies- both social and emotional. Since, Mrs. Das is under
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C., Hemalatha. "Jhumpa Lahiri and Kiran Desai, The New Women Diasporic Writers." Shanlax International Journal of Arts, Science and Humanities 7, no. 1 (2019): 177–80. https://doi.org/10.5281/zenodo.3549302.

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Kiran Desai and Jhumpa Lahiri, the new women writers, who have enriched the genre of Indian English  ction but their imagination goes beyond the boundaries of their gender. They address themselves to an Indian culture in which there is a social pain and cultural displacement within the country as well as outside the country because of globalization and immigration. They voice the agony of the Indian immigrants settled in alien land with full of feelings on many fronts. The reasons for choosing these two critically acclaimed and award winning writers are many as these two writers contemporary
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V, Alagu Ponnu. "Cultural Diversity and Identity Crisis in the Selected Works of Jhumpa Lahiri." Shanlax International Journal of Arts, Science and Humanities, 6, S1 (2019): 109–11. https://doi.org/10.5281/zenodo.2551370.

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Jhumpa Lahiri was a greatest Indian woman writer and she discussed the practical life experiences except immigration. She writes about both male and female&nbsp;characters. but she gives importance to female characters. she writes women&nbsp;characters are not depicted as crushed under male supremacy but they miserably&nbsp;feel into their turbulent situation. she lets women characters to suffer, face the&nbsp;problem, adapt to it and to find modled and finally &nbsp;they become power. In general,&nbsp;she writers about the womens love, marriage and their family. In pacticular lahiri&nbsp;spea
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