Academic literature on the topic 'Ji Yeo'

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Journal articles on the topic "Ji Yeo"

1

Han, Xun, and Pengzhi Lin. "Permeability effects of single groin on flow characteristics by JOONGU KANG, HONGKOO YEO, SUNGJUNG KIM and UN JI,J. Hydraulic Res.49(6), 2011, pp. 728-735." Journal of Hydraulic Research 51, no. 1 (2013): 102. http://dx.doi.org/10.1080/00221686.2012.722812.

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2

Kang, Joongu, Hongkoo Yeo, Sungjung Kim, and Un Ji. "Closure to “Permeability effects of single groin on flow characteristics” by JOONGU KANG, HONGKOO YEO, SUNGJUNG KIM and UN JI, J. Hydraulic Res. 49(6), 2011, 728–735." Journal of Hydraulic Research 51, no. 1 (2013): 103. http://dx.doi.org/10.1080/00221686.2012.722816.

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3

Jongwoo Jung та 정소연. "Diachronic Study on Animals of Jeju Island in Chosun Dynasty Literatures -focus on ≪Se-Jong-Sil-Rok-Ji-Ri-Gi(世宗實錄地理志)≫, ≪Dong-Guk-Yeo-Ji-Seong-Ram(東國輿地勝覽)≫, ≪Tam-Ra-Ji(耽羅志)≫, ≪Nam-Whan-Bak-Mul(南宦博物)≫, ≪Je-Ju-Gae-Rok(濟州啓錄)≫". 탐라문화 ll, № 50 (2015): 275–96. http://dx.doi.org/10.35221/tamla.2015..50.009.

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4

park su mil. "Yeon-Am, Park Ji-Won’s aesthetic consciousness of ecology." DONG-BANG KOREAN CHINESE LIEARATURE ll, no. 49 (2011): 363–92. http://dx.doi.org/10.17293/dbkcls.2011..49.363.

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yongtai kim. "Yeon-am Park Ji-won's spirit of Classical Scholar." Dongyang studies in Korean Classics 34, no. 34 (2012): 121–59. http://dx.doi.org/10.35374/dyha.34.34.201202.005.

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6

Barng, Kee-Jung. "Korea Yeon-Ji research based on formative characteristics and aesthetics." International Journal of Beauty Science and Technology 2, no. 2 (2018): 31–36. http://dx.doi.org/10.21742/ijbst.2018.2.2.06.

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Buffon, Veronica, and Christine Allison. "The gendering of victimhood: Western media and the Sinjar genocide." Kurdish Studies 4, no. 2 (2016): 176–96. http://dx.doi.org/10.33182/ks.v4i2.427.

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This article adopts a gender perspective on war, problematising media attention on Yezidi women since the attacks by ISIS. Sinjari Yezidis’ narratives/subjectivities since 2014 are silenced in Western media reports in favour of a “hyper-visibility” of women’s “injured bodies”, which mobilises a specific narrative of victimhood. Reports from UK and US broadsheet newspapers, plus the BBC, CNN and online publications are analysed, plus new data gathered through fieldwork among Yezidis in Northern Iraq. Western media draw on and reproduce cultural and gender representations, reinstating relations
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Akkaya, Ahmet Hamdi. "‘The Palestinian Dream’ in the Kurdish context." Kurdish Studies 3, no. 1 (2015): 47–63. http://dx.doi.org/10.33182/ks.v3i1.391.

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Turkey’s rising leftist student movement in the late 1960s admired the Palestinian Fedayeen movement and considered it as a school for their own future struggle. In the late 1960s young Turkish-Kurdish leftist students went to Palestinian guerilla camps in Lebanon to be trained in preparation for armed struggle in Turkey. That relationship gained new momentum following the 1980 military coup in Turkey, which heavily impacted Turkish and Kurdish radical movements. The Palestinian camps turned out to be a major retreat for these Turkish-Kurdish groups, among whom the PKK was a primary beneficiar
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Rafaat, Aram. "The shaky foundations of the 1926 annexation of Southern Kurdistan to Iraq." Kurdish Studies 6, no. 2 (2018): 197–216. http://dx.doi.org/10.33182/ks.v6i2.457.

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Between 1921 and 1925, the Kurds of Southern Kurdistan participated in three main political ‎processes in Iraq. These processes were the election of Faisal Ibn Hussein as the King of Iraq ‎in 1921, the election of the Iraqi Constituent Assembly in 1924, and the Mosul Province ‎referendum organised by the League of Nations in 1925. The British used the Kurds’ ‎participation as a foundation for the annexation of Southern Kurdistan to Iraq. However, this ‎article argues that these three processes cannot be considered as legitimate foundations as the ‎majority of Kurds voted against these processe
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10

Gómez Gurpegui, Carlos. "El realismo animado de Sang-ho Yeon." Con A de animación, no. 5 (May 18, 2015): 126. http://dx.doi.org/10.4995/caa.2015.3548.

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<p>Este artículo se centra en la figura del director de animación surcoreano Sang-ho Yeong. Con solo dos largometrajes en su haber, ha logrado que sean las primeras cintas animadas de Corea del Sur en proyectarse en Cannes o ganar con su segunda cinta en Sitges. Su obra, aún poco conocida en nuestro país, realiza un crudo retrato de la sociedad surcoreana del momento. En el presente artículo revisaremos las bases sobre las que se asienta el cine de Sang-ho Yeong, trazando una correspondencia entre su cine y el cine independiente de animación de su país, y cómo ha sabido aunar el realismo
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