Relevant bibliographies by topics / Jia Pingwa Fei du

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Jia Pingwa Fei du'

Author: Grafiati
Published: 20 February 2023

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Journal articles on the topic "Jia Pingwa Fei du"

1

Goldblatt, Howard. "Narrating China: Jia Pingwa and His Fictional World (review)." China Review International 13, no. 2 (2007): 517–20. http://dx.doi.org/10.1353/cri.2008.0022.

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2

Yang, Min. "Memory, Literature, and Revisited History: A Conversation with Jia Pingwa." World Literature Today 92, no. 1 (2018): 40–43. http://dx.doi.org/10.1353/wlt.2018.0296.

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Min Yang. "Memory, Literature, and Revisited History: A Conversation with Jia Pingwa." World Literature Today 92, no. 1 (2018): 40. http://dx.doi.org/10.7588/worllitetoda.92.1.0040.

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Stowe, John Edward. "Book Review: Yiyan WANG, Narrating China: Jia Pingwa and His Fictional World." China Information 21, no. 1 (March 2007): 171–73. http://dx.doi.org/10.1177/0920203x070210010517.

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5

Eoyang, Eugene Chen. "Jia Pingwa, the Concept of Ren 仁, and the Reading of Fiction." Comparative Literature: East & West 1, no. 1 (January 2, 2017): 1–10. http://dx.doi.org/10.1080/25723618.2017.1339508.

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6

Curien, Annie. "La ville et Tailleurs [Deux écrivains contemporains, Ye Si et Jia Pingwa]." Perspectives chinoises 62, no. 1 (2000): 57–64. http://dx.doi.org/10.3406/perch.2000.2571.

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Jia, Fei, Shuyu Lv, and Sha Xu. "Correction: Bio-conjugation of graphene quantum dots for targeting imaging." RSC Advances 9, no. 53 (2019): 30888–89. http://dx.doi.org/10.1039/c9ra90067e.

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8

Wang, Ning. "On the Interactive Relations between Writers and Critics: The Case of Jia Pingwa." Revue de littérature comparée 369, no. 1 (2019): 35. http://dx.doi.org/10.3917/rlc.369.0035.

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9

Ye, Fan. "El olor de la guayaba y el sabor del sorgo rojo: El realismo mágico en la literatura de China y de Latinoamérica." Co-herencia 12, no. 22 (June 2015): 27–39. http://dx.doi.org/10.17230/co-herencia.12.22.2.

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A partir de la década de 1980, el autor de Cien años de soledad se convirtió en el gran ídolo y fuente de “angustia de las influencias” (en términos de Harold Bloom) para toda una generación de escritores chinos: Jia Pingwa, Yu Hua, Su Tong, Yan Lianke, Ma Yuan y Mo Yan, entre otros. En este artículo se propone una lectura paralela de Gabriel García Márquez y Mo Yan, el premio nobel chino, con el propósito de demostrar que el realismo mágico latinoamericano y su aventura en China ha formado parte de la historia de la literatura contemporánea del país asiático: a los escritores chinos no solo les avivó su memoria y les hizo adoptar otra actitud hacia su pasado; también les mostró el camino para escribir un nuevo tipo de novela (noveau roman).
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10

Huang, Alexander C. Y. "Narrating China: Jia Pingwa and His Fictional World. By Yiyan Wang. London: Routledge, 2006. x, 318 pp. $170.00 (cloth)." Journal of Asian Studies 68, no. 4 (November 2009): 1272–74. http://dx.doi.org/10.1017/s0021911809991148.

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Dissertations / Theses on the topic "Jia Pingwa Fei du"

1

Wang, Yiyan. "Narrating China : Defunct capital and the fictional world of Jia Pingwa." Thesis, The University of Sydney, 1998. https://hdl.handle.net/2123/27674.

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This is a study of the contemporary Chinese writer Jia Pingwa with a focus on his controversial 1993 novel Defunct Capital. The study traces the growth of Jia Pingwa from a peasant boy to a professional writer of national and international influence. In order to examine Jia Pingwa's writing in the context of Chinese national literature, the thesis engages in a brief exploration of the role of literary texts, especially those of novels, in cultural construction of nationhood. When placed among "re/generations" of China's national story, Jia Pingwa's writing, his Defunct Capital in particular, reveals its relevance to literary and cultural representations of China. Beginning with his SJumgzhou Series in the early 1980s, Jia's literary endeavour has been directed at telling Shaanxi's local story in order to tell the national story. The construction of a Shaanxi cultural identity is essential in Jia's representation of the Chinese national identity. Defunct Capital marks a shift of Jia's cultural mapping from a rural to an urban environment and a change in his focus from peasants to city dwellers and from pastoral harshness and harmony to urban indulgence and social commodification. In this thesis, through a comparison with other literary works, the negative national allegorisation invested in the metaphor of a "defunct capital" becomes clear. Further and close textual analysis is subsequently conducted in terms of the invention of Chinese cultural traditions, its gender representation and its use of language devices in the narrative of Defunct Capital. The thesis concludes on the notion that culture has been used as a political strategy and Jia's local stories are told to narrate China.
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2

Jia, Fei [Verfasser]. "Naphthocage: A Flexible yet Extremely Strong Binder to Organic Cations with Naphthalene Walls / Fei Jia." Berlin : Freie Universität Berlin, 2020. http://d-nb.info/1214641229/34.

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3

Kokotowski, Christa [Verfasser], Lutz [Gutachter] Bieg, Stefan [Gutachter] Kramer, and Weiping [Gutachter] Huang. "Identitätssuche, Heimatroman oder literarische Sozialkritik? Zwei chinesische Schriftsteller und ihre Darstellung des ländlichen Chinas: Jia Pingwa: 浮躁/„Fuzao“/ „Turbulenzen“ und Mo Yan: 天堂蒜薹之歌 /„Die Knoblauchrevolte“. Eine vergleichende Analyse aus westlicher Sicht / Christa Kokotowski ; Gutachter: Lutz Bieg, Stefan Kramer, Weiping Huang." Köln : Universitäts- und Stadtbibliothek Köln, 2018. http://d-nb.info/1186251786/34.

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4

Cheng, Xiaomeng. "Performing the everyday life in ruined city: wife, mistress, and housemaid of a literary celebrity." Thesis, 2018. https://dspace.library.uvic.ca//handle/1828/9977.

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This thesis presents a study of “performing the everyday life” in the writer Jia Pingwa’s well-known novel Ruined City (Feidu 废都). By adopting the sociologist Erving Goffman’s idea of dramaturgical interactions in The Presentation of Self in Everyday Life, this thesis contends that the social interactions in Ruined City are all performed. I particularly pay attentions to the relationships involving the novel’s central character, the celebrity-writer and one of the four “cultural idlers” in Xijing, which is the ancient capital Xi’an the author lives in real life, Zhuang Zhidie, and the three women in his life— the wife Niu Yueqing, the mistress Tang Wan’er, and the housemaid Liu Yue. Considering Goffman’s idea, I consider Zhuang Zhidie performs various roles when he encounters with each of the women, and they in turn perform the corresponding role to fit in the performance environment Zhuang has regularized with his role and his definitions of situations. In a novel notorious for its graphic descriptions of sex, these relationships are also performed in sexual encounters, and presented with symbolic objects relevant to the characters' roles.
Graduate
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5

CHEN, CHIEN-MING, and 陳建銘. "The Analysis and Interpretation of TANG,JIAN-PING’s “Fei Ge”." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/js6xmv.

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碩士
國立臺灣藝術大學
中國音樂學系
106
“Fei Ge”was produced by a professor of “Centrol Conservatory Of Music”named “Tang,Jian-Ping”in 2002. It was also created because of the commission of an Asian band grouped by China, Japan and Korean. The melody of “Fei Ge”is touching and highly danceable, listenable and spreadable. Furthermore, this tune is rich in intense Yunnan characteristics and contains the traditional feature of minority’s music culture. Nevertheless, it is composed through contemporary technique, which prompts writer to conduct further study regarding this research agenda. Through a broad range of literature, Tang,Jian-Ping’s background, learning experiences, the concept of creation and artistic connotation could be understood thoroughly. In addition to that, in terms of “Miao Fei Ge”as well as “A Xi Tiao Yue”, their historical and cultural backgrounds can also be profoundly comprehended. Moreover, with regard to the section of “Yizu Haicai Qiang”which is mentioned in the current tune analysis of “Fei Ge”, author discovered that it is different from the composer’s original recognition. Hence, the author will elaborate and clarify those unclear statements in this essay. The tune analysis provides a myriad of understanding regarding the allocation of full song passage, the application of music materials, the use of harmony and interval as well as the rhythm arrangement. Based on the results of rational and objective dissection, Hopefully, this paper will benefit the flautists and composers who are interested in this tune. In addition, this study could be an effective reference for future research ,and make a tremendous contribution to academic area.
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Fang, Jincai. "Crisis of emasculation and the restoration of patriarchy in the fiction of Chinese contemporary male writers Zhang Xianliang, Mo Yan and Jia Pingwa." Thesis, 2004. http://hdl.handle.net/2429/16889.

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This dissertation is about Chinese masculinity. It will raise the issue of Chinese masculinity as it became problematic in the mid-1980s, the first time in the twothousand- year history of Chinese literature, that problems such as male identity, sexuality, and masculinity were seriously formulated and discussed. This study adopts the methods of a feminist reading and a close reading to reexamine works of three well-known contemporary male writers: Zhang Xianliang, Mo Yan and Jia Pingwa in the ideological/cultural context of the resurgence of Confucian patriarchy during the mid- 1980s to the mid-1990s in China. I will provide a detailed and dynamic analysis of how the contemporary male enterprise of reconstructing masculinity heavily relies on women—either by programming women into the author's step-by-step process of reconstructing lost masculinity for the protagonist or by putting women back to their old place prescribed by Confucian patriarchy. By deepening our understanding of Chinese men and women historically, culturally, ideologically and psychologically, and by constructing a dialogue between the past and the present, this study attempts to demonstrate that ideal masculinity in China as defined two thousand years ago is still alive, and serves as a major paradigm of masculinity for modern Chinese intellectuals. The re-examinations of each of the three works will be structured around the following three topics: (1) the major source of men's feelings of powerlessness and feminization (2) the ideological framework from which their ideal concept of masculinity is reconstructed; and (3) how these frameworks establish their gendered position and affect their views and feelings toward women; and thus how they program women's roles into the construction or restoration of their masculinity. My research reveals a stable structure to authors' ideals of masculinity consisting of four constant elements: power is the key attribute in defining Chinese masculinity; hierarchy is the structure within which ideal masculinity is constructed and consolidated; the state, (including politics and nationalism), male intellectuals and women are three indispensable, intertwined dimensions within which male intellectuals maneuver to bargain for their masculinity; and the philosophical/ideological past is the inexhaustible source of inspiration and justification for restoring lost masculinity.
Arts, Faculty of
English, Department of
Graduate
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Books on the topic "Jia Pingwa Fei du"

1

Fei du hou yuan: Jia Pingwa de "hou yuan" sheng huo. Chongqing: Chongqing chu ban she, 2006.

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2

Yi bu qi shu de ming yun: Jia Pingwa "fei du" chen fu. Shijiazhuang Shi: Hua shan wen yi chu ban she, 2011.

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3

Jia Pingwa. Beijing: Ren min wen xue chu ban she, 1998.

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1947-, Yanhuo, ed. Jia Pingwa. Xianggang: Ming bao yue kan, Ming bao chu ban she you xian gong si, 1999.

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Jian zheng Jia Pingwa: Jianzheng Jia Pingwa. Hefei Shi: Anhui wen yi chu ban she, 2011.

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6

Jia Pingwa xiao shuo xuan: Selected stories by Jia Pingwa / Jia Pingwa. Beijing: Zhongguo wen xue chu ban she, 1999.

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7

Evans, F. C. Bing gou jia zhi ping gu: Fei shang shi bing gou qi ye jia zhi chuang zao he ji suan. Beijing: Ji xie gong ye chu ban she, 2003.

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8

Jia Pingwa juan. Kunming Shi: Yunnan ren min chu ban she, 2001.

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Jia Pingwa lun. Taibei Shi: Shui niu tu shu chu ban shi ye you xian gong si, 1992.

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Jia Pingwa lun. Xi'an Shi: Xibei da xue chu ban she, 1992.

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Book chapters on the topic "Jia Pingwa Fei du"

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Zimmer, Thomas. "Jia Pingwa." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_11866-1.

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Zimmer, Thomas. "Jia Pingwa: Feidu." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_11867-1.

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Huang, Yiju. "Masterworks of Jia Pingwa and Chen Zhongshi." In Routledge Handbook of Modern Chinese Literature, 542–52. London; New York, NY: Routledge, 2018.| Includes bibliographical references and index.: Routledge, 2018. http://dx.doi.org/10.4324/9781315626994-45.

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"Works by Jia Pingwa." In Narrating China, 286–90. Routledge, 2006. http://dx.doi.org/10.4324/9780203352779-22.

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"Appendix 1 Interview with Jia Pingwa." In Narrating China, 230–50. Routledge, 2006. http://dx.doi.org/10.4324/9780203352779-19.

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"The life and career of Jia Pingwa." In Narrating China, 36–59. Routledge, 2006. http://dx.doi.org/10.4324/9780203352779-9.

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Zimmer, Thomas. "7 Jia Pingwa und sein Roman Verrottete Hauptstadt." In Erwachen aus dem Koma?, 87–112. Tectum – ein Verlag in der Nomos Verlagsgesellschaft, 2017. http://dx.doi.org/10.5771/9783828866591-87.

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Conference papers on the topic "Jia Pingwa Fei du"

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Li, Wei. "Comparative study on Jia Pingwa and Mo Yan's narrative perspective--Taking Jia Pingwa's Ruined Capital and Mo Yan's Big Breasts a Wide Hips as the example." In 2017 2nd International Conference on Education, Sports, Arts and Management Engineering (ICESAME 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icesame-17.2017.46.

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