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Dissertations / Theses on the topic 'Joachim, Joseph'

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Published: 4 June 2021
Last updated: 2 February 2022

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1

Høilund-Carlsen, Ruud Olivia. "Den tapte romantiske tolkningstradisjonen : Representert ved fiolinisten Joseph Joachim." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3504.

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2

Vetter, Isolde. "Johannes Brahms und Joseph Joachim in der Schule der Alten Musik." Bärenreiter Verlag, 1987. https://slub.qucosa.de/id/qucosa%3A37252.

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3

Marihart, Werner [Verfasser], and Joachim [Akademischer Betreuer] Dorfmüller. "Joseph Marx : ein spätromantischer Komponist ; Betrachtungen zu seiner Biographie und seinem symphonischen Schaffen / Werner Marihart ; Betreuer: Joachim Dorfmüller." Münster : Universitäts- und Landesbibliothek Münster, 2017. http://d-nb.info/1142240797/34.

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4

Haffner, Thomas. "Winckelmann an Wackerbarth und umgekehrt: Ein lange vermisster Briefwechsel." SLUB Dresden, 2018. https://slub.qucosa.de/id/qucosa%3A16978.

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Im Februar 2017 hatte die SLUB das große Glück, einen bisher verschollen geglaubten Teil der Korrespondenz zwischen dem Altertumsforscher und Kunsthistoriker Johann Joachim Winckelmann (1717–1768) und dem Grafen Joseph Anton Gabaleon von Wackerbarth-Salmour (1685–1761), Erzieher und Oberhofmeister des sächsischen Kurprinzen Friedrich Christian (1722-1763), mit großzügiger finanzieller Unterstützung der Ernst von Siemens Kunststiftung (EvS) und der Kulturstiftung der Länder (KSL) erwerben zu können. Am 25. September 2017 wurde die außergewöhnliche Erwerbung im Beisein der Staatsministerin für Wissenschaft und Kunst Dr. Eva-Maria Stange, des Generalsekretärs der EvS Dr. Martin Hoernes, des kommissarischen Generalsekretärs der KSL Prof. Dr. Frank Druffner und des Herausgebers der Winckelmann-Gesamtausgabe Prof. Dr. Max Kunze offiziell vorgestellt.
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5

Le, Bars-Tosi Florence. "Les Français et l’archéologie au Royaume de Naples pendant le Decennio francese (1806-1815) : l’exemple des découvertes de céramique antique." Thesis, Paris 10, 2014. http://www.theses.fr/2014PA100111/document.

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En se proposant d’étudier les relations des Français avec le Royaume de Naples dans la mise en place d’une politique archéologique parmi les plus modernes d’Europe sous les règnes de Joseph Bonaparte et Joachim Murat, cette thèse s’inscrit dans plusieurs domaines de la recherche en Histoire (politique et culturelle), Histoire de l’Art et Archéologie. Il s’agit ainsi de nous pencher surl’Antiquité à travers le prisme du XIXe siècle, tout en tentant de répondre aux questions actuelles de l’Histoire de l’art sur les provenances archéologiques et le destin des oeuvres découvertes dans ces années. Devant l’ampleur des découvertes archéologiques faites pendant le decennio francese, nous choisissons de limiter la recherche au matériel céramique. Ce corpus homogène permet de revenir sur les découvertes et l’histoire des sites archéologiques de l’Italie méridionale dans les années 1806-1815, en explorant des archives inédites. Leur dépouillement systématique apporte de nouvelles connaissances sur l’histoire des sites fouillés et permet de retrouver la provenance perdue d’objets aujourd’hui conservés dans les musées européens. Par ce croisement inédit de sources, nous espérons donner une vision plus complète de la Naples du decennio francese, tout en élargissant les connaissances sur l’Histoire de l’Archéologie en Italieméridionale. C’est là tout l’enjeu d’un sujet aux confluences des différents courants de l’Histoire,contemplant l’Antiquité dans le miroir des premières années du XIXe siècle
Dealing with the relationships between the French connoisseurship and the Kingdom of Naples in building of one of the most modern archeological policies in Europe under Joseph Bonaparte and Joachim Murat's reigns, this doctorate takes a part in several fields of research in History (political and cultural), Art History and Archeology. It makes us look at the Antiquity through the prism of the XIX Century, trying at the same time to answer today’s questions of Art History about the archeological proveniences and the faith of the vases discovered in those years. In front of the large number of archeological discoveries made during the French Decade, we choose to focus our research on ancient painted vases. This homogeneous corpus leads us back to the discoveries and the history of archeological sites in the south of Italy during the years 1806-1815 by exploring ancient and unpublished archives. Their systematic sorting gives new information on the History of excavations, allowing us to find out the lost provenance of ancient vases, today conserved in several museums in Europe.With this original sources crossing, we aimed at offering a more complete vision of Naples during the French Decade by broadening the knowledge on the Southern Italian archeological History.Here stands the stake of a study at the confluences of different streams of History, looking at the Antiquity in the mirror of the first years of the XIX Century
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6

Fang, Heng-Ching. "The twentieth-century revolution in string playing as reflected in the changing performing practices of viola players from Joseph Joachim to the present day : a practice-based study." Thesis, University of Leeds, 2008. http://etheses.whiterose.ac.uk/646/.

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The aim of this Ph. D. is to investigate string performance practice issues in late nineteenth- and early twentieth-century viola repertoires. The study will focus especially on the use of vibrato and portamento, as well as tempo modification and rhythm adjustment. This practice-based research involves a methodology which explores the close relationship between theory and practice. Chapter One outlines my methodology, reflecting on the philosophical approach that I have developed throughout my project. The content also describes the importance of first-hand experience, highlighting the link between psychology and qualitative method. These subjects are then developed in Chapter Two, which explores the early stage of my four-year journey of this research. I analyse my two `modern' recordings of Brahms' Sonatas for Viola and Piano, Op. 120, No. 1 and 2, demonstrating the way in which globalisation and modernised playing have dominated our perception and affected music production in the recording industry. Chapter Three examines primary sources, and related early recordings(1) together with secondary literature,(2) with reference to my interpretation of German-Romantic viola repertoires by Robert Schumann, Joseph Joachim and Johannes Brahms(3). My intention is to try to understand and apply Joachim's aesthetic to my playing. Chapter Four focuses upon Lionel Tertis' playing. Using Tertis' treatise, Beauty of Tone in String Playing,(4) as well as his complete Vocalion and Columbia recordings,(5) and fingerings from his edition, I develop and then criticise my own interpretation. In Chapter Five I examine the process through which I have developed my own taste as a historically-informed player. I consider my expectations for the future alongside literature related to interpretation. Details of the recorded portfolio are presented at the end of this thesis, including a description of each CD album, a list of the repertoire and the duration, recording date, instrumental equipment and setting, as well as the recording equipment, software and recording engineer. It is suggested that the reader uses the commentary with the recordings, or if preferred, listens to the recordings first and then uses the written text for detailed explanation regarding my approach to interpretation. 1 See Discography, p. 95-6. 2 See Bibliography, p. 91-4. 3 See Appendix I, pp. 97-102. 4 Lionel Tertis, Beauty of Tone in String Playing (London, 1938). 5 Lionel Tertis' complete Vocalion recordings, 1919-24, Biddulph 80219-2; and Columbia recordings, 1924-33, Biddulph 80216-2.
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Böhmer, Andreas Alexandre [Verfasser], Joachim [Akademischer Betreuer] Ehrlich, Joachim [Gutachter] Ehrlich, and Josef [Gutachter] Pfeilschifter. "Kardiale Effekte der Vagostimulation durch Akupunktur / Andreas Alexandre Böhmer ; Gutachter: Joachim Ehrlich, Josef Pfeilschifter ; Betreuer: Joachim Ehrlich." Frankfurt am Main : Universitätsbibliothek Johann Christian Senckenberg, 2019. http://d-nb.info/1181427126/34.

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Waltl, Josef [Verfasser], Joachim [Akademischer Betreuer] Henkel, and Oliver [Akademischer Betreuer] Alexy. "IP Modularity in Software Products and Software Platform Ecosystems / Josef Waltl. Gutachter: Joachim Henkel ; Oliver Alexy. Betreuer: Joachim Henkel." München : Universitätsbibliothek der TU München, 2013. http://d-nb.info/1031756485/34.

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Orlando, Zoya [Verfasser], and Joachim [Akademischer Betreuer] Jose. "Humane Hyaluronidasen als Wirkstofftargets / Zoya Orlando ; Betreuer: Joachim Jose." Münster : Universitäts- und Landesbibliothek Münster, 2015. http://d-nb.info/113828159X/34.

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Hug, Joachim Josef [Verfasser]. "Exploring the biosynthetic logic of myxobacterial natural products / Joachim Josef Hug." Saarbrücken : Saarländische Universitäts- und Landesbibliothek, 2020. http://d-nb.info/1221129422/34.

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11

Händel, Chris [Verfasser], Josef A. [Akademischer Betreuer] Käs, Josef A. [Gutachter] Käs, and Joachim [Gutachter] Rädler. "Fluctuations and Oscillations in Cell Membranes / Chris Händel ; Gutachter: Josef A. Käs, Joachim Rädler ; Betreuer: Josef A. Käs." Leipzig : Universitätsbibliothek Leipzig, 2016. http://d-nb.info/1240398212/34.

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12

Kranen, Eva [Verfasser], and Joachim [Akademischer Betreuer] Jose. "Autodisplay komplexer Enzyme für biokatalytische Anwendungen / Eva Kranen. Betreuer: Joachim Jose." Düsseldorf : Universitäts- und Landesbibliothek der Heinrich-Heine-Universität Düsseldorf, 2011. http://d-nb.info/1015363318/34.

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Orellana, Pérez Teresa [Verfasser], Hans Joachim [Akademischer Betreuer] Möller, Hans Joachim [Gutachter] Möller, and Cano Jose Ygnacio [Gutachter] Pastor. "Mechanical behavior of alternative multicrystalline silicon for solar cells / Teresa Orellana Pérez ; Gutachter: Hans Joachim Möller, Jose Ygnacio Pastor Cano ; Betreuer: Hans Joachim Möller." Freiberg : Technische Universitaet Bergakademie Freiberg Universitaetsbibliothek "Georgius Agricola", 2013. http://d-nb.info/122083727X/34.

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14

Spranzel, Moritz Julian Nico Josef [Verfasser], Joachim [Akademischer Betreuer] Jickeli, and Timo [Gutachter] Fest. "Die fehlerhafte GmbH-Gesellschafterliste : Korrektur- und Rechtsschutzmöglichkeiten / Moritz Julian Nico Josef Spranzel ; Gutachter: Timo Fest ; Betreuer: Joachim Jickeli." Kiel : Universitätsbibliothek Kiel, 2020. http://d-nb.info/1206179619/34.

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Schumacher, Stephanie Dorothee [Verfasser], Joachim [Akademischer Betreuer] Jose, and Holger [Akademischer Betreuer] Gohlke. "Autodisplay of functional P450 enzymes in Escherichia coli / Stephanie Dorothee Schumacher. Gutachter: Joachim Jose ; Holger Gohlke." Düsseldorf : Universitäts- und Landesbibliothek der Heinrich-Heine-Universität Düsseldorf, 2012. http://d-nb.info/1024567273/34.

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Nohe, Björn [Verfasser], Josef [Akademischer Betreuer] [Gutachter] Zimmermann, Hans-Joachim [Gutachter] Bargstädt, and Karsten [Gutachter] Körkemeyer. "Einflussfaktoren auf den Steuerungsaufwand in Bauprojekten als Bewertungskriterium für die Festlegung einer Projektorganisationsform / Björn Nohe ; Gutachter: Hans-Joachim Bargstädt, Karsten Körkemeyer, Josef Zimmermann ; Betreuer: Josef Zimmermann." München : Universitätsbibliothek der TU München, 2016. http://d-nb.info/1122738447/34.

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Pertermann, Eric [Verfasser], Hans-Joachim [Akademischer Betreuer] Schulze, Thomas [Akademischer Betreuer] Keutel, Josef [Gutachter] Lutz, and Nando [Gutachter] Kaminski. "Schnelle Dioden mit tiefen Donatoren aus Selen / Eric Pertermann ; Gutachter: Josef Lutz, Nando Kaminski ; Hans-Joachim Schulze, Thomas Keutel." Chemnitz : Universitätsbibliothek Chemnitz, 2017. http://d-nb.info/1214305849/34.

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Trojanowski, Peter P. [Verfasser], Josef [Akademischer Betreuer] Wachtveitl, and Joachim W. [Akademischer Betreuer] Engels. "Breitbandige, zeitaufgelöste Spektroskopie als empfindliche Methode zur Beobachtung von biomolekularer Dynamik / Peter P. Trojanowski. Gutachter: Josef Wachtveitl ; Joachim W. Engels." Frankfurt am Main : Univ.-Bibliothek Frankfurt am Main, 2015. http://d-nb.info/1067918264/34.

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Schmitt, Franz-Josef [Verfasser], and Hans Joachim [Akademischer Betreuer] Eichler. "Picobiophotonics for the investigation of pigment-pigment and pigment-protein interactions in photosynthetic complexes / Franz-Josef Schmitt. Betreuer: Hans Joachim Eichler." Berlin : Universitätsbibliothek der Technischen Universität Berlin, 2011. http://d-nb.info/1014971691/34.

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Kayser, Steffen Alexander Verfasser], Josef [Akademischer Betreuer] Granwehr, and Joachim [Akademischer Betreuer] [Mayer. "In-operando characterization of transport and transformation processes in lithium-ion and metal-air battery cells / Steffen Alexander Kayser ; Josef Granwehr, Joachim Mayer." Aachen : Universitätsbibliothek der RWTH Aachen, 2019. http://d-nb.info/1189672375/34.

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Zimniak, Joachim [Verfasser], Günter [Gutachter] Mennig, Manfred H. [Gutachter] Pahl, Josef [Gutachter] Flizikowski, and Bernd [Gutachter] Platzer. "ANALYSE VON GRUNDPROZESSEN DER AUFBEREITUNG VON KOMPOSITWERKSTOFFEN AUS AUSGEWÄHLTEN KUNSTSTOFF- UND GUMMIABFÄLLEN / Joachim Zimniak ; Gutachter: Günter Mennig, Manfred H. Pahl, Josef Flizikowski, Bernd Platzer." Chemnitz : Universitätsbibliothek Chemnitz, 2004. http://d-nb.info/1211829286/34.

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Gawarzewski, Iris [Verfasser], and Joachim [Akademischer Betreuer] Jose. "Determination of the AIDA-I ß-barrel crystal structure: getting the clue to the autotransporter secretion pathway / Iris Gawarzewski. Gutachter: Joachim Jose." Düsseldorf : Universitäts- und Landesbibliothek der Heinrich-Heine-Universität Düsseldorf, 2014. http://d-nb.info/1046404458/34.

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Christ, Josepha Brigitte [Verfasser], Joachim [Gutachter] Neumann, Frank-Ulrich [Gutachter] Müller, and Wolfram-Hubertus [Gutachter] Zimmermann. "Die G-Protein-Rezeptor-Kinase 2 bei der homologen Desensitivierung von humanen 5-HT4a-Rezeptoren in Herzvorhöfen von transgenen Mäusen / Josepha Brigitte Christ ; Gutachter: Joachim Neumann, Frank-Ulrich Müller, Wolfram-Hubertus Zimmermann." Halle (Saale) : Universitäts- und Landesbibliothek Sachsen-Anhalt, 2019. http://d-nb.info/1210731703/34.

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Christ, Josepha Brigitte [Verfasser], Joachim Gutachter] Neumann, Frank-Ulrich [Gutachter] Müller, and Wolfram-Hubertus [Gutachter] [Zimmermann. "Die G-Protein-Rezeptor-Kinase 2 bei der homologen Desensitivierung von humanen 5-HT4a-Rezeptoren in Herzvorhöfen von transgenen Mäusen / Josepha Brigitte Christ ; Gutachter: Joachim Neumann, Frank-Ulrich Müller, Wolfram-Hubertus Zimmermann." Halle (Saale) : Universitäts- und Landesbibliothek Sachsen-Anhalt, 2019. http://nbn-resolving.de/urn:nbn:de:gbv:3:4-1981185920-140455.

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Tubeleviciute, Agne [Verfasser], Joachim [Akademischer Betreuer] Jose, and Jörg [Akademischer Betreuer] Pietruszka. "Novel steroid reductase from Escherichia coli: from identification and characterization towards the design of a whole-cell biocatalyst / Agne Tubeleviciute. Gutachter: Joachim Jose ; Jörg Pietruszka." Düsseldorf : Universitäts- und Landesbibliothek der Heinrich-Heine-Universität Düsseldorf, 2014. http://d-nb.info/1054134952/34.

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Uhde, Katharina Bozena Croissant. "Psychologische Musik, Joseph Joachim, and the Search for a New Music Aesthetic in the 1850s." Diss., 2014. http://hdl.handle.net/10161/9059.

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Exploring two main lines of inquiry, this dissertation investigates the style and aesthetic of the music of Joseph Joachim (1831-1907) and its references to composers such as Brahms, Liszt, Schumann, and Beethoven. First, rather than simply accepting the image of Joachim as the great nineteenth-century violinist and collaborator of Johannes Brahms who advocated the "canonization of the music of Bach, Beethoven, and Brahms," I ask who Joachim was in light of his own compositions and literary circle. Especially significant was his "soul mate" Gisela von Arnim (daughter of Bettine von Arnim), from the second generation of two major literary "institutions" - the Grimm brothers and Arnim/Brentano, the Des Knaben Wunderhorn-collectors. Joachim and Gisela's literary role-play throws light on her function as his inspiration and muse. Second, each chapter investigates Joachim's works as "psychological music," the term he himself applied. Given that psychology was not yet an established academic discipline in the 1850s, Joachim's use of "psychological" is all the more intriguing.

Sources including archival letters, manuscripts, and Joachim's published correspondence, as well as his compositions from (or begun) in the 1850s, reveal that "psychological music" was both a compositional approach and an aesthetic. Extensively using ciphers, anagrams, song quotations, literary titles and allusions, and occasionally melodramatic elements, Joachim's compositional aesthetic conflicted with his "absolute" aesthetic as a violinist in the later 19th century.

Joachim's relatively strict use of form, his idiosyncratic use of "motivic transformation," and his expressive studies of literary/historical characters in his overtures separated him from Liszt. Furthermore, while Joachim navigated harmony in ways criticized by Louis Spohr and contemporary critics as "ear-tearing harshness" (1852), the composer maintained an almost consistently symmetrical ("four-square") syntax. Joachim's "psychological" aesthetic was typified by idiosyncratic, individual stylistic features like "trapped motives," captured by (sometimes obsessive) repetition, and he applied ciphers much more conspicuously than did Schumann. In the end, Joachim's "psychological music" displays three overarching features: first, extramusical programs from autobiographical and/or literary contexts; second, the implicit or explicit dedication of the works to Gisela von Arnim; and third, supporting correspondence marking the work as an "outlet" for Joachim's self-perceived, psychological inner turmoil.


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CHIU, FAN-CHENG, and 邱凡誠. "The Burgeoning of Jesuit Figurism in Early Qing Dynasty: Joachim Bouvet and Joseph de Prémare in Succession and Their Self-Identification." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/24155224407712086781.

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Oh, Hea-seung. "Interpreting J.S. Bach's solo violin sonata and partitas through Leopold Mozart, Joachim/Moser, and Galamian." Thesis, 2005. http://www.lib.utexas.edu/etd/d/2005/ohh10869/ohh10869.pdf#page=3.

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Hatano, Sayuri. "„Der intellectuelle Urheber bin doch ich!“ Der Konzertagent Hermann Wolff als Wegweiser des Berliner Konzertlebens 1880 bis 1902." Doctoral thesis, 2018. https://slub.qucosa.de/id/qucosa%3A70906.

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Die zentrale Fragestellung dieser Arbeit ist, welche Impulse der Konzertagent Hermann Wolff (1845-1902) dem Berliner Musikleben im Zeitraum zwischen der Gründung seiner Konzertdirektion 1880 und seinem Tod 1902 gab. Um diese Frage zu beantworten, werden seine Tätigkeit und sein Wirkungskreis untersucht und Umfang, Grad sowie die Natur seines Einflusses ausgewertet. Diese Arbeit weist nach, dass sich der Einfluss seiner Tätigkeit auf das Berliner Musikleben nicht nur in der Quantität der stattgefundenen Konzerte, sondern auch in ihrer künstlerischen Qualität und in ihrem Inhalt (Programmgestaltung, Aufführende, Konzertstätten, Programmhefterstellung usw.) zeigt. Sie legt auch dar, dass er zwischen den damaligen europäischen Musikmetropolen einen Personen- und Informationsaustausch vermittelte und dadurch bei der Entstehung eines Standards im Konzertleben eine wichtige Rolle spielte.
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Synofzik, Thomas. "»Würde Sie’s zu sehr ermüden zu begleiten?« – Clara Schumann als Lied- und Kammermusikpartnerin." 2020. https://slub.qucosa.de/id/qucosa%3A72643.

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80 percent of Clara Schumann‘s playbills in her complete collection of concert programmes (Robert-Schumann-Haus Zwickau) include vocal participation of solo singers, choirs or actors. The question is to which extent Clara Schumann used to accompany these vocal contributions herself on the piano. Only rarely are other accompanists named on the concert playbills, but evidence from concert reviews suggests that these vocal contributions normally served as rests for the solo pianist. Sometimes separate accompanists are named in the concert reviews. In orchestral concerts it was usually the conductor who accompanied solo songs on the piano, not the solo pianist. The Popular Concerts in St. James’s Hall in London were chamber concerts, which had a regular accompanist who was labelled as „conductor“ though there was no orchestra participating. These accompanists sometimes also performed with instrumentalists, e. g. basso continuo music from the 18th century or piano reductions of orchestral concerts.
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Reid, Heather A. "The Storie of Asneth and its literary relations: the Bride of Christ tradition in late Medieval England." Thesis, 2011. http://hdl.handle.net/1828/3518.

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This is a study of the fifteenth-century, “Storie of Asneth,” a late-medieval English translation of a Jewish Hellenistic romance about the Patriarch, Joseph, and his Egyptian wife, Asneth (also spelled Aseneth, Asenath). Belonging to the collection of stories known as The Old Testament Pseudepigrapha and derived from Jewish Midrash, the story was widely read among medieval religious in England in Latin before being translated into the vernacular for devotional purposes. Part of this study considers and identifies the aristocratic female patron (Elizabeth Berkeley) and author (John Walton) of the fifteenth-century Middle English text, based on literary, historical, and manuscript evidence from the sole surviving copy of the text in Huntington Library EL.26.A.13, a manuscript once owned by John Shirley. Also explored is the ritualistic pattern of events in the text (original to its Hellenistic origins) that coincides with ancient female initiation rites as we understand them from recent studies of Greek mythology. Centred in the narrative, culminating Asneth’s liminal seclusion, is her sacred marriage with a heavenly being. The argument suggests that in the Middle Ages this sacred consummation would have been interpreted as the union of God with the soul, similar to the love union in the Song of Songs. In the Christian tradition it is referred to as mystical marriage. Early Christian exegesis supports that Joseph was considered a prefigurement of Christ in the Middle Ages. In her role as divine consort and Joseph’s wife, Asneth would also have been identified as a type of Ecclesia in the Middle Ages—the symbolic bride of Christ. Patterns of female initiation in the story are also reflected in the hagiographical accounts of female saints, female mystics, and the ritual consecration of nuns to their orders, especially where they focus on marriage to Christ. The similarity of Asneth with Ecclesia, and therefore Asneth’s identity as a type of the church in the Middle Ages, is then explored in the context of the theology of the twelfth-century Cistercian prophet, Joachim of Fiore. The thirteenth-century Canterbury manuscript, Cambridge Corpus Christi College MS 288 (CCCC MS 288), which holds a Latin copy of Asneth also contains one of the earliest Joachite prophecies in England, known as Fata Monent. The study suggests Asneth may have held theological currency for early followers of Joachim of Fiore in England.
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32

"Rundbrief / Lehrstuhl für Religionsphilosophie und Vergleichende Religionswissenschaft." Technische Universität Dresden, 2011. https://tud.qucosa.de/id/qucosa%3A24735.

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