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Journal articles on the topic 'Joachim'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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1

Wessley, Stephen. "A New Writing of Joachim of Fiore: Preliminary Observations." Studies in Church History. Subsidia 10 (1994): 15–27. http://dx.doi.org/10.1017/s0143045900000089.

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Within the last decade noteworthy efforts have been made to provide for a better understanding of Joachim of Fiore through new editions of his work and the establishment of a more exact chronology for the events in his life. Under the direction of Kurt-Victor Selge a Herausgeberkommission der kritischen Gesamtausgabe der Werke Joachims von Fiore has been established, a symposium on the manuscript traditions of Joachim’s work has been held under its auspices, and new critical editions are expected to be forthcoming soon. Professor Selge has contributed significantly to these efforts with his st

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2

Wessley, Stephen. "The Role of the Holy Land for the Early Followers of Joachim of Fiore." Studies in Church History 36 (2000): 181–91. http://dx.doi.org/10.1017/s0424208400014406.

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That Jerusalem, especially the heavenly Jerusalem of Revelation, plays an important role in the writings of the famous apocalyptical thinker Joachim of Fiore is to be expected. What has not been looked at before is the elaborate role ascribed to the Holy Land and Jerusalem by Joachim’s immediate followers. The thesis of this paper is that the early followers of Joachim justified their very existence in terms of a distinctive apocalyptical role for the Holy Land.

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3

Downes, Stephen. "Sentimentalism, Joseph Joachim, and the English." 19th-Century Music 42, no. 2 (2018): 123–54. http://dx.doi.org/10.1525/ncm.2018.42.2.123.

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Joseph Joachim’s role in nineteenth-century English concert life is long celebrated. As yet unexamined, however, is how his performances and reception informed critical debates on sentimentalism. Joachim was a prominent celebrity in the domestic salons of mid-century, for example the Holland Park Circle, where his performances were described as perfect echoes of beautiful interior designs and his status confirmed by G. F. Watts’s famous portrait. This article builds on the relationship between “sublime sentimentality” and “domestic aestheticism” in the writings of John Ruskin, a prominent memb

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4

Uhde, Katharina. "Of ‘Psychological Music’, Ciphers and Daguerreotypes: Joseph Joachim’sAbendglockenOp. 5 No. 2 (1853)." Nineteenth-Century Music Review 12, no. 2 (2015): 227–52. http://dx.doi.org/10.1017/s1479409815000312.

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If as a performer and Brahms’s close collaborator Joachim promoted the music of Bach, Beethoven and Brahms, a process relatively unsympathetic to programme music of theNeudeutsche Schule, as a composer Joachim’s works do not display such an aesthetic stance. His own music, which he dubbed ‘psychological’, was intended to ‘detectandsave’, that is faithfully to perceive and record his emotions. As part of this process, Joachim’sAbendglocken, the second of theDrei Stücke, Op. 5, for violin and piano (1853), betrays a striking use of ciphers, taking Robert Schumann’s musical word games to a height

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5

Nowak, Łukasz. "Trynitarna koncepcja historiozoficzna Joachima z Fiore." Język. Religia. Tożsamość. 2, no. 24 A (2021): 297–335. http://dx.doi.org/10.5604/01.3001.0015.6252.

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Nowadays people are more and more concerned about the future and the end of the world. The vision of the End of Times in Joachim of Fiore’s apocalyptic conception presents one of the most interesting interpretations of the end of the world in relation to events and historical figures and presents an attempt to look into the future made by the 12th-century Calabyan Abbot Joachim of Fiore on the basis of the book of the Holy Bible, especially the Apocalypse of Saint John. The purpos of the thesis is to introduce the reader to the very form of the medieval exeget – Joachim of Fiore as well as the

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6

Delio, Ilia. "From Prophecy to Mysticism: Bonaventure's Eschatology in Light of Joachim of Fiore." Traditio 52 (1997): 153–77. http://dx.doi.org/10.1017/s0362152900011971.

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In the Middle Ages, the destiny of the historical process was a subject of intense thought, fueled by an overarching notion of historical change and the impending final age. Of the many theologians who contributed to this discussion none stands out in more colorful form than the Cistercian abbot, Joachim of Fiore (1135–1202). Joachim made his mark by describing history as a process of patterns unfolding according to the relationships of the Trinity. For Joachim, history was an ongoing work of the living God, and he sought to elucidate the innermost mystery of the trinitarian relationships in t

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7

Stegmann, Andreas. "Ausflug in ein ‚Niemandsland‘ der brandenburgischen Landesgeschichte." Jahrbuch für die Geschichte Mittel- und Ostdeutschlands 68, no. 1 (2024): 175–207. http://dx.doi.org/10.1515/jgmo-2022-0006.

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Zusammenfassung Die 2022 veröffentlichte Biografie des brandenburgischen Kurfürsten Joachim II. von Mathis Leibetseder ist in mehrfacher Hinsicht problematisch: Ihre Quellenbasis ist zu schmal, sie vernachlässigt die Quellenkritik, sie zeigt Mängel im Umgang mit dem Forschungsdiskurs und sie präsentiert eine fragwürdige Deutung Joachims II. Das umfangreiche Buch bedarf einer kritischen Besprechung und es lädt ein, über den gegenwärtigen Stand der Erforschung der brandenburgischen Landes- und Kirchengeschichte des 16. Jahrhunderts nachzudenken.

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8

Bäumer, Marcus, and Marek Sierka. "Hans-Joachim Freund and Joachim Sauer Preface." Journal of Physical Chemistry C 123, no. 13 (2019): 7495–98. http://dx.doi.org/10.1021/acs.jpcc.9b01395.

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9

Abbate, Stefano. "Imminence as a Key to Interpreting the Heterodoxy of Joachim of Fiore: the Radicalization of the Tractatus." Cauriensia. Revista anual de Ciencias Eclesiásticas 18 (December 1, 2023): 1–25. http://dx.doi.org/10.17398/2340-4256.18.1.

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The writings of Joachim of Fiore are characterised by a progressive radicalisation of his eschatological positions, culminating in the Tractatus, in which he defends openly heterodox positions. This article seeks to demonstrate that the concept of imminence is an important presence throughout Joachim’s work, even from his earliest writings. Indeed, thanks to Joachim’s highly personal biblical exegesis, imminence becomes the key to understanding the development of his eschatology. Accordingly, Elijah, not Christ, is the centre of the story, and the Church of Peter is about to be superseded by t

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10

Rüfner, Thomas. "Joachim Ermann." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte: Romanistische Abteilung 129, no. 1 (2012): 993. http://dx.doi.org/10.7767/zrgra.2012.129.1.993a.

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11

Frebsee, Detlev. "Joachim Hellmer." Monatsschrift für Kriminologie und Strafrechtsreform 74, no. 5 (1991): 265–67. http://dx.doi.org/10.1515/mks-1991-740501.

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12

Koslova, Natalia. "Joachim Krecher." Zeitschrift für Assyriologie und vorderasiatische Archäologie 111, no. 2 (2021): 151–54. http://dx.doi.org/10.1515/za-2021-2008.

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13

Uekoeter, F. "Joachim Radkau." Environmental History 13, no. 4 (2008): 757–68. http://dx.doi.org/10.1093/envhis/13.4.757.

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14

Gaede, Kirsten. "Joachim Prölß." kma - Klinik Management aktuell 21, no. 01 (2016): 32–37. http://dx.doi.org/10.1055/s-0036-1577971.

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15

Sachsse, Rolf. "Joachim Schmid'sArchiv." History of Photography 24, no. 3 (2000): 255–61. http://dx.doi.org/10.1080/03087298.2000.10443417.

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16

--. "Joseph Joachim †." Bach-Jahrbuch 4 (February 8, 2018): 1–2. http://dx.doi.org/10.13141/bjb.v19071075.

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17

Ueding, Gert. "Joachim Dyck." Rhetorik 41, no. 1 (2022): 7–8. http://dx.doi.org/10.1515/rhet-2022-0001.

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18

Fischer, Manfred F. "Joachim Gerhardt." Die Denkmalpflege 62, no. 2 (2004): 171–72. http://dx.doi.org/10.1515/dkp-2004-620214.

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19

Lohse, Eduard. "Joachim Jeremias." Göttinger Jahrbuch 50 (2002): 197–99. http://dx.doi.org/10.62013/50-012.

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20

Lara, Jaime. "The Artistic Posterity of Joachim of Fiore in Latin America." Religion and the Arts 18, no. 1-2 (2014): 26–60. http://dx.doi.org/10.1163/15685292-01801004.

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‭It has long been recognized that Joachim of Fiore (d. 1202), the Calabrian abbot, prophet, and artist, had a profound effect on the mendicant friars, particularly on the Franciscans and Dominicans who recognized their respective founders in his eschatological prophecies. Both orders made use of Joachim’s prognostications in their self-defense and in their world mission, especially when the New World was discovered. Franciscan art in the Andes and Mexico employed Joachimite references, and included the portrait of the Calabrian abbot in paintings depicting a flying Saint Francis of Assisi. The

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21

Papadopoulou, Vasiliki. ""[...] über die outrirte, willkürliche Bezeichnung"." Die Musikforschung 73, no. 1 (2021): 17–30. http://dx.doi.org/10.52412/mf.2020.h1.28.

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Instructive editions from the late 19th and early 20th century include various annotations regarding musical and interpretative aspects, such as articulation, bowings, fingerings, dynamics, note values, or vibrato As a popular medium at the time, instructive editions were often in the centre of contemporary discussions and attracted the attention of musicians and music teachers, bequeathing us a wide corpus of valuable sources. Joseph Joachim was arguably the most prominent violinist and a sought-after pedagogue in the German-speaking world at the time. Hitherto unknown letters as well as revi

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22

Robb, Fiona. "The Fourth Lateran Council's Definition of Trinitarian Orthodoxy." Journal of Ecclesiastical History 48, no. 1 (1997): 22–43. http://dx.doi.org/10.1017/s0022046900011969.

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‘Between Creator and creature there can be remarked no similarity so great that a greater dissimilarity between them cannot be seen’. With these words the Fourth Lateran Council of 1215 concluded its condemnation of the doctrine of the Trinity held by Joachim of Fiore (d. 1202). The council based its assessment on Joachim's use of biblical texts as analogies for divine unity. For Joachim had, in the opinion of those who judged him, reduced the irreducible gap between God and His creatures by making God like His creatures. He had allegedly emphasised the principle of similarity at the expense o

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23

Nettelbeck, Joachim, and Alexandra Kemmerer. "Des Seefahrers Widersprüche." Zeitschrift für Ideengeschichte 15, no. 1 (2021): 121–24. http://dx.doi.org/10.17104/1863-8937-2021-1-121.

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Ein Spätsommertag in Schöneberg. Joachim Nettelbeck, 1944 in Mannheim geboren, hat einen Stapel verschiedener Ausgaben der Lebenserinnerungen seines gleichnamigen Vorfahren mitgebracht, des Seefahrers, Sklavenhändlers und Volkshelden, in Kolberg (dem heutigen Kołobrzeg, damals im preußischen Teil Pommerns) geboren 1738 und dort 1824 gestorben. Schon zu Lebzeiten wurde Joachim Nettelbeck für seinen Widerstand gegen die napoleonischen Truppen gefeiert. Bis 1945 erreichte Des Seefahrers und aufrechten Bürgers Joachim Nettelbeck wunderbare Lebensgeschichte von ihm selbst erzählt in immer neuen Edi

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24

Benöhr, H. P. "Joachim Püls, Parteiautonomie." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte. Romanistische Abteilung 118, no. 1 (2001): 584–85. http://dx.doi.org/10.7767/zrgra.2001.118.1.584.

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25

Brettell, Richard R. "Joachim Pissarro's Mistake." Art Bulletin 81, no. 4 (1999): 736. http://dx.doi.org/10.1080/00043079.1999.10786912.

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26

Brettell, Richard R. "Joachim Pissarro's Mistake." Art Bulletin 81, no. 4 (1999): 736. http://dx.doi.org/10.2307/3051342.

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27

Godulla, Alexander. "Joachim Westerbarkey: Geheimnisse." Communicatio Socialis 48, no. 3 (2015): 369–71. http://dx.doi.org/10.5771/0010-3497-2015-3-369.

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28

Balder‐Froid, Kristin, and T. J. M. Symons. "Joachim Michael Nitschke." Physics Today 48, no. 7 (1995): 75. http://dx.doi.org/10.1063/1.2808111.

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29

Haug, N. "Joachim von Puttkamer." Allgemeine Homöopathische Zeitung 210, no. 05 (2007): 228–29. http://dx.doi.org/10.1055/s-2006-935284.

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30

Knowles, Peter J., Guntram Rauhut, and Hermann Stoll. "Hans-Joachim Werner." Molecular Physics 108, no. 3-4 (2010): 221–22. http://dx.doi.org/10.1080/00268971003718284.

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31

Shklar, Judith N., and Arthur Maass. "Carl Joachim Friedrich." PS: Political Science & Politics 18, no. 01 (1985): 109–11. http://dx.doi.org/10.1017/s1049096500021417.

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32

Delmon, B. "Joachim H. Block." Applied Catalysis B: Environmental 7, no. 1-2 (1995): i—v. http://dx.doi.org/10.1016/0926-3373(96)80001-4.

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33

Stern, Sara. "Porträt Joachim Bevelet." kma - Klinik Management aktuell 13, no. 05 (2008): 74–77. http://dx.doi.org/10.1055/s-0036-1574707.

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Um den Job von Joachim Bovelet würden sich gegenwärtig nicht viele reißen. Die kommunale Berliner Klinikkette Vivantes ist trotz jahrelanger Sanierungsbemühungen nach dem zweiten Geschäftsführerwechsel innerhalb eines Jahres von ruhigem Fahrwasser weit entfernt.

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34

Scherer, Helmut. "Joachim R. Höflich." Publizistik 48, no. 3 (2003): 342–43. http://dx.doi.org/10.1007/s11616-003-0081-x.

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Shklar, Judith N., and Arthur Maass. "Carl Joachim Friedrich." PS 18, no. 1 (1985): 109–11. http://dx.doi.org/10.1017/s0030826900623068.

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36

Lauter, H. "Joachim-Ernst Meyer." Der Nervenarzt 70, no. 11 (1999): 1034–35. http://dx.doi.org/10.1007/s001150050535.

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37

Flood, John L. "Joachim Heinzle (review)." Modern Language Review 96, no. 1 (2001): 251–52. http://dx.doi.org/10.1353/mlr.2001.a825514.

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38

Deguy, Michel. "Adieu donc Joachim." Po&sie N° 181-182, no. 3 (2022): 27. http://dx.doi.org/10.3917/poesi.181.0027.

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39

Schweitzer, Heike, and Holger Fleischer. "Ernst-Joachim Mestmäcker." Rabels Zeitschrift für ausländisches und internationales Privatrecht 88, NIX (2024): 1. http://dx.doi.org/10.1628/rabelsz-2024-0033.

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40

Horn, Friedrich W. "Joachim Jeremias als Paulusforscher." Zeitschrift für die neutestamentliche Wissenschaft 112, no. 2 (2021): 251–67. http://dx.doi.org/10.1515/znw-2021-0015.

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Zusammenfassung Die Paulus-Forschung war kein Zentrum in den Arbeiten von Joachim Jeremias. Neben wenigen, sehr kleinen Beiträgen vor allem zum Römerbrief waren es drei Bereiche, in denen er einen Impuls setzen wollte. Zum einen versuchte er, den Nachweis dafür zu erbringen, dass Paulus seine theologische Ausbildung der Schule des jüdischen Lehrers Gamaliel verdankt und dass er somit in der Tradition Hillels steht. Zum anderen insistierte Joachim Jeremias darauf, dass nicht Tarsus, Jerusalem oder Antiochia grundlegend für Paulus und seine Theologie waren, sondern ausschließlich Damaskus und di

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41

Göpfert, Eberhard, and Manfred Akermann. "Rezension von: Akermann, Manfred u.a., Kunst, Kultur und Museen im Kreis Schwäbisch Hall." Württembergisch Franken 76 (September 11, 2023): 330. http://dx.doi.org/10.53458/wfr.v76i.7685.

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Kunst, Kultur und Museen im Kreis Schwäbisch Hall. Von Manfred Akermann, Hans-Joachim König, Horst Clauß, Joachim Hennze, Harald Siebenmorgen und Günter Stachel. Fotos von Ursula Pfistermeister und Eberhard Weller. 2. völlig neu bearb. Aufl. - Stuttgart: Theiss, 1991, 403 S., zahlr. Abb.

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42

Hohenhorst, W., and A. Neumann. "Nachruf Prof. Dr. med. Joachim Heermann." Laryngo-Rhino-Otologie 97, no. 11 (2018): 758–59. http://dx.doi.org/10.1055/a-0734-4304.

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Am 20.07.2018 ist Herr Prof. Dr. med. Joachim Heermann nach langer Krankheit im Kreise seiner großen Familie in Essen verstorben. Mit Joachim Heermann verliert die HNO-Gesellschaft eine außergewöhnliche Persönlichkeit, einen Pionier der Mikrochirurgie des Ohres und der Nase und einen menschlichen innovativen Geist.

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43

Horne, William. "Beethoven's String Quintet in C major, Op. 29, and Brahms's String Sextets: A Wallflower Blooms." Nineteenth-Century Music Review 18, no. 2 (2021): 241–68. http://dx.doi.org/10.1017/s1479409820000269.

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Beethoven's String Quintet, Op. 29, has been described as a ‘wallflower’ work that, without enough suitors, remains on the sidelines of the string chamber music repertoire. But in the nineteenth century it had a prominent champion, Joseph Joachim, whose performances of the quintet must have attracted the attention of his close friend, Johannes Brahms. The opening theme of Brahms's String Sextet, Op. 18, is clearly reminiscent of the beginning of Beethoven's quintet. Evidence from Donald Francis Tovey's recollections of Joachim, Joachim's correspondence with the Brahms biographer Max Kalbeck, a

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44

Moeck, Peter. "Will Kleber, Hans-Joachim Bautsch, Joachim Bohm, Einführung in die Kristallographie." Crystal Research and Technology 47, no. 9 (2012): 1026. http://dx.doi.org/10.1002/crat.201200324.

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45

Ulshöfer, Kuno, and Hans-Joachim König. "Rezension von: König, Hans-Joachim, Stadt und Festung im 15. Jahrhundert ..." Württembergisch Franken 65 (February 28, 2024): 308–9. http://dx.doi.org/10.53458/wfr.v65i.10666.

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Crailsheim. Kleine Schriften: 1. Hans-Joachim König: Bilder aus der Geschichte der Stadt Crailsheim. 1980, 1 (Stadt und Festung im 15. Jahrhundert). Hg. CrailsheimerVolksbank. 24 S. 2. Stadtadreßbuch Crailsheim. Ausgabe 1980. 3. Hans-Joachim König: Onolzheim an der Maulach. Crailsheim. 1980. 108 S. 4. Stadtplan Crailsheim mit allen Stadtteilen. 15. Aufl.

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46

GRZESZCZAK, JAN. "Czy Joachim z Fiore był mistykiem? Kilka uwag na temat apokaliptycznej duchowości kalabryjskiego opat." Filozofia Chrześcijańska 15 (October 16, 2018): 59–81. http://dx.doi.org/10.14746/fc.2018.15.3.

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The article attempts to examine the presence of mystical elements in the writings of the Calabrese exegete, Joachim of Fiore (circ. 1135-1202). The fi rst part constitutes an overview of 12th century characteristic elements of apocalyptic spirituality, as seen by Joachim. This spirituality is infl uenced by both personal refl ections of this author and his intensive studies as well as current events, especially the crisis in the Church and the crusaders’ movement, as well as spreading heresies in the West and the progressive expansion of Islam. The second part of the article analyzes two intui

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47

Knoll, Joachim H. "Jahresringe der Religions- und Geistesgeschichte Jubiläen und Erinnerungen anläßlich des 100. Geburtstages von Hans-Joachim Schoeps, des ,,60sten" der ,,Zeitschrift für Religions- und Geistesgeschichte" und des ,,50sten" der ,,Gesellschaft für Geistesgeschichte"." Zeitschrift für Religions- und Geistesgeschichte 60, no. 1 (2008): 1–19. http://dx.doi.org/10.1163/157007308783360598.

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AbstractIn the near future three anniversaries are to be celebrated: Hans-Joachim Schoeps, German-Jewish scholar and full Professor of Religious and Intellectual History, would have been 100 years old in January 2009. Jointly together with Ernst Benz, full Professor of Theology at the University of Marburg, Hans-Joachim Schoeps launched the Journal of religious and intellectual history (ZRGG), which is now entering its 60th volume. Also, the Scientific Association for religious and intellectual history (GGG), which was as well founded by Hans-Joachim Schoeps, is going to celebrate its 50th ann

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48

Glöckner, Andreas. "Zur Echtheit und Datierung der Kantate BWV 150 "Nach dir, Herr, verlanget mich"." Bach-Jahrbuch 74 (January 1, 1988): 195–203. http://dx.doi.org/10.13141/bjb.v19882587.

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Vergleiche auch: Arnold Schering: Die Kantate Nr. 150 "Nach dir, Herr verlanget mich". BJ 1913, S. 39-52 Hans-Joachim Schulze: Rätselhafte Auftragswerke Johann Sebastian Bachs. Anmerkungen zu einigen Kantatentexten. BJ 2010, S. 69-93 Hans-Joachim Schulze: Die Bach-Kantate "Nach dir, Herr verlanget mich" und ihr Meckbach-Akrostichon. BJ 2011, S. 255-257

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49

Ring, J., H. Renz, and G. Schultze-Werninghaus. "Nachruf für Joachim Ganzer." Allergologie 44, no. 04 (2021): 328–30. http://dx.doi.org/10.5414/alx02236.

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50

Sokólska, Urszula. "Joachim Lelewel jako onomasta." Białostockie Archiwum Językowe, no. 20 (2020): 273–84. http://dx.doi.org/10.15290/baj.2020.20.21.

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This article is dedicated to linguistic interests of Joachim Lelewel, predominantly to his deliberations on the etymology andmeaning of such names as: Czech, Lech, Wanda, the Geats, Germanic peoples, Lechites, Germans, the Slovaks, the Vandals. Attention was also paid to scholarly references to other texts of strictly linguistic nature and commentaries demonstrating extensive knowledge of linguistics with regard to pseudo-etymological assertions of priest Dębołecki, a seventeenth century preacher.

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