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Journal articles on the topic 'Joan Cornelis van der'

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Published: 4 June 2021

Last updated: 16 February 2022

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1

Veen, Theo. "Cornelis Van Vollenhoven Over Onze Nationale Staatsrechtsstudie." Tijdschrift voor Rechtsgeschiedenis / Revue d'Histoire du Droit / The Legal History Review 61, no. 3 (1993): 411–34. http://dx.doi.org/10.1163/157181993x00259.

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AbstractCornelis van Vollenhoven (1874-1933), Professor des Rechts der (damaligen) niederländischen Kolonien an der Leidener Universität (1901-1933), hat in einer Mitteilung an die Königliche Niederländische Akademie der Wissenschaften über 'Nationales Staatsrechtsstudium' (1930) historische Untersuchungen angestellt nach der Pflege der Staatsrechtswissenschaft in den Niederlanden. Offensichtlich verfolgte Van Vollenhoven das rechtstheoretische Ziel festzustellen, was 'eigentlich' Staatsrechtswissenschaft ist, d.h. was Staatsrechtswissenschaft sein soll. Die Aanteekening op de Grondwet ('Kommentar zum Grundgesetz', 1. Aufl. 1839, 2e Aufl. 1841-1843) des berühmten Leidener Professors und späteren Staatsmannes Johan Rudolf Thorbecke (1798-1872) war in Van Vollenhovens Augen offenbar zwar nicht das Alpha und Omega in dieser Materie, sondern schon ein Modell der Staatsrechtswissenschaft. Für Van Vollenhoven ist Staatsrechtswissenschaft Studium des positiven Rechts, und ist Staatslehre keine Staatsrechtswissenschaft. Van Vollenhoven war kein Verehrer 'aristotelischer Allgemeinplätzen' in der Staatsrechtswissenschaft und er wehrte sich gegen das sogenannte 'antirevolutionaire Staatsrecht' des Guillaume Groen van Prinsterer (1801-1876 ; Groen war in seiner Staatslehre beeinflußt von C.L. von Haller, und später von F.J. Stahl) und seinen Nachfolgern (beispielsweise: A.F. de Savornin Lohman (1837-1924)). Diese 'kirchliche', d.h. 'unwissenschaftliche' Richtung in der Staatsrechtswissenschaft seiner Zeit betrachtete er als ein typisch niederländisches Phänomen. Van Vollenhovens anachronistischer Denkansatz hat m.E. zu einer völlig falschen Betrachtungsweise der Geschichte der niederländischen Staatsrechtswissenschaft geführt. Außerdem ging Van Vollenhoven außerordentlich schlampig um mit den historischen Quellen. Er war der Meinung, daß der Franeker Professor Ulrik Huber (1636-1694) der erste Jurist in den Niederlanden, und vielleicht mit Ph.R. Vitriarius (1647-1720) in ganz Europa, gewesen sei, der sich mit Staatsrechtswissenschaft beschäftigt hat (er hatte offenbar nie einen Blick in die Schriften von Männern wie Dominicus Arumeus (1579-1637) und Johannes Limnaeus (1593-1663) geworfen). Huber hat sich aber - anders als Van Vollenhoven behauptete - nie mit dem positiven Staatsrecht als eigenständiger juristischer Disziplin auseinandergesetzt. Van Vollenhovens Ausführungen sind deshalb völlig unhaltbar: der berühmte Leidener Gelehrte war Opfer seiner Nachlässigkeit und einer bornierten liberalen Wissenschaftsauffassung.

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2

Royen, P. C. van. "N. Habermehl, Joan Cornelis van der Hoop (1742-1825). Marinebestuurder voor stadhouder Willem V en koning Willem I." BMGN - Low Countries Historical Review 117, no. 3 (January 1, 2002): 410. http://dx.doi.org/10.18352/bmgn-lchr.5741.

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3

Enthoven, Victor. "Book Review: Joan Cornelis van der Hoop (1742–1825): Marinebestuurder voor stadhouder Willem V en koning Willem I." International Journal of Maritime History 13, no. 1 (June 2001): 342–44. http://dx.doi.org/10.1177/084387140101300186.

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4

Andel, Joan D., H. E. Coomans, Rene Berg, James N. Sneddon, Thomas Crump, H. Beukers, M. Heins, et al. "Book Reviews." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 147, no. 4 (1991): 516–46. http://dx.doi.org/10.1163/22134379-90003185.

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- Joan D. van Andel, H.E. Coomans, Building up the the future from the past; Studies on the architecture and historic monuments in the Dutch Caribbean, Zutphen: De Walburg Pers, 1990, 268 pp., M.A. Newton, M. Coomans-Eustatia (eds.) - Rene van den Berg, James N. Sneddon, Studies in Sulawesi linguistics, Part I, 1989. NUSA, Linguistic studies of Indonesian and other languages in Indonesia, volume 31. Jakarta: Badan Penyelenggara Seri Nusa, Universitas Katolik Indonesia Atma Jaya. - Thomas Crump, H. Beukers, Red-hair medicine: Dutch-Japanese medical relations. Amsterdam/Atlanta, GA: Rodopi, Publications for the Netherlands Association of Japanese studies No. 5, 1991., A.M. Luyendijk-Elshout, M.E. van Opstall (eds.) - M. Heins, Kees P. Epskamp, Theatre in search of social change; The relative significance of different theatrical approaches. Den Haag: CESO Paperback no. 7, 1989. - Rudy De Iongh, Rainer Carle, Opera Batak; Das Wandertheater der Toba-Batak in Nord Sumatra. Schauspiele zur Währung kultureller Identität im nationalen Indonesischen Kontext. Veröffentlichungen des Seminars fur Indonesische und Südseesprachen der Universität Hamburg, Band 15/1 & 15/2 (2 Volumes), Berlin: Dietrich Reimer Verlag, 1990. - P.E. de Josselin de Jong, Birgit Rottger-Rossler, Rang und Ansehen bei den Makassar von Gowa (Süd-Sulawesi, Indonesien), Kölner Ethnologische Studien, Band 15. Dietrich Reimar Verlag, Berlin, 1989. 332 pp. text, notes, glossary, literature. - John Kleinen, Vo Nhan Tri, Vietnam’s economic policy since 1975. Singapore: ASEAN Economic research unit, Institute of Southeast Asian studies, 1990. xii + 295 pp. - H.M.J. Maier, David Banks, From class to culture; Social conscience in Malay novels since independence, Yale, 1987. - Th. C. van der Meij, Robyn Maxwell, Textiles of Southeast Asia; Tradition, trade and transformation. Melbourne/Oxford/Auckland/New York: Australian National Gallery/Oxford University Press. - A.E. Mills, Elinor Ochs, Culture and language development, Studies in the social and cultural foundations of language No. 6, Cambridge University Press, 227 + 10 pp. - Denis Monnerie, Frederick H. Damon, Death rituals and life in the societies of the Kula Ring, Dekalb: Northern Illinois University Press, 1989. 280 pp., maps, figs., bibliogr., Roy Wagner (eds.) - Denis Monnerie, Frederick H. Damon, From Muyuw to the Trobriands; Transformations along the northern side of the Kula ring, Tucson: The University of Arizona Press, 1990. xvi + 285 pp., maps, figs., illus., apps., bibliogr., index. - David S. Moyer, Jeremy Boissevain, Dutch dilemmas; Anthropologists look at the Netherlands, Assen/Maastricht: Van Gorcum, 1989, v + 186 pp., Jojada Verrips (eds.) - Gert Oostindie, B.H. Slicher van Bath, Indianen en Spanjaarden; Een ontmoeting tussen twee werelden, Latijns Amerika 1500-1800. Amsterdam: Bert Bakker, 1989. 301 pp. - Parakitri, C.A.M. de Jong, Kompas 1965-1985; Een algemene krant met een katholieke achtergrond binnen het religieus pluralisme van Indonesie, Kampen: Kok, 1990. - C.A. van Peursen, J. van Baal, Mysterie als openbaring. Utrecht: ISOR, 1990. - Harry A. Poeze, R.A. Longmire, Soviet relations with South-East Asia; An historical survey. London-New York: Kegan Paul International, 1989, x + 176 pp. - Harry A. Poeze, Ann Swift, The road to Madiun; The Indonesian communist uprising of 1948. Ithaca, N.Y.: Cornell Modern Indonesia Project (Monograph series 69), 1989, xii + 116 pp. - Alex van Stipriaan, Cornelis Ch. Goslinga, The Dutch in the Caribbean and in Surinam 1791/5 - 1942, Assen/Maastricht: Van Gorcum, 1990. xii + 812 pp. - A. Teeuw, Keith Foulcher, Social commitment in literature and the arts: The Indonesian ‘Institute of People’s culture’ 1950-1965, Clayton, Victoria: Southeast Asian studies, Monash University (Centre of Southeast Asian studies), 1986, vii + 234 pp. - Elly Touwen-Bouwsma, T. Friend, The blue-eyed enemy; Japan against the West in Java and Luzon, 1942-1945. New Jersey: Princeton University press, 1988, 325 pp.

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5

Chalamet, Christophe. "As in a Mirror. John Calvin and Karl Barth on Knowing God. A Diptych ? Cornelis van der Kooi." International Journal of Systematic Theology 8, no. 4 (October 2006): 462–64. http://dx.doi.org/10.1111/j.1468-2400.2006.00223_7.x.

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6

Moran, Sarah Joan. "The right hand of Pictura’s perfection: Cornelis de Bie’s Het gulden cabinet and Antwerp art in the 1660s." Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek Online 64, no. 1 (2014): 370–99. http://dx.doi.org/10.1163/22145966-06401014.

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7

KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 70, no. 3-4 (January 1, 1996): 309–81. http://dx.doi.org/10.1163/13822373-90002626.

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-Bridget Brereton, Emilia Viotti Da Costa, Crowns of glory, tears of blood: The Demerara slave rebellion of 1823. New York: Oxford University Press, 1994. xix + 378 pp.-Grant D. Jones, Assad Shoman, 13 Chapters of a history of Belize. Belize city: Angelus, 1994. xviii + 344 pp.-Donald Wood, K.O. Laurence, Tobago in wartime 1793-1815. Kingston: The Press, University of the West Indies, 1995. viii + 280 pp.-Trevor Burnard, Howard A. Fergus, Montserrat: History of a Caribbean colony. London: Macmillan Caribbean, 1994. x + 294 pp.-John L. Offner, Joseph Smith, The Spanish-American War: Conflict in the Caribbean and the Pacific, 1895-1902. London: Longman, 1994. ix + 262 pp.-Louis Allaire, John M. Weeks ,Ancient Caribbean. New York: Garland, 1994. lxxi + 325 pp., Peter J. Ferbel (eds)-Aaron Segal, Hilbourne A. Watson, The Caribbean in the global political economy. Boulder CO: Lynne Rienner, 1994. ix + 261 pp.-Aaron Segal, Anthony P. Maingot, The United States and the Caribbean. London: Macmillan Caribbean, 1994. xi + 260 pp.-Bill Maurer, Helen I. Safa, The myth of the male breadwinner: Women and industrialization in the Caribbean. Boulder CO: Westview, 1995. xvi + 208 pp.-Peter Meel, Edward M. Dew, The trouble in Suriname, 1975-1993. Westport CT: Praeger, 1994. xv + 243 pp.-Henry Wells, Jorge Heine, The last Cacique: Leadership and politics in a Puerto Rican city. Pittsburgh PA: University of Pittsburgh Press, 1993. ix + 310 pp.-Susan Eckstein, Jorge F. Pérez-López, Cuba at a crossroads: Politics and economics after the fourth party congress. Gainesville: University Press of Florida, 1994. xviii + 282 pp.-David A.B. Murray, Marvin Leiner, Sexual politics in Cuba: Machismo, homosexuality, and AIDS. Boulder CO: Westview, 1994. xv + 184 pp.-Kevin A. Yelvington, Selwyn Ryan ,Sharks and sardines: Blacks in business in Trinidad and Tobago. St. Augustine, Trinidad: Institute of social and economic studies, University of the West Indies, 1992. xiv + 217 pp., Lou Anne Barclay (eds)-Catherine Levesque, Allison Blakely, Blacks in the Dutch world: The evolution of racial imagery in a modern society. Bloomington: Indiana University Press, 1993. xix + 327 pp.-Dennis J. Gayle, Frank Fonda Taylor, 'To hell with paradise': A history of the Jamaican tourist industry. Pittsburgh: University of Pittsburgh Press, 1993. ix + 239 pp.-John P. Homiak, Frank Jan van Dijk, Jahmaica: Rastafari and Jamaican society, 1930-1990. Utrecht: ISOR, 1993. 483 pp.-Peter Mason, Arthur MacGregor, Sir Hans Sloane: Collector, scientist, antiquary, founding Father of the British Museum. London: British Museum Press, 1994.-Philip Morgan, James Walvin, The life and times of Henry Clarke of Jamaica, 1828-1907. London: Frank Cass, 1994. xvi + 155 pp.-Werner Zips, E. Kofi Agorsah, Maroon heritage: Archaeological, ethnographic and historical perspectives. Kingston: Canoe Press, 1994. xx + 210 pp.-Michael Hoenisch, Werner Zips, Schwarze Rebellen: Afrikanisch-karibischer Freiheitskampf in Jamaica. Vienna Promedia, 1993. 301 pp.-Elizabeth McAlister, Paul Farmer, The uses of Haiti. Monroe ME: Common Courage Press, 1994. 432 pp.-Robert Lawless, James Ridgeway, The Haiti files: Decoding the crisis. Washington DC: Essential Books, 1994. 243 pp.-Bernadette Cailler, Michael Dash, Edouard Glissant. Cambridge: Cambridge University Press, 1995. xii + 202 pp.-Peter Hulme, Veronica Marie Gregg, Jean Rhys's historical imagination: Reading and writing the Creole. Chapel Hill: University of North Carolina Press, 1995. xi + 228 pp.-Silvia Kouwenberg, Francis Byrne ,Focus and grammatical relations in Creole languages. Amsterdam/Philadelphia: John Benjamins, 1993. xvi + 329 pp., Donald Winford (eds)-John H. McWhorter, Ingo Plag, Sentential complementation in Sranan: On the formation of an English-based Creole language. Tübingen: Max Niemeyer, 1993. ix + 174 pp.-Percy C. Hintzen, Madan M. Gopal, Politics, race, and youth in Guyana. San Francisco: Mellen Research University Press, 1992. xvi + 289 pp.-W.C.J. Koot, Hans van Hulst ,Pan i rèspèt: Criminaliteit van geïmmigreerde Curacaose jongeren. Utrecht: OKU. 1994. 226 pp., Jeanette Bos (eds)-Han Jordaan, Cornelis Ch. Goslinga, Een zweem van weemoed: Verhalen uit de Antilliaanse slaventijd. Curacao: Caribbean Publishing, 1993. 175 pp.-Han Jordaan, Ingvar Kristensen, Plantage Savonet: Verleden en toekomst. Curacao: STINAPA, 1993, 73 pp.-Gerrit Noort, Hesdie Stuart Zamuel, Johannes King: Profeet en apostel in het Surinaamse bosland. Zoetermeer: Boekencentrum, 1994. vi + 241 pp.

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8

KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 66, no. 1-2 (January 1, 1992): 101–61. http://dx.doi.org/10.1163/13822373-90002009.

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-Selwyn R. Cudjoe, John Thieme, The web of tradition: uses of allusion in V.S. Naipaul's fiction,-A. James Arnold, Josaphat B. Kubayanda, The poet's Africa: Africanness in the poetry of Nicolás Guillèn and Aimé Césaire. Westport CT: Greenwood, 1990. xiv + 176 pp.-Peter Mason, Robin F.A. Fabel, Shipwreck and adventures of Monsieur Pierre Viaud, translated by Robin F.A. Fabel. Pensacola: University of West Florida Press, 1990. viii + 141 pp.-Alma H. Young, Robert B. Potter, Urbanization, planning and development in the Caribbean, London: Mansell Publishing, 1989. vi + 327 pp.-Hymie Rubinstein, Raymond T. Smith, Kinship and class in the West Indies: a genealogical study of Jamaica and Guyana, Cambridge: Cambridge University Press, 1988. xiv + 205 pp.-Shepard Krech III, Richard Price, Alabi's world, Baltimore and London: Johns Hopkins University Press, 1990. xx + 445 pp.-Graham Hodges, Sandra T. Barnes, Africa's Ogun: Old world and new, Bloomington & Indianapolis: Indiana University Press, 1989. xi + 274 pp.-Pamela Wright, Philippe I. Bourgois, Ethnicity at work: divided labor on a Central American banana plantation, Baltimore MD: John Hopkins University Press, 1989. xviii + 311 pp.-Idsa E. Alegría-Ortega, Andrés Serbin, El Caribe zona de paz? geopolítica, integración, y seguridad, Caracas: Editorial Nueva Sociedad, 1989. 188 pp. (Paper n.p.) [Editor's note. This book is also available in English: Caribbean geopolitics: towards security through peace? Boulder CO: Lynne Rienner, 1990.-Gary R. Mormino, C. Neale Ronning, José Martí and the émigré colony in Key West: leadership and state formation, New York; Praeger, 1990. 175 pp.-Gary R. Mormino, Gerald E. Poyo, 'With all, and for the good of all': the emergence of popular nationalism in the Cuban communities of the United States, 1848-1898, Durham NC: Duke University Press, 1989. xvii + 182 pp.-Fernando Picó, Raul Gomez Treto, The church and socialism in Cuba, translated from the Spanish by Phillip Berryman. Maryknoll NY: Orbis, 1988. xii + 151 pp.-Fernando Picó, John M. Kirk, Between God and the party: religion and politics in revolutionary Cuba. Tampa FL: University of South Florida Press, 1989. xxi + 231 pp.-Andrés Serbin, Carmen Gautier Mayoral ,Puerto Rico en la economía política del Caribe, Río Piedras PR; Ediciones Huracán, 1990. 204 pp., Angel I. Rivera Ortiz, Idsa E. Alegría Ortega (eds)-Andrés Serbin, Carmen Gautier Mayoral ,Puerto Rico en las relaciones internacionales del Caribe, Río Piedras PR: Ediciones Huracán, 1990. 195 pp., Angel I. Rivera Ortiz, Idsa E. Alegría Ortega (eds)-Jay R. Mandle, Jorge Heine, A revolution aborted : the lessons of Grenada, Pittsburgh: University of Pittsburgh Press, 1990. x + 351 pp.-Douglas Midgett, Rhoda Reddock, Elma Francois: the NWCSA and the workers' struggle for change in the Caribbean in the 1930's, London: New Beacon Books, 1988. vii + 60 pp.-Douglas Midgett, Susan Craig, Smiles and blood: the ruling class response to the workers' rebellion of 1937 in Trinidad and Tobago, London: New Beacon Books, 1988. vii + 70 pp.-Ken Post, Carlene J. Edie, Democracy by default: dependency and clientelism in Jamaica, Kingston, Jamaica: Ian Randle Publishers, and Boulder CO: Lynne Rienner Publishers, 1991. xiv + 170 pp.-Ken Post, Trevor Munroe, Jamaican politics: a Marxist perspective in transition, Kingston, Jamaica: Heinemann Publishers (Caribbean) and Boulder CO: Lynne Rienner Publishers, 1991. 322 pp.-Wendell Bell, Darrell E. Levi, Michael Manley: the making of a leader, Athens GA: University of Georgia Press, 1990, 349 pp.-Wim Hoogbergen, Mavis C. Campbell, The Maroons of Jamaica, 1655-1796: a history of resistance, collaboration and betrayal, Granby MA Bergin & Garvey, 1988. vi + 296 pp.-Kenneth M. Bilby, Rebekah Michele Mulvaney, Rastafari and reggae: a dictionary and sourcebook, Westport CT: Greenwood, 1990. xvi + 253 pp.-Robert Dirks, Jerome S. Handler ,Searching for a slave cemetery in Barbados, West Indies: a bioarcheological and ethnohistorical investigation, Carbondale IL: Center for archaeological investigations, Southern Illinois University, 1989. xviii + 125 pp., Michael D. Conner, Keith P. Jacobi (eds)-Gert Oostindie, Cornelis Ch. Goslinga, The Dutch in the Caribbean and in Surinam 1791/1942, Assen, Maastricht: Van Gorcum, 1990. xii + 812 pp.-Rosemarijn Hoefte, Alfons Martinus Gerardus Rutten, Apothekers en chirurgijns: gezondheidszorg op de Benedenwindse eilanden van de Nederlandse Antillen in de negentiende eeuw, Assen/Maastricht: Van Gorcum, 1989. xx + 330 pp.-Rene A. Römer, Luc Alofs ,Ken ta Arubiano? sociale integratie en natievorming op Aruba, Leiden: Department of Caribbean studies, Royal Institute of Linguistics and Anthropology, 1990. xi + 232 pp., Leontine Merkies (eds)-Michiel van Kempen, Benny Ooft et al., De nacht op de Courage - Caraïbische vertellingen, Vreeland, the Netherlands: Basispers, 1990.-M. Stevens, F.E.R. Derveld ,Winti-religie: een Afro-Surinaamse godsdienst in Nederland, Amersfoort, the Netherlands: Academische Uitgeverij Amersfoort, 1988. 188 pp., H. Noordegraaf (eds)-Dirk H. van der Elst, H.U.E. Thoden van Velzen ,The great Father and the danger: religious cults, material forces, and collective fantasies in the world of the Surinamese Maroons, Dordrecht, the Netherlands and Providence RI: Foris Publications, 1988. xiv + 451 pp. [Second printing, Leiden: KITLV Press, 1991], W. van Wetering (eds)-Johannes M. Postma, Gert Oostindie, Roosenburg en Mon Bijou: twee Surinaamse plantages, 1720-1870, Dordrecht, Netherlands: Foris Publications, 1989. x + 548 pp.-Elizabeth Ann Schneider, John W. Nunley ,Caribbean festival arts: each and every bit of difference, Seattle/St. Louis: University of Washington Press / Saint Louis Art Museum, 1989. 217 pp., Judith Bettelheim (eds)-Bridget Brereton, Howard S. Pactor, Colonial British Caribbean newspapers: a bibliography and directory, Westport CT: Greenwood, 1990. xiii + 144 pp.-Marian Goslinga, Annotated bibliography of Puerto Rican bibliographies, compiled by Fay Fowlie-Flores. Westport CT: Greenwood Press, 1990. xxvi + 167 pp.

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9

Stellingwerff, Johan. "CRITICAL STUDY:DE METAFYSICA VAN CORNELIS VERHOEVEN." Philosophia Reformata 67, no. 1 (December 2, 2002): 40–64. http://dx.doi.org/10.1163/22116117-90000246.

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Cornelis Verhoeven was een beschouwelijke en fijnzinnig filosoof die veel doceerde en schreef, maar geen systematisch geordend geheel naliet. Wel zijn reeds tien delen van zijn Verzamelde Werken (VW) verschenen. Deze filosoof van de nuance was een bescheiden mens, zoals Thomas à Kempis, die contemplatie zocht ‘in angello cum libello’. Ook was hij een liefhebber van de heldere sfeer zoals die uitgedrukt wordt in de intieme schilderijen van Johannes Vermeer. Als een Nederlands filosoof bleef hij niet onbekend want hij werd, met zijn verzorgde taal in een stroom van geschriften, door een brede kring gelezen.

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10

HÜSKEN, W. N. M. "Cornelis Everaert en de Troon van Salomon." Ons Geestelijk Erf 65, no. 2 (September 1, 1991): 144–64. http://dx.doi.org/10.2143/oge.65.2.2017668.

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11

Veen, Theo. "Cornelis Van Vollenhoven Over Onze Nationale Staatsrechtsstudie." Legal History Review 61, no. 2 (January 1, 1993): 411–34. http://dx.doi.org/10.1163/157181993x00439.

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12

Vlieghe, Hans. "Cornelis van Poelenburch, 1594/5–1667: The Paintings. Nicolette Sluijter-Seijffert. Trans. Jennifer M. Kilian and Katy Kist. Oculi: Studies in the Art of the Low Countries 15. Amsterdam: John Benjamins, 2016. xii + 408 pp. $239." Renaissance Quarterly 70, no. 3 (2017): 1070–71. http://dx.doi.org/10.1086/695172.

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13

Tucker, Rebecca. "Cornelis van Poelenburch 1594/5–1667: the paintings, by Nicolette Sluijter-Seijffert, Oculi: Studies in the Arts of the Low Countries, 15, Amsterdam, John Benjamins Publishing Company, 2016, xi + 407 pp., $239.00 (hardback), ISBN 978-9027249678." Seventeenth Century 33, no. 3 (January 15, 2018): 402–5. http://dx.doi.org/10.1080/0268117x.2018.1427294.

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14

Huijnen, Pim. "Evert Cornelis van Leersum (1862–1938): pionier van de geschiedenis van de geneeskunde." Studium 6, no. 3 (December 1, 2013): 228. http://dx.doi.org/10.18352/studium.9279.

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15

Wissink, Gerrit. "'Cornelis van Eesteren', UR/"Urbanismo Revista", No. 8." Town Planning Review 63, no. 2 (April 1992): 203. http://dx.doi.org/10.3828/tpr.63.2.06h261152562q511.

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16

Wijaya, Daya Negri. "Napak Tilas Perspektif Indonesiasentris Jacob Cornelis Van Leur." Sejarah dan Budaya : Jurnal Sejarah, Budaya, dan Pengajarannya 10, no. 1 (June 30, 2016): 29–44. http://dx.doi.org/10.17977/um020v10i12016p028.

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17

Broos, Ben. "The wanderings of Rembrandt's Portrait of Aeltje Uylenburgh." Oud Holland - Quarterly for Dutch Art History 123, no. 2 (2010): 89–107. http://dx.doi.org/10.1163/003067212x13397495480745.

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AbstractFor more than a century the only eyewitness account of Rembrandt's Portrait of an old woman (fig. 1) was a description made by Wilhelm Bode in 1883. At the time, he was unable to decipher the date, 1632; nor did he know anything about Aeltje Uylenburgh or the history of the panel. However, the painting's provenance has since been revealed, and it can be traced back in an almost unbroken line to its commission, a rare occurrence in Rembrandt's oeuvre. A pendant portrait, now lost, featured the preacher Johannes Sylvius, who is also the subject of an etching by Rembrandt dating from 1633 (fig. 2). Rembrandt had a close relationship with the Sylvius couple and he married their cousin Saskia Uylenburgh in 1634. After Aeltje's death in 1644, the couple's son Cornelis Sylvius inherited the portraits. We know that Cornelis moved to Haarlem in 1647, and that in 1681 he made a will bequeathing the pendants to his son Johannes Sylvius Junior. For the most part of a century they remained in the family. We lose track of the portrait of Johannes Sylvius when, in 1721, Cornelis II Sylvius refurbishes a house on the Kruisstraat in Haarlem. However, thanks to a handful of eighteenth- and nineteenth-century copies, it has been possible to reconstruct the trail followed by Aeltje. In 1778, a copy from Dessau turned up at auction in Frankfurt. It was bought under the name of Johann Heinrich Roos by Henriette Amalie von Anhalt-Dessau. There is a copy of this copy in the museum of Marseilles, attributed Ferdinand Bol (fig. 3). In 2000 an article in the Tribune de Genève revealed that the original had belonged to the Burlamacchi Collection in the eighteenth century, and was then thought to be a portrait of Rembrandt's mother. Jean-Jacques Burlamacchi (1694-1748), a prominent Geneva collector, acquired major works of art, including probably the Rembrandt portrait, while travelling in Holland and Britain around 1720. It was the heirs of Burlamacchi, the Misses de Chapeaurouge, who opened the famous collection to the public. In 1790 or thereabouts, the Swiss portrait painter Marc-Louis Arlaud produced a copy, now in the museum at Lausanne (fig. 4), which for many years was thought to be an autograph work by Rembrandt. The painter Georges Chaix also made a copy, which he exhibited in Geneva in 1823. This work still belongs to the artist's family; unfortunately it has not been possible to obtain an image. After the Burlamacchi Collection was sold in about 1825, the painting was referred to somewhat nostalgically as 'Un Rembrandt "genevois"'. It was bought for 18,000 francs by the Paris art dealer Dubois, who sold it to the London banker William Coesvelt. In 1828, Coesvelt in turn sold the portrait through the London dealer John Smith, who described it as 'the painter's mother, at the age of 62'. We know that the picture was subsequently acquired from Albertus Brondgeest by the banker James de Rothschild (1792-1868) for his country house at Boulogne, as this is mentioned in the 1864 description of Rothschild's collection by Charles Blanc. Baron James's widow, Betty de Rothschild, inherited the portrait in 1868 and it was in Paris that the Berlin museum director Wilhelm Bode (fig. 5) first saw the painting. In his description of 1883 he states that the woman was not, in his opinion, Rembrandt's mother. In 1886 the portrait fell to Betty's son, Baron Alphonse (1827-1905). Bode published a heliogravure of the work in 1897, which remained for many years the only available reproduction (fig. 6). Rembrandt's portrait of a woman was a showpiece in Baron Alphonse's Paris smoking room (fig. 7). Few art historians came to the Rothschild residence and neither Valentiner nor Bredius, who published catalogues of Rembrandt in 1909 and 1935, respectively, had seen the painting. Alphonse's heir was Baron Edouard de Rothschild, who in 1940 fled to America with his daughter Bethsabée. The Germans looted the painting, but immediately after the war it was exhibited, undamaged, in a frame carrying the (deliberately?) misleading name 'Romney' (fig. 8). In 1949, Bethsabée de Rothschild became the rightful owner of the portrait. She took it with her when she moved to Israel in 1962, where under the name of Bathsheva de Rothschild she became a well-known patron of modern dance. In 1978, J. Bruyn en S. Levie of the Rembrandt Research Project (RRP) travelled to Tel Aviv to examine the painting. Although the surface was covered with a thick nicotine film, they were impressed by its condition. Bruyn and Levie were doubtful, however, that the panel's oval format was original, as emerges from the 'Rembrandt-Corpus' report of 1986. Not having seen the copies mentioned earlier, they were unaware that one nineteenth-century replica was also oval (fig. 9). Their important discovery that the woman's age was 62 was not further investigated at the time. Baroness Bathsheva de Rothschild died childless in 1999. On 13 December 2000 the painting was sold by Christie's, London, after a surprising new identity for the elderly sitter had been put forward. It had long been known that Rembrandt painted portraits of Aeltje Uylenburgh and her husband, the minister Cornelis Sylvius. Aeltje, who was a first cousin of Rembrandt's wife, Saskia Uylenburgh, would have been about 60 years old at the time. Given that the age of the woman in the portrait was now known to be 62, it was suggested that she could be Aeltje. The portrait was acquired for more than 28 million US dollars by the art dealer Robert Noortman, who put it on the market as 'Aeltje' with a question mark. In 2005, Noortman sold the portrait for 36.5 million to the American-Dutch collectors Mr and Mrs De Mol van Otterloo. At the time, the Mauritshuis in The Hague felt that trying to buy the portrait would be too extravagant, while the Rijksmuseum was more interested in acquiring a female portrait from Rembrandt's later period. Aeltje was thus destined to leave the Netherlands for good. A chronicle of the Sylvius family published in 2006 shows that Aeltje Uylenburgh would have been born in 1570 (fig. 10), demonstrating that she could indeed be the 62-year-old woman depicted by Rembrandt in 1632. We know that Aeltje was godmother to Rembrandt's children and that Saskia was godmother to Aeltje's granddaughter. Further evidence of the close ties between the two families is provided by Rembrandt's etching of Aeltje's son Petrus, produced in 1637. It is now generally accepted that the woman in the portrait is Aeltje. She was last shown in the Netherlands at the 'Dutch Portraits' exhibition in The Hague. In February 2008 the Museum of Fine Arts in Boston announced that it had received on long-term loan one the finest Rembrandts still in private ownership.

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Van de Venne, Hans. "Cornelius Rekenarius Hulstensis, drukker en schoolmeester in het Calvinistisch Gent (1579-1585)." Ghendtsche Tydinghen 45, no. 4_5 (August 31, 2016): 266–75. http://dx.doi.org/10.21825/gt.v45i4_5.16813.

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Cornelius Rekenarius die tot halverwege het jaar 1581 zijn naam schreef als ‘Cornelis de Rekenaere’, maar daarna als ‘Cornelis de Rekenare’, werd geboren in Hulst en niet in Gent, zoals vaak is beweerd. Het predikaat ‘Hulsten sis’ dat hij in 1593 ter aanduiding van zijn plaats van herkomst onder twee door hem geschreven lofdichten aan zijn naam heeft toegevoegd, levert daarvan het bewijs. Doordat hij zich beide keren ‘Hulstenaar’ noemt, is het boven alle twijfel verheven dat zijn wieg in die plaats in Noordoost-Vlaanderen heeft gestaan

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Van de Venne, Hans. "Cornelius Rekenarius Hulstensis, drukker en schoolmeester in het Calvinistisch Gent (1579-1585)." Ghendtsche Tydinghen 45, no. 4_5 (August 31, 2016): 266–75. http://dx.doi.org/10.21825/gt.v45i4_5.16813.

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Cornelius Rekenarius die tot halverwege het jaar 1581 zijn naam schreef als ‘Cornelis de Rekenaere’, maar daarna als ‘Cornelis de Rekenare’, werd geboren in Hulst en niet in Gent, zoals vaak is beweerd. Het predikaat ‘Hulsten sis’ dat hij in 1593 ter aanduiding van zijn plaats van herkomst onder twee door hem geschreven lofdichten aan zijn naam heeft toegevoegd, levert daarvan het bewijs. Doordat hij zich beide keren ‘Hulstenaar’ noemt, is het boven alle twijfel verheven dat zijn wieg in die plaats in Noordoost-Vlaanderen heeft gestaan

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20

Niemeijer, J. W. "Een ongepubliceerde inventaris van de collectie Ploos van Amstel, met onbekende werken van Cornelis Troost." Oud Holland - Quarterly for Dutch Art History 111, no. 1 (1997): 54–65. http://dx.doi.org/10.1163/187501796x00330.

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21

Wolters, Margreet, and Nicolette Sluijter-Seijffert. "Samenwerking tussen Alexander Keirincx en Cornelis van Poelenburch belicht." Oud Holland - Quarterly for Dutch Art History 122, no. 1 (2009): 14–42. http://dx.doi.org/10.1163/187501709788745120.

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AbstractCollaboration between two painters was a common occurrence in the Netherlands of the seventeenth century. To date, sixteen examples are known to have resulted from the partnership of the Antwerp landscape painter, Alexander Keirincx, and the Utrecht Italianate master, Cornelis van Poelenburch (see appendix). The paintings usually combine a wooded landscape by the hand of Keirincx with a few figures added by Van Poelenburch. Two of the works are signed by both artists, one by Van Poelenburch only, and most of the others by Keirincx alone.A few of these paintings have been analyzed using infrared reflectography, which revealed that Keirincx meticulously executed his underdrawing of the landscape, without any indication for the staffage. Next, Keirincx painted the landscape, sometimes deviating slightly from his preliminary underdrawing. After that, Cornelis van Poelenburch added figures and animals, here and there inserting small brush strokes to the landscape immediately around the figures.Although Van Poelenburch may have included his staffage without consulting Alexander Keirincx, an addition by Keirincx in one of his compositions, seems to indicate a closer contact between the artists. While they lived near each other in Utrecht (1632-1636) and London (1637-1641), their collaboration did not only occur during those years, as can be concluded from two dated works (1629, 1630).A unique instance of their collaboration is the Landscape with Cimon and Iphigenia (Utrecht; replica or copy in Leipzig, figs 17 and 26). IRR analysis unequivocally confirms that the landscape and the figure zone initially were painted by Van Poelenburch, after which Keirincx added the large tree at the left. A differently prepared plank was attached to the lower part, maybe especially for that purpose. The Leipzig version lacks this feature, as well as some minor adjustments to the composition, thus indicating that it was executed after the Utrecht panel.

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22

Sigmond, J. P. "R. Prud'homme van Reine, Schittering en schandaal. Biografie van Maerten en Cornelis Tromp." BMGN - Low Countries Historical Review 117, no. 1 (January 1, 2002): 96. http://dx.doi.org/10.18352/bmgn-lchr.5624.

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23

Peterson, Charles M. "The Five Senses in Willem II van Haecht'sCabinet of Cornelis van Der Geest." Intellectual History Review 20, no. 1 (March 2010): 103–21. http://dx.doi.org/10.1080/17496971003638274.

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24

Dewitte, Alfons. "De Historie (1569-1578) van broeder Cornelis Adriaenszoon van Dordrecht: auteur en drukker." Handelingen van het Genootschap voor Geschiedenis 140, no. 1-2 (July 1, 2003): 111–27. http://dx.doi.org/10.21825/hvgg.v140i1-2.19027.

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25

Fennema, Meindert. "Ariëtte Dekker, Cornelis Verolme. Opkomst en Ondergang van een scheepsbouwer." Tijdschrift voor Sociale en Economische Geschiedenis/ The Low Countries Journal of Social and Economic History 3, no. 1 (March 15, 2006): 132. http://dx.doi.org/10.18352/tseg.660.

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26

Nicolaije, Tim. "Dwaasheid of retoriek? Cornelis van Leeuwen en de ‘Belachelijke Geometristen’." Studium 5, no. 1 (June 26, 2012): 1. http://dx.doi.org/10.18352/studium.8083.

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Voogd, C. de. "A. Dekker, Cornelis Verolme. Opkomst en ondergang van een scheepsbouwer." BMGN - Low Countries Historical Review 122, no. 1 (January 1, 2007): 155. http://dx.doi.org/10.18352/bmgn-lchr.6556.

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Schulting, TO. "'Sterckheyt van Wij sheyt en Voorsichticheyt verwonnen': Overwegingen bij een Allegorie van Cornelis Ketel." Oud Holland - Quarterly for Dutch Art History 111, no. 3 (1997): 153–62. http://dx.doi.org/10.1163/187501797x00186.

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AbstractDuring his sojourn in England, from 1573 to 1581, Cornelis Ketel received numerous portrait commissions, but did not paint many allegories. Van Mander gives a brief description of only one of them: Kracht door Wijsheid en 1 óorzichtzgheid overwonnen (Strength Conquered by Wisdom and Prudence, o.c. note 1, fol. 275 14-20). In 1986 an Allegory dating from the period in question (1580) appeared on the market. In a decor of captured weapons, it shows three nude men subjugated by a woman and tied up with snakes [figs. 1, 2). A number of circumstances preclude the conclusive identification of this painting as the one described by Van Mander: a) the woman with the snake might be Prudence, but Wisdom is missing; the reason for this might be that the canvas has been cropped, as is indicated by the absence of cusping; b) the attitude of Strength, the muscular man wearing a loincloth, is more consistent with the characteristics of Fury as described by Virgil, Cartari and Ripa (notes 7-9). A biblical source for this theme is Ecclesiastes 9:15-18, where Wisdom is rated higher than Strength and weapons of war. All sources associate Fortitude/ Fury with acts of war, so that a political connotation cannot be ruled out. In the Duke of Buckingham's collection was another allegory by Ketel representing victorious Virtues. This painting was not as tall as the work of 1580 published here (notes 13-19). The Duke of Buckingham's painting cannot be identified with the one for the Amsterdam jeweller Jan van Wely (Van Mander, fol. 275 r43 -275v30), as that painting was still in the collection of his family in 1670 (notes 17, 18). Iconographically, there is a remarkable correspondence with a work by Frans Floris, the subject of which has not been satisfactorily accounted for either (fig. 3, note 20). Pending a definitive identification, it seems to represent Fortitude/Mars/Fury rendered powerless by the loss of his weapons, and conquered by the female personifications of Wisdom and/or Prudence. Ketel was stylistically influenced not only by Floris (fig. 5, notes 23-25) but also by prints after Maarten van Heemskerck and Michelangelo (figs.6, 7). There is something of the Venetian style in the manner of painting. Ketel was acquainted with this style from an altar-piece by Dirck Barents, in the St. Janskerk in Gouda (note 29). It should be stressed that Ketel was unable to find a market for his allegories in England (cf. note 30), as may also be deduced from Van Mander. At the Tate Gallery's exhibition Dynasties 1530- 1630 (1995/96, note 32), Ketel's Allegory of 1580 contrasted starkly with the other exhibits: at the time when he was in England, the delicate subtlety of painters like Hilliard and Oliver was more to the British taste. Their manner was a far cry from Ketel's boldly painted allegory with its large figures. Not until some fifty years later, when the Venetian School, Rubens and Van Dyck were gaining ground, was Ketel duly appreciated in England.

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29

Decavele, Johan. "Het waarheidsgehalte in de preken van Broeder Cornelis van Oord recht in Brugge (1566-1574)." Handelingen van het Genootschap voor Geschiedenis 148, no. 1 (July 1, 2011): 3–44. http://dx.doi.org/10.21825/hvgg.v148i1.19125.

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30

HELM, PAUL. "As in a mirror. John Calvin and Karl Barth on knowing God. A diptych. By Cornelis van der Kooi (trans. Donald Mader). (Studies in the History of Christian Traditions, 120.) Pp. xiii+482. Leiden–Boston: Brill, 2005. €129. 90 04 13817 X; 1573 5664." Journal of Ecclesiastical History 57, no. 2 (March 30, 2006): 376–77. http://dx.doi.org/10.1017/s0022046906837309.

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31

Hakkenberg, Michael, and Julie L. McGee. "Cornelis Corneliszoon van Haarlem (1562-1638): Patrons, Friends and Dutch Humanists." Sixteenth Century Journal 24, no. 2 (1993): 511. http://dx.doi.org/10.2307/2542008.

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32

Schavemaker, Eddy. "Nicolette Sluijter-Seijffert, Cornelis van Poelenburch 1594/5-1667. The paintings." De Zeventiende Eeuw. Cultuur in de Nederlanden in interdisciplinair perspectief 32, no. 1 (December 15, 2016): 102. http://dx.doi.org/10.18352/dze.10152.

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33

Van Bueren, Truus. "'de beste Schilders van het gantsche Nederlandt' Karel van Mander en het Haarlemse cultuurbeleid 1603-1606." Oud Holland - Quarterly for Dutch Art History 105, no. 4 (1991): 291–305. http://dx.doi.org/10.1163/187501791x00164.

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AbstractKarel van Mander's Schilder-Boeck was published in 1604. During this period the Haarlem city council was pursuing an active cultural policy in which painting played a central role. In 1603, the porter at the Prinscnhof was instructed not to refuse admission to people who wanted to view the paintings and other objects of art housed there. That same year Hendrik Goltzius, Cornelis van Haarlem and Hendrik Vroom were commissioned to paint pictures of their own choice to commemmorate their art. The paintings were to hang in the Prinsenhof. In 1605 the council cndcavoured to ensure the city's claim to a number of paintings from the Jansklooster. This monastery, unlike others in Haarlem, had not been seized when the city became Protestant. The monks were allowed to keep their property until the last one died, but not to adopt any more monks. In 1605 the council demanded an inventory of the immovables and of the paintings too. The majority of the paintings in the inventory, which was supplied a year later, proved to be the work of highly esteemed artists. Although by no means all the art in the monasterey was listed, the city council did not protest. The intention had simply been to secure the important paintings with a view to placing in the Prinsenhof when the time came. Karel van Mander and his friends Cornelis van Haarlem and Hendrik Goltzius undoubtedly contributed to the creation of a climate in which such an art policy was feasible. Van Mander had spent years preparing his Schilder-Boeck, and had paid a great deal of attention to Haarlem painting. In his efforts to gather information the had established numerous contacts. He had carefully described he paintings in the Prinsenhof, and had also seen works by Haarlem painters belonging to private individuals. One such man was Gerrit Willemsz. van Schoterbosch, a burgomaster who had been on the council when that body commissioned Cornelis van Haarlem to make four paintings for the Prinsenhof during the last decade of the 16th century, and also during the period discussed here, 1603-1605. What were the aims of the city council in pursuing this cultural policy? There are two possibilities, both of which are encountered in the Schilder-Boeck. Van Mander wanted to elevate painting to a higher status than a craft. In his praise of painting he therefore dwelt at length on art lovers who collected paintings for art's sake. May not the city council have desired to assemble such a collection? If so, something very special was happening in Haarlem. Perhaps there is more to be said for the other possibility, to which Van Mander also refers: the council could have enlisted the Haarlem painters to sing the praises of the city.

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Decavele, Johan. "Het waarheidsgehalte in de preken van Broeder Cornelis van Dordrecht in Brugge (1566-1569). Deel 2." Handelingen van het Genootschap voor Geschiedenis 149, no. 2 (December 1, 2012): 363–99. http://dx.doi.org/10.21825/hvgg.v149i2.19157.

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35

Boomgaard, Peter, John Robert Shepherd, Bernice Jong Boers, Michael Hitchcock, Dwight Y. King, Audrey R. Kahin, Han Knapen, et al. "Book Reviews." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 152, no. 3 (1996): 483–508. http://dx.doi.org/10.1163/22134379-90003009.

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- Peter Boomgaard, John Robert Shepherd, Marriage and mandatory abortion among the 17th-century Siraya. Arlington: American Anthropological Association, 1995, iv + 99 pp. [American Ethnological Society Monograph Series 6.] - Bernice de Jong Boers, Michael Hitchcock, Islam and identity in Eastern Indonesia. Hull: The University of Hull Press, 1996, ix + 208 pp. - Dwight Y. King, Audrey R. Kahin, Subversion as foreign policy; The secret Eisenhower and Dulles debacle in Indonesia. New York: The New Press, 1995, 230 + 88 pp., George McT. Kahin (eds.) - Han Knapen, Harold Brookfield, In place of the forest; Environmental and socio-economic transformation in Borneo and the eastern Malay peninsula. Tokyo, New York, Paris: United Nations University Press, 1995, xiv + 310 pp. [UNU Studies on Critical Environmental Regions.], Lesley Potter, Yvonne Byron (eds.) - Niels Mulder, E. Paul Durrenberger, State power and culture in Thailand. New Haven: Yale University, Southeast Asia Studies, 1996, vii + 200 pp. [Monograph 43.] - Peter Pels, Margaret J. Wiener, Visible and invisible realms; Power, magic and colonial conquest in Bali. Chicago: University of Chicago Press, xiv + 445 pp. - Marie-Odette Scalliet, Annabel Teh Gallop, Early views of Indonesia; Drawings from the British Library. Pemandangan Indonesia di masa lampau; Seni gambar dari British Library. London: The British Library, Jakarta: Yayasan Lontar, 1995, 128 pp., 86 ill., 39 pl. - Cornelia M.I. van der Sluys, Marina Roseman, Healing sounds from the Malaysian rain forest; Temiar music and medicine. Berkeley, Los Angeles: University of California Press, 1993, xvii + 233 pp. - Cornelia M.I. van der Sluys, John D. Leary, Violence and the dream people; The Orang Asli in the Malayan emergency, 1948-1960. Athens, Ohio: Ohio University, Center for International Studies, 1995, xxiii + 238 pp. [Monographs in International Studies, Southeast Asia Series 95.] - H. Steinhauer, Darrell T. Tryon, Comparative Austronesian Dictionary; An introduction to Austronesian studies, Berlin, New York: Mouton de Gruyter, 1995, Part I, Fascicle I: xxviii pp + p.1-666; Fascicle II: xix pp + p.667-1197; Part II: xviii + 749 pp; Part III: xviii + 739 pp; Part IV: xviii + 767 pp. [Trends in Linguistics, Documentation 10 (Werner Winter and Richard A. Rhodes, eds).]

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Paul, Begheyn SJ, and J. J. V. M. de Vet. "De bibliotheek van de Delftse schilder Cornelis Damen Rietwijck (1589/1590-1660)." Oud Holland 128, no. 4 (November 14, 2015): 187–98. http://dx.doi.org/10.1163/18750176-90000219.

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Martels, Zweder von. "Hans van der Sloot, Ingrid van der Vlis, Cornelis Haga 1578-1654. Diplomaat en pionier in Istanbul." BMGN - Low Countries Historical Review 128, no. 4 (November 11, 2013): 94. http://dx.doi.org/10.18352/bmgn-lchr.9267.

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Nel, A. "Poësie en popkultuur: oor enkele gedigte van Joan Hambidge." Literator 24, no. 3 (August 1, 2003): 139–62. http://dx.doi.org/10.4102/lit.v24i3.304.

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Poetry and pop culture: Some poems by Joan Hambidge The influence of pop culture as a general movement, as well as pop art as a specific art movement, can be seen in the work of Joan Hambidge. In a number of her poems Hambidge enters into conversation with Andy Warhol as the most prominent pop artist. She comments through poetry on Warhol’s life and work method and also presents her poems in the idiom of Warhol. This entails, inter alia, a repetition or duplication of the content, a deliberate intertextual conversation with verbal and visual artists and a reuse of existing material. Hambidge follows Warhol’s representation of popular cult figures from the pop era by creating a number of word portraits of famous people such as Marilyn Monroe and James Dean. This “gallery” of word portraits becomes part of the (well-known) literary conversation which Hambidge conducts with other poets and artists, and at the same time communicates her own poetics as well as her own view on the construction of identity and death. Ultimately this pre-occupation with cult figures becomes a mask for the self.

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Huys Janssen, Paul. "De schiet- en loterijprijzen van de Delftse schutters uit 1621 en 1631." Oud Holland - Quarterly for Dutch Art History 115, no. 3-4 (2001): 187–99. http://dx.doi.org/10.1163/187501701x00235.

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AbstractIn the municipal archives in Delft are two unique printed lists that inform us about events organised by the Delft civic guard in 1621 and 1631. In 1621 a shooting contest was being held and the prices were several pieces of silver and a number of paintings. These were mainly by Esaias van de Velde, but there were also works by Bartholomeus van Bassen, Cornelis Jacobsz Delff, Joos de Momper together with Jan Brueghel the Elder, Pieter van Bronckhorst, the unknown Pieter Jacobsz Lupert and two works by Hendrick Gerritsz Pot. In the document he titles of the paintings are given, but it is not possible to trace any of these works. In 1631 the civic guard organised a lottery. A large number of paintings were to be won, mainly by painters from Utrecht. The first prize was a series of the five senses by Gerard van Honthorst, Abraham (or maybe Hendrick ?) Bloemaert, Paulus Moreelse, Jan van Bijlert and Hendrick ter Brugghen. There were also paintings by Roelandt Saverij, Adam Willaerts, Joost Cornelisz Droochsloot and Gijsbert and Gillis Hondecoeter. Prom Delft Leonaert Bramer, Cornelis Jacobsz Delff, Anthonie Palamedesz together with Barthomeus van Bassen, Palamedes Palamedesz and Jacob Vosmaer are represented. Also two paintings by Esaias van de Velde are mentioned. Again the titles are given, but they offer no clues to any present whereabouts. From a notarial act it appears that in 1644 again a shooting contest was being held. Now there were only seven paintings to be won. They were supplied by the still life painter Evert van Aelst, and he undoubtedly painted them. No titles are given. Again in 1647 and 1661 shooting contests were being held. Now the prices were simple pieces of silver. According to this pattern, over the decades the populariry of paintings in Delft was diminishing.

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Holder, R. Ward. "Cornelis van der Kooi. As in a Mirror: John Calvin and Karl Barth on Knowing God: A Diptych. Studies in the History of the Christian Tradition 120. Trans. Donald Mader. Leiden and Boston: Brill Academic Publishers, 2005. xiv + 478 pp. index. bibl. $169. ISBN: 90-04-13817-X." Renaissance Quarterly 59, no. 1 (2006): 202–3. http://dx.doi.org/10.1353/ren.2008.0172.

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41

Bostoen, Karel. "Waar kwam de Historie van B. Cornelis (1569) van de pers? Het spoor terug naar plaats van uitgave, boekverkoper en boekdrukker." Handelingen van het Genootschap voor Geschiedenis 151, no. 1 (July 1, 2014): 65–111. http://dx.doi.org/10.21825/hvgg.v151i1.19176.

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Sutcliffe, Iain C., and William B. Whitman. "The van Niel International Prize for Studies in Bacterial Systematics, awarded in 2020 to Tanja Woyke." International Journal of Systematic and Evolutionary Microbiology 70, no. 10 (October 1, 2020): 5594–95. http://dx.doi.org/10.1099/ijsem.0.004466.

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The Senate of The University of Queensland, on the recommendation of the Executive Board of the International Committee on Systematics of Prokaryotes, is pleased to present the van Niel International Prize for Studies in Bacterial Systematics for the triennium 2017–2020 to Dr Tanja Woyke in recognition of her contributions made to the field of bacterial systematics. The award, established in 1986 by Professor V. B. D. Skerman of The University of Queensland, honours the contribution of scholarship in the field of microbiology by Professor Cornelis Bernardus van Niel.

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Haitsma Mulier, E. O. G. "J.L. McGee, Cornelis Corneliszoon van Haarlem (1562-1638): patrons, friends and Dutch humanists." BMGN - Low Countries Historical Review 108, no. 3 (January 1, 1993): 475. http://dx.doi.org/10.18352/bmgn-lchr.3726.

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44

Den Hollander, Aurelius A. "De Edities Van Het Nieuwe Testament Door De Delftse Drukker Cornelis Henricsz. Lettersnijder1." Nederlands Archief voor Kerkgeschiedenis / Dutch Review of Church History 75, no. 2 (1995): 165–87. http://dx.doi.org/10.1163/002820395x00182.

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AbstractThe cumulative printers index in W. Nijhoff and M.E. Kronenberg's Nerlerlranrl- .sche BiblioAr(zl)hie van 1500-1540 (NK), part III, vol III, contains the most recent, complete description of the Delft printer Cornelis Lettersnijder's publishers' list. It records four editions of the New Testament in 1518, 1524, 1525, and 1533. Copies exist only of the well-known edition of 1524 (NK 378). It is generally considered unlikely that a 1518 edition (NK 0140) ever existed. In contrast to previous scholarship, M.E. Kronenberg believes that no 1525 edition (NK 0149) existed either. Only a few 19th-century catalogues attest to the 1533 (NK 0160) edition. The present study starts with a short exploration of the printer and his list. It goes on to deal with his editions of the New Testament. The study confirms that the editions of 1518 anJ 1525 were indeed never published, so that of the four editions supposed, only two ever saw print. The recent discovery by the author in the "Jezuietenbibliotheek Berchmanianum" in Nijmegen of a copy of the 1533 edition enables him to offer a bibliographical description of the publication in addition to an analysis of the contents of this heretofore so poorly known edition. The edition was printed in octavo format and was published in a joint venture with the printer Henrick Peetersen van Middelburch. The study demonstrates how the Antwerp printer Michiel Hillen van Hoochstraten copied and simplified Lettersnijder's text in the 1524 edition for his own editions of the New Testament in 1527, 1530, and 1531 (2x). It goes on to show that one of Van Hoochstraten's editions in turn stood at the basis of Lettersnijder's 1533 edition of the New Testament.

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45

Kay, William K. "VAN DER LAAN, Cornelis. Margaretha Adriana Alt: Mother of the Indonesian Pentecostal Mission." PentecoStudies: An Interdisciplinary Journal for Research on the Pentecostal and Charismatic Movements 20, no. 1 (June 8, 2021): 112–14. http://dx.doi.org/10.1558/pent.43053.

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Amster, Matthew, Jérôme Rousseau, Atsushi Ota, Johan Talens, Wanda Avé, Johannes Salilah, Peter Boomgaard, et al. "Book Reviews." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 156, no. 2 (2000): 303–45. http://dx.doi.org/10.1163/22134379-90003850.

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- Matthew Amster, Jérôme Rousseau, Kayan religion; Ritual life and religious reform in Central Borneo. Leiden: KITLV Press, 1998, 352 pp. [VKI 180.] - Atsushi Ota, Johan Talens, Een feodale samenleving in koloniaal vaarwater; Staatsvorming, koloniale expansie en economische onderontwikkeling in Banten, West-Java, 1600-1750. Hilversum: Verloren, 1999, 253 pp. - Wanda Avé, Johannes Salilah, Traditional medicine among the Ngaju Dayak in Central Kalimantan; The 1935 writings of a former Ngaju Dayak Priest, edited and translated by A.H. Klokke. Phillips, Maine: Borneo Research Council, 1998, xxi + 314 pp. [Borneo Research Council Monograph 3.] - Peter Boomgaard, Sandra Pannell, Old world places, new world problems; Exploring issues of resource management in eastern Indonesia. Canberra: Centre for Resource and Environmental Studies, Australian National University, 1998, xiv + 387 pp., Franz von Benda-Beckmann (eds.) - H.J.M. Claessen, Geoffrey M. White, Chiefs today; Traditional Pacific leadership and the postcolonial state. Stanford, California: Stanford University Press, 1997, xiv + 343 pp., Lamont Lindstrom (eds.) - H.J.M. Claessen, Judith Huntsman, Tokelau; A historical ethnography. Auckland: Auckland University Press, 1996, xii + 355 pp., Antony Hooper (eds.) - Hans Gooszen, Gavin W. Jones, Indonesia assessment; Population and human resources. Canberra: Research School of Pacific and Asian Studies, Australian National University, 1997, 73 pp., Terence Hull (eds.) - Rens Heringa, John Guy, Woven cargoes; Indian textiles in the East. London: Thames and Hudson, 1998, 192 pp., with 241 illustrations (145 in colour). - Rens Heringa, Ruth Barnes, Indian block-printed textiles in Egypt; The Newberry collection in the Ashmolean Museum, Oxford. Oxford: Clarendon Press, 1997. Volume 1 (text): xiv + 138 pp., with 32 b/w illustrations and 43 colour plates; Volume 2 (catalogue): 379 pp., with 1226 b/w illustrations. - H.M.J. Maier, David T. Hill, Beyond the horizon; Short stories from contemporary Indonesia. Clayton, Victoria: Monash Asia Institute, 1998, xxxviii + 201 pp. - John N. Miksic, Helena A. van Bemmel, Dvarapalas in Indonesia; Temple guardians and acculturation, 1994, xvii + 249 pp. Rotterdam: Balkema. [Modern Quarternary Research in Southeast Asia 13.] - Remco Raben, Paul van Beckum, Adoe Den Haag; Getuigessen uit Indisch Den Haag. Den Haag: SeaPress, 1998, 200 pp. - Cornelia M.J. van der Sluys, Colin Nicholas, Pathway to dependence; Commodity relations and the dissolution of Semai society. Clayton: Centre of Southeast Asian Studies, Monash University, 1994, vii + 130 pp. [Monash Papers on Southeast Asia 33.] - David Stuart-Fox, Herman C. Kemp, Bibliographies on Southeast Asia. Leiden: KITLV Press, 1998, xvii + 1128 pp. - Sikko Visscher, Lynn Pan, The encyclopedia of the Chinese overseas. Richmond, Surrey: Curzon, 1999, 399 pp. - Sikko Visscher, Jurgen Rudolph, Reconstructing identities; A social history of the Babas in Singapore. Aldershot: Ashgate, 1998, 507 pp. - Edwin Wieringa, Perry Moree, ‘Met vriend die God geleide’; Het Nederlands-Aziatisch postvervoer ten tijde van de Verenigde Oost-Indische Compagnie. Zutphen: Walburg Pers, 1998, 287 pp. - Edwin Wieringa, Monique Zaini-Lajoubert, L’image de la femme dans les littératures modernes indonésienne et malaise. Paris: Association Archipel, 1994, ix + 221 pp. [Cahiers d‘Archipel 24.]

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47

Kromhout, Steven. "Haagse cultuurkritiek op het postmoderne stadslandschap: Anachronistische architectuur wordt bestraft met de prix de p... 1999." AGORA Magazine 16, no. 2 (December 3, 2018): 20–21. http://dx.doi.org/10.21825/agora.v16i2.9644.

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Sinds 1991 wordt in het Theater Zeebelt in Den Haag jaarlijks een architectuurprijs uitgereikt. Bijzonder is dat de prijs niet gaat naar het mooiste staaltje architectuur, maar naar het slechtste project dat het voorgaande jaar in de hofstad het licht heeft gezien. De winnaar krijgt een gouden 'paardenlul', een vakterm voor een in de lengte doorkliefde baksteen. De jury voor 1999 heeft op vier februari bekend gemaakt dat de laatste Prix de P... van de twintigste eeuw naar architect Cornelis van der Ven gaat voor zijn bijdrage aan de nieuwbouwwijk Ockenrode.

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48

Simatupang, Florian. "Margaretha Adriana Alt: Mother of the Indonesian Pentecostal Mission, by Cornelis Van Der Laan." Pneuma 42, no. 3-4 (December 9, 2020): 587–89. http://dx.doi.org/10.1163/15700747-04203018.

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49

Baston, Karen G., and John W. Cairns. "An elegant legal education." Tijdschrift voor rechtsgeschiedenis 83, no. 1-2 (May 31, 2015): 179–201. http://dx.doi.org/10.1163/15718190-08312p09.

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This article considers the influence of legal education based on the Dutch tradition of legal humanism on a Scottish student of the late seventeenth-century. An annotated textbook retained by Charles Binning contains notes from his studies with the Utrecht professor Cornelis van Eck and provides evidence for Van Eck’s teaching practices. Their education abroad equipped Scottish legal students for the professional, intellectual and cultural lives they would lead when they returned home. Exposure to the ideas contained in the books they studied and their relationships with the Continental learned gave Scottish scholars admission into the international Republic of Letters. This had significance for the development of the Scottish Enlightenment.

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Gavaldà, Antoni, and Antoni Santisteban. "Converses amb Joan Pagès." Comunicació educativa, no. 5 (December 30, 2013): 16. http://dx.doi.org/10.17345/comeduc199216-23.

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<p>Joan Pagès és professor de Didàctica de les Ciències Socials a l'Escola de Mestres de la Universitat Autònoma de Barcelona. Llicenciat en Història Moderna i Contemporània, es va fer mestre gràcies a la pràctica i a «Rosa Sensat». Va ser membre de l'equip de Ciències Socials de «Rosa Sensat» i és un dels autors de la <em>Les Ciències Socials a la Segona Etapa d'EGB</em>, (Ed. 62/ Rosa Sensat, Barcelona, 1981) i de <em>L'Educació Cívica a l'Escola</em>, (Ed. 62/ Rosa Sensat, 1981). Ha publicat diversos articles sobre l'ensenyament de les Ciències Socials i, en especial de la Història a «Perspectiva Escolar, Guix i Cuadernos de Pedagogia». També ha publicat a l'obra col·lectiva <em>Enseñar historia</em> (Barcelona, 1989, Laia / «Cuadernos de Pedagogía») un treball intitulat <em>Aproximación a un currículum sobre el tiempo histórico</em>. Ha participat en l'organització dels dos Simposis sobre l'Ensenyament de les Ciències Socials celebrats a Vic i Bellaterra, presentant sengles ponències sobre l'ensenyament de les Ciències Socials. Va formar part de l'equip d'especialistes en Ciències Socials que van elaborar el disseny curricular de Ciències Socials de l'experimentació del cicle superior d'EGB i ha col·laborat amb la Generalitat i el MEC en l'elaboració del disseny de Secundària Obligatòria. Actualment està acabant la tesi doctoral sobre l'avaluació del currículum i la formació del professorat en didàctica de la història i coordina els materials curriculars de Coneixement del Medi de l'editorial Bruño.</p>

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