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Journal articles on the topic 'Joan of Arc'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 May 2024

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1

Pence, Amy. "Joan of Arc." New Writing 7, no. 2 (July 2010): 160. http://dx.doi.org/10.1080/14790726.2010.496485.

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2

Margolis, Nadia. "Joan of Arc." Arthuriana 9, no. 3 (1999): 117–19. http://dx.doi.org/10.1353/art.1999.0047.

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3

Barstow, Anne Llewellyn, Peter Bray, Christian Duguay, Michael Alexander Miller, and Ronald Parker. "Joan of Arc." American Historical Review 104, no. 4 (October 1999): 1426. http://dx.doi.org/10.2307/2649761.

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4

Foote-Smith, Elizabeth, and Lydia Bayne. "Joan of Arc." Epilepsia 32, no. 6 (December 1991): 810–15. http://dx.doi.org/10.1111/j.1528-1157.1991.tb05537.x.

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5

Harris, James C. "Joan of Arc." JAMA Psychiatry 70, no. 1 (January 1, 2013): 6. http://dx.doi.org/10.1001/jamapsychiatry.2013.816.

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6

Kotyński, Marek. "Na granicy mroku. Język świętości w filmowych portretach Joanny d’Arc." Studia Filmoznawcze 40 (June 27, 2019): 29–48. http://dx.doi.org/10.19195/0860-116x.40.5.

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On the border of darkness. The language of sainthood in film portraits of Joan of Arc The unusual history of the patroness of France — Saint Joan of Arc — became the inspiration for many creators of culture, including film directors, who most willingly chose this figure from among all the Christian saints. The article firstly presents the history of life of the French saint and in the next part consists of the analysis of the film language of the devoted to her three emblematic movies in which the well known film creators tried to “show” the sainthood of Joan or/and to assume an attitude towards the phenomenon of sainthood. The first movie analyzed by the author of the article is The Passion of Joan of Arc 1928 by Carl Theodor Dreyer, the second one is The Trial of Joan of Arc 1961 by Robert Bresson, who used an ascetic idiom to present the sainthood of Joan. And at the end of the text the film by Luc Besson — Joan of Arc 1999 — is discussed as a postmodern deconstruction of the figure of the saint.

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7

Susan K. Harris. "Whohoo!!! Joan of Arc!!!!!" American Literary Realism 51, no. 2 (2019): 136. http://dx.doi.org/10.5406/amerlitereal.51.2.0136.

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8

Peters, Julie Stone. "Joan of Arc Internationale." Proceedings of the ASIL Annual Meeting 91 (1997): 120–26. http://dx.doi.org/10.1017/s0272503700065459.

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9

Monet, Jacques. "Book Review: Joan of Arc: Her Life, Joan of Arc: The Early Debate." Theological Studies 61, no. 3 (September 2000): 561–64. http://dx.doi.org/10.1177/004056390006100318.

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10

Scheurer, Maren. "„The Fury of Realistic Common Sense“." apropos [Perspektiven auf die Romania], no. 5 (December 17, 2020): 15. http://dx.doi.org/10.15460/apropos.5.1596.

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Anhand der Konstruktion von Joan of Arc in Saint Joan untersucht dieser Artikel, wie George Bernard Shaw die Position einer Außenseiterin nutzt, um seine geschlechtspolitischen und ästhetischen Ziele zu verdeutlichen. Im Vergleich mit älteren Darstellungen der französischen Nationalheldin wird Shaws spezifische Rezeption des Jeanne-d’Arc-Mythos skizziert und dargestellt, wie Shaw Joans geschlechtliche Differenz als Fortsetzung seiner Kritik an Geschlechternormen entwickelt. Aufbauend darauf präsentiert Shaw Joan zudem als mentale Ausnahmefigur, über deren Visionen ein anderer Begriff des Realismus stark gemacht wird, mit dem Shaw sein eigenes schriftstellerisches Wirken identifiziert.

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11

Zuseva-Özkan, Veronica. "JOAN OF ARC BY D. S. MEREZHKOVSKY: SOURCES AND IMAGERY." Проблемы исторической поэтики 19 (February 2021): 282–300. http://dx.doi.org/10.15393/j9.art.2021.8962.

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The article examines the eternal image of the warrior maid in the works of D. S. Merezhkovsky, its constant features and evolution. His later book Joan of Arc (1938) is compared in this aspect to his early poem “A Legend from T. Tasso” (1882). Special attention is heeded to the analysis of the sources of Joan of Arc and the interpretation of the heroine as a warrior maid in comparison with the preceding texts, on the one hand, and “A Legend from T. Tasso,” on the other hand. Merezhkovsky’s creative reception of the historiographic tradition depicting Joan of Arc combines the topoi of its different versions (he reproduces a number of ideas characteristic of the texts written for the rehabilitation trial of Joan; the heroic discourse of the Renaissance historiography; the position of the 17th-century historians with Providentialist views; the representation of Joan of Arc as a folk heroine, typical for the liberal historians of the 19th century), but this conglomerate is subject to his own concept of the Kingdom of the Third Testament. It is established that, although in Joan of Arc Merezhkovsky sticks closer to the prior texts than in “A Legend from T. Tasso” on the superficial level and seeks to create the impression of documental accuracy, in fact, he uses the same mythologization method, as in his earlier work. The direction of modifications made by the author to the historiographic canon depends on his religious, mystical, and historiosophical notions.

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12

Meltzer, Francoise. "Joan of Arc in America." SubStance 32, no. 1 (2003): 90. http://dx.doi.org/10.2307/3685703.

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13

Good, Jonathan, Ann W. Astell, and Bonnie Wheeler. "Joan of Arc and Spirituality." Sixteenth Century Journal 38, no. 2 (July 1, 2007): 575. http://dx.doi.org/10.2307/20478449.

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14

King, A. "Joan of Arc. La Pucelle." French History 21, no. 4 (November 15, 2007): 473. http://dx.doi.org/10.1093/fh/crm055.

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15

Togoeva, Olga. "Two-faced Joan of Arc." CASUS. The individual and unique in history 15 (2020): 78–93. http://dx.doi.org/10.32608/2306-0638-2020-15-78-93.

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16

Schildkrout, Barbara. "Joan of Arc–Hearing Voices." American Journal of Psychiatry 174, no. 12 (December 2017): 1153–54. http://dx.doi.org/10.1176/appi.ajp.2017.17080948.

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17

Antentas, Josep Maria. "Daniel Bensaïd's Joan of Arc." Science & Society 79, no. 1 (January 2015): 63–89. http://dx.doi.org/10.1521/siso.2015.79.1.63.

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18

Meltzer, F. "Joan of Arc in America." SubStance 32, no. 1 (January 1, 2003): 90–99. http://dx.doi.org/10.1353/sub.2003.0018.

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19

Yervasi, Carina. "The Faces of Joan: Cinematic Representations of Joan of Arc." Film & History: An Interdisciplinary Journal of Film and Television Studies 29, no. 3-4 (1999): 8–19. http://dx.doi.org/10.1353/flm.1999.a396064.

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20

Farmer, Sharon, and Anne Barstow. "Joan of Arc: Heretic, Mystic, Shaman." American Historical Review 93, no. 4 (October 1988): 1032. http://dx.doi.org/10.2307/1863567.

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21

McAlhaney, Timothy M., and Stephen W. Richey. "Joan of Arc: The Warrior Saint." Sixteenth Century Journal 37, no. 1 (April 1, 2006): 257. http://dx.doi.org/10.2307/20477796.

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22

Craig, Marveen. "A Modern-Day Joan of Arc." Journal of Diagnostic Medical Sonography 14, no. 5 (September 1998): 214–17. http://dx.doi.org/10.1177/875647939801400505.

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23

Maier, Wendy A. "The Trial of Joan of Arc." History: Reviews of New Books 34, no. 2 (January 2006): 56. http://dx.doi.org/10.1080/03612759.2006.10526812.

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24

PRATT, LYNDA. "COLERIDGE, WORDSWORTH, AND JOAN OF ARC." Notes and Queries 41, no. 3 (September 1, 1994): 335–36. http://dx.doi.org/10.1093/nq/41-3-335.

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25

Arnold, J. H. "The Interrogation of Joan of Arc." Common Knowledge 9, no. 1 (January 1, 2003): 164. http://dx.doi.org/10.1215/0961754x-9-1-164.

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26

Bush, Elizabeth. "Joan of Arc (review)." Bulletin of the Center for Children's Books 65, no. 2 (2011): 76. http://dx.doi.org/10.1353/bcc.2011.0693.

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27

A'Beckett, Ludmilla. "The Joan of Arc Figures in Russian Discourse: Gender Prejudice Against Women in Public Life." Transcultural Studies 9, no. 1 (2013): 129–45. http://dx.doi.org/10.1163/23751606-00901011.

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The translation of the glorious name of “Joan of Arc” into a tool of vilification is analysed in this paper. The majority of examples, col-lected from two popular Russian newspapers, contain negative under-currents. For instance, the unflattering portrait of the former Prime Minister of Ukraine, Yulia Tymoshenko, was established by the press through the persistent use of the name "Joan of Arc of Ukraine." The research reveals that many members of the discourse community still evaluate female activists through the lens of gender prejudice.

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28

McWilliams, Wilson Carey. "Divine Right: Mark Twain's Joan of Arc." Review of Politics 69, no. 3 (June 2007): 329–52. http://dx.doi.org/10.1017/s003467050700071x.

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Most readers have not agreed with Mark Twain in liking Joan of Arc best of all his novels, particularly because his hand is almost invisible in it. He presents the story as a translation by “Jean Francois Alden” of the remembrances of “Sieur Louis de Conte.” He did not think readers would take a work by “Mark Twain” seriously. Only the initials S. L. C. indicate the connection between the actual and the presumed author. Twain considered Joan to be “the most extraordinary person the human race has ever produced.” She was a woman—and a general. She genuinely believed that she was acting on the basis of commands from God. In relating her story, Twain nevertheless shows that nothing human, and certainly no government and no ruler, is entitled to divine honors or right.

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29

Margolis, Nadia. "Joan of Arc: Maneuverable Medievalism, Flexible Feminism." Medieval Feminist Newsletter 22 (September 1996): 21–25. http://dx.doi.org/10.17077/1054-1004.1399.

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30

Albera, François. "DVD : Joan of Arc de Victor Fleming." 1895, no. 78 (March 1, 2016): 214–17. http://dx.doi.org/10.4000/1895.5138.

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31

Louis-Dimitrov, Delphine. "Introduction. Fashioning the American Joan of Arc." Revue française d’études américaines N°161, no. 4 (2019): 3. http://dx.doi.org/10.3917/rfea.161.0003.

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32

Tsanev, Stefan. "The other Death of Joan of Arc." Index on Censorship 21, no. 9 (October 1992): 20–29. http://dx.doi.org/10.1080/03064229208535433.

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33

FREEMAN, JAMES A. "Joan of Arc: Soldier, Saint, Symbolof What?" Journal of Popular Culture 41, no. 4 (August 2008): 601–34. http://dx.doi.org/10.1111/j.1540-5931.2008.00539.x.

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34

Park, Bokyoung. "Book Review: Joan of Arc: Her Story." Missiology: An International Review 29, no. 2 (April 2001): 241. http://dx.doi.org/10.1177/009182960102900224.

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35

Togoeva, Olga. "Napoleon Bonaparte and his Joan of Arc." Annual of French Studies 1 (2019): 284–99. http://dx.doi.org/10.32608/0235-4349-2019-1-52-284-299.

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36

Carette, Alexandre. "Joan of Arc, A Military Leader (review)." Journal of Military History 68, no. 3 (2004): 952. http://dx.doi.org/10.1353/jmh.2004.0095.

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37

McJoynt, Albert D. "Joan of Arc: The Warrior Saint (review)." Journal of Military History 69, no. 1 (2005): 218–20. http://dx.doi.org/10.1353/jmh.2005.0035.

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38

Marvin, Laurence W. "The Trial of Joan of Arc (review)." Journal of Military History 72, no. 2 (2008): 546–47. http://dx.doi.org/10.1353/jmh.2008.0142.

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39

Wilder, Thornton. "Joan of Arc: Treatment for Motion Pictures." Yale Review 91, no. 4 (October 2003): 1–34. http://dx.doi.org/10.1111/0044-0124.00749.

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40

Ambühl, Rémy. "Joan of Arc as prisonnière de guerre*." English Historical Review 132, no. 558 (October 2017): 1045–76. http://dx.doi.org/10.1093/ehr/cex347.

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41

Nicastro, Nicolas, and Fabienne Picard. "Joan of Arc: Sanctity, witchcraft or epilepsy?" Epilepsy & Behavior 57 (April 2016): 247–50. http://dx.doi.org/10.1016/j.yebeh.2015.12.043.

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42

Bellitto, Christopher M. "Joan of Arc: The Early Debate (review)." Catholic Historical Review 86, no. 4 (2000): 668–69. http://dx.doi.org/10.1353/cat.2000.0052.

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43

Kavan, Heather. "Joan of Arc in New Age Spirituality." Relegere: Studies in Religion and Reception 3, no. 2 (2013): 285–305. http://dx.doi.org/10.11157/rsrr3-2-581.

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44

Dachowski, Elizabeth. ":Joan of Arc: Her Story." Sixteenth Century Journal 38, no. 1 (March 1, 2007): 266–67. http://dx.doi.org/10.1086/scj20478332.

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45

Rapport, Nigel. "Being Inside and Outside Social Relations." Journal of Legal Anthropology 2, no. 1 (June 1, 2018): 117–24. http://dx.doi.org/10.3167/jla.2018.020110.

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It is a special responsibility to incur individual readings of one’s work from colleagues. I hope the following line of thought does them justice.Nay Rather, an essay by Anne Carson (a translator and poet as well as a classical scholar), begins with an account of the trial of Joan of Arc. Caught in battle against the English and their Burgundian allies on 23 May 1430, a year after she had assisted a French army in lifting the English siege of Orleans, Joan of Arc was put on trial for heresy. The trial lasted from January to May 1431, and Joan was burnt at the stake on 30 May, aged nineteen. In recounting this history, Carson explains that she is particularly interested in the way in which, as she puts it, Joan was ‘distant’ from her own words. Carson (2014: 8) elaborates. Joan of Arc’s guidance, military and moral came from a source that she called ‘voices’. She began to hear them at the age of twelve, and they commanded her style of dress, her beliefs and the revolutionary politics of her action. At her trial, her English ecclesiastical prosecutors wanted to know her voices, for Joan to name and describe them in ways in which they might understand: in terms of recognised religious imagery and emotions, and in a conventional narrative that might then be subjected to mechanisms of theological proof.

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46

Fraioli, Deborah. "Gail Orgelfinger, Joan of Arc in the English Imagination, 1429–1829. University Park, PA: Pennsylvania State University Press, 2019, 230 pp., 17 b/w ill." Mediaevistik 32, no. 1 (January 1, 2020): 488–89. http://dx.doi.org/10.3726/med.2019.01.132.

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Reviews of Joan of Arc books often rightly begin by asking whether there is the need for yet another book on Joan of Arc. In the case of biographies, one is tempted to answer, no. The known facts have not changed over 600 years, and new angles from which her life can be approached do not emerge as often as do new biographies. Oddly, however, the kind of detailed comparative study of Joan’s afterlife in England through four centuries, which Gail Orgelfinger has accomplished in this vigorous new book, still needs to be done for French chronicles (no less) and much of her French afterlife.

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47

Staples, Kate, and Deborah A. Fraioli. "Joan of Arc and the Hundred Years War." History Teacher 39, no. 3 (May 1, 2006): 411. http://dx.doi.org/10.2307/30036811.

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48

Wood, Charles T. "The Interrogation of Joan of Arc. Karen Sullivan." Speculum 77, no. 1 (January 2002): 251–53. http://dx.doi.org/10.2307/2903866.

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49

Warfield, Adrienne Akins. "Sunday School Books and Twain’s Joan of Arc." Renascence 67, no. 4 (2015): 261–77. http://dx.doi.org/10.5840/renascence201567418.

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50

Hume, Janice. "Saloon-Smashing Fanatic, Corn-Fed Joan of Arc." Journalism History 28, no. 1 (April 2002): 38–47. http://dx.doi.org/10.1080/00947679.2002.12062592.

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