Relevant bibliographies by topics / Joanna Baillie

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  2. Dissertations / Theses
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Academic literature on the topic 'Joanna Baillie'

Author: Grafiati
Published: 4 June 2021
Last updated: 4 February 2022

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Journal articles on the topic "Joanna Baillie"

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Henderson, Andrea. "Passion and Fashion in Joanna Baillie's “Introductory Discourse”." PMLA/Publications of the Modern Language Association of America 112, no. 2 (March 1997): 198–213. http://dx.doi.org/10.2307/463090.

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In the preface to her first volume of plays, the Romantic playwright Joanna Baillie claims that one is naturally driven to classify persons into character types, and she argues that this classification should be based on the passions individuals express rather than the fashions they wear. Despite this anticonsumerist stance, however, Baillie's project is shaped by the logic of late-eighteenth-century consumerism: Baillie conceives of passions as items susceptible to inventory, display, and sale. Her interest in establishing a human taxonomy grounded in ostensibly natural and subtle discriminations of character allies her works with other popular consumer goods of the period, from clothing fashions to studies of physiognomy. Moreover, like the aesthetic of the picturesque, Baillie's aesthetic encodes a peculiarly consumerist form of desire, a desire that can never be satisfied because it aims at acquisition rather than possession. In Baillie, the feelings and desires on which modern subjectivity is founded do not spring from deep within but are formed by, and find their meaning in, the public world of the marketplace.
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Bugajski, Ken A. "Joanna Baillie: An Annotated Bibliography." Romanticism on the Net, no. 12 (1998): 0. http://dx.doi.org/10.7202/005817ar.

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Myers, Victoria. "Joanna Baillie: Speculations on Legal Cruelty." Wordsworth Circle 35, no. 3 (June 2004): 123–27. http://dx.doi.org/10.1086/twc24044981.

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Slagle, Judith Bailey. "Joanna Baillie and Sir John Herschel." Wordsworth Circle 49, no. 2 (March 2018): 85–92. http://dx.doi.org/10.1086/twc49020085.

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Mellor, Anne K. "Joanna Baillie and the Counter-Public Sphere." Studies in Romanticism 33, no. 4 (1994): 559. http://dx.doi.org/10.2307/25601086.

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Friddle, Megan. "Joanna Baillie and theMonthly Mirror: A New Letter." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 21, no. 4 (September 2008): 36–39. http://dx.doi.org/10.3200/anqq.21.4.36-39.

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Carney, Sean. "The Passion of Joanna Baillie: Playwright as Martyr." Theatre Journal 52, no. 2 (2000): 227–52. http://dx.doi.org/10.1353/tj.2000.0038.

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Gamer, Michael. "National Supernaturalism: Joanna Baillie, Germany, and the Gothic Drama." Theatre Survey 38, no. 2 (November 1997): 49–88. http://dx.doi.org/10.1017/s0040557400002076.

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As the most critically lauded dramatist of her time, Joanna Baillie recently has received considerable attention from critics interested in arguing that our neglect of Romantic drama has arisen from “conventional and mistaken assumptions about its strategies and principles.” In a recent issue of Wordsworth Circle devoted exclusively to Romantic drama, Baillie figures in three of its seven articles as a central dramatist of the period, while Jeffrey Cox devotes an entire section of his introduction in Seven Gothic Dramas 1789—1825 (1992) to her work. Even more recently, she has been the subject of special sessions of recent Modern Language Association meetings, and an edition of her Selected Works is scheduled to be published by Pickering and Chatto Press in 1998.
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Wolfson, Susan J. "Further Letters of Joanna Baillie. Edited by Thomas McLean." Wordsworth Circle 41, no. 4 (September 2010): 252–54. http://dx.doi.org/10.1086/twc24043668.

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Myers, Victoria. "Joanna Baillie and the Emergence of Medico‐Legal Discourse." European Romantic Review 18, no. 3 (July 2007): 339–59. http://dx.doi.org/10.1080/10509580701443307.

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Dissertations / Theses on the topic "Joanna Baillie"

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Slagle, Judith Bailey. "Joanna Baillie." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/457.

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Book Summary: Provides a comprehensive overview of all aspects of the poetry, drama, fiction, and literary and cultural criticism produced from the Restoration of the English monarchy to the onset of the French Revolution Comprises over 340 entries arranged in A-Z format across three fully indexed and cross-referenced volumes Written by an international team of leading and emerging scholars Features an impressive scope and range of subjects: from courtship and circulating libraries, to the works of Samuel Johnson and Sarah Scott Includes coverage of both canonical and lesser-known authors, as well as entries addressing gender, sexuality, and other topics that have previously been underrepresented in traditional scholarship Represents the most comprehensive resource available on this period, and an indispensable guide to the rich diversity of British writing that ushered in the modern literary era
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Slagle, Judith Bailey. "Joanna Baillie." Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/etsu-works/458.

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Book Summary: Poetry Criticism assembles critical responses to the writings of the world's most renowned poets and provides supplementary biographical context and bibliographic material to guide the reader to a greater understanding of the genre and its creators. Each entry includes a set of previously published reviews, essays and other critical responses from sources that include scholarly books and journals, literary magazines, interviews, letters and diaries, carefully selected to create a representative history and cross-section of critical responses. Although poets and poetry are also covered in other titles from the Gale Literature Criticism series, Poetry Criticism offers a greater focus on understanding poetry than is possible in the broader, survey-oriented entries in those series. Clear, accessible introductory essays followed by carefully selected critical responses allow end-users to engage with a variety of scholarly views and conversations about poets and their works. Student's writing papers or class presentations, instructors preparing their syllabi, or anyone seeking a deeper understanding of the genre will find this a highly useful resource.
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Slagle, Judith Bailey. "Joanna Baillie and Sir John Herschel." Digital Commons @ East Tennessee State University, 2018. https://dc.etsu.edu/etsu-works/3212.

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Slagle, Judith Bailey. "Joanna Baillie and the Anxiety of Shakespeare's Influence." Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/719.

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Joanna Baillie, a drama critic as well as a dramatist, began during the last decade of the eighteenth century to develop her own theory of tragedy and comedy, based on human emotions, the elemental instincts that prompted Shakespeare's characters to action over two hundred years before. Baillie could not escape Shakespeare's early influence; even if she had tried, critics and colleagues regularly reminded her of her debt. While Baillie admitted her poetical debt to Ossian and to Robert Burns, her Romantic "naturalness" was indeed fresh and original. Her dramatic writing, however, followed many of the themes of Shakespeare — love, hate, revenge, jealousy, ambition — and she defended and defined her focus on such passions in her "Introductory Discourse" to A Series of Plays, whereas Shakespeare was tacit about his scheme if, in fact, he had one.
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White, Guy Wallace. "Joanna Baillie, early foundations, Romantic poetry, and poetics : carpe diem." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0016/MQ52676.pdf.

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Slagle, Judith Bailey. "Joanna Baillie and the Poetry of Intellectual and Historical Romanticism." Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/459.

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Book Summary: The Encyclopedia of Romantic Literature is an authoritative three-volume reference work that covers British artistic, literary, and intellectual movements between 1780 and 1830, within the context of European, transatlantic and colonial historical and cultural interaction. Comprises over 275 entries ranging from 1,000 to 6,500 words arranged in A-Z format across three fully cross-referenced volumes Written by an international cast of leading and emerging scholars Entries explore genre development in prose, poetry, and drama of the Romantic period, key authors and their works, and key themes Also available online as part of the Wiley-Blackwell Encyclopedia of Literature, providing 24/7 access and powerful searching, browsing and cross-referencing capabilities
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Slagle, Judith Bailey. "Romantic Appropriations of History: The Legends of Joanna Baillie and Margaret Holford Hodson." Digital Commons @ East Tennessee State University, 2012. http://amzn.com/1611475090.

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Introduction: The Historical Tradition of Baillie, Scott, Hodson and Southey -- William Wallace : "A Terrible Beauty" -- Exploration and conquest : Columbus, Balboa, and Pizarro -- National and Domestic Heroines : Margaret of Anjou and Lady Griseld Baillie -- Gothic Interactions : The Miscellaneous Legends of Baillie and Hodson.
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Slagle, Judith Bailey. "Literary Activism: James Montgomery, Joanna Baillie, and the Plight of Britain’s Chimney Sweeps." Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/720.

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Excerpt: On 6 February 1824, Joanna Baillie Notified Her Friend Walter Scott that Scottish poet James Montgomery, then living in Sherrield, England, had written to ask her for a poem on the plight on chimney sweeps, also known as climbing boys.
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Slagle, Judith Bailey. "Joanna Baillie’s Columbus: A Response to Current British Notions About Empire." Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/3224.

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Duckling, Louise. "Popularity and Posterity: The Literary Performances of Charlotte Smith, Helen Maria Williams and Joanna Baillie." Thesis, University of Essex, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.486630.

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This thesis explores the writing strategies of three literary women in the 1780s and 1790s: Charlotte Smith (1749-1806), Helen Maria Williams (1761-1827) and Joanna Baillie(1762-1851). With the reshaping of Romanticism in the late twentieth century these women writers have enjoyed a critical renaissance. Central to their revival has been the concept of historical reclamation, as critics have unveiled a 'forgotten' female tradition; simultaneously, many accounts presented female authorship as a hazardous occupation for women in the period. In examining the dual themes of popularity and posterity, this survey provides a new critical perspective on Romantic women writers: as influential players in an age of female authors, and as iconic figures \within an alternative literary history.
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Books on the topic "Joanna Baillie"

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Baillie, Joanna. Further letters of Joanna Baillie. Madison: Fairleigh Dickinson University Press ; Cranbury, NJ : Associated University Presses, 2010.

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Joanna Baillie, a literary life. Madison, NJ: Fairleigh Dickinson University Press, 2002.

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1965-, McLean Thomas, ed. Further letters of Joanna Baillie. Madison: Fairleigh Dickinson University Press, 2010.

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Baillie, Joanna. The collected letters of Joanna Baillie. Madison, [N.J.]: Fairleigh Dickinson University Press, 1999.

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Baillie, Joanna. The selected poems of Joanna Baillie, 1762-1851. Manchester, England: New York, 1999.

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Joanna Baillie and the art of moral influence. New York: Peter Lang, 2009.

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Keith, Hanley, and Gilroy Amanda, eds. Joanna Baillie: A selection of plays and poems. London: Pickering & Chatto, 2002.

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Romantic appropriations of history: The legends of Joanna Baillie and Margaret Holford Hodson. Madison: Fairleigh Dickinson University Press, 2012.

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Burroughs, Catherine B. Closet stages: Joanna Baillie and the theater theory of British romantic women writers. Philadelphia: University of Pennsylvania Press, 1997.

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Romantic ideology unmasked: The mentally constructed tyrannies in dramas of William Wordsworth, Lord Byron, Percy Shelley, and Joanna Baillie. Newark: University of Delaware Press, 1994.

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Book chapters on the topic "Joanna Baillie"

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Stamm, Ulrike. "Baillie, Joanna." In Metzler Autorinnen Lexikon, 38–39. Stuttgart: J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03702-2_27.

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Slagle, Judith Bailey. "Baillie, Joanna." In The Palgrave Encyclopedia of Victorian Women's Writing, 1–5. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-02721-6_210-1.

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Heinen, Sandra. "Baillie, Joanna." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_7927-1.

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Waters, Mary A. "Joanna Baillie (1762–1851)." In British Women Writers of the Romantic Period, 115–35. London: Macmillan Education UK, 2009. http://dx.doi.org/10.1007/978-1-137-09821-4_9.

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Heinen, Sandra. "Baillie, Joanna: Das lyrische Werk." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_7928-1.

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Patten, Janice. "Joanna Baillie, A Series of Plays." In A Companion to Romanticism, 183–92. Oxford, UK: Blackwell Publishing Ltd, 2017. http://dx.doi.org/10.1002/9781405165396.ch15.

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Colón, Christine A. "Historicizing Witchcraft Throughout the Ages: Joanna Baillie and Caryl Churchill." In Metafiction and Metahistory in Contemporary Women’s Writing, 89–101. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230206281_7.

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Bolton, Betsy. "Joanna Baillie’s Emblematic Theatre." In The History of British Women’s Writing, 1750–1830, 254–67. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230297012_13.

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Shattock, Joanne, Joanne Wilkes, Katherine Newey, and Valerie Sanders. "Joanna Baillie, Extract from A Series of Plays in which it is attempted to delineate the stronger passions of the mind [Plays on the Passions]." In Literary and Cultural Criticism from the Nineteenth Century, 60–66. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003199878-11.

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Crisafulli, Lilla Maria. "Horror and terror, gender and fear in Joanna Baillie’s Orra." In Closet Drama, 97–111. London ; New York, NY : Routledge, 2018. | Series: Routledge advances in theatre and performance studies: Routledge, 2018. http://dx.doi.org/10.4324/9781315107394-5.

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