Academic literature on the topic 'Jockeys Jockeys Jockeys'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Jockeys Jockeys Jockeys.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Journal articles on the topic "Jockeys Jockeys Jockeys"
Legg, Kylie, Darryl Cochrane, Erica Gee, and Chris Rogers. "The External Workload of Thoroughbred Horse Racing Jockeys." Sustainability 12, no. 18 (September 14, 2020): 7572. http://dx.doi.org/10.3390/su12187572.
Full textLegg, Kylie, Darryl Cochrane, Erica Gee, Paul Macdermid, and Chris Rogers. "Physiological Demands and Muscle Activity of Jockeys in Trial and Race Riding." Animals 12, no. 18 (September 8, 2022): 2351. http://dx.doi.org/10.3390/ani12182351.
Full textVelija, Philippa, and Leah Flynn. "“Their Bottoms Are the Wrong Shape” Female Jockeys and the Theory of Established Outsider Relations." Sociology of Sport Journal 27, no. 3 (September 2010): 301–15. http://dx.doi.org/10.1123/ssj.27.3.301.
Full textJuraid, Akbar Tanjung, Oryza Pneumatica Inderasari, and Khalifatul Syuhada. "The Eksploitasi Anak dalam Tradisi Pacuan Kuda Pada Masyarakat Dompu." RESIPROKAL: Jurnal Riset Sosiologi Progresif Aktual 3, no. 2 (January 8, 2022): 183–96. http://dx.doi.org/10.29303/resiprokal.v3i2.64.
Full textKing, Lewis, Sarah Jane Cullen, Jean McArdle, Adrian McGoldrick, Jennifer Pugh, Giles Warrington, and Ciara Losty. "Stressors Experienced by Professional Jockeys." Sport Psychologist 35, no. 2 (June 1, 2021): 142–54. http://dx.doi.org/10.1123/tsp.2020-0128.
Full textLegg, Kylie, Darryl Cochrane, Erica Gee, and Chris Rogers. "Jockey Career Length and Risk Factors for Loss from Thoroughbred Race Riding." Sustainability 12, no. 18 (September 10, 2020): 7443. http://dx.doi.org/10.3390/su12187443.
Full textDavies, Madeleine, Kate A. Jackson, Anna Louise Mackinnon, Alison Turner, Kerry Kuznik, Jerry Hill, Julia L. Newton, and Maria Sanchez Santos. "Epidemiology of race day injury in young professional jockeys in Great Britain from 2007 to 2018: a retrospective cohort study." BMJ Open 11, no. 8 (August 2021): e044075. http://dx.doi.org/10.1136/bmjopen-2020-044075.
Full textPoon, Eric Tsz-Chun, John O’Reilly, Sinead Sheridan, Michelle Mingjing Cai, and Stephen Heung-Sang Wong. "Markers of Bone Health, Bone-Specific Physical Activities, Nutritional Intake, and Quality of Life of Professional Jockeys in Hong Kong." International Journal of Sport Nutrition and Exercise Metabolism 28, no. 4 (July 1, 2018): 440–46. http://dx.doi.org/10.1123/ijsnem.2016-0176.
Full textLegg, K. A., D. J. Cochrane, E. K. Gee, and C. W. Rogers. "Review of physical fitness, physiological demands and performance characteristics of jockeys." Comparative Exercise Physiology 17, no. 4 (June 15, 2021): 319–29. http://dx.doi.org/10.3920/cep200079.
Full textVelija, Philippa, and Lucinda Hughes. "‘Men fall like boiled eggs. Women fall like raw eggs.’ Civilised female bodies and gender relations in British National Hunt racing." International Review for the Sociology of Sport 54, no. 1 (June 9, 2017): 22–37. http://dx.doi.org/10.1177/1012690217712434.
Full textDissertations / Theses on the topic "Jockeys Jockeys Jockeys"
Chan, Chu Po-ling Janice, and 陳朱寶玲. "The change of footing in DJ talk." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1989. http://hub.hku.hk/bib/B31949381.
Full textShiga, John Patrick. "Copy, alter and control : the déjà entendus of disc jockey culture." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=29521.
Full textSullivan, Vivienne M. "Wasting away the influences of weight management on jockeys' physical, psychological and social wellbeing /." full-text, 2008. http://eprints.vu.edu.au/2029/1/sullivan.pdf.
Full textBlay, Jean-Pierre. "Les princes et les jockeys : Chantilly XVIIIe-XXe siècle /." Biarritz : Atlantica, 2006. http://catalogue.bnf.fr/ark:/12148/cb402092147.
Full textOlszewski, Michael F. "The life and career of Pete "Mad Daddy" Myers." [Kent, Ohio] : Kent State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1248121549.
Full textTitle from PDF t.p. (viewed Mar. 31, 2010). Advisor: Max Grubb. Keywords: Mad Daddy; Cleveland; radio; Pete Myers; disc jockey; rock and roll; radio personalities. Includes bibliographical references (p. 69-74).
Gill, Rosalind. "Ideology and popular radio : a discourse analytic examination of disc jockeys' talk." Thesis, Loughborough University, 1991. https://dspace.lboro.ac.uk/2134/7309.
Full textLopes, Juliana Julio. "Música e audição: os sentidos atribuídos por Disc Jockeys de música eletrônica." Pontifícia Universidade Católica de São Paulo, 2009. https://tede2.pucsp.br/handle/handle/12240.
Full textCoordenação de Aperfeiçoamento de Pessoal de Nível Superior
Disc Jockeys are music professionals exposed to high sound pressure levels during the working day. Several studies were carried out showing the impacts of such professional activity in hearing, however, none was directed to understand the meaning of music and hearing assigned by Disc Jockeys. Purpose: To study the meaning of music and hearing assigned by Disc Jockeys and the possible implications of these professional activity on the hearing health . Method: Descriptive, analytical, and qualitative research in which four Disc Jockeys were interviewed, all male, aged between 26 and 34 years, working with electronic music for at least a year in the region of greater São Paulo. It was direct interviews composed by four questions: (1) What music means or represents in your life? (2) What electronic music means or represents in your life? (3) How is your hearing in that context? (4) Do you notice any changes related to the hearing after having commenced this activity as a Disc Jockey? To reach the meaning the interviews were transcript and analyzed by the categorization method proposed by Bardin (2009). Results: The discourses showed tree categories: (1) Representation of music ; (2) Representation of hearing and (3) Changes in hearing after performing as Disc Jockey . The main meaning attributed to "music" was to move the emotions. The meaning attributed to "hearing" and to "changes in hearing after performing as Disc Jockey" was to evolve, because hearing is a tool for listening and imagination, which allows learning. Final considerations: As to categories (2) and (3) was only given the meaning of evolution and never of loss of hearing, we concluded that: 1 to perform as a Disc Jockey has only a positive implications to health, 2- the interviewed DJs don t know the risks of excessive exposure to intense sound levels; 3 - speech and hearing work is important for the group of the studied professionals; 4 - further research is needed to know whether these absence of knowledge is extensible to the group of Disc Jockeys. This research is important to develop adequated heath action in the speech and hearing field
Disc Jockeys são profissionais da música que estão submetidos a elevados níveis de pressão sonora durante a jornada de trabalho. Foram realizados diversos estudos mostrando os impactos dessa atuação profissional na audição, entretanto, nenhum buscou compreender o sentido que os Disc Jockeys atribuem à música e à audição. Objetivo: Estudar os sentidos que Disc Jockeys atribuem à música, à audição e as possíveis implicações de sua atividade na saúde auditiva. Método: Pesquisa qualitativa de tipo descritivo, analítico e transversal, na qual formam entrevistados quatro Disc Jockeys do sexo masculino, com idades variando entre 26 e 34 anos, que trabalham com música eletrônica há, no mínimo, um ano, na região da grande São Paulo. As entrevistas forma do tipo dirigido constituídas de quatro perguntas: (1) O que a música significa ou representa na sua vida? (2) O que a música eletrônica significa ou representa na sua vida? (3) O que representa a sua audição nesse contexto? (4) Você percebe alguma mudança relacionada à audição após ter iniciado a sua atividade como Disc Jockey? Para acessarmos os sentidos expressos nos discursos, as entrevistas foram transcritas e analisadas pelo método da categorização, conforme proposto por Bardin (2009). Resultados: Os discursos mostraram três categorias: (1) Representação da música , (2) Representação da audição e (3) Mudanças na audição após ter iniciado atuação como Disc Jockey . O principal sentido atribuído a música foi o de movimentar as emoções, o sentido atribuído à audição e a mudanças na audição após ter iniciado atuação como Disc Jockey foi o de evoluir por ser uma ferramenta de escuta e imaginação que permite a aprendizagem. Considerações finais: Como às categorias (2) e (3) só foi atribuído o sentido de evolução e nunca de perda de audição, conclui-se que: 1 - a atuação como Disc Jockey só tem implicações positivas para a saúde; 2 - os Disc Jockeys entrevistados desconhecem os riscos da exposição excessiva a níveis sonoros intensos; 3 é importante fazer um trabalho fonoaudiológico voltado à prevenção da perda auditiva para o grupo de profissionais estudado 4 - são necessárias novas pesquisas para averiguar se o desconhecimento é extensivo aos Disc Jockeys em geral, o que é importante para que, no campo fonoaudiológico voltado para audição, se possa pensar em ações de saúde significativas para esse segmento de profissionais
Sullivan, Vivienne M. "Wasting away: the influences of weight management on jockeys’ physical, psychological and social wellbeing." Thesis, full-text, 2008. https://vuir.vu.edu.au/2029/.
Full textWilson, George. "The effects of weight-making on the physical and mental health of professional jockeys." Thesis, Liverpool John Moores University, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.590097.
Full textMalhão, Rafael da Silva 1982. "Uma ecologia dos meios tecnológicos dos DJs de música eletrônica de pista : habilidades, percepção e corpo." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279732.
Full textDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
Made available in DSpace on 2018-08-25T12:51:50Z (GMT). No. of bitstreams: 1 Malhao_RafaeldaSilva_M.pdf: 19665783 bytes, checksum: 97dedddf16af7fdc50c3ab0adc13a7b9 (MD5) Previous issue date: 2014
Resumo: A presente dissertação tem como objeto e objetivo central compreender o processo tecno-genético de formação dos DJs de Música Eletrônica de Pista (MEP) para uma atuação efetiva frente a uma pista de dança. Para dar conta da tarefa que me propus dediquei-me a analisar este processo a partir de três de abordagens distintas, a saber, tecnologia, técnica e habilidade, que assumem dinâmicas relacionais diferentes que dependem do objetivo e combinação estabelecida entre elas, e a partir destes diferentes cenários relacionais estas combinações orientam ritmos específicos de interação entre humanos e máquinas. Estas combinações e ritmos foram o núcleo para a análise mais profícuo identificado para explorar o DJ como conceito e prática no âmbito da MEP. Estas três abordagens visam desdobrar as questões relativas a cada tópico supracitado e a integração destas abordagens se dá por meio de uma experiência estética não contemplativa. A primeira abordagem tem como preocupação central as diferentes formas em que a tecnologia de reprodução sonora foi relevante para MEP e visa constituir uma base material da mudança tecnológica para as discussões abordadas subsequentemente. A segunda abordagem parte desta base tecnológica a fim de apresentar as possíveis formas de constituição das habilidades, das técnicas e do corpo por meio da atuação sinérgica para fins comuns entre DJs e tecnologias de reprodução sonora. A terceira abordagem se vale das duas anteriores para tentar compreender a relação que se estabelece entre estes modos tecnológicos e técnicos de formação das habilidades e percepção que contribuem na forma de interação entre DJs e pista de dança, atendo-se principalmente, nas potencialidades e especificidades de uma proposta tecno-estética que busca escapar da passividade contemplativa na relação entre público e executores de atos estéticos. Este percurso se fez necessário para a compreensão do papel das tecnologias na formação dos sentidos e das ações a eles correspondentes durante o processo de aprendizado das técnicas sendo elas de discotecagem ou modos de dança. Por fim, identifico, assim como alguns autores que perpassam o texto, que o modo de percepção, bem como o corpo que percebe ? e todas as implicações desta situação ? não são dados a priori, e sim, se constituem ao longo das diferentes interações com o ambiente e com a tecnologia. E que uma abordagem estética que privilegie a experiência estética mediada por objetos que não são necessariamente estéticos, mas objetos que possibilitam diferentes reticulações do espaço e do tempo por meio do seu modo de manipulação e inserção em contextos específicos foi a maneira mais interessante para descrever a relação entre DJs, tecnologias e pista de dança
Abstract: The aim of this study is to understand the techno-genetic process of the development of Electronic Dance Music (EDM) DJs in an effective performance in the dance floor. To be able to accomplish this task I analyse the process from three distinct approaches, namely technology, techniques, and skills that assume different relational dynamics depending on the goal and the combination stabilished among them, and from those different relational scenaries those combinations orient toward specific rhythms of interaction between mankind and machines.These combinations and rhythms were the most proficuous nucleous to the analysis, identified to explore the DJ as concept and practise in EDM. Those three approaches are to unfold the issues regarding each topic above mentioned and the integration of the approaches happens through a non-contemplative aesthetic experience. The first approach aims the different ways sound reproduction technology was relevant to EDM and intends to build a material base of technological change to the discussions subsequently dealt. The second approach derives from said technological base in order to present the possible ways of developing skills, techniques, and body by the synergic movement to common goals between DJs and sound reproduction technology. The third approach derives from the first two aiming to understand the relation stablished among the technological ways and the techniques to form the skills and perceptions that contribute the way of interaction between DJs and the dance floor. It focuses mainly in potencialities and specificity of the techno-aesthetic proposal that tries to scape from contemplative passivity in the relation between the audience and the performer of aesthetic acts. All this process was needed to understand the role the technologies play in the formation of senses and actions corresponding to them during the technique learning process of either DJing or dance moves. Consequently, I identified, as well as some autors who perpassed the text, the fact that the way of perception and the body that perceives and also all implications of this situation are not given a priori, and that way, are constituted during the different interactions with the environment and technology. Also an aesthetic approach that previleges the aesthetic experience mediated by objects not necessarily aesthetic, but objects with different reticulations of the space and the time through their form of manipulation and inserction in specific contexts was the most interesting way to describe the relation between DJs, technologies, and dance floor
Mestrado
Sociologia
Mestre em Sociologia
Books on the topic "Jockeys Jockeys Jockeys"
Paulsen, Gary. The rock jockeys. New York, N.Y: Bantam Doubleday Dell Books for Young Readers, 1995.
Find full textMarch, Russell. The jockeys of Vanity fair. Tunbridge Wells, Kent, England: March Publications, 1985.
Find full textFarra, Ron. Jockeying for change: Saratoga's Tommy Luther : kindling a sense of humanity in the world of thoroughbred racing. Saratoga Springs, NY: Saratoga Mountain Press, 1998.
Find full textSaunders, James Robert. Black winning jockeys in the Kentucky Derby. Jefferson, N.C: McFarland & Co., 2003.
Find full textLahore, Caritas Pakistan. Trafficked child camel jockeys: Robbed of their childhood & future : a research study on camel jockeys in Pakistan. Lahore: Caritas Pakistan, 2009.
Find full textBook chapters on the topic "Jockeys Jockeys Jockeys"
Dabscheck, Braham. "Sweated Labour, Literally Speaking: The Case of Australian Jockeys." In The Sports Business in The Pacific Rim, 311–31. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-10037-1_17.
Full textChemam, Melissa. "From Sound Systems to Disc Jockeys, from Local Bands to Major Success: On Bristol’s Crucial Role in Integrating Reggae and Jamaican Music in British Culture." In Palgrave Studies in the History of Subcultures and Popular Music, 233–47. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-55161-2_12.
Full textBeal, Joan C. "The Jocks and the Geordies." In English Historical Linguistics 1994, 363. Amsterdam: John Benjamins Publishing Company, 1996. http://dx.doi.org/10.1075/cilt.135.25bea.
Full textFurnham, Adrian. "Jocks, loners, druggies and nerds." In Head & Heart Management, 102–3. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230598317_36.
Full textFurnham, Adrian. "Quant Jocks and qual Jills." In The Talented Manager, 177–79. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230369764_49.
Full textJain, Rajat, Vishal Garg, Abhaas Nayyar, Deepinder Sethi, Abhinav Ray, Vishal Gupta, and Sachin Singh. "Design and Fabrication of a Socket Jockey and Its Use in Home Automation." In Lecture Notes in Mechanical Engineering, 99–114. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-8304-9_7.
Full textZubak, Marko. "The Birth of Socialist Disc Jockey: Between Music Guru, DIY Ethos and Market Socialism." In Popular Music in Eastern Europe, 195–214. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-59273-6_10.
Full textAnderson, Eric. "Introduction." In 21st Century Jocks: Sporting Men and Contemporary Heterosexuality, 1–21. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137379641_1.
Full textAnderson, Eric. "Cuddling and Spooning Other Men." In 21st Century Jocks: Sporting Men and Contemporary Heterosexuality, 157–70. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137379641_10.
Full textAnderson, Eric. "Cheating on Girlfriends." In 21st Century Jocks: Sporting Men and Contemporary Heterosexuality, 173–85. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137379641_11.
Full textConference papers on the topic "Jockeys Jockeys Jockeys"
Hedayati, M., M. J. Cree, and J. Scott. "Network Structure for Tracking of Jockeys in Horse Races." In the 29th International Conference. New York, New York, USA: ACM Press, 2014. http://dx.doi.org/10.1145/2683405.2683422.
Full textHedayati, Mohammad, Michael J. Cree, and Jonathan B. Scott. "Tracking Jockeys in a Cluttered Environment with Group Dynamics." In Proceedings the 2nd International Workshop. New York, New York, USA: ACM Press, 2019. http://dx.doi.org/10.1145/3347318.3355518.
Full textLi, Shuping, Lin Li, Jiang Tao, L. C. Chan, John Graham, Tze Chung Luk, and Pak Keung Chu. "An Application Study on the Simulation Horse in Control Ability Evaluation of Jockeys Riding." In 2011 International Conference on Future Computer Science and Education (ICFCSE). IEEE, 2011. http://dx.doi.org/10.1109/icfcse.2011.72.
Full textFerguson, Andrew D., Peter Bodik, Srikanth Kandula, Eric Boutin, and Rodrigo Fonseca. "Jockey." In the 7th ACM european conference. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2168836.2168847.
Full textSaito, Yasushi. "Jockey." In the Sixth sixth international symposium. New York, New York, USA: ACM Press, 2005. http://dx.doi.org/10.1145/1085130.1085139.
Full textTanaka, Hidekazu, Naoya Koizumi, Yuji Uema, and Masahiko Inami. "Chewing jockey." In SIGGRAPH Asia 2011 Emerging Technologies. New York, New York, USA: ACM Press, 2011. http://dx.doi.org/10.1145/2073370.2073387.
Full textKoizumi, Naoya, Hidekazu Tanaka, Yuji Uema, and Masahiko Inami. "Chewing jockey." In the 8th International Conference. New York, New York, USA: ACM Press, 2011. http://dx.doi.org/10.1145/2071423.2071449.
Full textNagaya, Naohisa, Masashi Yoshidzumi, Maki Sugimoto, Hideaki Nii, Taro Maeda, Michiteru Kitazaki, and Masahiko Inami. "Gravity jockey." In the 2006 ACM SIGCHI international conference. New York, New York, USA: ACM Press, 2006. http://dx.doi.org/10.1145/1178823.1178872.
Full textNagaya, Naohisa, Masashi Yoshidzumi, Maki Sugimoto, Hideaki Nii, Taro Maeda, Michiteru Kitazaki, and Masahiko Inami. "Gravity Jockey." In the 2006 ACM SIGCHI international conference. New York, New York, USA: ACM Press, 2006. http://dx.doi.org/10.1145/1178823.1178881.
Full textFan, Kevin, Hideyuki Izumi, Yuta Sugiura, Kouta Minamizawa, Sohei Wakisaka, Masahiko Inami, Naotaka Fujii, and Susumu Tachi. "Reality jockey." In CHI '13: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2013. http://dx.doi.org/10.1145/2470654.2481353.
Full textReports on the topic "Jockeys Jockeys Jockeys"
Leeds, Michael, and Hugh Rockoff. Beating the Odds: Black Jockeys in the Kentucky Derby, 1870-1911. Cambridge, MA: National Bureau of Economic Research, January 2019. http://dx.doi.org/10.3386/w25461.
Full textLeeds, Michael, and Hugh Rockoff. Jim Crow in the Saddle: The Expulsion of African American Jockeys from American Racing. Cambridge, MA: National Bureau of Economic Research, December 2020. http://dx.doi.org/10.3386/w28167.
Full textJC A-Connect: Jockey Club Autism Support Network. Hong Kong China: The Hong Kong Jockey Club Charities Trust, September 2018. http://dx.doi.org/10.15868/socialsector.33718.
Full textJockey Club Learn-To Swim Programme for Primary Students. Hong Kong China: The Hong Kong Jockey Club Charities Trust, September 2018. http://dx.doi.org/10.15868/socialsector.33719.
Full textSixty-five-year-old jockey dies after being thrown from his mount in the starting gate - USVI. U.S. Department of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, October 2009. http://dx.doi.org/10.26616/nioshface200704.
Full text