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Chan, Chu Po-ling Janice, and 陳朱寶玲. "The change of footing in DJ talk." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1989. http://hub.hku.hk/bib/B31949381.
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Shiga, John Patrick. "Copy, alter and control : the déjà entendus of disc jockey culture." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=29521.
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Since the 1970s, the practice of deejaying has been integrated into music-making and musical performance in hip hop, dance music, and other cultures. Disc jockeys have also become recognized as producers and authors of sound recordings. I examine how changes in the technological, legal and commercial environment of disc jockeys in the 1990s are articulated in the styles and methods of deejaying. I argue that the conspicuous and covert styles of sampling articulate different forms of authorship, economic interests, and notions of originality. While the covert style has been crucial to the emergence of the DJ-as-author and deejaying as a legitimate art, the conspicuous style of copying on the edges of DJ culture troubles the tenuous links between the new DJ-stars and their works.
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Sullivan, Vivienne M. "Wasting away the influences of weight management on jockeys' physical, psychological and social wellbeing /." full-text, 2008. http://eprints.vu.edu.au/2029/1/sullivan.pdf.
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Little research has examined the effects of weight management on jockey’s wellbeing. However, there is a consensus that pervasive weight-loss practices (WLP) in the racing industry negatively impact on jockey’s physical, psychological and social wellbeing. The research reported herein examined the effects of the WLP used by flat-race jockeys on their physical, psychological and social wellbeing. In Study 1, 42 jockeys (10 women and 32 men) completed questionnaires examining eating behaviour, WLP and their physical, psychological and social effects of WLP. In Study 2, six male jockeys completed race day and non-race day assessments of WLP and mood and were interviewed about their experiences. In Study 3, eight jockeys (two women and six men); five family members (three wives and two fathers); and six industry professionals were interviewed about their perceptions and experiences of the lives of jockeys. Together the results of the studies showed that the WLP of jockeys have serious negative effects on their physiological, psychological and social wellbeing. Jockeys experience symptoms of life-threatening heat illness, negative mood, limited social interactions and strained relationships. Disordered eating behaviour was common and many jockeys reported symptoms consistent with DSM IV-TR disorders including Anorexia Nervosa, Bulimia Nervosa, Depression, General Anxiety Disorder and Social Phobia. Weight restriction symbolised a range of other restrictions that characterise jockeys’ lives. The term, Occupational Weight-Loss Disorder (OWLD) was coined to describe and explain the findings. Recommendations to reduce the harms documented included determining minimum weights, increasing time off, professional advice and profession suitability.
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Blay, Jean-Pierre. "Les princes et les jockeys : Chantilly XVIIIe-XXe siècle /." Biarritz : Atlantica, 2006. http://catalogue.bnf.fr/ark:/12148/cb402092147.
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Olszewski, Michael F. "The life and career of Pete "Mad Daddy" Myers." [Kent, Ohio] : Kent State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1248121549.
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Thesis (M.A.)--Kent State University, 2009-08-11.Title from PDF t.p. (viewed Mar. 31, 2010). Advisor: Max Grubb. Keywords: Mad Daddy; Cleveland; radio; Pete Myers; disc jockey; rock and roll; radio personalities. Includes bibliographical references (p. 69-74).
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Gill, Rosalind. "Ideology and popular radio : a discourse analytic examination of disc jockeys' talk." Thesis, Loughborough University, 1991. https://dspace.lboro.ac.uk/2134/7309.
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Situated within contemporary debates about language, ideology and the media, this thesis represents an attempt to try out and develop recent approaches to language within social psychology, and to argue that popular radio can be understood as ideological in several respects. Attempting to forge a position between marxism and post structuralism, the thesis argues that discourse analysis should eschew a total relativist position and/Should adopt a critical definition of ideology, which sees ideology as maintaining assymetrical power relations. The thesis consists of a detailed analysis of disc jockeys' on-air talk on BBC Radio One, looking at how particular views of the world are constructed and maintained by disc jockeys in their patter, and at how relations of inequality are brought off as natural and inevitable The research also analyses several interviews with broadcasters, examining the way they see their role and their audience, and looking in particular at the centrality of constructions of gender. Finally the research examines the accounts of disc jockeys and Programme Controllers for the lack of women in popular radio, highlighting the flexibility of sexism and drawing attention to features of the accounts offered which would have been ignored by more traditional approaches.
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Lopes, Juliana Julio. "Música e audição: os sentidos atribuídos por Disc Jockeys de música eletrônica." Pontifícia Universidade Católica de São Paulo, 2009. https://tede2.pucsp.br/handle/handle/12240.
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Disc Jockeys are music professionals exposed to high sound pressure levels during the working day. Several studies were carried out showing the impacts of such professional activity in hearing, however, none was directed to understand the meaning of music and hearing assigned by Disc Jockeys. Purpose: To study the meaning of music and hearing assigned by Disc Jockeys and the possible implications of these professional activity on the hearing health . Method: Descriptive, analytical, and qualitative research in which four Disc Jockeys were interviewed, all male, aged between 26 and 34 years, working with electronic music for at least a year in the region of greater São Paulo. It was direct interviews composed by four questions: (1) What music means or represents in your life? (2) What electronic music means or represents in your life? (3) How is your hearing in that context? (4) Do you notice any changes related to the hearing after having commenced this activity as a Disc Jockey? To reach the meaning the interviews were transcript and analyzed by the categorization method proposed by Bardin (2009). Results: The discourses showed tree categories: (1) Representation of music ; (2) Representation of hearing and (3) Changes in hearing after performing as Disc Jockey . The main meaning attributed to "music" was to move the emotions. The meaning attributed to "hearing" and to "changes in hearing after performing as Disc Jockey" was to evolve, because hearing is a tool for listening and imagination, which allows learning. Final considerations: As to categories (2) and (3) was only given the meaning of evolution and never of loss of hearing, we concluded that: 1 to perform as a Disc Jockey has only a positive implications to health, 2- the interviewed DJs don t know the risks of excessive exposure to intense sound levels; 3 - speech and hearing work is important for the group of the studied professionals; 4 - further research is needed to know whether these absence of knowledge is extensible to the group of Disc Jockeys. This research is important to develop adequated heath action in the speech and hearing field
Disc Jockeys são profissionais da música que estão submetidos a elevados níveis de pressão sonora durante a jornada de trabalho. Foram realizados diversos estudos mostrando os impactos dessa atuação profissional na audição, entretanto, nenhum buscou compreender o sentido que os Disc Jockeys atribuem à música e à audição. Objetivo: Estudar os sentidos que Disc Jockeys atribuem à música, à audição e as possíveis implicações de sua atividade na saúde auditiva. Método: Pesquisa qualitativa de tipo descritivo, analítico e transversal, na qual formam entrevistados quatro Disc Jockeys do sexo masculino, com idades variando entre 26 e 34 anos, que trabalham com música eletrônica há, no mínimo, um ano, na região da grande São Paulo. As entrevistas forma do tipo dirigido constituídas de quatro perguntas: (1) O que a música significa ou representa na sua vida? (2) O que a música eletrônica significa ou representa na sua vida? (3) O que representa a sua audição nesse contexto? (4) Você percebe alguma mudança relacionada à audição após ter iniciado a sua atividade como Disc Jockey? Para acessarmos os sentidos expressos nos discursos, as entrevistas foram transcritas e analisadas pelo método da categorização, conforme proposto por Bardin (2009). Resultados: Os discursos mostraram três categorias: (1) Representação da música , (2) Representação da audição e (3) Mudanças na audição após ter iniciado atuação como Disc Jockey . O principal sentido atribuído a música foi o de movimentar as emoções, o sentido atribuído à audição e a mudanças na audição após ter iniciado atuação como Disc Jockey foi o de evoluir por ser uma ferramenta de escuta e imaginação que permite a aprendizagem. Considerações finais: Como às categorias (2) e (3) só foi atribuído o sentido de evolução e nunca de perda de audição, conclui-se que: 1 - a atuação como Disc Jockey só tem implicações positivas para a saúde; 2 - os Disc Jockeys entrevistados desconhecem os riscos da exposição excessiva a níveis sonoros intensos; 3 é importante fazer um trabalho fonoaudiológico voltado à prevenção da perda auditiva para o grupo de profissionais estudado 4 - são necessárias novas pesquisas para averiguar se o desconhecimento é extensivo aos Disc Jockeys em geral, o que é importante para que, no campo fonoaudiológico voltado para audição, se possa pensar em ações de saúde significativas para esse segmento de profissionais
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Sullivan, Vivienne M. "Wasting away: the influences of weight management on jockeys’ physical, psychological and social wellbeing." Thesis, full-text, 2008. https://vuir.vu.edu.au/2029/.
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Little research has examined the effects of weight management on jockey’s wellbeing. However, there is a consensus that pervasive weight-loss practices (WLP) in the racing industry negatively impact on jockey’s physical, psychological and social wellbeing. The research reported herein examined the effects of the WLP used by flat-race jockeys on their physical, psychological and social wellbeing. In Study 1, 42 jockeys (10 women and 32 men) completed questionnaires examining eating behaviour, WLP and their physical, psychological and social effects of WLP. In Study 2, six male jockeys completed race day and non-race day assessments of WLP and mood and were interviewed about their experiences. In Study 3, eight jockeys (two women and six men); five family members (three wives and two fathers); and six industry professionals were interviewed about their perceptions and experiences of the lives of jockeys. Together the results of the studies showed that the WLP of jockeys have serious negative effects on their physiological, psychological and social wellbeing. Jockeys experience symptoms of life-threatening heat illness, negative mood, limited social interactions and strained relationships. Disordered eating behaviour was common and many jockeys reported symptoms consistent with DSM IV-TR disorders including Anorexia Nervosa, Bulimia Nervosa, Depression, General Anxiety Disorder and Social Phobia. Weight restriction symbolised a range of other restrictions that characterise jockeys’ lives. The term, Occupational Weight-Loss Disorder (OWLD) was coined to describe and explain the findings. Recommendations to reduce the harms documented included determining minimum weights, increasing time off, professional advice and profession suitability.
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Wilson, George. "The effects of weight-making on the physical and mental health of professional jockeys." Thesis, Liverpool John Moores University, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.590097.
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Professional jockeys are unique amongst weight-making athletes in that they are required to make-weight daily, and compete at different weights. Additionally, jockeys are unique in that they are required to be weighed both pre- and post-competition. Amongst the most common methods to reduce body-weight are acute and chronic dehydration and food deprivation. Such practices are suggested to be detrimental to the general health of jockeys. In Chapter 4, an assessment of the physical and mental health of 37 GB professional jockeys (19 Flat jockeys and 18 Jump jockeys), was undertaken and comparisons with clinical norms and between groups were made. This was the first time that such a study had been undertaken. Impaired markers of bone health, inadequate dietary practices including low micronutrient status, and abnormal mood profiles were identified in both groups. Additionally, Flat jockeys displayed significantly poorer bone density (p<0.01) and mood-state (p<0.05) than Jump jockeys. Both jockey groups also displayed higher percentage body fat than in other athletic groups, which demonstrated that there was scope to reduce body-weight which could in-turn negate the need to starve and/or sweat. In Chapter 5, the energy expenditure (EE) of simulated race-riding was measured in 9 Jump jockeys, and the daily EE was assessed in 8 Jump jockeys, on a non-race-riding day. Additionally, the daily energy intake (El) of 8 Jump jockeys was also analysed. Previously, these data were unknown. Simulated race-riding EE was mean (± SO) 0.20 MJ ± 0.03. Daily EE was 11.26 MJ ± 1.49 and daily EI was 7.24 MJ ± 0.92 that largely consisted of two main meals. These data demonstrated that jockeys displayed sporadic eating patterns with large gaps observed between food consumption, and given the daily EE that such eating habits may not be necessary, in order to make minimum weight. In Chapter 6, the effects of a 2% reduction in body-weight through rapid weight-loss (RWL) was measured in 8 jockeys (6 Jump jockeys and 2 Flat jockeys) on physical and cognitive performance. This body-weight reduction was induced by exercising in a sweat-suit (a common weight-making method used by jockeys). To date, these data were previously unreported. Maximal riding performance and chest and leg strength were significantly reduced (p
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Malhão, Rafael da Silva 1982. "Uma ecologia dos meios tecnológicos dos DJs de música eletrônica de pista : habilidades, percepção e corpo." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279732.
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Orientador: Pedro Peixoto FerreiraDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
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Resumo: A presente dissertação tem como objeto e objetivo central compreender o processo tecno-genético de formação dos DJs de Música Eletrônica de Pista (MEP) para uma atuação efetiva frente a uma pista de dança. Para dar conta da tarefa que me propus dediquei-me a analisar este processo a partir de três de abordagens distintas, a saber, tecnologia, técnica e habilidade, que assumem dinâmicas relacionais diferentes que dependem do objetivo e combinação estabelecida entre elas, e a partir destes diferentes cenários relacionais estas combinações orientam ritmos específicos de interação entre humanos e máquinas. Estas combinações e ritmos foram o núcleo para a análise mais profícuo identificado para explorar o DJ como conceito e prática no âmbito da MEP. Estas três abordagens visam desdobrar as questões relativas a cada tópico supracitado e a integração destas abordagens se dá por meio de uma experiência estética não contemplativa. A primeira abordagem tem como preocupação central as diferentes formas em que a tecnologia de reprodução sonora foi relevante para MEP e visa constituir uma base material da mudança tecnológica para as discussões abordadas subsequentemente. A segunda abordagem parte desta base tecnológica a fim de apresentar as possíveis formas de constituição das habilidades, das técnicas e do corpo por meio da atuação sinérgica para fins comuns entre DJs e tecnologias de reprodução sonora. A terceira abordagem se vale das duas anteriores para tentar compreender a relação que se estabelece entre estes modos tecnológicos e técnicos de formação das habilidades e percepção que contribuem na forma de interação entre DJs e pista de dança, atendo-se principalmente, nas potencialidades e especificidades de uma proposta tecno-estética que busca escapar da passividade contemplativa na relação entre público e executores de atos estéticos. Este percurso se fez necessário para a compreensão do papel das tecnologias na formação dos sentidos e das ações a eles correspondentes durante o processo de aprendizado das técnicas sendo elas de discotecagem ou modos de dança. Por fim, identifico, assim como alguns autores que perpassam o texto, que o modo de percepção, bem como o corpo que percebe ? e todas as implicações desta situação ? não são dados a priori, e sim, se constituem ao longo das diferentes interações com o ambiente e com a tecnologia. E que uma abordagem estética que privilegie a experiência estética mediada por objetos que não são necessariamente estéticos, mas objetos que possibilitam diferentes reticulações do espaço e do tempo por meio do seu modo de manipulação e inserção em contextos específicos foi a maneira mais interessante para descrever a relação entre DJs, tecnologias e pista de dança
Abstract: The aim of this study is to understand the techno-genetic process of the development of Electronic Dance Music (EDM) DJs in an effective performance in the dance floor. To be able to accomplish this task I analyse the process from three distinct approaches, namely technology, techniques, and skills that assume different relational dynamics depending on the goal and the combination stabilished among them, and from those different relational scenaries those combinations orient toward specific rhythms of interaction between mankind and machines.These combinations and rhythms were the most proficuous nucleous to the analysis, identified to explore the DJ as concept and practise in EDM. Those three approaches are to unfold the issues regarding each topic above mentioned and the integration of the approaches happens through a non-contemplative aesthetic experience. The first approach aims the different ways sound reproduction technology was relevant to EDM and intends to build a material base of technological change to the discussions subsequently dealt. The second approach derives from said technological base in order to present the possible ways of developing skills, techniques, and body by the synergic movement to common goals between DJs and sound reproduction technology. The third approach derives from the first two aiming to understand the relation stablished among the technological ways and the techniques to form the skills and perceptions that contribute the way of interaction between DJs and the dance floor. It focuses mainly in potencialities and specificity of the techno-aesthetic proposal that tries to scape from contemplative passivity in the relation between the audience and the performer of aesthetic acts. All this process was needed to understand the role the technologies play in the formation of senses and actions corresponding to them during the technique learning process of either DJing or dance moves. Consequently, I identified, as well as some autors who perpassed the text, the fact that the way of perception and the body that perceives and also all implications of this situation are not given a priori, and that way, are constituted during the different interactions with the environment and technology. Also an aesthetic approach that previleges the aesthetic experience mediated by objects not necessarily aesthetic, but objects with different reticulations of the space and the time through their form of manipulation and inserction in specific contexts was the most interesting way to describe the relation between DJs, technologies, and dance floor
Mestrado
Sociologia
Mestre em Sociologia
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Silk, Leslie. "Calcium and Vitamin-D supplementation on bone structural properties in young male Jockeys: A randomised controlled trial." Thesis, Australian Catholic University, 2016. https://acuresearchbank.acu.edu.au/download/b38415a0b1630f712cff358878a59ed3b09ce195c9788c6e3b9ea5af70548166/8518493/Silk_2016_Calcium_and_vitamin_D_supplementation_on_bone_structural_properties_in_young_male_jockeys.pdf.
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Introduction: Young male jockeys compromise bone health by engaging in caloric restriction and high volumes of physical activity during periods of musculoskeletal growth and development. Failure to attain peak bone mass (PBM) during growth can have adverse short and long term musculoskeletal effects, with numerous studies demonstrating inferior bone health in jockey populations. However, no study to date has addressed counteracting the deleterious effects that participation in this sport has on bone health. The purpose of this six-month double-blind randomised placebo controlled trial was to examine the efficacy of 800mg calcium and 400 IU vitamin D daily supplementation on improving bone mineral properties at the tibia (weight-bearing) and radius (non-weight-bearing) using peripheral Quantitative Computed Tomography (pQCT) and blood-borne markers of bone turnover. Three inter-related studies were designed following the findings of a systematic review and meta-analysis examining the effects of calcium and vitamin D supplementation on bone mineral density in healthy males. Study one examined the effect that the protocol had on markers of bone metabolism and bone properties of the radius. Study two was designed to investigate the impact of six months supplementation on weight-bearing bone while study three further explored alterations to radial and polar cortical bone properties at the tibial mid-shaft following the clinical trial. Methods: Twenty-nine male jockeys (age=20.18 ± 3.23yrs) were originally recruited to the study with 17 completing the intervention. Bone properties at the ultra-distal (4%) and proximal (66%) radius and tibia using pQCT and serum vitamin D, Procollagen type 1 N propeptide (P1NP) and C-terminal telopeptide of type I collagen (CTx) were assessed at baseline and six months. Bone properties at the 66% tibial site were further analysed using BoneJ pQCT distribution plug-in. Polar and radial volumetric bone mineral density (vBMD) was measured in 36, ten degree cortical sectors (polar) and three concentric cortical divisions (radial). Polar distribution was further consolidated into four, 90 degree quadrants aligned to anatomical planes. Cortical mineral mass, endocortical and pericortical radii were also analysed. Results: After co-varying for height, body mass and baseline bone measurements, the analysis of co-variance (ANCOVA) results of these combined studies demonstrate that six months calcium and vitamin D supplementation stimulated a reduction in bone resorption together with significant improvements to bone material properties at the proximal tibia in the supplemented group. ANCOVA serum analysis indicated significantly higher vitamin D levels (18.1%, p=0.014) and lower CTx (ng/L) (-24.8%, p=0.011) in the supplemented group with P1NP unchanged. The supplemented group displayed greater post-intervention bone properties at the 66% proximal site with cortical content (mg·mm) 6.6% greater (p<0.001), cortical area (mm2) 5.9% larger (p<0.001), cortical density (mg·cm3) 1.3% greater (p=0.001), and total area (mm2) 4% larger (p=0.003). No alterations were observed to bone material properties at the radius, nor the ultra-distal tibia or bone strength indices. When cortical bone of the proximal tibia was examined in greater detail the supplemented group demonstrated greater endocortical vBMD in the posterior region of bone (1140.5 ± 6.3 vs 1116.2 ± 5.9; p=0.018) with a trend suggesting supplementation improved mineral mass and stimulated bone apposition in the posterior and lateral regions of the tibia. Conclusion: This is the first randomised controlled trial to examine the efficacy of calcium and vitamin D supplementation in improving bone properties in a highly vulnerable, young athletic, weight-restricted population. Results indicate beneficial effects of supplementation on bone properties in as little as six months. Although the study size is small, this intervention appears promising as a strategy for improving bone health in young athletes in weight-restricted sports.
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CAUVIN, YVES. "Bilan scolaire et medical d'une classe de formation de lads-jockeys, a l'ecole de cabries : etude portant sur 3 ans." Aix-Marseille 2, 1994. http://www.theses.fr/1994AIX20036.
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Johnson, Christopher Marc. "All the way live: the rise of the black radio disc jockeys & the art of verbal performance." The Ohio State University, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=osu1407146034.
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Schouler, Corinne. "Les accidents du travail dans le monde hippique chez les lads et les jockeys : a propos d'une enquete a chantilly." Nancy 1, 1988. http://www.theses.fr/1988NAN11208.
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Augrand, Alexandre. "Le Dj, médiateur de transferts culturels dans la Dance Culture : comment des cultures locales sont devenues globales." Thesis, Université Paris-Saclay (ComUE), 2015. http://www.theses.fr/2015SACLE021/document.
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À travers ma thèse intitulée "Le Dj, médiateur de transferts culturels dans la Dance Culture. comment des cultures locales sont devenues globales", je mets en avant l'implication des DJs dans l'émergence des principaux mouvements musicaux formant la Dance Culture dans l'espace Atlantique.Dans le premier chapitre, je retrace l'émergence de la culture musicale jamaïcaine qui se trouve être à la base du DJing au sens créatif du terme.Dans le deuxième chapitre, je montre le développement des quatre mouvements phares qui forment la Dance Culture apparue sur la côte Est des États-Unis.Dans mon troisième chapitre, je parle de l'expansion de la Dance Culture en Europe en m'appuyant principalement sur les cas du développement de la House et de la Techno en Angleterre, en Allemagne et en FranceThrough my thesis entitled "DJ, cultural transfers mediator in the Dance Culture, how local cultures became global", I put forward the DJs' involvement in the emergence of the main music movements which formed the Dance Culture in the Atlantic area.In the first chapter, I recall the Jamaican music culture's emergence which is on the basis of the DJing in the creative sense.In the second chapter, I show the development of the four main movements which formed the Dance Culture appeared in the East coast of the United States.In my last chapter, I speak about the expansion of the Dance Culture in Europa with the example of the House and Techno development in England, in Germany and in France
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Jana, Kimberly L. "An attitudinal study of job satisfaction for full-time, on-air female personalities at commercial radio stations in Indiana." Virtual Press, 2002. http://liblink.bsu.edu/uhtbin/catkey/1230607.
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The goal of this research was to provide how women in Indiana perceive their roles in the radio industry.Thirty-five female participants from across the state sorted Q statements that covered the following topic areas: relationships with men, relationships with co-workers, personal on-air work, career opportunities/education, and personal life.Through an analysis of the Q sorts collected for this particular study, three distinct factor types were found: Optimists, Pessimists, and Neutralists. The Optimists are enthusiastic about their work in radio and do not feel as if they have been slighted by male co-workers or managers. Pessimists, while they expressed a general enjoyment of their work, are overwhelmed with feelings of suppression by the men with whom they work with. Finally, the Neutralists seem uncertain of any professional limitations in the radio industry because of male dominance.There was little evidence that the three groups in relation to age, level of education or years in radio was related to the three factor types.Department of Journalism
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Downing, Brandon C. "“`An Extream Bad Collection of Broken Innkeepers, Horse Jockeys, and Indian Traders’: How Anarchy, Violence, and Resistance in Eighteenth-Century Pennsylvania Transformed Provincial Society”." University of Cincinnati / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1423580910.
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Cook, Melanie M. "Days of Waterford." Kent State University Honors College / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1430821890.
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Tiongson, Antonio T. "Filipino youth cultural politics and DJ culture." Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2006. http://wwwlib.umi.com/cr/ucsd/fullcit?p3199265.
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Thesis (Ph. D.)--University of California, San Diego, 2006.Title from first page of PDF file (viewed February 28, 2006). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 206-220).
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Sirois, Andre G. 1980. "Scratching the digital itch: A political economy of the hip hop DJ and the relationship between culture, industry, and technology." Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/11561.
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xviii, 510 p. : ill. (some col.) This work is licensed under a Creative Commons Attribution-NonCommercial-
ShareAlike 3.0 License (United States).This study analyzes the culture, history, and technology of the hip hop DJ in order to tease out the relationships between industrial and cultural practices. The following research questions structured the investigation: 1) What historical developments in intellectual property rights and music playback and delivery formats contribute to a political economy of the hip hop DJ; 2) what has been the role of intellectual property exchange and standardization in the DJ product industry relevant to hip hop DJs; 3) how are the meanings involved in the consumption of and production with analog and digital technologies related; and 4) does hip hop DJ culture represent convergence and collective intelligence? Employing various qualitative methods, the research includes interviews with influential hip hop DJs, executives at record labels, distributors, retailers, and DJ technology manufacturers. The study also reviews the histories of music playback technologies and standardization in relation to intellectual property laws. With political economic, cultural Marxism and new media theories as its framework, this study analyzes hip hop DJs as the intersection of corporate culture and youth culture. The research broadly addresses the hip hop DJ's role in building the industries that cater to hip hop DJing. Specifically, the study analyzes the politics of how hip hop DJs' intellectual properties and subcultural capital have been harnessed by companies in various industries as a way to authenticate, improve, and sell product. The study also examines consumption as production, collective intelligence, and how digital technologies are negotiated within this culture. The research suggests that hip hop DJ culture and the DJ technology and recording industries are not necessarily discrete entities that exert force upon one another. Rather, they are involved in a cultural economy governed by technocultural synergism, which is a complex interplay between agency and determinism guided by both corporate and cultural priorities. The study also offers a networked theory of innovation and creation over the individual genius emphasized in U.S. intellectual property laws to suggest that hip hop DJ culture is an open source culture.
Committee in charge: Dr. Janet Wasko, Chairperson; Dr. Julianne Newton, Member; Dr. Biswarup Sen, Member; Dr. Daniel Wojcik, Outside Member
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Llull, Patrick Ryan, Louie Benitez, Cedric Bosch, Stephen Nelson, Garrett Weaver, and Trevor West. "Jockey Smart Helmet." Thesis, The University of Arizona, 2012. http://hdl.handle.net/10150/244431.
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The horseracing industry currently lacks media attention. Studies have indicated the sport’s viewing and gambling declination over the decades. While popular televised sports such as football and baseball maintain a modernized entertainment culture through high-definition wireless streaming, horseracing remains in the 'binocular era'. An idea is introduced and a solution is analyzed to establish a foothold for horseracing in contemporary entertainment and inspire a developing fan base. EquiSight LLC desires wireless telemetry within the form factor of a jockey's helmet to meet these ends. The system devised must function while satisfying safety regulations. Individual component decisions are justified in addition to safety and quality tests. Current technology restricts bandwidth and data transfer rate. Standard-and high-definition possibilities and implications are discussed. Analog and digital transmission systems are evaluated and a preference justification is developed. A reliable power source and integration technique are chosen. Environmental, space, and range constraints are considered. Two-way audio communication between the jockey and trainer is described. In summary, a compact solution for EquiSight LLC is presented and its design choices are reviewed. The proposed system, implemented within a $3000 budget, will attract new fans, reignite interest, and provide a fairness and/or outcome judging tool.
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Farrugia, Rebekah L. "Spin-sters women, new media technologies and electronic/dance music /." Diss., University of Iowa, 2004. http://ir.uiowa.edu/etd/112.
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Montano, Edward James. "DJs, clubs and vinyl the cultural commodification and operational logics of contemporary commercial dance music in Sydney /." Phd thesis, Australia : Macquarie University, 2007. http://hdl.handle.net/1959.14/19792.
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Thesis (PhD)--Macquarie University, Division of Humanities, Department of Contemporary Music Studies, 2007.Bibliography: p. 291-313.
Introduction -- "Back to this subculture thing": literature review and methodology -- "The crowd went berserk": dance music and club culture in Sydney and Australia -- "Once you find a groove you've got to keep it locked": the role and significance of the DJ -- "There's a great myth about that": DJ culture in Sydney -- "You're not a real DJ unless you play vinyl": technology and formats: the progression of dance music and DJ culture -- "What is underground really?": defining the structure, significance and meaning of dance culture -- "Where are they going to go next?": shifting the focus of dance music studies.
The development of contemporary, post-disco dance music and its associated culture, as representative of a (supposedly) underground, radical subculture, has been given extensive consideration within popular music studies. Significantly less attention has been given to the commercial, mainstream manifestations of this music. Furthermore, demonstrating the influence of subculture theory, existing studies of dance culture focus largely on youth-based audience participation, and as such, those who engage with dance music on a professional level have been somewhat overlooked. In an attempt to rectify these imbalances, this study examines the contemporary commercial dance music scene in Sydney, Australia, incorporating an analytical framework that revolves mainly around the work of DJs and the commercial scene they operate within.--An ethnographic methodological approach underpins the majority of this thesis, with interviews forming the main source of research material. Beginning with a discussion of the existing academic literature on dance culture and dance scenes, an historical context is subsequently established through a section that traces the development of dance culture from an underground phenomenon to a mainstream leisure activity, both within and outside Australia.--The ideas, opinions and interpretations of a selection of local DJs and other music industry practitioners who work in Sydney are central to the analysis of DJ culture herein. Issues discussed include the interaction and relationship between the DJ and their crowd, the technology and formats employed by DJs, and the DJ's multiple roles as entertainer, consumer and educator. The final part of the study gives consideration to the structure of the Sydney dance scene, in regard to the frequently used, but rarely critically analysed, terms 'underground' and 'mainstream'. The thesis concludes with a discussion that challenges the structural rigidity imposed by subcultural theory and scene-based analysis, arguing instead for a greater degree of fluidity in the theoretical approaches taken towards the study of contemporary dance music scenes.
Mode of access: World Wide Web.
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Sigal, Jacob R. "Creating a Market Paradigm Shift with Quality Function Deployment." Ohio University / OhioLINK, 2004. http://www.ohiolink.edu/etd/view.cgi?ohiou1108409936.
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Oliveira, Maria Paula de Magalhães Tavares de. "Jogo patológico : um estudo sobre jogadores de bingo, videopoker e jockey club." Universidade de São Paulo, 1997. http://www.teses.usp.br/teses/disponiveis/47/47132/tde-19042007-230127/.
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O presente estudo teve como objetivo caracterizar o comportamento de jogadores que frequentam casas de bingo, videopoker e Jockey Club. Foram pesquisados 171 sujeitos, sendo 63 no Jockey Club, 65 em casas de bingo e 43 em casas de videopoker. Em cada categoria de jogo obtiveram-se 25 questionários classificados como jogadores patológicos pela escala SOGS. A maioria dos entrevistados eram de sexo masculino, casados, de religião católica, tinham 2o. grau ou superior completo e trabalhava em período integral. A média de idade foi de 40 anos e a mediana da renda foi R$ 4.000,00. Em ordem decrescente, os jogos mais praticados pelo menos uma vez na vida pelos jogadores pesquisados foram: loteria, bingo, cartas e corridas de cavalo. Jogadores patológicos e jogadores não patológicos não se diferenciaram quanto a nenhuma das características socio-demográficas pesquisadas, mas se diferenciaram quanto à prática de alguns jogos. Na vida, mais jogadores patológicos jogaram carta, em corridas de cavalo, videopoker e dados do que os não patológicos. Nos últimos 12 meses e nos últimos 30 dias, jogadores patológicos se diferenciaram por jogar mais videopoker. Esses jogadores também utilizaram mais dinheiro para apostar em um só dia, além declararem ter ganho quantias maiores de dinheiro no jogo. Quanto ao estado emocional relativo ao jogo, jogadores patológicos tendem a ficar mais ficam tensos antes de jogar e relatam sentimentos negativos durante e depois do jogo. Não patológicos sentem-se bem e tranquilos antes, relatam sentimentos neutros durante e positivos depois de jogar. Quando pararam de jogar por um tempo, jogadores patológicos relataram sentimentos negativos enquanto que os não patológicos relataram sentimentos neutros. Jogadores patológicos sentem mais falta do jogo quando param de jogar, mas poucos procuraram ajuda devido a problemas associados ao jogo. Pais de jogadores patológicos não se diferenciaram quanto ao fato de jogarem ou beberem demais de pais de jogadores não patológicos . Quando se analisa o uso de álcool e outras drogas, a única diferença significativa encontrada foi maior uso de tabaco na vida pelos jogadores patológicos. Os jogadores patológicos pesquisados no bingo, videopoker e Jockey Club foram também comparados entre si. As únicas diferenças significativas encontradas foram: presença de mais jogadores casados no bingo e jovens no videopoker; no Jockey Club, maior frequência de apostas em esportes, de discussão familiar por causa do dinheiro gasto no jogo e de empréstimo por agiotas.In this study sociodemographic variables and gambling behavior of videopoker, bingo and horse-race gamblers were examined. One hundred seventy one subjects, 63 from the Jockey-Club of São Paulo, 65 from bingo clubs and 43 from videopoker clubs were administered a questionnaire adapted from the South Oacks Gambling Screen - SOGS, and 25 individuals of each group were classified as pathological gamblers. The majority of subjects were married catholic males, who had at least a high school degree and full-time jobs. Mean age was 40 years and median income was U$ 4000.00. In descending order, lottery, bingo, card games, and horse-race were the most frequent types of games played at least once by the subjects. Comparisons between pathological and non-pathological gamblers revealed no significant difference in any sociodemographic variables, but the two groups differed in their gambling activities. Pathological gamblers had played significantly more cards, bet on horses, played videopoker and dice games in their lives than the other group. Pathological gamblers also played significantly more videopoker in the previous month and previous year than non-pathological gamblers. They also bet more money in one day of gambling and also reported making more money from this activity than non-pathological gamblers. With respect to gambling-related emotions, pathological gamblers reported feeling tense before gambling and negative affects during and after gambling. The non-pathological group reported a sense of well being before gambling and neutral affects during and after it. Pathological-gamblers reported negative affects during periods when they stopped gambling, while neutral feelings were reported by the non-pathological group. The former also missed this activity more than the non-pathological group, but few sought help for problems associated with gambling. Gambling habits and alcohol use between parents of pathological and non-pathological gamblers were not significantly different. The two groups also did not differ in their use of alcohol and other drugs but tobacco, which was significantly more consumed in a lifetime by the pathological gambling subjects. Comparisons between bingo, videopoker and horse-race subgroups evidenced few significant differences. There were more married subjects in the bingo group and younger individuals in the videopoker group. The pathological gamblers interviewed at the Jockey Club reported higher frequency of bets in sports, of family arguments between family members because of the amount of money spent on gambling and more credit lines with bookies.
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Mauyate, de La Cruz Jose Manuel. "Sistema de aire acondicionado para la tienda de Retail Zara - Jockey Plaza." Bachelor's thesis, Universidad Nacional Mayor de San Marcos, 2016. https://hdl.handle.net/20.500.12672/7429.
Full textAbstract:
Publicación a texto completo no autorizada por el autorEl documento digital no refiere asesor
En la actualidad la construcción de tiendas de retail ha tenido un aumento, esto debido al crecimiento económico que se está presentando en el país y las inversiones extranjeras que se vienen realizando. Motivo por el cual la aplicación del sistema de aire acondicionado y ventilación electromecánica se ha hecho indispensable en toda tienda de retail para poder obtener el confort de sus clientes. Siendo el objetivo del sistema de climatización que es brindar el confort térmico a las personas, en este sentido se ha desarrollado los cálculos de carga térmica y la elaboración del presupuesto del sistema más apropiado (dando prioridad a la optimización del rendimiento del personal en las instalaciones, utilizando productos alternativos). Se presenta un presupuesto en base a los costos de equipos, materiales y mano de obra. Haciendo énfasis en el aumento de la productividad del personal utilizando el ducto PIR ALU, el cual reemplaza a los ductos de plancha galvanizada.
Trabajo de suficiencia profesional
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Maia, Guilherme Rene. "Jockey club do Rio Grande do Sul : patrimônio moderno e requalificação urbana." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2012. http://hdl.handle.net/10183/67058.
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A presente dissertação tem como mote o estudo do caso do Jockey Club do Rio Grande do Sul como intersecção entre patrimônio moderno a ser preservado e grande área urbana ser recuperada. Este estiado oferece subsídios para o entendimento do problema que envolve a preservação das instalações do Hipódromo do Cristal, obra prima da arquitetura moderna em solo porto alegrense, de autoria do arquiteto uruguaio Román. Fresnedo Siri, e da área que abriga o conjunto, parte vital do sistema de espaços abertos verdes da orla do lago Guaíba. A deteriáração do Jockey Club do Rio Grande do Sul tanto em suas estruturas físicas quanto financeiras favorece a simples dissolução do patrimônio construído e do bolsão de espaço verde no interior da cidade. São apresentados de forma concisa alguns conceitos básicos para o entendimento do.equipamento hipódromo como feito urbano e cultural da humanidade. A seguir são indicadas as razões para a decadência do conjunto de Porto Alegre, analisadas as legislações incidentes e as propostas elaboradas para a área, as perspectivas de transformação do espaço e casos semelhantes em outras entidades da mesma natureza no Brasil e no mundo, tendo por objetivo embasar futuras iniciativas promovam uma revitalização da região.This work has as the theme the case study of Jockey Club in Rio. Grande do Sul, as an intersection between modern heritage to be preserved and a major urban area to be reclaimed. It provides insights to understand the problem that involves preservation Hipódromo do Cristal facilities, a masterpiece of modern architecture in Porto Alegre city, authored by the Uruguayan architect Roman Fresnedo Siri, and the area that shelters the hippic set, a vital part of green open spaces system that borders Guaiba lake. Deterioration of Jockey Club do Rio Grande do Sul, both in its physical and financial struçtures, promotes the simple dissolution of built heritage and green hollow space inside the city. Some basic concepts are presented concisely, for the understanding of how racecourse equipment as urban and cultural feat of mankind. Then are listed reasons for the decline of Porto Alegre set, are studied incident laws and the proposals developed to area, the perspectives of space transformation and similar cases in other entities in Brazil and abroad, with the goal of base future initiatives that promote the region revitalization.
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Souza, Helania Martins de. "O ânovo bairroâ JÃquei Clube: marcas traÃos e resistÃncias do Jockey Club cearense." Universidade Federal do CearÃ, 2015. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=16406.
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CoordenaÃÃo de AperfeiÃoamento de Pessoal de NÃvel SuperiorThe Jockey Club Cearense was an important leisure equipment for the city of Fortaleza, since its founding in 1947, the phase-out process until its deactivation and subsequent demolition that occurred in 2008. This research aims to understand what were the processes that led to the demolition of the equipment, checking if this equipment is considered an important asset to the city and the neighborhood. In our analysis we aim to recognize which subjects responsible for the design of the equipment, the dynamics occurring in the place, from its installation and after its demolition, and the interests and conflicts that culminated in its demolition. It is an integral part of this work, see how the Jockey Club Cearà while urban equipment had importance in relation to leisure and social symbolism for the neighborhood and the city of Fortaleza, and the spatial redevelopment of the neighborhood "new neighborhood" that arises within the neighborhood, after the demolition. To meet these checks used the trace of concepts, branding and marking, according to VERCHAMBRE (2008) that allow us to understand as a social equity, after undergoing the processes of abandonment and demolition could become a intangible heritage, this is one of the main questions to be answered. To understand the object its approach will be guide by a theoretical framework that allows the dialog among Geography and the dynamics passed in the neighborhood. This is a qualitative research that excels the experience and intentionality of the facts. To understand this, we executed a bibliographic and documental survey, fieldâs observations, interviews with locals and ancient users of Jockey Club Cearense and application of forms with users of new equipment. Jockey Club Cearense was a social property for the neighborhood of JÃquei Clube, nevertheless the social and cultural dynamics allowed its transformation within the place becoming immaterial trace
O Jockey Club Cearense foi um importante equipamento de lazer para a cidade de Fortaleza, desde a sua fundaÃÃo no ano de 1947, ao gradual processo de abandono atà a sua desativaÃÃo e consequente demoliÃÃo que ocorreu em 2008. A presente pesquisa visa compreender quais foram os processos que propiciaram a demoliÃÃo do equipamento, verificando se este era considerado como uma importante referÃncia patrimonial para a cidade e para o bairro. Objetiva-se reconhecer quais os sujeitos responsÃveis pela concepÃÃo do equipamento, as dinÃmicas ocorridas no lugar a partir da sua instalaÃÃo e apÃs a sua demoliÃÃo, bem como os interesses e conflitos que culminaram na sua demoliÃÃo. à parte integrante deste trabalho, perceber como o Jockey Club Cearense enquanto equipamento urbano possuÃa importÃncia no tocante ao lazer e ao simbolismo social à cidade de Fortaleza, bem como a requalificaÃÃo espacial do bairro o ânovo bairroâ que surge dentro do bairro, apÃs a demoliÃÃo. Para atender a estas verificaÃÃes, utilizamos os conceitos de traÃo, marca e marcaÃÃo, de acordo com VESCHAMBRE (2008), que permitem compreender como um patrimÃnio social, apÃs sofrer os processos de abandono e demoliÃÃo poderà se tornar um patrimÃnio imaterial. Este à um dos principais questionamentos a ser respondido. Para a compreensÃo do objeto, sua aproximaÃÃo serà norteada por um aporte teÃrico que permite o diÃlogo entre a geografia e as dinÃmicas ocorridas no lugar. Trata-se de uma pesquisa qualitativa que prima pela experiÃncia e intencionalidade dos fatos. Para apreendermos isso, realizamos um levantamento bibliogrÃfico e documental, observaÃÃes em campo, entrevistas com moradores e antigos usuÃrios do Jockey Club Cearense e aplicaÃÃo de questionÃrios com os usuÃrios dos novos equipamentos. O Jockey Club Cearense foi patrimÃnio social para o bairro JÃquei Clube, porÃm as dinÃmicas sociais e culturais permitiram sua transformaÃÃo dentro do lugar tornando-se um traÃo imaterial.
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Souza, Helania Martins de. "O “novo bairro” Jóquei Clube: marcas traços e resistências do Jockey Club cearense." reponame:Repositório Institucional da UFC, 2015. http://www.repositorio.ufc.br/handle/riufc/17617.
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SOUZA, Helania Martins de. O “novo bairro” Jóquei Clube: marcas traços e resistências do Jockey Club cearense. 2015. 140 f. Dissertação (Mestrado em geografia)- Universidade Federal do Ceará, Fortaleza-CE, 2015.Submitted by Elineudson Ribeiro (elineudsonr@gmail.com) on 2016-06-10T17:43:18Z No. of bitstreams: 1 2015_dis_hmsouza.pdf: 9203583 bytes, checksum: 004bdf682f9c734a45d2b3107ae614a4 (MD5)
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The Jockey Club Cearense was an important leisure equipment for the city of Fortaleza, since its founding in 1947, the phase-out process until its deactivation and subsequent demolition that occurred in 2008. This research aims to understand what were the processes that led to the demolition of the equipment, checking if this equipment is considered an important asset to the city and the neighborhood. In our analysis we aim to recognize which subjects responsible for the design of the equipment, the dynamics occurring in the place, from its installation and after its demolition, and the interests and conflicts that culminated in its demolition. It is an integral part of this work, see how the Jockey Club Ceará while urban equipment had importance in relation to leisure and social symbolism for the neighborhood and the city of Fortaleza, and the spatial redevelopment of the neighborhood "new neighborhood" that arises within the neighborhood, after the demolition. To meet these checks used the trace of concepts, branding and marking, according to VERCHAMBRE (2008) that allow us to understand as a social equity, after undergoing the processes of abandonment and demolition could become a intangible heritage, this is one of the main questions to be answered. To understand the object its approach will be guide by a theoretical framework that allows the dialog among Geography and the dynamics passed in the neighborhood. This is a qualitative research that excels the experience and intentionality of the facts. To understand this, we executed a bibliographic and documental survey, field’s observations, interviews with locals and ancient users of Jockey Club Cearense and application of forms with users of new equipment. Jockey Club Cearense was a social property for the neighborhood of Jóquei Clube, nevertheless the social and cultural dynamics allowed its transformation within the place becoming immaterial trace.
O Jockey Club Cearense foi um importante equipamento de lazer para a cidade de Fortaleza, desde a sua fundação no ano de 1947, ao gradual processo de abandono até a sua desativação e consequente demolição que ocorreu em 2008. A presente pesquisa visa compreender quais foram os processos que propiciaram a demolição do equipamento, verificando se este era considerado como uma importante referência patrimonial para a cidade e para o bairro. Objetiva-se reconhecer quais os sujeitos responsáveis pela concepção do equipamento, as dinâmicas ocorridas no lugar a partir da sua instalação e após a sua demolição, bem como os interesses e conflitos que culminaram na sua demolição. É parte integrante deste trabalho, perceber como o Jockey Club Cearense enquanto equipamento urbano possuía importância no tocante ao lazer e ao simbolismo social à cidade de Fortaleza, bem como a requalificação espacial do bairro o “novo bairro” que surge dentro do bairro, após a demolição. Para atender a estas verificações, utilizamos os conceitos de traço, marca e marcação, de acordo com VESCHAMBRE (2008), que permitem compreender como um patrimônio social, após sofrer os processos de abandono e demolição poderá se tornar um patrimônio imaterial. Este é um dos principais questionamentos a ser respondido. Para a compreensão do objeto, sua aproximação será norteada por um aporte teórico que permite o diálogo entre a geografia e as dinâmicas ocorridas no lugar. Trata-se de uma pesquisa qualitativa que prima pela experiência e intencionalidade dos fatos. Para apreendermos isso, realizamos um levantamento bibliográfico e documental, observações em campo, entrevistas com moradores e antigos usuários do Jockey Club Cearense e aplicação de questionários com os usuários dos novos equipamentos. O Jockey Club Cearense foi patrimônio social para o bairro Jóquei Clube, porém as dinâmicas sociais e culturais permitiram sua transformação dentro do lugar tornando-se um traço imaterial.
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Chávez, Tasayco Jaime Orlando, Cortijo Miguel ángel Espinoza, and Fernández Mariano Ricardo Zegarra. "Lanzamiento de la marca de Snacks Cheese & Cheese en el Centro Comercial Jockey Plaza." Universidad Peruana de Ciencias Aplicadas - UPC. Escuela de Postgrado, 2009. http://hdl.handle.net/10757/273923.
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El objetivo general del presente TAF es el estudio del lanzamiento de un nuevo producto de fast food en el centro comercial Jockey Plaza, el mismo que se ofrece como un snack salado hecho de una masa crocante rellena con queso mozarella (ingrediente preponderante) y un ingrediente adicional Se plantean como objetivos específicos, analizar el entorno competitivo de empresas que comercializan productos similares o sustitutos con el fin de plantear estrategias de participación de mercado
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Costa, Júlio Caetano. "VJEDU : vídeo jockey educativo em software interativo para o visitante de uma exposição de arte." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2011. http://hdl.handle.net/10183/39668.
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Esta tese se constituiu a partir de um interesse sobre o campo da arte e da tecnologia. A arte, independente de seu suporte, é uma forma de expressão e de experimentação legítima da criação humana, explorando os limites de significação e ressignificação da vida, da produção de sentido e da constante maneira de inventar atributos, contaminados de inteligência. Inspirado na cultura de VJ – Video-Jockey – de edição ao vivo de imagens e música, o VJEdu (Video-Jockey Educativo) é um projeto de pesquisa sobre mídias digitais que suportam diversas linguagens e seu uso, a fim de expandir a experiência do público que visita uma exposição de arte. Embora sua concepção original estivesse mais voltada para a educação formal, houve uma ampliação desse enfoque para a possibilidade de utilização em instituições culturais, com variados tipos de público. A pesquisa se desenvolveu a partir da necessidade de criação de uma tecnologia específica para galerias e museus de arte, incluindo a adaptação de um software. Essa tecnologia foi criada visando novas funcionalidades para interação com a base de dados, constituída não apenas de vídeo e som, mas com mídias de imagem e texto. As mídias são produzidas a partir de cada exposição, elaborando uma documentação customizada sobre as obras de arte, artistas e contextos da exposição. O público interage através de uma plataforma digital com dispositivos e aparelhos de apresentação audiovisual, explorando essa base de dados e construindo um percurso com contextos referentes à exposição, ampliando a experiência de sua visitação. O VJEdu tem como referencial teórico conceitos derivados da intermedialidade, sobretudo os conceitos de pós-produção, de Nicolas Bourriaud, e de pós-história, de Vilém Flusser. O projeto piloto do VJEdu foi testado em três galerias: na Fortress to Solitude, em Nova York, no Centro Skol, em Montreal, e na La Photo, em Porto Alegre. Em cada lugar, foi construído um banco de dados específico e foram coletadas informações referentes à performance dos visitantes. Os resultados alcançados apontam para uma possibilidade de utilização do software em galerias, museus, outras instituições culturais e educacionais, bem como nos setores de mediação educativa em mostras como as Bienais de Arte. O projeto contou com o apoio, no Brasil, da agência de fomento CAPES e, no Canadá, com o auxílio do CNPq e da Universidade de Montreal.This thesis is formed from an interest in the field of art and technology. Art, regardless of its support is a form of self expression and experimentation of human creation, exploring the limits of meaning and reframing of life, of its production and constant way to invent attributes, contaminated intelligence. Inspired by the culture of VJ – Video Jockey –, live editing of images and music, VJEdu (Educational Video Jockey) is a research project on digital media that supports various languages and their use to expand the experience of the public who visit an art exhibition. Although its original design was more focused on formal education, there was an extension of this approach for possible use in cultural institutions, with varying types of audiences. The research was developed from the need to create a specific technology for art galleries and museums, including the adaptation of software. This technology was created especially for new features to interact with a database consisting not only of video and sound, but also of image media and text. The media must be produced from each art exhibition, developing a customized documentation on art works, artists and it’s contexts. The public interacts with digital platform devices for audio-visual presentation, exploring the database and building a route with contexts relating to the exhibition, enhancing the experience of their visitation. The VJEdu project has theoretical concepts derived the intermedia, especially the concepts of post-production of Nicolas Bourriaud, and post-history of Flusser. The project was tested in three galleries: the Fortress to Solitude in New York, Skol Centre in Montreal and La Photo in Porto Alegre. At each place a custom database was built and data was collected about the performances of the visitors. The results point to a promising of use of this software in art galeries, museums, in cultural and educational institutions, and in educational projects within shows as Art Biennales. The project was supported by funding agencies CAPES and CNPq in Brazil, and the University of Montreal in Canada.
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Güimack, Flores Luz Estefanía, Cuadra Elisa Karina Moquillaza, and Maldonado Juan Diego Olivas. "Redireccionamiento estratégico de la tienda por departamento Paris, análisis de la apertura en el Jockey Plaza." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2016. http://hdl.handle.net/10757/621492.
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El presente trabajo de suficiencia profesional (TSF) consiste en el desarrollo y análisis de la situación de la tienda por departamento PARIS de Cencosud, su entorno externo e interno, y la apertura en el año 2016 de su tienda en el Jockey Plaza. Estando así en vitrina con las principales tiendas por departamentos del Perú.
Para el desarrollo y análisis del trabajo se han usado cuatro teorías de administración que evalúan y sopesan el entorno y las variables a favor o en contra de PARIS. Se recurrió a fuentes primarias como entrevistas y fuentes secundarias como data disponible en la web, así como a bibliografía para el desarrollo.
Las principales conclusiones resultan en una correcta estrategia por parte de PARIS en la apertura de la tienda PARIS Jockey Plaza, y esto se da porque tiene las suficientes capacidades internas desarrolladas para soportar este nuevo público objetivo: el sector socioeconómico “A”, al que se dirigen en el Jockey Plaza.
Asimismo se considera que el trabajo en cuestión será un aporte a la disciplina de la administración, ya que podrá ser usado como caso de estudio y ser tomado por nuevas empresas que deseen tener un modelo o guía de una evaluación y un redireccionamiento estratégico.The present work of professional sufficiency consists of the development and analysis of the situation of the department store PARIS, its external and internal environment and the opening in 2016 of its store in the Jockey Plaza. Being thus in showcase with the main department stores of Perú. For the development and analysis of this work has been used four management theories that evaluate and weigh the environment and variables in favor or against PARIS. Primary sources such as interviews and secondary sources as data available on the web were resorted. As well as bibliography of the management theories for the development. The main conclusions result in a correct strategy on the part of PARIS in the opening of the Jockey Plaza store. This because it has the internal capacities developed to support this new target audience, the socioeconomic “A” sector, to which they are directed in the Jockey Plaza. It is also considered that the work in question will be a contribution to the discipline of administration, since it could be used as a case of study and be taken by new companies that wish to have a model or guide of an evaluation and a strategic redirection.
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Tolson, John. "'The railway myth' : flat racing in mainland Britain 1830-1914." Thesis, De Montfort University, 2000. http://hdl.handle.net/2086/5210.
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Mills, David Robert. "Our Third Ear: A Multi-Sensory Experience of Sound." Thesis, Virginia Tech, 2016. http://hdl.handle.net/10919/71749.
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Our Third Ear aims to create a multi-sensory experience by fusing sight, touch, and sound. By creating a means of physically feeling music, listeners can connect with songs, bands, and individual musicians on a profoundly personal level. The potential for unintended applications like learning to play an instrument, broadening the understanding of music for people with hearing impairments, or providing a means of therapy are also exciting prospects.
The purpose of this paper is to illustrate the process involved in creating a multi-sensory experience of music from concept to prototype. The culmination of interdisciplinary research and a broad range of creative technologies resulting in a working system. The multi-sensory experience consists of primarily tactile, but also visual responses triggered by music and executed in conjunction with aural music. Tactile investigation involved varied tactile sensations such as vibration, temperature, pressure, proprioception, and touch. Further research questioned the practicality, feasibility, and psychological impacts of using such sensations as well as where on the body such sensations would optimally be received. Visual research involved the visual representation of notes, chords, and sounds, as well as, how music could directly affect visuals in a real time environment. Additional research explored active interaction and passive interaction of visual cues using human computer interfaces.Master of Fine Arts
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Lam, Kenneth Ka Ho. "An epidemiological study of the factors affecting the performance of racing thoroughbreds at the Hong Kong Jockey Club." Thesis, University of Liverpool, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.569277.
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The objective of this research project was to investigate the reasons associated with the premature retirement of Thoroughbred horses in training at the Hong Kong Jockey Club (HKJC) and to develop intervention strategies in an attempt to reduce training and racing ",. injuries. The impetus for this project was a survey aimed at identifying the reasons for a decline in the race attendance and betting revenue. This identified premature retirement and an increase in turnover of horses which reduced the opportunity to "get to know" individual horses as one of the reasons for the decline. Content analysis of reasons for retirement identified superficial digital flexor (SDF) tendon injury as the major reason for the premature retirement in this population accounting for a mean of 3.2% of the total. The mean annual cumulative incidence of retirements due to SDF tendon injury was 3.2% accounting for 14% of all retirements. A follow up descriptive analysis of retirement of Thoroughbred racehorses due to tendon injuries at the Hong Kong Jockey Club (1992-2004) provided population based data on the frequency, career and economic losses associated with tendon injury induced retirement. The risk of tendon injury increased over the 12 year period from 2.3-4.2%. The length of the racing career, number of starts and earnings of horses retired with tendon injuries were reduced by 25.6,41.2 and 53.3%, respectively. Further evaluation of detailed training data (1997-2004) to identify risk factors for retirement because of tendon injuries in Thoroughbred racehorses was undertaken. Conditional logistic regression analyses were performed to identify risk factors for retirement from racing attributable to tendon injury.
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Kajerdt, Johan, and Andreas Rydberg. "Betting on the jockey rather than the horse : a study on the determinants of mergers of SPAC IPOs." Thesis, Uppsala universitet, Företagsekonomiska institutionen, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-433975.
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Special Purpose Acquisition Companies (SPACs) are public shell entities uniquely constructed to acquire one or more privately held businesses. The transaction's structural characteristics put significant pressure on the management team's capabilities to find a suitable company to acquire within the predetermined time frame. This thesis investigates whether management team characteristics, such as operating experience and gender diversity, increases the likelihood of success in identifying the target company and conducting the merger. Although not statistically significant, the results indicate that SPACs led by “C-suite” operators do not have a higher likelihood of successfully consummating a business combination. Furthermore, our data indicates gender diversity to have a positive impact on acquisition likelihood.Special Purpose Acquisition Companies (SPACs) är publika skalbolag konstruerade enkom i syfte att förvärva ett eller flera privata bolag. Transaktionen lägger stor vikt på ledningens förmåga att identifiera och förvärva en eller flera verksamheter inom en förbestämd tidsram. Studien undersöker huruvida relevanta karaktärsdrag i ledningsgruppen, såsom operationell erfarenhet och skillnader i kön, ökar sannolikheten att identifiera och förvärva dessa bolag. Resultatet av studien påvisar inget samband mellan operationell erfarenhet och ökad sannolikhet för förvärv, men däremot visar sig skillnader i kön inom ledningsgruppen ha en positiv inverkan på sannolikheten för förvärv. Sammantaget är resultaten dock inte statistiskt signifikanta.
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LIMA, L. S. C. "Modelagem Geológica-Geotécnica da Região da Praia de Itaparica e Jockey Itaparica no Município de Vila Velha-ES." Universidade Federal do Espírito Santo, 2017. http://repositorio.ufes.br/handle/10/9485.
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Previous issue date: 2017-06-08Esta pesquisa tem por objetivo caracterizar e elaborar modelos geológico-geotécnicos da região que abrange os bairros Jockey Itaparica e Praia de Itaparica (Vila Velha-ES). Para atingir esse objetivo, procedeu-se à coleta das informações de investigações geotécnicas realizadas nos últimos dez anos por meio de Sondagem à Percussão (Standard Penetration Test SPT) e Sondagens Rotativas. O trabalho consiste em coletar e analisar os dados de sondagens, visando identificar as camadas sedimentares mais características da região. Nessa análise, recorreu-se à seleção das sondagens mais representativas dos sedimentos da área de estudo. Em seguida, ocorreu a locação de furos de sondagens nos respectivos terrenos, o que possibilitou a obtenção de coordenadas UTM, com o auxílio do software de geoprocessamento Google Earth, a fim de obter os furos de sondagens sobre uma base cartográfica. Na terceira etapa, houve a elaboração de uma planilha contendo a localização a partir da latitude, longitude e altitude de cada furo e todas as informações geológicas e geotécnicas extraídas dos boletins de sondagem, importadas no software RockworksTM. Assim, por meio dessas informações, procedeu-se à elaboração de quatro modelos digitais geológicos e/ou geotécnicos: i) litológico; ii) estratigráfico; iii) Número de golpes SPT (NSPT) e iiii) Rock Quality Designation (RQD). Os modelos litológico e estratigráfico e as respectivas seções representaram as camadas de sedimentos existentes na região e, mediante as seções no modelo, foi possível visualizar os limites e a extensão das camadas. Diante desses dados, ficou notório que a área de estudo está na faixa de transição entre os depósitos aluvionares e os depósitos marinhos recentes quaternários. Além disso, os modelos confirmaram a existência do arenito na região que possui as características de um beachrock. O modelo Nspt forneceu a resistência das camadas sedimentares da área de estudo, que são importantes informações para a Engenharia, tendo em vista as diversas correlações realizadas com base nos resultados desse ensaio. E o modelo RQD informou sobre a qualidade da rocha sedimentar presente no substrato estudado. Com todos esses resultados, foi possível compreender a formação geológica da região e principalmente do beachrock.
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Vinazza, Avalos Giovanna Karla. "Influencia del clima organizacional en la satisfacción laboral de los colaboradores del centro de esparcimiento Jockey Club - Chiclayo 2015." Bachelor's thesis, Universidad Católica Santo Toribio de Mogrovejo, 2016. http://tesis.usat.edu.pe/handle/usat/836.
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Para comprender el comportamiento organizacional nunca antes ha tenido tanta importancia como en la actualidad, por ello el objetivo principal de esta investigación es la influencia del clima organizacional en la satisfacción laboral de los colaboradores del centro de esparcimiento Jockey Club de Chiclayo - 2015. Nuestro espacio laboral tiene fuerte relación con los resultados en nuestro trabajo, por ende en la empresa Jockey Club de Chiclayo brinda oportunidad de evaluar estas variables. Medir la satisfacción laboral ha representado un sistema de diagnóstico de la salud de una empresa identificando los factores intrínsecos que son los que miden la satisfacción laboral. El método utilizado en esta investigación es de tipo cuantitativa, descriptiva, y correlacional. Los autores referenciales fueron Sonia Palma Carrillo, citando a Likert y su teoría del clima laboral y los conceptos principales de Chiavenato, y Litwuin y Stirnger. La población muestral fueron 52 trabajadores del Jockey Club de Chiclayo, caracterizados por los criterios de inclusión. Para recolectar los datos se aplicó dos encuestas validadas: una sobre clima organizacional y la otra sobre satisfacción laboral, se interpretó con la “Escala clima laboral – CL – SPC” elaborada por Sonia Palma Carrillo y el l estadístico gamma para la correlación. Se concluyó que no existe relación entre clima laboral y satisfacción laboral. Si existe relación y son influyentes la realización personal y el involucramiento laboral. Los factores supervisión, condiciones laborales, condiciones de trabajo, y beneficios económicos tienen una percepción media, en el nivel desfavorable se encuentra la comunicación y la autorrealización .Se aplicaron los principios éticos de la declaración de Belmont. En conclusión denotamos claramente que del clima laboral es importante en la satisfacción laboral de los colaboradores de este centro de esparcimiento.Tesis
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Bondesson, Jonathan. "Hör Färger och Se Ljud : Vad händer när jag kombinerar flamencogitarr och film i ett live-framträdande?" Thesis, Kungl. Musikhögskolan, Institutionen för folkmusik, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2838.
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Hear Color and See Sound - What happens when I combine flamenco guitar and film in a live performance? This master thesis explores the combination of two art forms. The purpose is to use live projections to enhance my guitar composition with movie. My research question is: what happens when I combine flamenco guitar and film in a live performance? I explore if visual qualities add a deeper meaning to my instrumental music by experimenting with color science and video telling/editing techniques. I’ve tested through surveys and live performances if the audience perceive my music differently, by showing contrasting footage or footage that synchronize with my musical compositions. Resulting in an exam concert where I control the prerecorded video compositions with a touch screen interface through the video-jockey software Resolume, while also performing the music (which have been timed for the videos) live together with a flamenco singer and dancer.
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Llatas, Pérez Deysi Diana, and Peña Mayra Patricia Ventura. "Análisis del compromiso organizacional basado en el modelo de Meyer y Allen aplicado al restaurante del Jockey Club de Chiclayo 2017." Bachelor's thesis, Universidad Católica Santo Toribio de Mogrovejo, 2017. http://tesis.usat.edu.pe/handle/usat/1062.
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El presente análisis, es resultado de una investigación realizada en el sector Restauración en la Ciudad de Chiclayo, se orientó a evaluar las dimensiones que incurren en el compromiso organizacional de los trabajadores de la concesionaria del Jockey Club “LA PILETA DEL FRAILE”, se tuvo como principal objetivo determinar el grado de compromiso organizacional de los trabajadores en dicha concesionaria. Se utilizó las tres dimensiones que ofreció el modelo de Meyer y Allen en el compromiso organizacional, siendo éstos: compromiso afectivo, compromiso normativo y el compromiso de continuidad. Para ello, se utilizó como única técnica de investigación una encuesta, la cual recopilo datos de medición del grado de compromiso organizacional que fue aplicada a 25 trabajadores. El análisis de los resultados se realizó con base a las respuestas que los trabajadores brindaron directamente. De esta investigación se concluyó que en la concesionaria “LA PILETA DEL FRAILE” en términos generales, el mayor porcentaje de trabajadores se confirman en el compromiso afectivo, seguido de otro grupo que se encuentra en el compromiso normativo y un grupo menor se encuentra en el compromiso de continuidad.Tesis
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Eppinger, Marise. "Hemorragia pulmonar de esforço e o desempenho de equinos PSI (Equus caballus) em corridas de galope no Jockey Club do Parana." [s.n.], 1990. http://hdl.handle.net/1884/48945.
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Orientador: Ivan DecontoContem 2 fots. coladas
Dissertação (mestrado) - Universidade Federal do Paraná. Setor de Ciências Agrárias
Devido à freqüente associação da hemorragia pulmonar de esforço (HPE) com o mau desempenho em corridas, este estudo buscou uma associação da HPE com o desempenho dos animais através da colocação nas corridas. O desempenho foi avaliado somente pela classificação de chegada na corrida, com o grupo vencedor (1° e 2°) representando cavalos de bom desempenho e o grupo perdedor (3° e "n") os de mau desempenho. Usando um endoscópio de fibra óptica, com 170 cm de comprimento útil de trabalho, examinou-se um grupo de 121 cavalos puro-sangue-inglês até 60 minutos após a corrida para detectar sinais de HPE. Os exames endoscópicos avançaram até a bifurcação traqueal. Encontrou-se 76,9% dos animais com HPE. Entretanto, não houve casos de epistaxe. Os resultados foram avaliados para analisar a incidência de HPE relacionada à idade e ao sexo do animal, distância da corrida, colocação, e condição da pista. A pista (areia) tinha três variações: seca, úmida ou molhada. A incidência da HPE foi maior na pista seca (82,2%) do que na úmida (75,0%) ou na molhada (60,0%) .Sabe-se que em pistas de areia a velocidade do animal é maior na condição de pista seca quando comparada à molhada. De acordo com os achados supomos que com o aumento da velocidade no exercício encontrava-se maior incidência de HPE. Neste caso, poder-se-ia demonstrar uma relação da velocidade com a freqüência de HPE. Não se encontrou associação significativa do sexo nem tão pouco idade do animal, ou distância da corrida, com a freqüência de HPE. Foram colhidas amostras de secreção traqueobronquial por aspiração endoscópica para exame citológico no intuito de encontrar macrófagos com hemosiderina intracitoplasmática. Estas células estiveram presentes em 64,4% dos aspirados traqueobronquiais. Por outro lado, naqueles animais com sangue na traquéia (HPE) e macrófagos com hemosiderina (siderófagos) no aspirado, a freqüência encontrada foi 84,3%. Apesar da presença dos siderófagos significar uma hemorragia ocorrida recentemente, não se encontrou associação significativa dos casos positivos para siderófagos e a colocação na corrida. Também investigou-se uma associação entre a freqüência bem como a severidade da HPE e a colocação do animal na corrida. Observou-se tanto a freqüência quanto a severidade da HPE significativamente mais altas no grupo perdedor, indicando que animais de mau desempenho tiveram maior incidência de HPE (65,5%) do que os de bom desempenho (34,4%). Ademais, os graus de maior severidade (I e II) da hemorragia pulmonar de esforço ocorreram com maior freqüência (61.2%) do que os graus (III e IV) de maior severidade (15,7%)
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Jockers-Scherübl, Maria-Christiane [Verfasser]. "Untersuchungen zur Pathogenese, der Behandlung und dem Verlauf schizophrener Erkrankungen unter besonderer Berücksichtigung des Einflusses von Neurotrophinen und Cannabiskonsum / Maria-Christiane Jockers-Scherübl." Berlin : Medizinische Fakultät Charité - Universitätsmedizin Berlin, 2009. http://d-nb.info/1023373041/34.
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Reifsnyder, Laura Kathryn. "Jocks for Justice: How Sports Media Reflects and Propagates Societal Narratives." Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/cmc_theses/1810.
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Sports presents one of the most popular forms of entertainment in society, and sports media continues to expand its billion-dollar influence through new television deal and broadcasting rights. But with a population of journalists who are overwhelmingly white, straight, and male, sports media is promoting the hegemony of said image by reproducing stereotypes in its broadcasts to audiences around the country. Mainstream media regurgitates these stereotypes in their coverage of minority athlete by portraying black players as unintelligent or “thug”-ish, women as “butch”, and gay athletes as effeminate. These representations allow for the perpetuation of the white, heterosexual male narrative throughout society while sidelining those who do not fit the description. But just as sports media is growing in popularity, so too is the athlete activist. Starting in 2013, today’s athletic superstars are now using their exalted platforms to address societal issues and speak on behalf of marginalized groups that are often ignored or misrepresented by traditional media narratives. The efforts of Colin Kaepernick, Billie Jean King, and Jason Collins in fighting against the system and these stereotypes will reveal how certain athletes are represented in the media and their unique position of changing the discussion and inspiring others to challenge societal norms. The growing popularity of social media and its use as a tool for social activism will also be examined, particularly as it has revolutionized the culture of athlete activism.
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Olszewski, Michael Frank. "The Life and Career of Pete “Mad Daddy” Myers." Kent State University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=kent1248121549.
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Wong, Cho-ting, and 黃楚婷. "Adaptive reuse of industrial buildings and creative spaces in Hong Kong : a comparison of Fotanian Artist Village and Jockey Club Creative Arts Centre." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/195117.
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Adaptive reuse of industrial buildings into creative spaces has recently sparked global (Mommaas, 2000, 2004; Daniels, Ho, and Hutton, 2012)and local interests (Leung, 2010; Kong, 2012). The clustering effects of creative spaces have also inspired extensive research on how creative spaces could contribute to urban development and in particular economic growth (Pratt, Andy C., 2004; Evans, 2009; Mommaas, 2009).
This dissertation critically reviews existing literature and examines the hypothesis with a comparative study of the Fotanian Artist Village (Fotanian) and Jockey Club Creative Arts Centre (JCCAC), which represent two distinctive development trajectories namely organic and planned creative spaces in Hong Kong. It is argued that the development of creative spaces in industrial buildings is strongly correlated to the intention of the public sector to promote creative economies, as well as market assumptions in dealing with obsolescence in urban environment. Both are governed by the concept of neoliberalism, which advocates utilization of land resources based on exchange value rather than use value, and the use of creative spaces as urban development tools. Thus, developing creative spaces in obsolete places through adaptive reuse would restrain the organic growth of creative spaces, or result in its commodification and institutionalization.
The hidden neoliberal agenda has also led to the misconception that creative spaces should be assessed for its efficiency and effectiveness as a cluster based on the agglomeration effect of industrial cluster in traditional sense. Fotanian and JCCAC are selected to test against their success performances based on the cluster theory. The two cases are compared to examine whether the planned is less successful than the organic as suggested by the literature. Findings suggest that neither one of them entirely fulfills all the conditions of creative cluster identified in the literature for a successful creative space. Indeed the clustering effect is an inconclusive, if not misleading, criterion of successful creative spaces, given that the development of creative spaces in cities might bring a variety of benefits.
Studies have shown that the adaptive reuse of obsolete places might pose potential threats to creative spaces. It is argued that the success of organic and planned creative spaces can only be possible in the long term when breeding and sustaining factors are introduced.published_or_final_version
Urban Planning and Design
Master
Master of Science in Urban Planning
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Richter, Max Jocky [Verfasser]. "Untersuchung ottomotorischer Verbrennungsanomalien unter Berücksichtigung des Mehrkomponentenaufbaus von Kraftstoffen / Max Jocky Richter." Aachen : Shaker, 2019. http://d-nb.info/1188551965/34.
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Higa, Carbajal Karina. "¿Cómo se articula el mall en el espacio urbano desde la experiencia de usuarios jóvenes? Los C. C. Jockey Plaza y Megaplaza en Lima Metropolitana." Investiga Territorios, 2016. http://repositorio.pucp.edu.pe/index/handle/123456789/84354.
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En este documento se analiza el modo de articulación del mall a la trama urbana desde un enfoque socioespacial: es decir, se aborda la formación del tejido urbano como tejido social construido por los habitantes a través de sus trayectos cotidianos en la ciudad. Se demuestra que las lógicas de uso del mall brindadas por sus usuarios solo adquieren sentido si se considera a este como parte de un territorio mayor, relacionado con las centralidades. De esta manera, se discuten la perspectivas de la arquitectura y la ciudad como “fragmentos”que consideran a los malls y a otros equipamientos herméticos como espacios desvinculados del espacio urbano. A partir de un acercamiento etnográfico, se analizan los casos de los C. C. Jockey Plaza y Megaplaza, ubicados en un área consolidada y en un área de expansión, respectivamente. Como población de análisis se selecciona a los jóvenes, ya que su socialización integra como habitual-cotidiano el modelo actual de ciudad.
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Crisóstomo, Balvin Wendy Pamela, Rueda Karla Patricia Ortiz, and Trevejo José Diego Quispe. "Factores de atracción en jóvenes de 18 a 35 años en centros comerciales modernos en el año 2018. El caso de estudio del Jockey Plaza." Bachelor's thesis, Pontificia Universidad Católica del Perú, 2019. http://hdl.handle.net/20.500.12404/14754.
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La presente investigación tiene como punto de partida la problemática identificada en el
sector retail en el país explicada por una creciente oferta de centros comerciales a través de
nuevas aperturas. De acuerdo a Perú Retail (2018) se han identificado quince proyectos
relacionados a nuevos centros comerciales a desarrollarse durante los próximos cuatro años en
el país, del 2019 al 2022. No obstante, esto se realiza en un entorno de desaceleración
económica. El país obtuvo un alto crecimiento durante el primer semestre del 2018 llegando a
4.4% pero se registró un crecimiento de solo 2.3% en el tercer trimestre por diferentes razones
como la reducción del consumo privado, la incertidumbre interna, entre otros (Banco Central de
Reserva del Perú, 2018, p. 8).
A su vez, el sector retail se encuentra amenazado por la digitalización de servicios y el
e-commerce. En el año 2018, Perú registró una tasa de crecimiento en comercio electrónico de
30.2% superando de esta manera la media de 25.4% correspondiente a Latinoamérica
(Equilibrium, 2018, p. 11). La investigación tiene por objetivo general determinar los factores
que generan atracción para los jóvenes de 18 a 35 años al centro comercial Jockey Plaza.
Para ello, el presente estudio propone un modelo integrador de factores de atracción de
centros comerciales utilizando como base la teoría de las preferencias de shopping de Sheth
(1981) y el modelo de satisfacción de necesidades de entretenimiento planteado por Sit y
Merrilees (2005). La investigación se realizó bajo un enfoque mixto, el cual abarca el enfoque
cuantitativo y cualitativo. Para ello, se realizaron seis focus group, nueve entrevistas a expertos
para la definición y validación de las sub-variables de investigación, así como conocer a detalle
las preferencias del público estudiado. La data cualitativa recolectada ha sido analizada con el
programa webQDA, gestor de contenido, que permite obtener resultados de manera metódica.
Después de esto, se realizaron encuestas a los asistentes del Jockey Plaza con un
muestreo no probabilístico por conveniencia para posteriormente concluir con el análisis
factorial exploratorio y así conocer, el objetivo principal, los factores de atracción que se forman
a partir del mencionado análisis y compararlos con los propuestos a priori.De esta manera, se
concluye mediante el análisis realizado que son seis los factores de atracción a jóvenes de 18 a
35 años al Jockey Plaza; los cuales son posicionamiento e imagen, variedad de locatarios,
servicio, localización, publicidad y promoción y entretenimiento.
Así, el análisis mixto permitió encontrar las variables y sub-variables para la atracción
de jóvenes de 18 a 35 años al Jockey Plaza, lo cual puede ser una fuente de información
importante para el establecimiento de estrategias que mejoren su atracción al público joven. Así
también puede servir como precedente para estudios posteriores en el sector de centros
comerciales modernos en el país.Tesis
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LIMA, INDIA MARIA HILUF DE. "METROLOGICAL RELIABILITY OF THE ANTIDOPING LABORATORY OF THE BRAZILIAN JOCKEY CLUB. STUDY CASE: VALIDATION OF ANALYTICAL METHOD FOR DETERMINATION OF CAFFEINE IN URINE OF RACE HORSES." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2004. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=5563@1.
Full textAbstract:
FINANCIADORA DE ESTUDOS E PROJETOSMINISTÉRIO DA CIÊNCIA E TECNOLOGIA
A presente pesquisa de mestrado relaciona-se ao desenvolvimento e à validação de um método analítico para detecção de substâncias proibidas em matrizes biológicas de cavalos de corrida e seu impacto na confiabilidade metrológica de serviços laboratoriais voltados à atividade turfística visando (i) a especificação de desempenho de um laboratório antidoping capacitado para identificar a presença de substâncias proibidas acordadas pela indústria de carreiras de cavalo; (ii) a adequação às condições brasileiras dos métodos analíticos aplicáveis à determinação antidoping em matrizes biológicas de animais em competição e (iii) a definição de um padrão de excelência harmonizado aos critérios da International Federation of Horseracing Authorities entendidos como instrumentos para a conquista do credenciamento do laboratório antidoping e subseqüente participação em acordos internacionais de reconhecimento mútuo. Para fundamentar o desenvolvimento da pesquisa, o trabalho considerou como estudo de caso o Laboratório Antidoping do Jockey Club Brasileiro (LAD/JCB). Original no seu escopo, o trabalho contribui para ampliar a abrangência da atividade de acreditação laboratorial no Brasil tendo em vista tratar-se de uma nova categoria de laboratório de ensaio ainda não existente na matriz laboratorial credenciada cuja confiabilidade laboratorial foi desenvolvida à luz dos critérios da norma internacional ISO/IEC 17025. No contexto do desenvolvimento são ainda discutidos aspectos relevantes relacionados ao sistema da gestão laboratorial; expressão das incertezas de medição associadas à determinação antidoping em consonância a práticas e procedimentos internacionalmente consensados; capacitação de pessoal técnico especializado; rastreabilidade ao Sistema Internacional de Unidades (SI) e validação e adequação de metodologias analíticas utilizadas em laboratórios antidoping. Atenção particular é direcionada ao Methode Alcalins Sur C- 18, desenvolvido pelo Laboratoire LAB-Contrôle antidopage da França, aplicável a determinação da presença de substâncias dopantes em matrizes biológicas (urina) de cavalos de corrida, utilizado como método fonte para o desenvolvimento de um método alternativo adequado às condições laboratoriais do Laboratório Antidoping do Jockey Club Brasileiro e moldado à detecção de substâncias dopantes mais freqüentes na atividade turfística brasileira. Tendo a cafeína sido estatisticamente identificada a substância mais presente nas análises realizadas pelo Laboratório Antidoping do Jockey Club Brasileiro ao longo de seus sete anos de atuação, o Methode Alcalins Sur C-18 foi adequado e validado para sua determinação analítica. À pesquisa desenvolvida atribuem-se, também, créditos pela introdução de um novo atributo na validação qualitativa da metodologia, denominado valor- limite de determinação, subsidiando a determinação de uma faixa de concentração, para que resultados incorretos (falso-positivos e falso- negativos) não constem de laudos emitidos. Adicionalmente à adequação e validação do método analítico desenvolvido, a pesquisa de mestrado contribuiu não apenas para atribuir visibilidade a uma nova categoria de laboratórios, mas, principalmente, para preparar o Laboratório Antidoping do Jockey Club Brasileiro para demonstrar sua competência técnica como estratégia de conquista de um credenciamento internacionalmente reconhecido. A presente pesquisa de mestrado voltada ao equacionamento de um problema inédito no Brasil de interesse da indústria relacionada à atividade turfística desenvolveu-se no contexto do Convênio FINEP/MCT no. 22.01.0692.00, Referência 1974/01, que aportou recursos do Fundo Setorial Verde Amarelo para direcionar o esforço de pesquisa em metrologia para a solução de dez projetos-piloto de interesse da indústria. No c
This Master s Degree dissertation addresses the development in adjustment and validation and the metrological reliability of laboratory services covering horseracing activities. The work includes (i) the specification of the performance of an antidoping laboratory capable of identifying the presence of forbidden substances, as defined by the horse-racing industry; (ii) the validation of analytical methods applicable in doping tests of biological matrices of competing animals to Brazilian laboratories conditions, and (iii) the definition of a standard of excellence in harmony with the criteria of the International Federation of Horseracing Authorities as the tools utilized for the accreditation of the antidoping laboratory and the subsequent participation in international agreements of mutual recognition. In order to validate the methodology, the Brazilian Jockey Club Antidoping Laboratory (LAD/JCB) was used as a studycase. Original in its scope, this work contributes towards the widening of the accreditation of laboratories in Brazil, considering the fact this new category of testing laboratories is still nonexistent within the Brazilian network of accredited testing laboratories which considers the international standard ISO/IEC 17025 as the basic criteria. With regard to development, some relevant aspects are still being discussed in relation to the laboratory management system: the unreliability of the measurements for the determination of doping, in view of internationally accepted practices and procedures; qualification of specialized technical personnel; traceability of SI (the International Unit System) and the validation and adjustment of analytical methodologies utilized in antidoping laboratories. Special attention is dedicated to Methode Alcalins Sur C- 18, developed by Laboratoire LAB-Contrôle Antidopage in France, applicable to the determination of the presence of doping substances in the biological matrix (urine) of racehorses, used as method source for the development of an alternative method adjusted to the Antidoping Laboratory of the Brazilian Jockey Club conditions and molded to detection of the more frequents doping substances in the brazilian horserancing activities. Having the caffeine been the doping substance statistically identified as the most frequent in the tests carried out by the Brazilian Jockey Club Antidoping Laboratory, along its seven years of services, the Methode Alcalins Sur C-18 was adapted and validated for its analytical determinations. The applied research carried out was also credited with the introduction of a new attribute to the methodology qualitative validation, designated as limit- value for determination, which provides key-information for the determination of a concentration band, in order that incorrect results (false-positive and false- negative) do not appear in the laboratory reports usually issued. Besides the adaptation and validation of the analytical method thus developed, this Master s Degree dissertation contributes not only towards greater visibility of a new category of laboratories, but mainly to the preparation of the Brazilian Jockey Club Antidoping Laboratory to demonstrate its technical capacity as a policy and strategy for becoming in the near future an internationally recognized accredited laboratory. The present M.Sc. Dissertation addresses the metrological reliability of antidoping laboratories, a pioneering issue in Brazil, aiming at the solution of a problem related to the horse-racing industry. It was developed under the financial support of the FINEP/MCT Agreement no. 22.01.0692.00, Reference 1974/01 (Green-Yellow governmental Sectoral Fund) which droved research cooperative efforts in metrology to the solution of ten pilot-projects. In this case specifically, cooperated to the development of the M.Sc. research entitled Metrological reliability of the Antidoping Laboratory of the Brazilian Jockey Club
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Jockers, Katharina [Verfasser], Raphael [Gutachter] Stoll, and Peter [Gutachter] Bayer. "Mehrdimensionale \(\it in-cell\) & SAR by NMR-Studien zur funktionellen Charakterisierung der kleinen GTPase Rheb / Katharina Jockers ; Gutachter: Raphael Stoll, Peter Bayer ; Fakultät für Chemie und Biochemie." Bochum : Ruhr-Universität Bochum, 2014. http://d-nb.info/1224681789/34.
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