Relevant bibliographies by topics / Johann Christian Günther

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  2. Dissertations / Theses
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Academic literature on the topic 'Johann Christian Günther'

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Published: 4 June 2021
Last updated: 10 March 2023

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Journal articles on the topic "Johann Christian Günther"

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Yuh-Dong Kim. "Ein verlorener Dichter: Johann Christian Günther und die Melancholie." Koreanische Zeitschrift für Germanistik 60, no. 2 (June 2019): 5–38. http://dx.doi.org/10.31064/kogerm.2019.60.2.5.

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Koska, Bernd. "Bach-Schüler bei der Organistenwahl zu Schleiz 1727/28." Bach-Jahrbuch 98 (February 9, 2018): 225–34. http://dx.doi.org/10.13141/bjb.v20121213.

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Der Artikel schildert Voraussetzungen und Ablauf der im Titel genannten Organistenwahl und geht auf einige der sieben namentlich bekannten Bewerber ein. Die darunter befindlichen Bernhard Christian Kayser und der letztlich erfolgreiche Johann Jacob Kieser, beide Bach-Schüler, werden ebenso kurz vorgestellt wie Salomon Günther John, für dessen mögliche Bach-Schülerschaft einige Verdachtsmomente dargelegt werden. Erwähnte Artikel: Hans Löffler: Die Schüler Joh. Seb. Bachs. BJ 1953, S. 5-28 Andrew Talle: Nürnberg, Darmstadt, Köthen - Neuerkenntnisse zur Bach-Überlieferung in der ersten Hälfte des 18. Jahrhunderts. BJ 2003, S. 143-172 Peter Wollny: Über die Hintergründe von Johann Sebastian Bachs Bewerbung in Arnstadt. BJ 2005, S. 83-94 Hans Rudolf Jung: Der Bach-Schüler Bernhard Christian Kayser als Bewerber um die Hof- und Stadtorganistenstelle in Schleiz. BJ 2005, S. 281-286 Andrew Talle: Die "kleine Wirthschafft Rechnung" von Carl August Hartung. BJ 2011, S. 51-80
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Ehrmann, Daniel. "Nichtstun, Aufschreiben, Ausschneiden. Grenzwerte der Zusammenarbeit in der Literatur (Günther, Goethe, Schiller, Brecht)." Journal of Literary Theory 16, no. 1 (April 28, 2022): 29–50. http://dx.doi.org/10.1515/jlt-2022-2015.

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Abstract This article explores creative collaboration as an old, yet rarely discussed problem. It is mainly focused on literature, but the questions raised as well as the results are broadly applicable to most modern artforms that are based on a strong concept of authorship. Collaborations are familiar to all artistic genres at all times, in some periods and contexts they are even prevalent. Therefore, they currently gain notable attention in many academic disciplines, especially in the humanities but also in social sciences. In recent years the notion has become popular that in a certain way all works of art are collaborative (cf. Inge 2001, 623). One of the central points the article is trying to make is that the loose application of the concept of collaboration is clouding the view onto specific practices. At the same time, it is the main reason for the present uncertainty of what an artistic collaboration actually is or how it manifests itself in the resulting work of art. Therefore, the article explores the threshold of the concept of collaboration and presents readings of a few examples that challenge the stereotype of cooperative action as a setting of shared intentionality and stable roles of action. To make the huge field of collaborations more manageable, the article proposes to divide it into two different sets of practices: The first consists of all acts that bring texts into existence. On that level of material practices there is no need to make typological distinctions between the actors involved. It is more about the way a text is produced than who claims to be the author. Hence the question is how a person writes, on which surface and under which circumstances, if alone or interacting with others. The distinction between the author and all other actors involved in the production – the secretaries, the editors, the partners, to name only a few – is made on a second tier. It is the level of representation and representational practices. To separate the level of writing (Verfasserschaft) from the level of authorship (Autorschaft) allows a more neutral perspective on collaboration, that prevents confusion of writing with its representation. Based on Pierre Bourdieu’s Esquisse d’une théorie de la pratique (1972) the article proposes a praxeological approach which calls for a close look at the specific constellation of textual production. To acknowledge the symbolic value of different writing-scenes (Schreibszenen) this approach needs to be complemented by a history of reading and writing (i.a. Roger Chartier). To specify and exemplify this notion the article analyses three different settings of textual production that can all be located at the margins of collaboration. All of them show a certain way of making common practices seem extraordinary. It is not the general type of practice but the specific way it is acted out in a certain constellation that gains symbolic value. Some of the specific examples addressed are: 1) What makes Johann Christian Günthers dictation so special that it is communicated in the paratext to his poem? And is it enough to let the unknown writer escape mere instrumentality and advance to being a collaborator? 2) Can individual verses of Goethe’s and Schiller’s Xenien be perceived as collaborations even though only one of them has written them? Can, in other words, doing nothing be considered an authorial practice as long as there is a contextualizing agreement on co-authorship? 3) Can Brecht’s Kriegsfibel be considered a collaboration even though he used photos published in newspapers without permission or consent? Is intention necessary or is it possible to collaborate unknowingly? These questions are difficult to answer definitively and maybe it is not even possible to answer them with absolute certainty. But they provoke reflections on the theoretical foundation of collaboration and authorship, they let us see some of the outlines of these concepts, hence help make our ignorance ›specified‹ (Robert K. Merton).
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Neumann, H. "Christian Weissmantel, Claus Hamann. unter Mitarbeit von Hubert Burghardt, Helmut Giegenhack, Günther Hecht und Hans-Jürgen Hinneberg. Grundlagen der Festkörperphysik. 4. bearbeitete auflage. Johann ambrosius barth verlag, Hüthig GmbH. heidelberg–Leipig 1995 807 Seiten 418 Abbildungen, 95 tabellen, anhang mit 8 tafeln. DM 148,–; OS 1081.– SFr 133.–, ISBN 3-335-00421-3." Crystal Research and Technology 31, no. 6 (1996): 782. http://dx.doi.org/10.1002/crat.2170310612.

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FATHY, Hebatallah. ""Du weist, ich denke rein und sage schlecht frey" Der poetologische Sinn in Johann Christian Günthers Freundschaftsgedichten." Kairoer Germanistische Studien 18, no. 1 (September 1, 2009): 111–38. http://dx.doi.org/10.21608/kgs.2009.144331.

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Trautwein, Wolfgang. ""VON INNEN ZWAR EIN PARADIES, VON AUßEN UNRUH, ZANCK UND PLAGEN" - ZUR KOMPOSITION VON JOHANN CHRISTIAN GÜNTHERS LIEBESGEDICHTEN." Daphnis 16, no. 1-2 (March 30, 1987): 167–218. http://dx.doi.org/10.1163/18796583-90000368.

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Bers, Günter, Georg Denzler, Heinrich Walle, Heinz Hürten, Joachim Bahlcke, Carsten Woll, Ulrich van der Heiden, Hans-Paul Höpfner, and Christian Wipperfürth. "Religions- und Kirchengeschichte." Das Historisch-Politische Buch (HPB) 65, no. 4-6 (October 1, 2017): 543–51. http://dx.doi.org/10.3790/hpb.65.4-6.543.

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Klaus Herbers, Larissa Düchting (Hg.): Sakralität und Devianz. Konstruktionen – Normen – Praxis (Günter Bers) Volker Reinhardt: Pontifex. Die Geschichte der Päpste. Von Petrus bis Franziskus (Georg Denzler) Kai Witthinrich: … si negotio ecclesiae videtur expedire. Die Päpste des Mittelalters zwischen Eherecht und Heiratspolitik. Eine typologische Untersuchung (Heinrich Walle) Claudia Zey: Der Investiturstreit (Heinz Hürten) Thomas Haas: Geistliche als Kreuzfahrer. Der Klerus im Konflik zwischen Orient und Okzident (1095-1221) (Heinrich Walle) Susan Richter, Armin Kohnle (Hg.): Herrschaft und Glaubenswechsel. Die Fürstenreformation im Reich und in Europa in 28 Biografien (Joachim Bahlcke) Karl-Heinz Braun, Hugo Oft, Wilfried Schöntag (Hg.): Mittelalterliches Mönchtum in der Moderne? Die Neugründung der Benediktinerabtei Beuron 1863 und deren kulturelle Ausstrahlung im 19. und 20. Jahrhundert (Carsten Woll) Sebastian Gottschalk: Kolonialismus und Islam. Deutsche und britische Herrschaft in Westafrika (1900-1914) (Ulrich van der Heiden) Johannes Gleixner: Menschheitsreligionen. T. G. Masaryk, A. V. Lunačarskij und die religiöse Herausforderung revolutionärer Staaten (Hans-Paul Höpfner) John P. Burgess: Holy Rus’. The Rebirth of Orthodoxy in the New Russia (Christian Wipperfürth)
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Des Places, Édouard. "Chronique de la philosophie religieuse des Grecs (1995-1997) [Einleitung in die griechische Philologie, Heinz-Günther Nesselrath ; Pierre Hadot, Qu'est-ce que la philosophie antique ? ; Amand Jagu, La conception grecque de l'homme d'Homère à Platon ; Christian Schäfer, Xenophanes von Kolophon. Ein Vorsokratiker zwischen Mythos und Philosophie ; Ioannis G. Kalogérakos, Seele und Unsterblichkeit. Untersuchungen zur Vorsokratik bis Empedocles ; Reinhold Merkelbach, Philologica, Ausgewählte kleine Schriften ; Kurt Sier, Die Rede der Diotima-Untersuchungen zum platonischen Symposion ; Platon Werke, Übersetzung und Kommentar, III 2, Philebos, Dorothea Frede ; Aristotle, On Sleep and Dreams. A Text and Translation with Introduction, Notes and Glossary by David Gallop ; Johan C. Thom, The Pythagorean Golden Verses ; Iustini martyris dialogus cum Tryphone ; Porfirio, Storia delle filosofia ; Damascius, Commentaire du Parménide de Platon. Texte établi par L. G. Westerink, introduit, traduit et annoté par J. Combes]." Bulletin de l'Association Guillaume Budé : Lettres d'humanité 56, no. 4 (1997): 254–63. http://dx.doi.org/10.3406/bude.1997.2418.

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Zymner, Rüdiger. "Johann Christian Günther, Textkritische Werkausgabe in vier Bänden und einer Quellendokumentation." Arbitrium 32, no. 2 (January 1, 2014). http://dx.doi.org/10.1515/arb-2014-0070.

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Zymner, Rüdiger. "Johann Christian Günther, Textkritische Werkausgabe in vier Bänden und einer Quellendokumentation." Arbitrium 32, no. 2 (January 1, 2014). http://dx.doi.org/10.1515/arbi-2014-0070.

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Dissertations / Theses on the topic "Johann Christian Günther"

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BIGNOTTI, LAURA. "Convenzionalità barocca e coscienza individuale nella lirica religiosa di Johann Christian Günther." Doctoral thesis, Università Cattolica del Sacro Cuore, 2007. http://hdl.handle.net/10280/166.

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Da tempo la critica letteraria si interroga sulla possibilità di riconoscere nella lirica di Johann Christian Günther il primo esempio di lirica soggettiva dopo la grande stagione retorica seicentesca. Gli studi tesi ad indagare il valore innovativo della sua poesia sono stati sinora dedicati quasi esclusivamente ai suoi Liebeslieder o Klagelieder; il presente lavoro si concentra invece sull'analisi dei suoi canti spirituali. La ricerca qui condotta intende dimostrare come anche nella geistliche lyrik Günther proponga spesso una rilettura in chiave personale, se non talora autobiografica, di motivi tradizionali, per quanto sopravvivano in essa elementi tipici della poesia barocca. Se i canti giovanili rimangono per lo più ancorati all'imitazione, scarsamente originale, di modelli preesistenti, le composizioni attribuibili alla fase più matura della produzione del poeta testimoniano un'evoluzione nel suo approccio alla materia sacra; tale evoluzione, rispetto alla quale si ravvisa, in particolare, l'influenza del pietismo, prende forma nell'elaborazione sempre più consapevole ed originale di motivi e tematiche. Il lavoro prende in esame diversi gruppi di liriche: il ciclo di Perikopenlieder noti come Geistliche oden uber einige Sonn- und Festtage des sogenannten Christlichen Jahres des Herrn de Sacy verfertiget; la Bibeldichtung güntheriana, i Weihnachtslieder e i Bußlieder dell'autore slesiano.
Critical interest in the rich literary production of Johann Christian Günther has been focussing on the possibility of recognizing in his poems the first example of subjective poetry after the great rhetoric season of the 17th century. Most studies investigating the innovative value of Günther's work concentrate on his Liebeslieder or Klagelieder. The present work concentrates instead on his religious poems, and aims to demonstrate that also in his geistliche Lyrik the author is able to offer a personal, sometimes autobiographical, reading of traditional themes, despite the persistence of typical baroque elements. While his early lyrics tend to remain faithful to the scarcely original imitation of pre-existing models, his later poems show a different approach to religious material. This evolution takes the form of a personal and conscious elaboration of spiritual themes, characterized by a considerable influence of pietism. The present research examines in particular Günther's Perikopenlieder, known as Geistliche Oden uber einige Sonn- und Festtage des sogenannten Christlichen Jahres des Herrn de Sacy verfertiget, his Bibeldichtung, his Weihnachtslieder and his Bußlieder.
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BIGNOTTI, LAURA. "Convenzionalità barocca e coscienza individuale nella lirica religiosa di Johann Christian Günther." Doctoral thesis, Università Cattolica del Sacro Cuore, 2007. http://hdl.handle.net/10280/166.

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Da tempo la critica letteraria si interroga sulla possibilità di riconoscere nella lirica di Johann Christian Günther il primo esempio di lirica soggettiva dopo la grande stagione retorica seicentesca. Gli studi tesi ad indagare il valore innovativo della sua poesia sono stati sinora dedicati quasi esclusivamente ai suoi Liebeslieder o Klagelieder; il presente lavoro si concentra invece sull'analisi dei suoi canti spirituali. La ricerca qui condotta intende dimostrare come anche nella geistliche lyrik Günther proponga spesso una rilettura in chiave personale, se non talora autobiografica, di motivi tradizionali, per quanto sopravvivano in essa elementi tipici della poesia barocca. Se i canti giovanili rimangono per lo più ancorati all'imitazione, scarsamente originale, di modelli preesistenti, le composizioni attribuibili alla fase più matura della produzione del poeta testimoniano un'evoluzione nel suo approccio alla materia sacra; tale evoluzione, rispetto alla quale si ravvisa, in particolare, l'influenza del pietismo, prende forma nell'elaborazione sempre più consapevole ed originale di motivi e tematiche. Il lavoro prende in esame diversi gruppi di liriche: il ciclo di Perikopenlieder noti come Geistliche oden uber einige Sonn- und Festtage des sogenannten Christlichen Jahres des Herrn de Sacy verfertiget; la Bibeldichtung güntheriana, i Weihnachtslieder e i Bußlieder dell'autore slesiano.
Critical interest in the rich literary production of Johann Christian Günther has been focussing on the possibility of recognizing in his poems the first example of subjective poetry after the great rhetoric season of the 17th century. Most studies investigating the innovative value of Günther's work concentrate on his Liebeslieder or Klagelieder. The present work concentrates instead on his religious poems, and aims to demonstrate that also in his geistliche Lyrik the author is able to offer a personal, sometimes autobiographical, reading of traditional themes, despite the persistence of typical baroque elements. While his early lyrics tend to remain faithful to the scarcely original imitation of pre-existing models, his later poems show a different approach to religious material. This evolution takes the form of a personal and conscious elaboration of spiritual themes, characterized by a considerable influence of pietism. The present research examines in particular Günther's Perikopenlieder, known as Geistliche Oden uber einige Sonn- und Festtage des sogenannten Christlichen Jahres des Herrn de Sacy verfertiget, his Bibeldichtung, his Weihnachtslieder and his Bußlieder.
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Lieb, Christian [Verfasser], Johannes [Akademischer Betreuer] Fottner, Thorsten [Gutachter] Schmidt, Johannes [Gutachter] Fottner, and Willibald [Gutachter] Günthner. "Dynamische Steuerungsstrategien für innerbetriebliche Routenzugsysteme / Christian Lieb ; Gutachter: Thorsten Schmidt, Johannes Fottner, Willibald Günthner ; Betreuer: Johannes Fottner." München : Universitätsbibliothek der TU München, 2021. http://d-nb.info/1236343093/34.

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Schumacher, Johannes Christian [Verfasser], Thomas Akademischer Betreuer] Hebbeker, and Thomas [Akademischer Betreuer] [Bretz. "Exploring silicon photomultipliers for the upgrade of the Pierre Auger observatory / Johannes Christian Schumacher ; Thomas Hebbeker, Thomas Günther Bretz." Aachen : Universitätsbibliothek der RWTH Aachen, 2019. http://d-nb.info/1191188922/34.

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Books on the topic "Johann Christian Günther"

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Günther, Johann Christian. Johann Christian Günther: Dichtungen der Universitätsjahre 1715-1719. Berlin: De Gruyter, 2013.

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Kersten, Sandra. Die Freundschaftsgedichte und Briefe Johann Christian Günthers. Berlin: Frank & Timme, 2006.

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Regener, Ursula. Stumme Lieder?: Zur motiv- und gattungsgeschichtlichen Situierung von Johann Christian Günthers Verliebten Gedichten. Berlin: W. de Gruyter, 1989.

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Stüben, Jens. Johann Christian Günther (1695-1723). Oldenbourg, 1997.

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Böhlhoff, Reiner. Johann Christian Günther 1695-1975 Bd. II. Schriftenverzeichnis. Böhlau-Verlag GmbH, 1997.

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Böhlhoff, Reiner. Johann Christian Günther 1695-1975 Bd. III. Rezeptions- und Forschungsgeschichte. Böhlau-Verlag GmbH, 1997.

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Johann Christian Günther (1695-1723): Oldenburger Symposium zum 300. Geburtstag des Dichters. München: R. Oldenbourg, 1997.

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Regener, Ursula. Stumme Lieder?: Zur motiv- und gattungsgeschichtlichen Situierung von Johann Christian Günthers Verliebten Gedichten. De Gruyter, Inc., 2018.

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Hentschel, Anja, Gerrit Hornung, and Silke Jandt, eds. Mensch - Technik - Umwelt: Verantwortung für eine sozialverträgliche Zukunft. Nomos Verlagsgesellschaft mbH & Co. KG, 2020. http://dx.doi.org/10.5771/9783748910770.

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Alexander Roßnagel celebrated his 70th birthday on September 13, 2020. The jubilee has shaped innovative research approaches in many areas of environmental and technology law. His interdisciplinary studies often include methodological advancements and combine specific design problems with important questions of fundamental rights and social cooperation – always aiming at responsible decisions for a socially acceptable future. The articles of the festschrift concern many facets of his work and bring together legal and interdisciplinary perspectives on essential challenges regarding the design of legal norms and innovative technologies, privacy and data protection, the conception and regulation of digitization, environmental regulation and organizational development. With contributions by Christiane Borchard, Benedikt Buchner, Alfred Büllesbach, Ernestine Dickhaut, Alexander Dix, Peter Dräxler, Christoph Ewen, Lothar Fischer, Martin Führ, Shizuo Fujiwara, Kurt Geihs, Christian Ludwig Geminn, Rüdiger Grimm, Volker Hammer, Anja Hentschel, Eric Hilgendorf, Michel-A. Horelt, Gerrit Hornung, Silke Jandt, Andreas Janson, Paul C. Johannes, Dieter Klumpp, Nicole Krämer, Michael Kreutzer, Herbert Kubicek, Robert Kuhn, Christel Kumbruck, Jörn Lamla, Philip Laue, Jan Marco Leimeister, Natalie Maier, Fabiano Menke, Hans-Jürgen Müggenborg, Günter Müller, Bernhard Nagel, Maxi Nebel, Uwe Neuser, Tadashi Otsuka, Ulrich Pordesch, Niklas Radenbach, Philipp Richter, Gerhard Roller, Peter Rott, Christoph Schnabel, Roland Steidle, Martin Steinebach, Gerd Stumme, Ali Sunyaev, Mayu Terada, Wolfgang Thaenert, Michael Waidner, Thilo Weichert, Tsuneharu Yonemaru
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Weidenfeld, Werner, and Wolfgang Wessels, eds. Jahrbuch der Europäischen Integration 2021. Nomos Verlagsgesellschaft mbH & Co. KG, 2021. http://dx.doi.org/10.5771/9783748912668.

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The yearbook on European integration, compiled by the Institute of European Politics in Berlin, has documented the process of European integration in an up-to-date and detailed way since 1980. The result is a unique record of contemporary European history over a 41 year period. The 2021 edition of the yearbook continues this tradition. In approximately 100 contributions related to their main research subjects, the book’s authors portray the events of European politics in the period 2020–21 and inform the reader about the work of European institutions, the development of the EU’s policy areas, Europe’s role in the world and European policy in the EU’s member states and candidate countries. With contributions by Petra Ahrens · Constanze Aka · Aljoscha Albrecht · Franco Algieri · Franz-Lothar Altmann · Katrin Auel · Heinz-Jürgen Axt · Julia Bachtrögler-Unger · Michael L. Bauer · Peter Becker · Matthias Belafi · Annegret Bendiek · Julian Bergmann · Sarah-Lena Böning · Katrin Böttger · Klaus Brummer · Birgit Bujard · Karlis Bukovskis · Hrvoje Butković · Thomas Christiansen · Agnieszka K. Cianciara · Anthony Costello · Alexandru Damian · Franziska Decker · Johanna Deimel · Doris Dialer · Thomas Diez · Roland Döhrn · Hans-Wilhelm Dünn · Tobias Etzold · Alina Felder · Eva Feldmann-Wojtachnia · Sabine Fischer · Tobias Flessenkemper · Christian Franck · Carsten Gerards · Gabriel Glöckler · Daniel Göler · Alexander Grasse · Anna Gussarova · Christoph Gusy · Björn Hacker · Simon Hartmann · Niklas Helwig · Andreas Hofmann · Bernd Hüttemann · Tuomas Iso-Markku · Klaus Jacob · Michael Kaeding · Niels Keijzer · Mariam Khotenashvili · Anna-Lena Kirch · Henning Klodt · Wim Kösters · Valentin Kreilinger · Tobias Kunstein · Jan Labitzke · Guido Lessing · Barbara Lippert · Christian Lippert · Marko Lovec · Siegfried Magiera · Remi Maier-Rigaud · Jean-Marie Majerus · Andreas Marchetti · Daniel Martínek · Dominic Maugeais · Andreas Maurer · Vittoria Meißner · Laia Mestres · Jürgen Mittag · Lucia Mokrá · Jan-Peter Möhle · Manuel Müller · Matthias Niedobitek · Thomas Petersen · Anne Pintz · Julian Plottka · Johannes Pollak · António Raimundo · Christian Raphael · Iris Rehklau · Florence Reiter · Darius Ribbe · Daniel Schade · Sebastian Schäffer · Joachim Schild · Ulrich Schlie · Otto Schmuck · Lucas Schramm · Tobias Schumacher · Oliver Schwarz · Martin Selmayr · Otto W. Singer · Eduard Soler i Lecha · Martin Stein · Burkard Steppacher · Tamás Szigetvári · Funda Tekin · Gabriel N. Toggenburg · Hans-Jörg Trenz · Jürgen Turek · Günther Unser · Mendeltje van Keulen · Nicolai von Ondarza · Thomas Walli · Volker Weichsel · Werner Weidenfeld · Michael Weigl · Wolfgang Weiß · Charlotte Wenner · Wolfgang Wessels · Moritz Wiesenthal · Sabine Willenberg · Laura Worsch · Wolfgang Zellner
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Book chapters on the topic "Johann Christian Günther"

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Jung, Werner. "Günther, Johann Christian." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_6581-1.

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Meid, Volker. "Günther, Johann Christian." In Metzler Autoren Lexikon, 291–92. Stuttgart: J.B. Metzler, 1997. http://dx.doi.org/10.1007/978-3-476-03720-6_144.

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Fischer, Ernst Peter. "Günther, Johann Christian: Das lyrische Werk." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_6582-1.

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Martin, Dieter. "„Ecce poeta“ – Johann Christian Günther in Dichterdramen um 1900." In Geistesheld und Heldengeist, 241–62. Ergon Verlag, 2020. http://dx.doi.org/10.5771/9783956507120-241.

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Kühn, Walter. "„Trostbild der Gedancken“. Johann Christian Günthers Abschieds-Widmungen." In "Das süße Wort: Ich liebe dich", 159–82. Tectum – ein Verlag in der Nomos Verlagsgesellschaft, 2018. http://dx.doi.org/10.5771/9783828871427-159.

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"“VON DER VÄTER KUNST”: Johann Christian Günthers kasualpoetische Selbstpositionierung." In Theorie und Praxis der Kasualdichtung in der Frühen Neuzeit, 381–90. Brill | Rodopi, 2010. http://dx.doi.org/10.1163/9789042031050_020.

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"Vom »Amt der rechten Poesie« – Johann Christian Günthers kasualpoetischer Kampf gegen Sohn und Vater Männling." In Kulturgeschichte Schlesiens in der Frühen Neuzeit, 1061–78. Max Niemeyer Verlag, 2005. http://dx.doi.org/10.1515/9783110942545.1061.

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